Phantasmatic Shakespeare: imagination in the age of early modern science
Representations of the mind have a central place in Shakespeare’s artistic imagination, as we see in Bottom struggling to articulate his dream, Macbeth reaching for a dagger that is not there, and Prospero humbling his enemies with spectacular illusions. Phantasmatic Shakespeare examines the interse...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Ithaca, NY
Cornell University Press
[2018]
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| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-188 DE-384 DE-473 DE-739 URL des Erstveröffentlichers |
| Zusammenfassung: | Representations of the mind have a central place in Shakespeare’s artistic imagination, as we see in Bottom struggling to articulate his dream, Macbeth reaching for a dagger that is not there, and Prospero humbling his enemies with spectacular illusions. Phantasmatic Shakespeare examines the intersection between early modern literature and early modern understandings of the mind’s ability to perceive and imagine. Suparna Roychoudhury argues that Shakespeare’s portrayal of the imagination participates in sixteenth-century psychological discourse and reflects also how fields of anatomy, medicine, mathematics, and natural history jolted and reshaped conceptions of mentality. Although the new sciences did not displace the older psychology of phantasms, they inflected how Renaissance natural philosophers and physicians thought and wrote about the brain’s image-making faculty. The many hallucinations, illusions, and dreams scattered throughout Shakespeare’s works exploit this epistemological ferment, deriving their complexity from the ambiguities raised by early modern science.Phantasmatic Shakespeare considers aspects of imagination that were destabilized during Shakespeare’s period—its place in the brain; its legitimacy as a form of knowledge; its pathologies; its relation to matter, light, and nature—reading these in concert with canonical works such as King Lear, Macbeth, and The Tempest. Shakespeare, Roychoudhury shows, was influenced by paradigmatic epistemic shifts of his time, and he in turn demonstrated how the mysteries of cognition could be the subject of powerful art |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) |
| Beschreibung: | 1 Online-Ressource (xii, 229 Seiten) Illustrationen |
| ISBN: | 9781501726569 |
| DOI: | 10.1515/9781501726569 |
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| 520 | |a Representations of the mind have a central place in Shakespeare’s artistic imagination, as we see in Bottom struggling to articulate his dream, Macbeth reaching for a dagger that is not there, and Prospero humbling his enemies with spectacular illusions. Phantasmatic Shakespeare examines the intersection between early modern literature and early modern understandings of the mind’s ability to perceive and imagine. Suparna Roychoudhury argues that Shakespeare’s portrayal of the imagination participates in sixteenth-century psychological discourse and reflects also how fields of anatomy, medicine, mathematics, and natural history jolted and reshaped conceptions of mentality. Although the new sciences did not displace the older psychology of phantasms, they inflected how Renaissance natural philosophers and physicians thought and wrote about the brain’s image-making faculty. The many hallucinations, illusions, and dreams scattered throughout Shakespeare’s works exploit this epistemological ferment, deriving their complexity from the ambiguities raised by early modern science.Phantasmatic Shakespeare considers aspects of imagination that were destabilized during Shakespeare’s period—its place in the brain; its legitimacy as a form of knowledge; its pathologies; its relation to matter, light, and nature—reading these in concert with canonical works such as King Lear, Macbeth, and The Tempest. Shakespeare, Roychoudhury shows, was influenced by paradigmatic epistemic shifts of his time, and he in turn demonstrated how the mysteries of cognition could be the subject of powerful art | ||
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| spelling | Roychoudhury, Suparna Verfasser (DE-588)1170810969 aut Phantasmatic Shakespeare imagination in the age of early modern science Suparna Roychoudhury Ithaca, NY Cornell University Press [2018] © 2018 1 Online-Ressource (xii, 229 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) Representations of the mind have a central place in Shakespeare’s artistic imagination, as we see in Bottom struggling to articulate his dream, Macbeth reaching for a dagger that is not there, and Prospero humbling his enemies with spectacular illusions. Phantasmatic Shakespeare examines the intersection between early modern literature and early modern understandings of the mind’s ability to perceive and imagine. Suparna Roychoudhury argues that Shakespeare’s portrayal of the imagination participates in sixteenth-century psychological discourse and reflects also how fields of anatomy, medicine, mathematics, and natural history jolted and reshaped conceptions of mentality. Although the new sciences did not displace the older psychology of phantasms, they inflected how Renaissance natural philosophers and physicians thought and wrote about the brain’s image-making faculty. The many hallucinations, illusions, and dreams scattered throughout Shakespeare’s works exploit this epistemological ferment, deriving their complexity from the ambiguities raised by early modern science.Phantasmatic Shakespeare considers aspects of imagination that were destabilized during Shakespeare’s period—its place in the brain; its legitimacy as a form of knowledge; its pathologies; its relation to matter, light, and nature—reading these in concert with canonical works such as King Lear, Macbeth, and The Tempest. Shakespeare, Roychoudhury shows, was influenced by paradigmatic epistemic shifts of his time, and he in turn demonstrated how the mysteries of cognition could be the subject of powerful art In English Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Imagination in literature Literature and science England History 16th century Literature and science England History 17th century Science in literature Imagination Motiv (DE-588)4743588-4 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Imagination Motiv (DE-588)4743588-4 s DE-604 https://doi.org/10.1515/9781501726569 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Roychoudhury, Suparna Phantasmatic Shakespeare imagination in the age of early modern science Shakespeare, William 1564-1616 (DE-588)118613723 gnd Imagination in literature Literature and science England History 16th century Literature and science England History 17th century Science in literature Imagination Motiv (DE-588)4743588-4 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4743588-4 |
| title | Phantasmatic Shakespeare imagination in the age of early modern science |
| title_auth | Phantasmatic Shakespeare imagination in the age of early modern science |
| title_exact_search | Phantasmatic Shakespeare imagination in the age of early modern science |
| title_full | Phantasmatic Shakespeare imagination in the age of early modern science Suparna Roychoudhury |
| title_fullStr | Phantasmatic Shakespeare imagination in the age of early modern science Suparna Roychoudhury |
| title_full_unstemmed | Phantasmatic Shakespeare imagination in the age of early modern science Suparna Roychoudhury |
| title_short | Phantasmatic Shakespeare |
| title_sort | phantasmatic shakespeare imagination in the age of early modern science |
| title_sub | imagination in the age of early modern science |
| topic | Shakespeare, William 1564-1616 (DE-588)118613723 gnd Imagination in literature Literature and science England History 16th century Literature and science England History 17th century Science in literature Imagination Motiv (DE-588)4743588-4 gnd |
| topic_facet | Shakespeare, William 1564-1616 Imagination in literature Literature and science England History 16th century Literature and science England History 17th century Science in literature Imagination Motiv |
| url | https://doi.org/10.1515/9781501726569 |
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