Transnational Chinese Cinemas: Identity, Nationhood, Gender
Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chin...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Honolulu
University of Hawaii Press
[1997]
|
| Subjects: | |
| Online Access: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-739 Volltext |
| Summary: | Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) |
| Physical Description: | 1 online resource |
| ISBN: | 9780824865290 |
Staff View
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| spelling | Lu, Sheldon H. Verfasser aut Transnational Chinese Cinemas Identity, Nationhood, Gender Sheldon H. Lu Honolulu University of Hawaii Press [1997] © 1997 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture In English Motion pictures China Hong Kong Motion pictures China Motion pictures Taiwan Film (DE-588)4017102-4 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf Hongkong (DE-588)4025822-1 gnd rswk-swf Taiwan (DE-588)4017875-4 gnd rswk-swf Taiwan (DE-588)4017875-4 g Film (DE-588)4017102-4 s 1\p DE-604 China (DE-588)4009937-4 g 2\p DE-604 Hongkong (DE-588)4025822-1 g 3\p DE-604 https://www.degruyter.com/doi/book/10.21313/9780824865290 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Lu, Sheldon H. Transnational Chinese Cinemas Identity, Nationhood, Gender Motion pictures China Hong Kong Motion pictures China Motion pictures Taiwan Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4009937-4 (DE-588)4025822-1 (DE-588)4017875-4 |
| title | Transnational Chinese Cinemas Identity, Nationhood, Gender |
| title_auth | Transnational Chinese Cinemas Identity, Nationhood, Gender |
| title_exact_search | Transnational Chinese Cinemas Identity, Nationhood, Gender |
| title_full | Transnational Chinese Cinemas Identity, Nationhood, Gender Sheldon H. Lu |
| title_fullStr | Transnational Chinese Cinemas Identity, Nationhood, Gender Sheldon H. Lu |
| title_full_unstemmed | Transnational Chinese Cinemas Identity, Nationhood, Gender Sheldon H. Lu |
| title_short | Transnational Chinese Cinemas |
| title_sort | transnational chinese cinemas identity nationhood gender |
| title_sub | Identity, Nationhood, Gender |
| topic | Motion pictures China Hong Kong Motion pictures China Motion pictures Taiwan Film (DE-588)4017102-4 gnd |
| topic_facet | Motion pictures China Hong Kong Motion pictures China Motion pictures Taiwan Film China Hongkong Taiwan |
| url | https://www.degruyter.com/doi/book/10.21313/9780824865290 |
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