Javaphilia: American Love Affairs with Javanese Music and Dance
Fragrant tropical flowers, opulent batik fabrics, magnificent bronze gamelan orchestras, and, of course, aromatic coffee. Such are the exotic images of Java, Indonesia's most densely populated island, that have hovered at the periphery of North American imaginations for generations. Through clo...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2015]
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| Schriftenreihe: | Music and Performing Arts of Asia and the Pacific
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| Schlagworte: | |
| Online-Zugang: | FHA01 FKE01 FLA01 UPA01 UBG01 FAW01 FAB01 FCO01 Volltext |
| Zusammenfassung: | Fragrant tropical flowers, opulent batik fabrics, magnificent bronze gamelan orchestras, and, of course, aromatic coffee. Such are the exotic images of Java, Indonesia's most densely populated island, that have hovered at the periphery of North American imaginations for generations. Through close readings of the careers of four "javaphiles"—individuals who embraced Javanese performing arts in their own quests for a sense of belonging—Javaphilia: American Love Affairs with Javanese Music and Dance explores a century of American representations of Javanese performing arts by North Americans. While other Asian cultures made direct impressions on Americans by virtue of firsthand contacts through immigration, trade, and war, the distance between Java and America, and the vagueness of Americans' imagery, enabled a few disenfranchised musicians and dancers to fashion alternative identities through bold and idiosyncratic representations of Javanese music and dance.Javaphilia's main subjects—Canadian-born singer Eva Gauthier (1885–1958), dancer/painter Hubert Stowitts (1892–1953), ethnomusicologist Mantle Hood (1918–2005), and composer Lou Harrison (1917–2003)—all felt marginalized by the mainstream of Western society: Gauthier by her lukewarm reception as an operatic mezzo-soprano in Europe, Stowitts by his homosexuality, Hood by conflicting interests in spirituality and scientific method, and Harrison by his predilection for prettiness in a musical milieu that valued more anxious expressions. All four parlayed their own direct experiences of Java into a defining essence for their own characters. By identifying aspects of Javanese music and dance that were compatible with their own tendencies, these individuals could literally perform unconventional—yet coherent—identities based in Javanese music and dance. Although they purported to represent Java to their fellow North Americans, they were in fact simply representing themselves.In addition to probing the fascinating details of these javaphiles' lives, Javaphilia presents a novel analysis of North America's first significant encounters with Javanese performing arts at the 1893 World's Columbian Exposition in Chicago. An account of the First International Gamelan Festival, in Vancouver, BC (at Expo 86), almost a century later, bookends the epoch that is the focus of Javaphilia and sets the stage for a meditation on North Americans' ongoing relationships with the music and dance of Java |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) |
| Beschreibung: | 1 online resource 41 illustrations |
| ISBN: | 9780824854942 |
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| 520 | |a Fragrant tropical flowers, opulent batik fabrics, magnificent bronze gamelan orchestras, and, of course, aromatic coffee. Such are the exotic images of Java, Indonesia's most densely populated island, that have hovered at the periphery of North American imaginations for generations. Through close readings of the careers of four "javaphiles"—individuals who embraced Javanese performing arts in their own quests for a sense of belonging—Javaphilia: American Love Affairs with Javanese Music and Dance explores a century of American representations of Javanese performing arts by North Americans. | ||
| 520 | |a While other Asian cultures made direct impressions on Americans by virtue of firsthand contacts through immigration, trade, and war, the distance between Java and America, and the vagueness of Americans' imagery, enabled a few disenfranchised musicians and dancers to fashion alternative identities through bold and idiosyncratic representations of Javanese music and dance.Javaphilia's main subjects—Canadian-born singer Eva Gauthier (1885–1958), dancer/painter Hubert Stowitts (1892–1953), ethnomusicologist Mantle Hood (1918–2005), and composer Lou Harrison (1917–2003)—all felt marginalized by the mainstream of Western society: Gauthier by her lukewarm reception as an operatic mezzo-soprano in Europe, Stowitts by his homosexuality, Hood by conflicting interests in spirituality and scientific method, and Harrison by his predilection for prettiness in a musical milieu that valued more anxious expressions. | ||
| 520 | |a All four parlayed their own direct experiences of Java into a defining essence for their own characters. By identifying aspects of Javanese music and dance that were compatible with their own tendencies, these individuals could literally perform unconventional—yet coherent—identities based in Javanese music and dance. Although they purported to represent Java to their fellow North Americans, they were in fact simply representing themselves.In addition to probing the fascinating details of these javaphiles' lives, Javaphilia presents a novel analysis of North America's first significant encounters with Javanese performing arts at the 1893 World's Columbian Exposition in Chicago. An account of the First International Gamelan Festival, in Vancouver, BC (at Expo 86), almost a century later, bookends the epoch that is the focus of Javaphilia and sets the stage for a meditation on North Americans' ongoing relationships with the music and dance of Java | ||
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Datensatz im Suchindex
| _version_ | 1804180026661273600 |
|---|---|
| any_adam_object | |
| author | Spiller, Henry |
| author2 | Lau, Frederick |
| author2_role | edt |
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| author_facet | Spiller, Henry Lau, Frederick |
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| dewey-raw | 780.9598/20973 |
| dewey-search | 780.9598/20973 |
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| geographic | USA (DE-588)4078704-7 gnd Java (DE-588)4028527-3 gnd |
| geographic_facet | USA Java |
| id | DE-604.BV045879207 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:29:13Z |
| institution | BVB |
| isbn | 9780824854942 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031262383 |
| oclc_num | 1101916485 |
| open_access_boolean | |
| owner | DE-Aug4 DE-859 DE-860 DE-739 DE-473 DE-BY-UBG DE-1046 DE-1043 DE-858 |
| owner_facet | DE-Aug4 DE-859 DE-860 DE-739 DE-473 DE-BY-UBG DE-1046 DE-1043 DE-858 |
| physical | 1 online resource 41 illustrations |
| psigel | ZDB-23-DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | University of Hawaii Press |
| record_format | marc |
| series2 | Music and Performing Arts of Asia and the Pacific |
| spelling | Spiller, Henry Verfasser aut Javaphilia American Love Affairs with Javanese Music and Dance Henry Spiller; Frederick Lau Honolulu University of Hawaii Press [2015] © 2015 1 online resource 41 illustrations txt rdacontent c rdamedia cr rdacarrier Music and Performing Arts of Asia and the Pacific Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) Fragrant tropical flowers, opulent batik fabrics, magnificent bronze gamelan orchestras, and, of course, aromatic coffee. Such are the exotic images of Java, Indonesia's most densely populated island, that have hovered at the periphery of North American imaginations for generations. Through close readings of the careers of four "javaphiles"—individuals who embraced Javanese performing arts in their own quests for a sense of belonging—Javaphilia: American Love Affairs with Javanese Music and Dance explores a century of American representations of Javanese performing arts by North Americans. While other Asian cultures made direct impressions on Americans by virtue of firsthand contacts through immigration, trade, and war, the distance between Java and America, and the vagueness of Americans' imagery, enabled a few disenfranchised musicians and dancers to fashion alternative identities through bold and idiosyncratic representations of Javanese music and dance.Javaphilia's main subjects—Canadian-born singer Eva Gauthier (1885–1958), dancer/painter Hubert Stowitts (1892–1953), ethnomusicologist Mantle Hood (1918–2005), and composer Lou Harrison (1917–2003)—all felt marginalized by the mainstream of Western society: Gauthier by her lukewarm reception as an operatic mezzo-soprano in Europe, Stowitts by his homosexuality, Hood by conflicting interests in spirituality and scientific method, and Harrison by his predilection for prettiness in a musical milieu that valued more anxious expressions. All four parlayed their own direct experiences of Java into a defining essence for their own characters. By identifying aspects of Javanese music and dance that were compatible with their own tendencies, these individuals could literally perform unconventional—yet coherent—identities based in Javanese music and dance. Although they purported to represent Java to their fellow North Americans, they were in fact simply representing themselves.In addition to probing the fascinating details of these javaphiles' lives, Javaphilia presents a novel analysis of North America's first significant encounters with Javanese performing arts at the 1893 World's Columbian Exposition in Chicago. An account of the First International Gamelan Festival, in Vancouver, BC (at Expo 86), almost a century later, bookends the epoch that is the focus of Javaphilia and sets the stage for a meditation on North Americans' ongoing relationships with the music and dance of Java In English Geschichte gnd rswk-swf Dance United States Javanese influences Music United States Javanese influences Darstellende Kunst (DE-588)4129566-3 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Tanz (DE-588)4059028-8 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Java (DE-588)4028527-3 gnd rswk-swf USA (DE-588)4078704-7 g Rezeption (DE-588)4049716-1 s Java (DE-588)4028527-3 g Musik (DE-588)4040802-4 s Tanz (DE-588)4059028-8 s Darstellende Kunst (DE-588)4129566-3 s Geschichte z 1\p DE-604 Lau, Frederick edt https://www.degruyter.com/doi/book/10.21313/9780824854942 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Spiller, Henry Javaphilia American Love Affairs with Javanese Music and Dance Dance United States Javanese influences Music United States Javanese influences Darstellende Kunst (DE-588)4129566-3 gnd Rezeption (DE-588)4049716-1 gnd Musik (DE-588)4040802-4 gnd Tanz (DE-588)4059028-8 gnd |
| subject_GND | (DE-588)4129566-3 (DE-588)4049716-1 (DE-588)4040802-4 (DE-588)4059028-8 (DE-588)4078704-7 (DE-588)4028527-3 |
| title | Javaphilia American Love Affairs with Javanese Music and Dance |
| title_auth | Javaphilia American Love Affairs with Javanese Music and Dance |
| title_exact_search | Javaphilia American Love Affairs with Javanese Music and Dance |
| title_full | Javaphilia American Love Affairs with Javanese Music and Dance Henry Spiller; Frederick Lau |
| title_fullStr | Javaphilia American Love Affairs with Javanese Music and Dance Henry Spiller; Frederick Lau |
| title_full_unstemmed | Javaphilia American Love Affairs with Javanese Music and Dance Henry Spiller; Frederick Lau |
| title_short | Javaphilia |
| title_sort | javaphilia american love affairs with javanese music and dance |
| title_sub | American Love Affairs with Javanese Music and Dance |
| topic | Dance United States Javanese influences Music United States Javanese influences Darstellende Kunst (DE-588)4129566-3 gnd Rezeption (DE-588)4049716-1 gnd Musik (DE-588)4040802-4 gnd Tanz (DE-588)4059028-8 gnd |
| topic_facet | Dance United States Javanese influences Music United States Javanese influences Darstellende Kunst Rezeption Musik Tanz USA Java |
| url | https://www.degruyter.com/doi/book/10.21313/9780824854942 |
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