Muroji: Rearranging Art and History at a Japanese Buddhist Temple
Murōji, a magnificent temple founded in the eighth century, is known both for its dramatic location and the exceptional quality of its ritual objects and art dating from the ninth and tenth centuries of the Heian period. Sherry Fowler makes extensive use of primary sources to explore the circumstanc...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2005]
|
| Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FAB01 FCO01 Volltext |
| Zusammenfassung: | Murōji, a magnificent temple founded in the eighth century, is known both for its dramatic location and the exceptional quality of its ritual objects and art dating from the ninth and tenth centuries of the Heian period. Sherry Fowler makes extensive use of primary sources to explore the circumstances surrounding the creation and function of the temple’s main images and considers why major works of early Heian sculpture were housed in such a remote mountain setting. Employing a multifaceted approach that looks at Murōji’s art and architecture in socio-political context, she explores the establishment of the temple, its role in the religious life and power structure of the region, and the ways in which the temple reconfigured its early history to suit its later circumstances. Emerging from Fowler’s study are pervasive themes relating to worship and practice at Murōji that highlight plurality of practice (of different schools of Buddhism as well as Shinto); flexibility of practice and its impact on sculptural icons; the relationship of Murōji to other temple/shrine complexes; and the association of the temple with women’s worship |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) |
| Beschreibung: | 1 online resource color & b/w illus |
| ISBN: | 9780824874582 |
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| 520 | |a Murōji, a magnificent temple founded in the eighth century, is known both for its dramatic location and the exceptional quality of its ritual objects and art dating from the ninth and tenth centuries of the Heian period. Sherry Fowler makes extensive use of primary sources to explore the circumstances surrounding the creation and function of the temple’s main images and considers why major works of early Heian sculpture were housed in such a remote mountain setting. Employing a multifaceted approach that looks at Murōji’s art and architecture in socio-political context, she explores the establishment of the temple, its role in the religious life and power structure of the region, and the ways in which the temple reconfigured its early history to suit its later circumstances. Emerging from Fowler’s study are pervasive themes relating to worship and practice at Murōji that highlight plurality of practice (of different schools of Buddhism as well as Shinto); flexibility of practice and its impact on sculptural icons; the relationship of Murōji to other temple/shrine complexes; and the association of the temple with women’s worship | ||
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| spelling | Fowler, Sherry D. 1957- Verfasser (DE-588)1125046805 aut Muroji Rearranging Art and History at a Japanese Buddhist Temple Sherry D. Fowler Honolulu University of Hawaii Press [2005] © 2005 1 online resource color & b/w illus txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) Murōji, a magnificent temple founded in the eighth century, is known both for its dramatic location and the exceptional quality of its ritual objects and art dating from the ninth and tenth centuries of the Heian period. Sherry Fowler makes extensive use of primary sources to explore the circumstances surrounding the creation and function of the temple’s main images and considers why major works of early Heian sculpture were housed in such a remote mountain setting. Employing a multifaceted approach that looks at Murōji’s art and architecture in socio-political context, she explores the establishment of the temple, its role in the religious life and power structure of the region, and the ways in which the temple reconfigured its early history to suit its later circumstances. Emerging from Fowler’s study are pervasive themes relating to worship and practice at Murōji that highlight plurality of practice (of different schools of Buddhism as well as Shinto); flexibility of practice and its impact on sculptural icons; the relationship of Murōji to other temple/shrine complexes; and the association of the temple with women’s worship In English https://www.degruyter.com/doi/book/10.21313/9780824874582 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Fowler, Sherry D. 1957- Muroji Rearranging Art and History at a Japanese Buddhist Temple |
| title | Muroji Rearranging Art and History at a Japanese Buddhist Temple |
| title_auth | Muroji Rearranging Art and History at a Japanese Buddhist Temple |
| title_exact_search | Muroji Rearranging Art and History at a Japanese Buddhist Temple |
| title_full | Muroji Rearranging Art and History at a Japanese Buddhist Temple Sherry D. Fowler |
| title_fullStr | Muroji Rearranging Art and History at a Japanese Buddhist Temple Sherry D. Fowler |
| title_full_unstemmed | Muroji Rearranging Art and History at a Japanese Buddhist Temple Sherry D. Fowler |
| title_short | Muroji |
| title_sort | muroji rearranging art and history at a japanese buddhist temple |
| title_sub | Rearranging Art and History at a Japanese Buddhist Temple |
| url | https://www.degruyter.com/doi/book/10.21313/9780824874582 |
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