Creating Distinctions in Dutch Genre Painting: Repetition and Invention
In the mid- to late seventeenth century, a number of Dutch painters created a new type of refined genre painting that was much admired by elite collectors. In this book, Angela Ho uses the examples of Gerrit Dou, Gerard ter Borch, and Frans van Mieris to show how this group of artists made creative...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2017]
|
| Schriftenreihe: | Visual and Material Culture, 1300 –1700
|
| Schlagworte: | |
| Online-Zugang: | FHA01 FKE01 FLA01 UPA01 UBG01 FAW01 FAB01 FCO01 Volltext |
| Zusammenfassung: | In the mid- to late seventeenth century, a number of Dutch painters created a new type of refined genre painting that was much admired by elite collectors. In this book, Angela Ho uses the examples of Gerrit Dou, Gerard ter Borch, and Frans van Mieris to show how this group of artists made creative use of repetition-such as crafting virtuosic, self-referential compositions around signature motifs, or engaging esteemed predecessors in a competitive dialogue through emulation-to project a distinctive artistic personality. The resulting paintings enabled purchasers and viewers to exercise their connoisseurial eye and claim membership in an exclusive circle of sophisticated enthusiasts-making creative repetition a successful strategy for both artists and viewers |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Okt 2018) |
| Beschreibung: | 1 online resource 16 color plates, 70 halftones |
| ISBN: | 9789048532940 |
| DOI: | 10.1515/9789048532940 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV045877897 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 190515s2017 |||| o||u| ||||||eng d | ||
| 020 | |a 9789048532940 |9 978-90-485-3294-0 | ||
| 024 | 7 | |a 10.1515/9789048532940 |2 doi | |
| 035 | |a (ZDB-23-DGG)9789048532940 | ||
| 035 | |a (OCoLC)1021209936 | ||
| 035 | |a (DE-599)BVBBV045877897 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Aug4 |a DE-859 |a DE-860 |a DE-739 |a DE-473 |a DE-1046 |a DE-1043 |a DE-858 | ||
| 100 | 1 | |a Ho, Angela K. |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Creating Distinctions in Dutch Genre Painting |b Repetition and Invention |c Angela K. Ho |
| 264 | 1 | |a Amsterdam |b Amsterdam University Press |c [2017] | |
| 264 | 4 | |c © 2017 | |
| 300 | |a 1 online resource |b 16 color plates, 70 halftones | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Visual and Material Culture, 1300 –1700 | |
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Okt 2018) | ||
| 520 | |a In the mid- to late seventeenth century, a number of Dutch painters created a new type of refined genre painting that was much admired by elite collectors. In this book, Angela Ho uses the examples of Gerrit Dou, Gerard ter Borch, and Frans van Mieris to show how this group of artists made creative use of repetition-such as crafting virtuosic, self-referential compositions around signature motifs, or engaging esteemed predecessors in a competitive dialogue through emulation-to project a distinctive artistic personality. The resulting paintings enabled purchasers and viewers to exercise their connoisseurial eye and claim membership in an exclusive circle of sophisticated enthusiasts-making creative repetition a successful strategy for both artists and viewers | ||
| 546 | |a In English | ||
| 600 | 1 | 7 | |a Mieris, Frans van |d 1689-1763 |0 (DE-588)117027944 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Borch, Gerard ter |d 1584-1662 |0 (DE-588)13621889X |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Dou, Gerard |d 1613-1675 |0 (DE-588)119183471 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1600-1700 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Genremalerei |0 (DE-588)4020173-9 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Niederlande |0 (DE-588)4042203-3 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Niederlande |0 (DE-588)4042203-3 |D g |
| 689 | 0 | 1 | |a Genremalerei |0 (DE-588)4020173-9 |D s |
| 689 | 0 | 2 | |a Geschichte 1600-1700 |A z |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 689 | 1 | 0 | |a Dou, Gerard |d 1613-1675 |0 (DE-588)119183471 |D p |
| 689 | 1 | 1 | |a Borch, Gerard ter |d 1584-1662 |0 (DE-588)13621889X |D p |
| 689 | 1 | 2 | |a Mieris, Frans van |d 1689-1763 |0 (DE-588)117027944 |D p |
| 689 | 1 | |8 2\p |5 DE-604 | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9789048532940 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-031261093 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u https://doi.org/10.1515/9789048532940 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048532940 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048532940 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048532940 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048532940 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048532940 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048532940 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048532940 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804180024275763200 |
|---|---|
| any_adam_object | |
| author | Ho, Angela K. |
| author_facet | Ho, Angela K. |
| author_role | aut |
| author_sort | Ho, Angela K. |
| author_variant | a k h ak akh |
| building | Verbundindex |
| bvnumber | BV045877897 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9789048532940 (OCoLC)1021209936 (DE-599)BVBBV045877897 |
| doi_str_mv | 10.1515/9789048532940 |
| era | Geschichte 1600-1700 gnd |
| era_facet | Geschichte 1600-1700 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03891nmm a2200649zc 4500</leader><controlfield tag="001">BV045877897</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">190515s2017 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789048532940</subfield><subfield code="9">978-90-485-3294-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9789048532940</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9789048532940</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1021209936</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045877897</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Ho, Angela K.</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Creating Distinctions in Dutch Genre Painting</subfield><subfield code="b">Repetition and Invention</subfield><subfield code="c">Angela K. Ho</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam</subfield><subfield code="b">Amsterdam University Press</subfield><subfield code="c">[2017]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield><subfield code="b">16 color plates, 70 halftones</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Visual and Material Culture, 1300 –1700</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Okt 2018)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In the mid- to late seventeenth century, a number of Dutch painters created a new type of refined genre painting that was much admired by elite collectors. In this book, Angela Ho uses the examples of Gerrit Dou, Gerard ter Borch, and Frans van Mieris to show how this group of artists made creative use of repetition-such as crafting virtuosic, self-referential compositions around signature motifs, or engaging esteemed predecessors in a competitive dialogue through emulation-to project a distinctive artistic personality. The resulting paintings enabled purchasers and viewers to exercise their connoisseurial eye and claim membership in an exclusive circle of sophisticated enthusiasts-making creative repetition a successful strategy for both artists and viewers</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Mieris, Frans van</subfield><subfield code="d">1689-1763</subfield><subfield code="0">(DE-588)117027944</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Borch, Gerard ter</subfield><subfield code="d">1584-1662</subfield><subfield code="0">(DE-588)13621889X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Dou, Gerard</subfield><subfield code="d">1613-1675</subfield><subfield code="0">(DE-588)119183471</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1600-1700</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Genremalerei</subfield><subfield code="0">(DE-588)4020173-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Niederlande</subfield><subfield code="0">(DE-588)4042203-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Niederlande</subfield><subfield code="0">(DE-588)4042203-3</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Genremalerei</subfield><subfield code="0">(DE-588)4020173-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1600-1700</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Dou, Gerard</subfield><subfield code="d">1613-1675</subfield><subfield code="0">(DE-588)119183471</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Borch, Gerard ter</subfield><subfield code="d">1584-1662</subfield><subfield code="0">(DE-588)13621889X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Mieris, Frans van</subfield><subfield code="d">1689-1763</subfield><subfield code="0">(DE-588)117027944</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9789048532940</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031261093</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048532940</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048532940</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048532940</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048532940</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048532940</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048532940</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048532940</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048532940</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Niederlande (DE-588)4042203-3 gnd |
| geographic_facet | Niederlande |
| id | DE-604.BV045877897 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:29:11Z |
| institution | BVB |
| isbn | 9789048532940 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031261093 |
| oclc_num | 1021209936 |
| open_access_boolean | |
| owner | DE-Aug4 DE-859 DE-860 DE-739 DE-473 DE-BY-UBG DE-1046 DE-1043 DE-858 |
| owner_facet | DE-Aug4 DE-859 DE-860 DE-739 DE-473 DE-BY-UBG DE-1046 DE-1043 DE-858 |
| physical | 1 online resource 16 color plates, 70 halftones |
| psigel | ZDB-23-DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Amsterdam University Press |
| record_format | marc |
| series2 | Visual and Material Culture, 1300 –1700 |
| spelling | Ho, Angela K. Verfasser aut Creating Distinctions in Dutch Genre Painting Repetition and Invention Angela K. Ho Amsterdam Amsterdam University Press [2017] © 2017 1 online resource 16 color plates, 70 halftones txt rdacontent c rdamedia cr rdacarrier Visual and Material Culture, 1300 –1700 Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Okt 2018) In the mid- to late seventeenth century, a number of Dutch painters created a new type of refined genre painting that was much admired by elite collectors. In this book, Angela Ho uses the examples of Gerrit Dou, Gerard ter Borch, and Frans van Mieris to show how this group of artists made creative use of repetition-such as crafting virtuosic, self-referential compositions around signature motifs, or engaging esteemed predecessors in a competitive dialogue through emulation-to project a distinctive artistic personality. The resulting paintings enabled purchasers and viewers to exercise their connoisseurial eye and claim membership in an exclusive circle of sophisticated enthusiasts-making creative repetition a successful strategy for both artists and viewers In English Mieris, Frans van 1689-1763 (DE-588)117027944 gnd rswk-swf Borch, Gerard ter 1584-1662 (DE-588)13621889X gnd rswk-swf Dou, Gerard 1613-1675 (DE-588)119183471 gnd rswk-swf Geschichte 1600-1700 gnd rswk-swf Genremalerei (DE-588)4020173-9 gnd rswk-swf Niederlande (DE-588)4042203-3 gnd rswk-swf Niederlande (DE-588)4042203-3 g Genremalerei (DE-588)4020173-9 s Geschichte 1600-1700 z 1\p DE-604 Dou, Gerard 1613-1675 (DE-588)119183471 p Borch, Gerard ter 1584-1662 (DE-588)13621889X p Mieris, Frans van 1689-1763 (DE-588)117027944 p 2\p DE-604 https://doi.org/10.1515/9789048532940 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Ho, Angela K. Creating Distinctions in Dutch Genre Painting Repetition and Invention Mieris, Frans van 1689-1763 (DE-588)117027944 gnd Borch, Gerard ter 1584-1662 (DE-588)13621889X gnd Dou, Gerard 1613-1675 (DE-588)119183471 gnd Genremalerei (DE-588)4020173-9 gnd |
| subject_GND | (DE-588)117027944 (DE-588)13621889X (DE-588)119183471 (DE-588)4020173-9 (DE-588)4042203-3 |
| title | Creating Distinctions in Dutch Genre Painting Repetition and Invention |
| title_auth | Creating Distinctions in Dutch Genre Painting Repetition and Invention |
| title_exact_search | Creating Distinctions in Dutch Genre Painting Repetition and Invention |
| title_full | Creating Distinctions in Dutch Genre Painting Repetition and Invention Angela K. Ho |
| title_fullStr | Creating Distinctions in Dutch Genre Painting Repetition and Invention Angela K. Ho |
| title_full_unstemmed | Creating Distinctions in Dutch Genre Painting Repetition and Invention Angela K. Ho |
| title_short | Creating Distinctions in Dutch Genre Painting |
| title_sort | creating distinctions in dutch genre painting repetition and invention |
| title_sub | Repetition and Invention |
| topic | Mieris, Frans van 1689-1763 (DE-588)117027944 gnd Borch, Gerard ter 1584-1662 (DE-588)13621889X gnd Dou, Gerard 1613-1675 (DE-588)119183471 gnd Genremalerei (DE-588)4020173-9 gnd |
| topic_facet | Mieris, Frans van 1689-1763 Borch, Gerard ter 1584-1662 Dou, Gerard 1613-1675 Genremalerei Niederlande |
| url | https://doi.org/10.1515/9789048532940 |
| work_keys_str_mv | AT hoangelak creatingdistinctionsindutchgenrepaintingrepetitionandinvention |