Melodrama After the Tears: New Perspectives on the Politics of Victimhood
Melodrama, it is said, has expanded beyond the borders of genre and fiction to become a pervasive cultural mode. It encompasses distinct signifying practices and interpretive codes for meaning-making that help determine the parameters of identification and subject formation. From the public staging...
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Weitere Verfasser: | , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2016]
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Schriftenreihe: | Film Culture in Transition
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Schlagworte: | |
Online-Zugang: | FHA01 FKE01 FLA01 UPA01 UBG01 FAW01 FAB01 FCO01 Volltext |
Zusammenfassung: | Melodrama, it is said, has expanded beyond the borders of genre and fiction to become a pervasive cultural mode. It encompasses distinct signifying practices and interpretive codes for meaning-making that help determine the parameters of identification and subject formation. From the public staging of personal suffering or the psychologization of the self in relation to consumer capitalism, to the emotionalization and sentimentalization of national politics, contributions to this volume address the following question: If melodramatic models of sense-making have become so culturally pervasive and emotionally persuasive, what is the political potential of melodramatic victimhood and where are its political limitations?[-]This volume represents both a condensation and an expansion in the growing field of melodrama studies. It condenses elements of theory on melodrama by bringing into focus what it recognizes to be the locus for subjective identification within melodramatic narratives: the victim. On the other hand, it provides an expansion by going beyond the common methodology of primarily examining fictive works - be they from the stage, the screen or the written word - for their explicit or latent commentary on and connection to the historical contexts within which they are produced. Inspiration for the volume is rooted in a curiosity about melodramatic forms purported to increasingly characterize aspects of both the private and the social sphere in occidental and western-oriented societies.[-] |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) |
Beschreibung: | 1 online resource 22 color plates, 1 line drawing |
ISBN: | 9789048523573 |
DOI: | 10.1515/9789048523573 |
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author2 | Loren, Scott Metelmann, Jörg |
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spelling | Melodrama After the Tears New Perspectives on the Politics of Victimhood Scott Loren, Jörg Metelmann Amsterdam Amsterdam University Press [2016] © 2015 1 online resource 22 color plates, 1 line drawing txt rdacontent c rdamedia cr rdacarrier Film Culture in Transition Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) Melodrama, it is said, has expanded beyond the borders of genre and fiction to become a pervasive cultural mode. It encompasses distinct signifying practices and interpretive codes for meaning-making that help determine the parameters of identification and subject formation. From the public staging of personal suffering or the psychologization of the self in relation to consumer capitalism, to the emotionalization and sentimentalization of national politics, contributions to this volume address the following question: If melodramatic models of sense-making have become so culturally pervasive and emotionally persuasive, what is the political potential of melodramatic victimhood and where are its political limitations?[-]This volume represents both a condensation and an expansion in the growing field of melodrama studies. It condenses elements of theory on melodrama by bringing into focus what it recognizes to be the locus for subjective identification within melodramatic narratives: the victim. On the other hand, it provides an expansion by going beyond the common methodology of primarily examining fictive works - be they from the stage, the screen or the written word - for their explicit or latent commentary on and connection to the historical contexts within which they are produced. Inspiration for the volume is rooted in a curiosity about melodramatic forms purported to increasingly characterize aspects of both the private and the social sphere in occidental and western-oriented societies.[-] In English Melodrama in motion pictures Melodrama History and criticism Opfer Sozialpsychologie, Motiv (DE-588)4512620-3 gnd rswk-swf Melodrama Film (DE-588)4169389-9 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Melodrama Film (DE-588)4169389-9 s Opfer Sozialpsychologie, Motiv (DE-588)4512620-3 s 2\p DE-604 Loren, Scott edt Metelmann, Jörg edt https://doi.org/10.1515/9789048523573 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Melodrama After the Tears New Perspectives on the Politics of Victimhood Melodrama in motion pictures Melodrama History and criticism Opfer Sozialpsychologie, Motiv (DE-588)4512620-3 gnd Melodrama Film (DE-588)4169389-9 gnd |
subject_GND | (DE-588)4512620-3 (DE-588)4169389-9 (DE-588)4143413-4 |
title | Melodrama After the Tears New Perspectives on the Politics of Victimhood |
title_auth | Melodrama After the Tears New Perspectives on the Politics of Victimhood |
title_exact_search | Melodrama After the Tears New Perspectives on the Politics of Victimhood |
title_full | Melodrama After the Tears New Perspectives on the Politics of Victimhood Scott Loren, Jörg Metelmann |
title_fullStr | Melodrama After the Tears New Perspectives on the Politics of Victimhood Scott Loren, Jörg Metelmann |
title_full_unstemmed | Melodrama After the Tears New Perspectives on the Politics of Victimhood Scott Loren, Jörg Metelmann |
title_short | Melodrama After the Tears |
title_sort | melodrama after the tears new perspectives on the politics of victimhood |
title_sub | New Perspectives on the Politics of Victimhood |
topic | Melodrama in motion pictures Melodrama History and criticism Opfer Sozialpsychologie, Motiv (DE-588)4512620-3 gnd Melodrama Film (DE-588)4169389-9 gnd |
topic_facet | Melodrama in motion pictures Melodrama History and criticism Opfer Sozialpsychologie, Motiv Melodrama Film Aufsatzsammlung |
url | https://doi.org/10.1515/9789048523573 |
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