Cinema and narrative complexity: embodying the fabula

Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies-including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approac...

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Bibliographische Detailangaben
1. Verfasser: Hven, Steffen (VerfasserIn)
Format: Abschlussarbeit Elektronisch E-Book
Sprache:English
Veröffentlicht: Amsterdam Amsterdam University Press [2017]
Schriftenreihe:Film culture in transition
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Zusammenfassung:Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies-including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approaches, including Stage Fright and Hiroshima, Mon Amour, to show how they reveal the limitations of most of our usual tools for analysing film. In light of that, Steffen Hven argues for the deployment of an 'embodied' reconfiguration of the cinematic experience, one that allows us to rethink such core constituents of narrative understanding as cognition, emotion, and affect
Beschreibung:Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Okt 2018)
Beschreibung:1 Online-Ressource (253 Seiten) Diagramme
ISBN:9789048530250
DOI:10.1515/9789048530250

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