Women Through the Lens Gender and Nation in a Century of Chinese Cinema
Women Through the Lens: Gender and Nation in a Century of Chinese Cinema

Women Through the Lens raises the question of how gender, especially the image of woman, acts as a visual and discursive sign in the creation of the nation-state in twentieth-century China. Tracing the history of Chinese cinema through the last hundred years from the perspective of transnational fem...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Cui, Shuqin (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Honolulu University of Hawaii Press [2003]
Schlagworte:
Motion pictures > China > History
Sex role in motion pictures
Women in motion pictures
Geschlechterverhältnis
Film
China
Online-Zugang:DE-1043
DE-1046
DE-858
DE-859
DE-860
DE-473
DE-739
URL des Erstveröffentlichers
Zusammenfassung:Women Through the Lens raises the question of how gender, especially the image of woman, acts as a visual and discursive sign in the creation of the nation-state in twentieth-century China. Tracing the history of Chinese cinema through the last hundred years from the perspective of transnational feminism, Shuqin Cui reveals how women have been granted a "privileged visibility" on screen while being denied discursive positions as subjects. In addition, her careful attention to the visual language system of cinema shows how "woman" has served as the site for the narration of nation in the context of China's changing social and political climate. Placing gender and nation in a historical framework, the book first shows how early productions had their roots in shadow plays, a popular form of public entertainment. In examining the "Red Classics" of socialist cinema as a mass cultural form, the book shows how the utopian vision of emancipating the entire proletariat, women included, produced a collective ideology that declared an end to gender difference. Cui then documents and discusses the cinematic spectacle of woman as essential to such widely popular films as Chen Kaige's "Farewell My Concubine" and Zhang Yimou's "Ju Do." Finally, the author brings a feminist perspective to the issues of gender and nation by turning her attention to women directors and their self-representations
Beschreibung:Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018)
Beschreibung:1 online resource
ISBN:9780824865634
DOI:10.1515/9780824865634

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