Long Strange Journey: On Modern Zen, Zen Art, and Other Predicaments
Long Strange Journey presents the first critical analysis of visual objects and discourses that animate Zen art modernism and its legacies, with particular emphasis on the postwar "Zen boom." Since the late nineteenth century, Zen and Zen art have emerged as globally familiar terms associa...
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Format: | Elektronisch E-Book |
Sprache: | English |
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Honolulu
University of Hawaii Press
[2017]
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Online-Zugang: | FHA01 FKE01 FLA01 UPA01 UBG01 FAW01 FAB01 FCO01 URL des Erstveröffentlichers |
Zusammenfassung: | Long Strange Journey presents the first critical analysis of visual objects and discourses that animate Zen art modernism and its legacies, with particular emphasis on the postwar "Zen boom." Since the late nineteenth century, Zen and Zen art have emerged as globally familiar terms associated with a spectrum of practices, beliefs, works of visual art, aesthetic concepts, commercial products, and modes of self-fashioning. They have also been at the center of fiery public disputes that have erupted along national, denominational, racial-ethnic, class, and intellectual lines. Neither stable nor strictly a matter of euphoric religious or intercultural exchange, Zen and Zen art are best approached as productive predicaments in the study of religion, spirituality, art, and consumer culture, especially within the frame of Buddhist modernism. Long Strange Journey’s modern-contemporary emphasis sets it off from most writing on Zen art, which focuses on masterworks by premodern Chinese and Japanese artists, gushes over "timeless" visual qualities as indicative of metaphysical states, or promotes with ahistorical, trend-spotting flair Zen art’s design appeal and therapeutic values. In contrast, the present work plots a methodological through line distinguished by "discourse analysis," moving from the first contacts between Europe and Japanese Zen in the sixteenth century to late nineteenth–early twentieth-century transnational exchanges driven by Japanese Buddhists and intellectuals and the formation of a Zen art canon; to postwar Zen transformations of practice and avant-garde expressions; to popular embodiments of our "Zenny zeitgeist," such as Zen cartoons. The book presents an alternative history of modern-contemporary Zen and Zen art that emphasizes their unruly and polythetic-prototypical natures, taking into consideration serious religious practice and spiritual and creative discovery as well as conflicts over Zen’s value amid the convolutions of global modernity, squabbles over authenticity, resistance against the notion of "Zen influence," and competing claims to speak for Zen art made by monastics, lay advocates, artists, and others |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) |
Beschreibung: | 1 online resource 46 b&w illustrations, 9 color plates |
ISBN: | 9780824858087 |
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520 | |a Long Strange Journey presents the first critical analysis of visual objects and discourses that animate Zen art modernism and its legacies, with particular emphasis on the postwar "Zen boom." Since the late nineteenth century, Zen and Zen art have emerged as globally familiar terms associated with a spectrum of practices, beliefs, works of visual art, aesthetic concepts, commercial products, and modes of self-fashioning. They have also been at the center of fiery public disputes that have erupted along national, denominational, racial-ethnic, class, and intellectual lines. Neither stable nor strictly a matter of euphoric religious or intercultural exchange, Zen and Zen art are best approached as productive predicaments in the study of religion, spirituality, art, and consumer culture, especially within the frame of Buddhist modernism. | ||
520 | |a Long Strange Journey’s modern-contemporary emphasis sets it off from most writing on Zen art, which focuses on masterworks by premodern Chinese and Japanese artists, gushes over "timeless" visual qualities as indicative of metaphysical states, or promotes with ahistorical, trend-spotting flair Zen art’s design appeal and therapeutic values. In contrast, the present work plots a methodological through line distinguished by "discourse analysis," moving from the first contacts between Europe and Japanese Zen in the sixteenth century to late nineteenth–early twentieth-century transnational exchanges driven by Japanese Buddhists and intellectuals and the formation of a Zen art canon; to postwar Zen transformations of practice and avant-garde expressions; to popular embodiments of our "Zenny zeitgeist," such as Zen cartoons. | ||
520 | |a The book presents an alternative history of modern-contemporary Zen and Zen art that emphasizes their unruly and polythetic-prototypical natures, taking into consideration serious religious practice and spiritual and creative discovery as well as conflicts over Zen’s value amid the convolutions of global modernity, squabbles over authenticity, resistance against the notion of "Zen influence," and competing claims to speak for Zen art made by monastics, lay advocates, artists, and others | ||
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illustrated | Illustrated |
indexdate | 2024-07-10T08:29:13Z |
institution | BVB |
isbn | 9780824858087 |
language | English |
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spelling | Levine, Gregory P. A. Verfasser aut Long Strange Journey On Modern Zen, Zen Art, and Other Predicaments Gregory P. A. Levine Honolulu University of Hawaii Press [2017] © 2017 1 online resource 46 b&w illustrations, 9 color plates txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) Long Strange Journey presents the first critical analysis of visual objects and discourses that animate Zen art modernism and its legacies, with particular emphasis on the postwar "Zen boom." Since the late nineteenth century, Zen and Zen art have emerged as globally familiar terms associated with a spectrum of practices, beliefs, works of visual art, aesthetic concepts, commercial products, and modes of self-fashioning. They have also been at the center of fiery public disputes that have erupted along national, denominational, racial-ethnic, class, and intellectual lines. Neither stable nor strictly a matter of euphoric religious or intercultural exchange, Zen and Zen art are best approached as productive predicaments in the study of religion, spirituality, art, and consumer culture, especially within the frame of Buddhist modernism. Long Strange Journey’s modern-contemporary emphasis sets it off from most writing on Zen art, which focuses on masterworks by premodern Chinese and Japanese artists, gushes over "timeless" visual qualities as indicative of metaphysical states, or promotes with ahistorical, trend-spotting flair Zen art’s design appeal and therapeutic values. In contrast, the present work plots a methodological through line distinguished by "discourse analysis," moving from the first contacts between Europe and Japanese Zen in the sixteenth century to late nineteenth–early twentieth-century transnational exchanges driven by Japanese Buddhists and intellectuals and the formation of a Zen art canon; to postwar Zen transformations of practice and avant-garde expressions; to popular embodiments of our "Zenny zeitgeist," such as Zen cartoons. The book presents an alternative history of modern-contemporary Zen and Zen art that emphasizes their unruly and polythetic-prototypical natures, taking into consideration serious religious practice and spiritual and creative discovery as well as conflicts over Zen’s value amid the convolutions of global modernity, squabbles over authenticity, resistance against the notion of "Zen influence," and competing claims to speak for Zen art made by monastics, lay advocates, artists, and others In English Zen-Buddhismus (DE-588)4117709-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Zen-Buddhismus (DE-588)4117709-5 s Kunst (DE-588)4114333-4 s DE-604 https://www.degruyter.com/doi/book/10.21313/9780824858087 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Levine, Gregory P. A. Long Strange Journey On Modern Zen, Zen Art, and Other Predicaments Zen-Buddhismus (DE-588)4117709-5 gnd Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)4117709-5 (DE-588)4114333-4 |
title | Long Strange Journey On Modern Zen, Zen Art, and Other Predicaments |
title_auth | Long Strange Journey On Modern Zen, Zen Art, and Other Predicaments |
title_exact_search | Long Strange Journey On Modern Zen, Zen Art, and Other Predicaments |
title_full | Long Strange Journey On Modern Zen, Zen Art, and Other Predicaments Gregory P. A. Levine |
title_fullStr | Long Strange Journey On Modern Zen, Zen Art, and Other Predicaments Gregory P. A. Levine |
title_full_unstemmed | Long Strange Journey On Modern Zen, Zen Art, and Other Predicaments Gregory P. A. Levine |
title_short | Long Strange Journey |
title_sort | long strange journey on modern zen zen art and other predicaments |
title_sub | On Modern Zen, Zen Art, and Other Predicaments |
topic | Zen-Buddhismus (DE-588)4117709-5 gnd Kunst (DE-588)4114333-4 gnd |
topic_facet | Zen-Buddhismus Kunst |
url | https://www.degruyter.com/doi/book/10.21313/9780824858087 |
work_keys_str_mv | AT levinegregorypa longstrangejourneyonmodernzenzenartandotherpredicaments |