Medieval Saints and Modern Screens Divine Visions as Cinematic Experience
Medieval Saints and Modern Screens: Divine Visions as Cinematic Experience

This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention: consideration of hagiography as media. More precisely,...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Spencer-Hall, Alicia (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Amsterdam Amsterdam University Press [2017]
Schriftenreihe:Knowledge Communities
Schlagworte:
Geschichte 1200-1300
Rezeption
Multimedia
Hagiografie
Film
Heilige
Lüttich
Hochschulschrift
Online-Zugang:DE-Aug4
DE-859
DE-860
DE-739
DE-473
DE-1046
DE-1043
DE-858
Volltext
Zusammenfassung:This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention: consideration of hagiography as media. More precisely, hagiography is most productively understood as cinematic media. Medieval mystical episodes are made intelligible to modern audiences through reference to the filmic – the language, form, and lived experience of cinema. Similarly, reference to the realm of the mystical affords a means to express the disconcerting physical and emotional effects of watching cinema. Moreover, cinematic spectatorship affords, at times, a (more or less) secular experience of visionary transcendence: an ‘agape-ic encounter’. The medieval saint’s visions of God are but one pole of a spectrum of visual experience which extends into our present multi-media moment.
We too conjure godly visions: on our smartphones, on the silver screen, and on our TVs and laptops. This book places contemporary pop-culture media – such as blockbuster movie The Dark Knight, Kim Kardashian West’s social media feeds, and the outputs of online role-players in "Second Life"--in dialogue with a corpus of thirteenth-century Latin biographies, Holy Women of Liège. In these texts, holy women see God, and see God often. Their experiences fundamentally orient their life, and offer the women new routes to knowledge, agency, and belonging. For the holy visionaries of Liège, as with us modern ‘seers’, visions are physically intimate, ideologically overloaded spaces.
Through theoretically informed close readings, Medieval Saints and Modern Screens reveals the interconnection of decidedly "old" media--medieval textualities--and artefacts of our "new media" ecology, which all serve as spaces in which altogether human concerns are brought before the contemporary culture’s eyes. The thirteenth-century Latin hagiographic works known as the Holy Women of Liège corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the problematic division of body and soul in the period and also reveal the potential of text to transmit visual experiences. This book explores those qualities of the texts using the latest developments in film theory, taking up such topics as the relationship of film to mortality, embodied spectatorship, celebrity studies, and digital environments
Beschreibung:Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Okt 2018)
Beschreibung:1 online resource 2 color plates, 5 halftones, 7 line drawings
ISBN:9789048532179

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