Cinema and narrative complexity: embodying the fabula
Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies-including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approac...
Saved in:
| Main Author: | |
|---|---|
| Format: | Thesis Electronic eBook |
| Language: | English |
| Published: |
Amsterdam
Amsterdam University Press
[2017]
|
| Series: | Film culture in transition
|
| Subjects: | |
| Online Access: | DE-1046 DE-859 DE-860 DE-473 DE-739 DE-1043 DE-858 Volltext |
| Summary: | Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies-including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approaches, including Stage Fright and Hiroshima, Mon Amour, to show how they reveal the limitations of most of our usual tools for analysing film. In light of that, Steffen Hven argues for the deployment of an 'embodied' reconfiguration of the cinematic experience, one that allows us to rethink such core constituents of narrative understanding as cognition, emotion, and affect |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Okt 2018) |
| Physical Description: | 1 Online-Ressource (253 Seiten) Diagramme |
| ISBN: | 9789048530250 |
| DOI: | 10.1515/9789048530250 |
Staff View
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| isbn | 9789048530250 |
| language | English |
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| series2 | Film culture in transition |
| spelling | Hven, Steffen (DE-588)1136391290 aut Cinema and narrative complexity embodying the fabula Steffen Hven Amsterdam Amsterdam University Press [2017] © 2017 1 Online-Ressource (253 Seiten) Diagramme txt rdacontent c rdamedia cr rdacarrier Film culture in transition Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Okt 2018) Dissertation Bauhaus-Universität Weimar 2015 Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies-including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approaches, including Stage Fright and Hiroshima, Mon Amour, to show how they reveal the limitations of most of our usual tools for analysing film. In light of that, Steffen Hven argues for the deployment of an 'embodied' reconfiguration of the cinematic experience, one that allows us to rethink such core constituents of narrative understanding as cognition, emotion, and affect Erzähltechnik (DE-588)4124854-5 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Film (DE-588)4017102-4 s Erzähltechnik (DE-588)4124854-5 s 1\p DE-604 https://doi.org/10.1515/9789048530250 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Hven, Steffen Cinema and narrative complexity embodying the fabula Erzähltechnik (DE-588)4124854-5 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4124854-5 (DE-588)4017102-4 (DE-588)4113937-9 |
| title | Cinema and narrative complexity embodying the fabula |
| title_auth | Cinema and narrative complexity embodying the fabula |
| title_exact_search | Cinema and narrative complexity embodying the fabula |
| title_full | Cinema and narrative complexity embodying the fabula Steffen Hven |
| title_fullStr | Cinema and narrative complexity embodying the fabula Steffen Hven |
| title_full_unstemmed | Cinema and narrative complexity embodying the fabula Steffen Hven |
| title_short | Cinema and narrative complexity |
| title_sort | cinema and narrative complexity embodying the fabula |
| title_sub | embodying the fabula |
| topic | Erzähltechnik (DE-588)4124854-5 gnd Film (DE-588)4017102-4 gnd |
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