Open Houses: Poverty, the Novel, and the Architectural Idea in Nineteenth-Century Britain
In the 1830s and '40s, a new preoccupation with the housing of the poor emerged in British print and visual culture. In response to cholera outbreaks, political unrest, and government initiatives, commentators evinced a keen desire to document housing conditions and agitate for housing reform....
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Philadelphia
University of Pennsylvania Press
[2018]
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Schriftenreihe: | Haney Foundation Series
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Schlagworte: | |
Online-Zugang: | BSB01 FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UBR01 UPA01 Volltext |
Zusammenfassung: | In the 1830s and '40s, a new preoccupation with the housing of the poor emerged in British print and visual culture. In response to cholera outbreaks, political unrest, and government initiatives, commentators evinced a keen desire to document housing conditions and agitate for housing reform. Consistently and strikingly, these efforts focused on opening the domestic interiors of the poor to public view. In Open Houses, Barbara Leckie addresses the massive body of print materials dedicated to convincing the reader of the wretchedness, unworthiness, and antipoetic quality of the living conditions of the poor and, accordingly, the urgent need for architectural reform. Putting these exposés into dialogue with the Victorian novel and the architectural idea (the manipulation of architecture and the built environment to produce certain effects), she illustrates the ways in which "looking into" the house animated new models for social critique and fictional form.As housing conditions failed to improve despite the ubiquity of these documentary and fictional exposés, commentators became increasingly skeptical about the capacity of print to generate change. Focusing on Bleak House, Middlemarch, and The Princess Casamassima, Leckie argues that writers offered a persuasive counterargument for the novel's intervention in social debates. Open Houses returns the architectural idea to the central position it occupied in nineteenth-century England and reconfigures how we understand innovations in the genre of the novel, the agitation for social reform, and the contours of nineteenth-century modernity |
Beschreibung: | 1 online resource Illustrationen |
ISBN: | 9780812295177 |
DOI: | 10.9783/9780812295177 |
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520 | |a In the 1830s and '40s, a new preoccupation with the housing of the poor emerged in British print and visual culture. In response to cholera outbreaks, political unrest, and government initiatives, commentators evinced a keen desire to document housing conditions and agitate for housing reform. Consistently and strikingly, these efforts focused on opening the domestic interiors of the poor to public view. In Open Houses, Barbara Leckie addresses the massive body of print materials dedicated to convincing the reader of the wretchedness, unworthiness, and antipoetic quality of the living conditions of the poor and, accordingly, the urgent need for architectural reform. Putting these exposés into dialogue with the Victorian novel and the architectural idea (the manipulation of architecture and the built environment to produce certain effects), she illustrates the ways in which "looking into" the house animated new models for social critique and fictional form.As housing conditions failed to improve despite the ubiquity of these documentary and fictional exposés, commentators became increasingly skeptical about the capacity of print to generate change. Focusing on Bleak House, Middlemarch, and The Princess Casamassima, Leckie argues that writers offered a persuasive counterargument for the novel's intervention in social debates. Open Houses returns the architectural idea to the central position it occupied in nineteenth-century England and reconfigures how we understand innovations in the genre of the novel, the agitation for social reform, and the contours of nineteenth-century modernity | ||
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Datensatz im Suchindex
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any_adam_object | |
author | Leckie, Barbara 1960- |
author_GND | (DE-588)1281440094 |
author_facet | Leckie, Barbara 1960- |
author_role | aut |
author_sort | Leckie, Barbara 1960- |
author_variant | b l bl |
building | Verbundindex |
bvnumber | BV045879147 |
collection | ZDB-23-DGG ZDB-23-DKU |
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dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 823 - English fiction |
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dewey-search | 823/.8093556 |
dewey-sort | 3823 78093556 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
doi_str_mv | 10.9783/9780812295177 |
format | Electronic eBook |
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institution | BVB |
isbn | 9780812295177 |
language | English |
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spelling | Leckie, Barbara 1960- Verfasser (DE-588)1281440094 aut Open Houses Poverty, the Novel, and the Architectural Idea in Nineteenth-Century Britain Barbara Leckie Philadelphia University of Pennsylvania Press [2018] © 2018 1 online resource Illustrationen txt rdacontent c rdamedia cr rdacarrier Haney Foundation Series In the 1830s and '40s, a new preoccupation with the housing of the poor emerged in British print and visual culture. In response to cholera outbreaks, political unrest, and government initiatives, commentators evinced a keen desire to document housing conditions and agitate for housing reform. Consistently and strikingly, these efforts focused on opening the domestic interiors of the poor to public view. In Open Houses, Barbara Leckie addresses the massive body of print materials dedicated to convincing the reader of the wretchedness, unworthiness, and antipoetic quality of the living conditions of the poor and, accordingly, the urgent need for architectural reform. Putting these exposés into dialogue with the Victorian novel and the architectural idea (the manipulation of architecture and the built environment to produce certain effects), she illustrates the ways in which "looking into" the house animated new models for social critique and fictional form.As housing conditions failed to improve despite the ubiquity of these documentary and fictional exposés, commentators became increasingly skeptical about the capacity of print to generate change. Focusing on Bleak House, Middlemarch, and The Princess Casamassima, Leckie argues that writers offered a persuasive counterargument for the novel's intervention in social debates. Open Houses returns the architectural idea to the central position it occupied in nineteenth-century England and reconfigures how we understand innovations in the genre of the novel, the agitation for social reform, and the contours of nineteenth-century modernity Cultural Studies Literature Architecture and society Great Britain History 19th century Architecture, Domestic Great Britain History 19th century Architecture, Domestic, in literature Dwellings in literature https://doi.org/10.9783/9780812295177 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Leckie, Barbara 1960- Open Houses Poverty, the Novel, and the Architectural Idea in Nineteenth-Century Britain Cultural Studies Literature Architecture and society Great Britain History 19th century Architecture, Domestic Great Britain History 19th century Architecture, Domestic, in literature Dwellings in literature |
title | Open Houses Poverty, the Novel, and the Architectural Idea in Nineteenth-Century Britain |
title_auth | Open Houses Poverty, the Novel, and the Architectural Idea in Nineteenth-Century Britain |
title_exact_search | Open Houses Poverty, the Novel, and the Architectural Idea in Nineteenth-Century Britain |
title_full | Open Houses Poverty, the Novel, and the Architectural Idea in Nineteenth-Century Britain Barbara Leckie |
title_fullStr | Open Houses Poverty, the Novel, and the Architectural Idea in Nineteenth-Century Britain Barbara Leckie |
title_full_unstemmed | Open Houses Poverty, the Novel, and the Architectural Idea in Nineteenth-Century Britain Barbara Leckie |
title_short | Open Houses |
title_sort | open houses poverty the novel and the architectural idea in nineteenth century britain |
title_sub | Poverty, the Novel, and the Architectural Idea in Nineteenth-Century Britain |
topic | Cultural Studies Literature Architecture and society Great Britain History 19th century Architecture, Domestic Great Britain History 19th century Architecture, Domestic, in literature Dwellings in literature |
topic_facet | Cultural Studies Literature Architecture and society Great Britain History 19th century Architecture, Domestic Great Britain History 19th century Architecture, Domestic, in literature Dwellings in literature |
url | https://doi.org/10.9783/9780812295177 |
work_keys_str_mv | AT leckiebarbara openhousespovertythenovelandthearchitecturalideainnineteenthcenturybritain |