Images, improvisations, sound, and silence from 1000 to 1800: Degree Zero
The act of drawing a line or uttering a word is often seen as integral to the process of making art. This is especially obvious in music and the visual arts, but applies to literature, performance, and other arts as well. These collected essays, written by scholars from diverse fields, take a histor...
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Weitere Verfasser: | , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2018]
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Schriftenreihe: | Knowledge communities
6 |
Schlagworte: | |
Online-Zugang: | DE-1043 DE-1046 DE-858 DE-Aug4 DE-898 DE-859 DE-860 DE-91 DE-473 DE-739 Volltext |
Zusammenfassung: | The act of drawing a line or uttering a word is often seen as integral to the process of making art. This is especially obvious in music and the visual arts, but applies to literature, performance, and other arts as well. These collected essays, written by scholars from diverse fields, take a historical view of the richness of creation out of nothing (creatio ex nihilo) in order to draw out debates, sometimes implicit and sometimes formally stated, about the production and reproduction of cultural meaning in a period of great change and novelty, between the beginnings of the medieval intellectual tradition and the imprint of the Enlightenment. The authors pose the following questions: Do tradition and creativity conflict with one another, or are they complementary? What are the tensions between composition and live performance? What is the role of the audience in perceiving the object of art? Are such objects fixed or flexible? What about the status of the event? Is the event part of creation, in the sense that it disturbs the still waters of historical continuity? These and other questions build on the foundation of Roland Barthes' concept of Degree Zero, offering new insights into what it means to create |
Beschreibung: | 1 Online-Ressource (251 Seiten) Illustrationen |
ISBN: | 9789048529186 |
DOI: | 10.1515/9789048529186 |
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Datensatz im Suchindex
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adam_text | |
any_adam_object | |
author2 | Hellemans, Babette 1974- Nelson, Alissa Jones |
author2_role | edt edt |
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author_GND | (DE-588)143045806 (DE-588)1023068141 |
author_facet | Hellemans, Babette 1974- Nelson, Alissa Jones |
building | Verbundindex |
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dewey-ones | 700 - The arts |
dewey-raw | 700.902 |
dewey-search | 700.902 |
dewey-sort | 3700.902 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
doi_str_mv | 10.1515/9789048529186 |
era | Geschichte 1000-1800 gnd |
era_facet | Geschichte 1000-1800 |
format | Electronic eBook |
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indexdate | 2024-07-20T08:58:29Z |
institution | BVB |
isbn | 9789048529186 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031263615 |
oclc_num | 1101917408 |
open_access_boolean | |
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physical | 1 Online-Ressource (251 Seiten) Illustrationen |
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publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Amsterdam University Press |
record_format | marc |
series | Knowledge communities |
series2 | Knowledge communities |
spelling | Images, improvisations, sound, and silence from 1000 to 1800 Degree Zero edited by Babette Hellemans and Alissa Jones Nelson Amsterdam Amsterdam University Press [2018] © 2018 1 Online-Ressource (251 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Knowledge communities 6 The act of drawing a line or uttering a word is often seen as integral to the process of making art. This is especially obvious in music and the visual arts, but applies to literature, performance, and other arts as well. These collected essays, written by scholars from diverse fields, take a historical view of the richness of creation out of nothing (creatio ex nihilo) in order to draw out debates, sometimes implicit and sometimes formally stated, about the production and reproduction of cultural meaning in a period of great change and novelty, between the beginnings of the medieval intellectual tradition and the imprint of the Enlightenment. The authors pose the following questions: Do tradition and creativity conflict with one another, or are they complementary? What are the tensions between composition and live performance? What is the role of the audience in perceiving the object of art? Are such objects fixed or flexible? What about the status of the event? Is the event part of creation, in the sense that it disturbs the still waters of historical continuity? These and other questions build on the foundation of Roland Barthes' concept of Degree Zero, offering new insights into what it means to create In English Geschichte 1000-1800 gnd rswk-swf Arts, Medieval Arts, Modern Sound in art Sound in literature Kreativität (DE-588)4032903-3 gnd rswk-swf Künste (DE-588)4033422-3 gnd rswk-swf Schaffensprozess (DE-588)7633342-5 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Schaffensprozess (DE-588)7633342-5 s Kreativität (DE-588)4032903-3 s Künste (DE-588)4033422-3 s Ästhetik (DE-588)4000626-8 s Geschichte 1000-1800 z DE-604 Hellemans, Babette 1974- (DE-588)143045806 edt Nelson, Alissa Jones (DE-588)1023068141 edt Erscheint auch als Druck-Ausgabe 978-94-6298-005-1 Knowledge communities 6 (DE-604)BV045441129 6 https://doi.org/10.1515/9789048529186 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Images, improvisations, sound, and silence from 1000 to 1800 Degree Zero Knowledge communities Arts, Medieval Arts, Modern Sound in art Sound in literature Kreativität (DE-588)4032903-3 gnd Künste (DE-588)4033422-3 gnd Schaffensprozess (DE-588)7633342-5 gnd Ästhetik (DE-588)4000626-8 gnd |
subject_GND | (DE-588)4032903-3 (DE-588)4033422-3 (DE-588)7633342-5 (DE-588)4000626-8 (DE-588)4143413-4 |
title | Images, improvisations, sound, and silence from 1000 to 1800 Degree Zero |
title_auth | Images, improvisations, sound, and silence from 1000 to 1800 Degree Zero |
title_exact_search | Images, improvisations, sound, and silence from 1000 to 1800 Degree Zero |
title_full | Images, improvisations, sound, and silence from 1000 to 1800 Degree Zero edited by Babette Hellemans and Alissa Jones Nelson |
title_fullStr | Images, improvisations, sound, and silence from 1000 to 1800 Degree Zero edited by Babette Hellemans and Alissa Jones Nelson |
title_full_unstemmed | Images, improvisations, sound, and silence from 1000 to 1800 Degree Zero edited by Babette Hellemans and Alissa Jones Nelson |
title_short | Images, improvisations, sound, and silence from 1000 to 1800 |
title_sort | images improvisations sound and silence from 1000 to 1800 degree zero |
title_sub | Degree Zero |
topic | Arts, Medieval Arts, Modern Sound in art Sound in literature Kreativität (DE-588)4032903-3 gnd Künste (DE-588)4033422-3 gnd Schaffensprozess (DE-588)7633342-5 gnd Ästhetik (DE-588)4000626-8 gnd |
topic_facet | Arts, Medieval Arts, Modern Sound in art Sound in literature Kreativität Künste Schaffensprozess Ästhetik Aufsatzsammlung |
url | https://doi.org/10.1515/9789048529186 |
volume_link | (DE-604)BV045441129 |
work_keys_str_mv | AT hellemansbabette imagesimprovisationssoundandsilencefrom1000to1800degreezero AT nelsonalissajones imagesimprovisationssoundandsilencefrom1000to1800degreezero |