Verfügbarkeit: Transnational Chinese Cinemas

Transnational Chinese Cinemas: Identity, Nationhood, Gender

Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chin...

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Bibliographische Detailangaben
1. Verfasser:	Lu, Sheldon H. (VerfasserIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Honolulu University of Hawaii Press [1997]
Schlagworte:	Motion pictures > China > Hong Kong Motion pictures > China Motion pictures > Taiwan Film Taiwan Hongkong China
Online-Zugang:	FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext
Zusammenfassung:	Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture
Beschreibung:	Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018)
Beschreibung:	1 online resource
ISBN:	9780824865290

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Datensatz im Suchindex

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author	Lu, Sheldon H.
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spelling	Lu, Sheldon H. Verfasser aut Transnational Chinese Cinemas Identity, Nationhood, Gender Sheldon H. Lu Honolulu University of Hawaii Press [1997] © 1997 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture In English Motion pictures China Hong Kong Motion pictures China Motion pictures Taiwan Film (DE-588)4017102-4 gnd rswk-swf Taiwan (DE-588)4017875-4 gnd rswk-swf Hongkong (DE-588)4025822-1 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf Taiwan (DE-588)4017875-4 g Film (DE-588)4017102-4 s 1\p DE-604 China (DE-588)4009937-4 g 2\p DE-604 Hongkong (DE-588)4025822-1 g 3\p DE-604 https://www.degruyter.com/doi/book/10.21313/9780824865290 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk
spellingShingle	Lu, Sheldon H. Transnational Chinese Cinemas Identity, Nationhood, Gender Motion pictures China Hong Kong Motion pictures China Motion pictures Taiwan Film (DE-588)4017102-4 gnd
subject_GND	(DE-588)4017102-4 (DE-588)4017875-4 (DE-588)4025822-1 (DE-588)4009937-4
title	Transnational Chinese Cinemas Identity, Nationhood, Gender
title_auth	Transnational Chinese Cinemas Identity, Nationhood, Gender
title_exact_search	Transnational Chinese Cinemas Identity, Nationhood, Gender
title_full	Transnational Chinese Cinemas Identity, Nationhood, Gender Sheldon H. Lu
title_fullStr	Transnational Chinese Cinemas Identity, Nationhood, Gender Sheldon H. Lu
title_full_unstemmed	Transnational Chinese Cinemas Identity, Nationhood, Gender Sheldon H. Lu
title_short	Transnational Chinese Cinemas
title_sort	transnational chinese cinemas identity nationhood gender
title_sub	Identity, Nationhood, Gender
topic	Motion pictures China Hong Kong Motion pictures China Motion pictures Taiwan Film (DE-588)4017102-4 gnd
topic_facet	Motion pictures China Hong Kong Motion pictures China Motion pictures Taiwan Film Taiwan Hongkong China
url	https://www.degruyter.com/doi/book/10.21313/9780824865290
work_keys_str_mv	AT lusheldonh transnationalchinesecinemasidentitynationhoodgender

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