Words of Light: Theses on the Photography of History
Here Eduardo Cadava demonstrates that Walter Benjamin articulates his conception of history through the language of photography. Focusing on Benjamin's discussions of the flashes and images of history, he argues that the questions raised by this link between photography and history touch on iss...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2018]
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| Online-Zugang: | FHA01 FKE01 FLA01 UPA01 UBG01 FAW01 FAB01 FCO01 Volltext |
| Zusammenfassung: | Here Eduardo Cadava demonstrates that Walter Benjamin articulates his conception of history through the language of photography. Focusing on Benjamin's discussions of the flashes and images of history, he argues that the questions raised by this link between photography and history touch on issues that belong to the entire trajectory of his writings: the historical and political consequences of technology, the relation between reproduction and mimesis, images and history, remembering and forgetting, allegory and mourning, and visual and linguistic representation. The book establishes the photographic constellation of motifs and themes around which Benjamin organizes his texts and thereby becomes a lens through which we can begin to view his analysis of the convergence between the new technological media and a revolutionary concept of historical action and understanding. Written in the form of theses--what Cadava calls "snapshots in prose"--the book memorializes Benjamin's own thetic method of writing. It enacts a mode of conceiving history that is neither linear nor successive, but rather discontinuous--constructed from what Benjamin calls "dialectical images." In this way, it not only suggests the essential rapport between the fragmentary form of Benjamin's writing and his effort to write a history of modernity but it also skillfully clarifies the relation between Benjamin and his contemporaries, the relation between fascism and aesthetic ideology. It gives us the most complete picture to date of Benjamin's reflections on history |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) |
| Beschreibung: | 1 online resource |
| ISBN: | 9780691188713 |
| DOI: | 10.1515/9780691188713 |
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| 520 | |a Here Eduardo Cadava demonstrates that Walter Benjamin articulates his conception of history through the language of photography. Focusing on Benjamin's discussions of the flashes and images of history, he argues that the questions raised by this link between photography and history touch on issues that belong to the entire trajectory of his writings: the historical and political consequences of technology, the relation between reproduction and mimesis, images and history, remembering and forgetting, allegory and mourning, and visual and linguistic representation. The book establishes the photographic constellation of motifs and themes around which Benjamin organizes his texts and thereby becomes a lens through which we can begin to view his analysis of the convergence between the new technological media and a revolutionary concept of historical action and understanding. Written in the form of theses--what Cadava calls "snapshots in prose"--the book memorializes Benjamin's own thetic method of writing. It enacts a mode of conceiving history that is neither linear nor successive, but rather discontinuous--constructed from what Benjamin calls "dialectical images." In this way, it not only suggests the essential rapport between the fragmentary form of Benjamin's writing and his effort to write a history of modernity but it also skillfully clarifies the relation between Benjamin and his contemporaries, the relation between fascism and aesthetic ideology. It gives us the most complete picture to date of Benjamin's reflections on history | ||
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Datensatz im Suchindex
| _version_ | 1804180026405421056 |
|---|---|
| any_adam_object | |
| author | Cadava, Eduardo |
| author_facet | Cadava, Eduardo |
| author_role | aut |
| author_sort | Cadava, Eduardo |
| author_variant | e c ec |
| building | Verbundindex |
| bvnumber | BV045879092 |
| collection | ZDB-23-DGG |
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| dewey-full | 770/.1 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
| dewey-raw | 770/.1 |
| dewey-search | 770/.1 |
| dewey-sort | 3770 11 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte |
| doi_str_mv | 10.1515/9780691188713 |
| format | Electronic eBook |
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| spelling | Cadava, Eduardo Verfasser aut Words of Light Theses on the Photography of History Eduardo Cadava Princeton, NJ Princeton University Press [2018] © 1996 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) Here Eduardo Cadava demonstrates that Walter Benjamin articulates his conception of history through the language of photography. Focusing on Benjamin's discussions of the flashes and images of history, he argues that the questions raised by this link between photography and history touch on issues that belong to the entire trajectory of his writings: the historical and political consequences of technology, the relation between reproduction and mimesis, images and history, remembering and forgetting, allegory and mourning, and visual and linguistic representation. The book establishes the photographic constellation of motifs and themes around which Benjamin organizes his texts and thereby becomes a lens through which we can begin to view his analysis of the convergence between the new technological media and a revolutionary concept of historical action and understanding. Written in the form of theses--what Cadava calls "snapshots in prose"--the book memorializes Benjamin's own thetic method of writing. It enacts a mode of conceiving history that is neither linear nor successive, but rather discontinuous--constructed from what Benjamin calls "dialectical images." In this way, it not only suggests the essential rapport between the fragmentary form of Benjamin's writing and his effort to write a history of modernity but it also skillfully clarifies the relation between Benjamin and his contemporaries, the relation between fascism and aesthetic ideology. It gives us the most complete picture to date of Benjamin's reflections on history In English Benjamin, Walter 1892-1940 (DE-588)118509039 gnd rswk-swf Historiography Photography Philosophy Geschichtsphilosophie (DE-588)4020529-0 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Benjamin, Walter 1892-1940 (DE-588)118509039 p Geschichtsphilosophie (DE-588)4020529-0 s Fotografie (DE-588)4045895-7 s 1\p DE-604 Ästhetik (DE-588)4000626-8 s 2\p DE-604 https://doi.org/10.1515/9780691188713 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Cadava, Eduardo Words of Light Theses on the Photography of History Benjamin, Walter 1892-1940 (DE-588)118509039 gnd Historiography Photography Philosophy Geschichtsphilosophie (DE-588)4020529-0 gnd Fotografie (DE-588)4045895-7 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)118509039 (DE-588)4020529-0 (DE-588)4045895-7 (DE-588)4000626-8 |
| title | Words of Light Theses on the Photography of History |
| title_auth | Words of Light Theses on the Photography of History |
| title_exact_search | Words of Light Theses on the Photography of History |
| title_full | Words of Light Theses on the Photography of History Eduardo Cadava |
| title_fullStr | Words of Light Theses on the Photography of History Eduardo Cadava |
| title_full_unstemmed | Words of Light Theses on the Photography of History Eduardo Cadava |
| title_short | Words of Light |
| title_sort | words of light theses on the photography of history |
| title_sub | Theses on the Photography of History |
| topic | Benjamin, Walter 1892-1940 (DE-588)118509039 gnd Historiography Photography Philosophy Geschichtsphilosophie (DE-588)4020529-0 gnd Fotografie (DE-588)4045895-7 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Benjamin, Walter 1892-1940 Historiography Photography Philosophy Geschichtsphilosophie Fotografie Ästhetik |
| url | https://doi.org/10.1515/9780691188713 |
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