Vamping the Stage: Female Voices of Asian Modernities
The emergence of modernity has typically focused on Western male actors and privileged politics and economy over culture. The contributors to this volume successfully unsettle such perspectives by emphasizing the social history, artistic practices, and symbolic meanings of female performers in popul...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2017]
|
| Schriftenreihe: | Music and Performing Arts of Asia and the Pacific
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | The emergence of modernity has typically focused on Western male actors and privileged politics and economy over culture. The contributors to this volume successfully unsettle such perspectives by emphasizing the social history, artistic practices, and symbolic meanings of female performers in popular music of Asia.Women surfaced as popular icons in different guises in different Asian countries through different routes of circulation. Often, these women established prominent careers within colonial conditions, which saw Asian societies in rapid transition and the vernacular and familiar articulated with the novel and the foreign. These female performers were not merely symbols of times that were rapidly changing. Nor were they simply the personification of global historical changes. Female entertainers, positioned at the margins of intersecting fields of activities, created something hitherto unknown: they were artistic pioneers of new music, new cinema, new forms of dance and theater, and new behavior, lifestyles, and morals. They were active agents in the creation of local performance cultures, of a newly emerging mass culture, and the rise of a region-wide and globally oriented entertainment industry.Vamping the Stage is the first book-length study of women, modernity, and popular music in Asia, showcasing cutting-edge research conducted by scholars whose methods and perspectives draw from such diverse fields as anthropology, Asian studies, cultural studies, ethnomusicology, and film studies. Led by an impressive introduction written by Weintraub and Barendregt, fourteen contributors analyze the many ways that women performers supported, challenged, and transgressed representations of existing gendered norms in the entertainment industries of China, Japan, India, Indonesia, Iran, Korea, Malaysia, and the Philippines. Placing women’s voices in social and historical contexts, the essays explore salient discourses, representations, meanings, and politics of "voice" in Asian popular music.Historicizing the artistic sounds, lyrical texts, and visual images of female performers, the essays reveal how women used popular music to shape the ideas, practices, and meanings of modernity in various Asian contexts and time frames. |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) |
| Beschreibung: | 1 online resource 35 b&w illustrations |
| ISBN: | 9780824874193 |
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| 520 | |a The emergence of modernity has typically focused on Western male actors and privileged politics and economy over culture. The contributors to this volume successfully unsettle such perspectives by emphasizing the social history, artistic practices, and symbolic meanings of female performers in popular music of Asia.Women surfaced as popular icons in different guises in different Asian countries through different routes of circulation. Often, these women established prominent careers within colonial conditions, which saw Asian societies in rapid transition and the vernacular and familiar articulated with the novel and the foreign. These female performers were not merely symbols of times that were rapidly changing. Nor were they simply the personification of global historical changes. | ||
| 520 | |a Female entertainers, positioned at the margins of intersecting fields of activities, created something hitherto unknown: they were artistic pioneers of new music, new cinema, new forms of dance and theater, and new behavior, lifestyles, and morals. They were active agents in the creation of local performance cultures, of a newly emerging mass culture, and the rise of a region-wide and globally oriented entertainment industry.Vamping the Stage is the first book-length study of women, modernity, and popular music in Asia, showcasing cutting-edge research conducted by scholars whose methods and perspectives draw from such diverse fields as anthropology, Asian studies, cultural studies, ethnomusicology, and film studies. | ||
| 520 | |a Led by an impressive introduction written by Weintraub and Barendregt, fourteen contributors analyze the many ways that women performers supported, challenged, and transgressed representations of existing gendered norms in the entertainment industries of China, Japan, India, Indonesia, Iran, Korea, Malaysia, and the Philippines. Placing women’s voices in social and historical contexts, the essays explore salient discourses, representations, meanings, and politics of "voice" in Asian popular music.Historicizing the artistic sounds, lyrical texts, and visual images of female performers, the essays reveal how women used popular music to shape the ideas, practices, and meanings of modernity in various Asian contexts and time frames. | ||
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Datensatz im Suchindex
| _version_ | 1804180026844774400 |
|---|---|
| any_adam_object | |
| author2 | Barendregt, Bart Lau, Frederick Weintraub, Andrew N. |
| author2_role | edt edt edt |
| author2_variant | b b bb f l fl a n w an anw |
| author_GND | (DE-588)1146854226 |
| author_facet | Barendregt, Bart Lau, Frederick Weintraub, Andrew N. |
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| bvnumber | BV045879284 |
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| ctrlnum | (ZDB-23-DGG)9780824874193 (OCoLC)1101913415 (DE-599)BVBBV045879284 |
| dewey-full | 781.63082/095 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.63082/095 |
| dewey-search | 781.63082/095 |
| dewey-sort | 3781.63082 295 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| genre | 1\p (DE-588)1071861417 Konferenzschrift 2013 Leiden gnd-content |
| genre_facet | Konferenzschrift 2013 Leiden |
| geographic | Asien (DE-588)4003217-6 gnd |
| geographic_facet | Asien |
| id | DE-604.BV045879284 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:29:13Z |
| institution | BVB |
| isbn | 9780824874193 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031262460 |
| oclc_num | 1101913415 |
| open_access_boolean | |
| owner | DE-Aug4 DE-859 DE-860 DE-739 DE-473 DE-BY-UBG DE-1046 DE-1043 DE-858 |
| owner_facet | DE-Aug4 DE-859 DE-860 DE-739 DE-473 DE-BY-UBG DE-1046 DE-1043 DE-858 |
| physical | 1 online resource 35 b&w illustrations |
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| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | University of Hawaii Press |
| record_format | marc |
| series2 | Music and Performing Arts of Asia and the Pacific |
| spelling | Vamping the Stage Female Voices of Asian Modernities Andrew N. Weintraub, Bart Barendregt, Frederick Lau Honolulu University of Hawaii Press [2017] © 2017 1 online resource 35 b&w illustrations txt rdacontent c rdamedia cr rdacarrier Music and Performing Arts of Asia and the Pacific Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) The emergence of modernity has typically focused on Western male actors and privileged politics and economy over culture. The contributors to this volume successfully unsettle such perspectives by emphasizing the social history, artistic practices, and symbolic meanings of female performers in popular music of Asia.Women surfaced as popular icons in different guises in different Asian countries through different routes of circulation. Often, these women established prominent careers within colonial conditions, which saw Asian societies in rapid transition and the vernacular and familiar articulated with the novel and the foreign. These female performers were not merely symbols of times that were rapidly changing. Nor were they simply the personification of global historical changes. Female entertainers, positioned at the margins of intersecting fields of activities, created something hitherto unknown: they were artistic pioneers of new music, new cinema, new forms of dance and theater, and new behavior, lifestyles, and morals. They were active agents in the creation of local performance cultures, of a newly emerging mass culture, and the rise of a region-wide and globally oriented entertainment industry.Vamping the Stage is the first book-length study of women, modernity, and popular music in Asia, showcasing cutting-edge research conducted by scholars whose methods and perspectives draw from such diverse fields as anthropology, Asian studies, cultural studies, ethnomusicology, and film studies. Led by an impressive introduction written by Weintraub and Barendregt, fourteen contributors analyze the many ways that women performers supported, challenged, and transgressed representations of existing gendered norms in the entertainment industries of China, Japan, India, Indonesia, Iran, Korea, Malaysia, and the Philippines. Placing women’s voices in social and historical contexts, the essays explore salient discourses, representations, meanings, and politics of "voice" in Asian popular music.Historicizing the artistic sounds, lyrical texts, and visual images of female performers, the essays reveal how women used popular music to shape the ideas, practices, and meanings of modernity in various Asian contexts and time frames. In English Unterhaltungsmusik (DE-588)4061916-3 gnd rswk-swf Weiblichkeit (DE-588)4079101-4 gnd rswk-swf Sängerin (DE-588)4051246-0 gnd rswk-swf Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Asien (DE-588)4003217-6 gnd rswk-swf 1\p (DE-588)1071861417 Konferenzschrift 2013 Leiden gnd-content Asien (DE-588)4003217-6 g Unterhaltungsmusik (DE-588)4061916-3 s Sängerin (DE-588)4051246-0 s Weiblichkeit (DE-588)4079101-4 s Geschlechterrolle (DE-588)4071776-8 s 2\p DE-604 Barendregt, Bart edt Beus, Yifen T. Sonstige oth Hemmasi, Farzaneh Sonstige oth Kim, Heesun Sonstige oth Kim, Soojin Sonstige oth Lau, Frederick edt Matsue, Jennifer Milioto Sonstige oth Pilzer, Joshua D. Sonstige oth Skelchy, Russell P. Sonstige oth Tan, Sooi Beng Sonstige oth Trimillos, Ricardo D. Sonstige oth Wang, Yiman Sonstige oth Weidman, Amanda J. 1970- Sonstige (DE-588)1146854226 oth Weintraub, Andrew N. edt Yano, Christine R. Sonstige oth https://www.degruyter.com/doi/book/10.21313/9780824874193 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Vamping the Stage Female Voices of Asian Modernities Unterhaltungsmusik (DE-588)4061916-3 gnd Weiblichkeit (DE-588)4079101-4 gnd Sängerin (DE-588)4051246-0 gnd Geschlechterrolle (DE-588)4071776-8 gnd |
| subject_GND | (DE-588)4061916-3 (DE-588)4079101-4 (DE-588)4051246-0 (DE-588)4071776-8 (DE-588)4003217-6 (DE-588)1071861417 |
| title | Vamping the Stage Female Voices of Asian Modernities |
| title_auth | Vamping the Stage Female Voices of Asian Modernities |
| title_exact_search | Vamping the Stage Female Voices of Asian Modernities |
| title_full | Vamping the Stage Female Voices of Asian Modernities Andrew N. Weintraub, Bart Barendregt, Frederick Lau |
| title_fullStr | Vamping the Stage Female Voices of Asian Modernities Andrew N. Weintraub, Bart Barendregt, Frederick Lau |
| title_full_unstemmed | Vamping the Stage Female Voices of Asian Modernities Andrew N. Weintraub, Bart Barendregt, Frederick Lau |
| title_short | Vamping the Stage |
| title_sort | vamping the stage female voices of asian modernities |
| title_sub | Female Voices of Asian Modernities |
| topic | Unterhaltungsmusik (DE-588)4061916-3 gnd Weiblichkeit (DE-588)4079101-4 gnd Sängerin (DE-588)4051246-0 gnd Geschlechterrolle (DE-588)4071776-8 gnd |
| topic_facet | Unterhaltungsmusik Weiblichkeit Sängerin Geschlechterrolle Asien Konferenzschrift 2013 Leiden |
| url | https://www.degruyter.com/doi/book/10.21313/9780824874193 |
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