Novye dokumenty po istorii iskusstvoznanija: XX vek: Vypusk 2 1940-e-1960-e gody
1940-е-1960-е годы
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | Russian |
| Veröffentlicht: |
Sankt-Peterburg
ID "Petropolis"
2018
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | Zusammenfassungen auch in englischer Sprache |
| Beschreibung: | 283 Seiten Illustrationen, Porträts (schwarz-weiß) |
| ISBN: | 9785868452345 9785967610066 |
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Datensatz im Suchindex
| _version_ | 1804180020189462528 |
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| adam_text | Содержание От редактора..... 5 А. А. Михайлов (Санкт-Петербург). Исторические хроники. Середина XX века. Крах великих проектов............................ 7 Ж. В. Князева (Санкт-Петербург). Новые документы к истории европейско-американских диалогов послевоенного музыковедения. Лео Шраде, Жак
Гандшин, Армен Карапетян............................................ 41 М. Майер (Берлин). Эрнст Роберт Курциус, Жак Гандшин и их книги 1948 года......................................... 87 Н. С. Серегина (Санкт-Петербург). Защиты ученых степеней в годы Великой Отечественной войны: музыковеды М. В.
Бражников и К. А. Кузнецов................. 116 А. Г. Данько (Санкт-Петербург). Письма Б. В. Асафьева и А. В. Оссовского из фонда А. Н. Дмитриева....................146 С. Е. Энглин (Санкт-Петербург). К вопросу о музыкально-антиковедческих воззрениях Б. В. Асафьева: Записка о переводе «Ритмики»
Аристоксена.........................179 О. А. Федорченко (Санкт-Петербург). Новые документы по истории балетоведения......................................................... 204 А. А. Бобриков (Санкт-Петербург). Историк современного искусства как «джентльмен». Случай Герберта Рида и его «Краткой
истории современной живописи».............................................................215 М. Элъсте (Берлин). Политизация языка и критерии музыкальной критики в Западной Германии после 1968 года................................ 230 Е. В. Герцман (Санкт-Петербург). Ладовый объем как категория
музыкального мышления. К истории первой публикации идеи об одном из важнейших аспектов музыкально-художественной
ментальности........................247 Аннотации....................................................................................... 272 Summaries....................................................................................... 276 Сведения об авторах.................................................................. 280 Authors..............................................................................................282
Энглин C. E. К вопросу о музыкально-антиковедческих воззрениях Б. В. Асафьева: Записка о переводе «Ритмики» Аристоксена В статье рассматривается документ из архива Б. В. Асафьева, в котором музыковед упоминает рус ский перевод «ритмических отрывков» Аристоксена. Со ветский ученый отмечает некую
связь между теорией Аристоксена и музыкальным фольклором народов СССР. Содержание документа анализируется в контексте вы сказываний Б. В. Асафьева об античной музыке. Ключевые слова: советское музыковедение, античная теория музыки, «Elementa rhythmica» Аристоксена, тео рия музыкальной интонации Б.
В. Асафьева. Summaries Bobrikov А. The Case of Herbert Read and his «А Concise History of Modern Painting» The article concentrates on the analysis of «А Concise History of Modem Painting» by Herbert Read in the context of the specific values of the English «gentlemanly» tradition. Radical ideas of
art during the twentieth century, according to Read, looked moderate, compromised and almost traditional. The change in the general picture of modernist evolution is the result of manipulations of various types: interpretations, proportional ratios, or mere omissions. Keywords: modernism, painting,
England, gentleman, moderation, compromise. Danko L. В. V. Astafiev’s and A. V. Ossovsky’s Correspondence from A. N. Dmitriev’s Fund The article is devoted to two collections from A. N. Dmitriev’s Archive (Russian State Archive of Lierature and Art. Dmitriev A. N. Fund 3000. Op. 1. Ref. No. 342-345,
603). The selected letters of Asafjev (1932-1949) to A. N. Dmitriev, his talented student and
successor, are written into the 276
research text devoted to him and show the dinàmics of the brilliant musicians’ relationship. A. V. Ossovsky’s letters to A. N. Dmitriev, written in 1946-1948, the most complicated period in the history of the national musicology, marked by the Party’s documents on ideological work, - are being published with comments in the conclusion to the article. Keywords: Russian State Archive of Literature and Art, A. N. Dmitriev’s Fund, Leningrad Conservatory, Composer B. V. Asafjev, Professor A. V. Ossovsky. Elste M. The Politicization of the Language and of the Criteria in West German Music Criticism after 1968 On the basis of selected record reviews published in West German magazines between 1969 and 1976, it is shown to which degree sociological terms were more or less arbitrarily used for compositions of classical-romantic canonic repertoire. By looking at German reviews of recordings by Herbert von Karajan, the author shows how a newleft criticism, often alien to music, influenced a change in performance aesthetics. The German criticism of the 1968 years was opposed to the alleged late-romantic sound as exemplified by Herbert von Karajan, who stood for a morally mean man, in contrast to whom the historically oriented performance practice was praised. Keywords: record criticism, record reviews, music and society, music sociology, music criticism, Germany, recordings, sound recordings, Pierre Boulez, Theodor W. Adorno, Herbert von Karajan. Englin S. Regarding B. V. Asafiev’s Views of Antique Music Studies: a Note about the Translation of Aristoxenus «Rhythmics» In the article,
the document of B. V. Asafiev’s archive is considered in which the musicologist has mentioned Russian translation of «rhythmical fragments» by Aristoxenus. Soviet scientist notes some relationship between Aristoxenian Theory and Folk Music of nations of the USSR. The content of the document is analyzed in a context of B. V. Asafiev’s point of view he expressed on a research of the Music of Ancient Greece and Rome. 277
Keywords: Soviet Musicology, Ancient Greek Music Theory, «Elementarhythmica» by Aristoxenus, B. V. Asafiev’s intonation theory. Fedorchenko O. New Documents to the Ballet Studies The article examines the notes of Peter Gusev, artistic Director of the Kirov state academic Opera and ballet theatre. These notes, relating to the autumn of 1949, were missed by the researchers of Soviet ballet. The document was found in The Russian state archive of literature and art. Notes are Gusev’s remarks addressed to ballet dancers and made immediately after the performance. They are marked by a creative triumphs and failures, uneven enforcement, and successful entries, they do show how varied the performances were inserted or deleted a new choreography. These notes give additional touches to the work of the famous masters of the Leningrad ballet scene: Nonna Yastrebova, Boris Bregvadze, Vsevolod Ukhov, Yuri Grigorovich, etc. Keywords: ballet, Kirov ballet, Gusev Piotr, Bregvadze Boris, Grigorovich Yuiy. Gertsman E. Modus Volume as a Category of Musical Thought The article is dedicated to an analysis of one of the most important and constantly evolving categories of musical thought - modus volume. Unfortunately, musicology has never examined this category, on which depends many interpretations of the structure of musical material. In the present article the peculiarities of modem European modus volume are analysed and compared with its particularity in ancient and medieval musical civilisations. Keywords: musical thought, modus volume, key, modus, musical structure. Kniazeva J. New
Documents to the History of European-American Dialogues of Post-War Musicology. Leo Schrade, Jacques Handschin and Armen Carapetyan The article presents some new (recently discovered) documents from the correspondence of Russian Swiss Jacques Handschin with his colleagues, Western musico- 278
logists. The study introduces the circle of Handschin’s American contacts and explores his collaboration with the American Institute of Musicology in Rome. Keywords: Jacques Handschin, Armen Carapetyan, Leo Schrade, Higini Anglès, musicology, Basel, American Institute of Musicology. Mayer F. M. Ernst Robert Curtius, Jacques Handschin and their Books of 1948 In 1948 Ernst Robert Curtius and Jacques Handschin (both born 1886) published the books that we today consider the impressive summae of their respective research. For them, however, working on these books meant the continuation and defense of their intellectual lives during the Nazi period. In five steps, the author reconstructs the lines of thought that informed these works. Also included are the author’s outline of the true nature of the relationship between Jacques Handschin and Heinrich Besseler. Keywords: Ernst Robert Curtius, Jacques Handschin, Heinrich Besseler, musicology, history of literature, Second World War. Mikhailov A. The Historical Chronicles: The Middle of the XX Century. The Collapse of the Grand Projects The article is giving a review of the main directions and events in the history of interstate relationships in the 1940s - 1970s, in the period of the World War the Second and post-war confrontation between the ex-allies of AntiHitler coalition (Cold War). It examines some aspects of the history of the external and internal policies of the USSR, USA and the leading countries of Western Europe, main currents of the public thoughts; it analyses the projects of the world order which defined the face of
XX century. Keywords: World war the Second, nazism, Anti-Hitler coalition, neutral countries, Yalta system of interstate relationships, Cold War, interstate confrontation and cooperation, ideological war, the USSR, USA, countries of Western Europe. 279
Seregina N. PhD Exams during the Great Patriotic War: Musicolo gists M. V. Brazhnikov and K. A. Kuznetsov This article is dedicated to the state of musicology in the USSR during the years of the Great Patriotic War. During these years the Academic Council at the Moscow Conservatory protected a
number of dissertations. This article deals with the works associated primarily with S. V. Rakhmaninov; these are the works of K. A. Kuznetsov and M. V. Brazhnikov. Rakhmaninov provided material and spiritual support to Russia during 1942-1943. This article presents previous unseen material,
associated with the circumstances around the protection of theses that were based on the history of ancient music. Keywords: M. V. Brazhnikov, K. A. Vertkov, D. V. Zhitomirsky, K. A. Kuznetsov, A. V. Ossovsky, S. V. Rakhmaninov, A. V. Sveshnikov, M. V. Yudina, Russian Institute for History of the
Arts, Moscow Conservatory, musicology. Сведения об авторах Бобриков Алексей Алексеевич — кандидат искусство ведения, старший научный сотрудник РИИИ, доцент СПбГУ. Историк искусства, художественный критик. Автор книги «Другая история русского искусства» (2012) и статей, опубликованных в
«Художественном журнале», «Неприкосновенном запасе», каталоге выставки «Бер лин — Москва / Москва — Берлин» (2003). Герцман Евгений Владимирович - доктор искусство ведения, ведущий научный сотрудник РИИИ, профес сор кафедры музыкального образования и воспитания Института театра, музыки и
хореографии Петербург ского государственного педагогического университета им. А. И. Герцена. Сфера научных интересов - музыкаль ное
антиковедение и византинистика. Данько Лариса Георгиевна — доктор искусствоведе ния, профессор, советник при ректорате по вопросам научной работы Санкт-Петербургской консерватории 280
им. Н. А. Римского-Корсакова. Заслуженный деятель ис кусств Российской Федерации, член Союза композиторов Санкт-Петербурга и России, член Союза театральных де ятелей России. Князева Жанна Викторовна - доктор искусствоведе ния, ведущий научный сотрудник РИИИ. Сфера научных интересов - история
академического музыковедения, история концертно-музыкальной жизни на рубеже и в начале XX в. Майер Франц Михаэль - приват-доцент по музыковеде нию Свободного университета Берлина (Free University Berlin). Область научных интересов - теория музыки, исто рия мелодики, история музыки XIX в. и
взаимодействие музыки и литературы. Кандидатская диссертация (PhD) «Работа Жака Гандшина “Toncharakter”» («Jacques Handschins “Toncharakter”») вышла в 1991 г. в серии Beihef te zum Archiv für Musikwissenschaft 31 (Stuttgart: Franz Steiner). В 2000 г. ее дополнило комментированное изда ние
избранных статей Ж. Гандшина: «Jacques Handschin. Über reine Harmonie und temperierte Tonleitern» (Schliengen: Edition Argus). Докторская диссертация «Becketts Melodien» вышла в 2006 г. (Würzburg: Königshausen und Neumann). В настоящее время М. Майер работает над статьями о взаимоотношениях Марселя
Пруста и Джорже Энеску, а также о музыкальной эстетике Германа Лотце. Михайлов Андрей Александрович - доктор историче ских наук, научный сотрудник НПО военной истории Се веро-Западного региона РФ Научно-исследовательского института военной истории Военной академии Генераль ного штаба ВС РФ. Автор
ряда монографий по истории Первой мировой войны. Серегина Наталья Семеновна - доктор искусствоведе ния, ведущий
научный сотрудник РИИИ. Сфера научных интересов - памятники древнерусского певческого ис кусства, русская музыкальная культура. Федорченко Ольга Анатольевна, кандидат искусство ведения, старший научный сотрудник РИИИ. Балетовед, историк балета. 281
Эльсте Мартин - научный сотрудник Государственного института музыкознания (Staatliches Institut für Musik forschung) в Берлине. Изучал музыковедение и массовые коммуникации в Кёльне, Лондоне, Западном Берлине. Защитил кандидатскую диссертацию (под руководством Карла Дальхауза) по грамзаписям
«“Искусство фуги” И. С. Баха». Изучает области, связанные с музыкой и средствами медиа, дискографией, органологией и прак тикой музыкального исполнительства. Опубликовал око ло 230 научных статей и более 500 обзоров грамзаписей. Редактор и издатель ряда монографий. Последняя из них посвящена
научному творчеству Курта Закса («Vom Sam meln, Klassifizieren und Interpretieren. Die zerstörte Vielfalt des Curt Sachs». 2017). Среди его монографий книга о Ванде Ландовской («Die Dame mit dem Cembalo», 2010); исследование «Meilensteine der Bach-Interpretation 17502000» (2000), получившее премию
ARSC (Association for Recorded Sound Collection) за выдающиеся достижения (ARSC Award for Excellence). M. Эльсте был советником редактора второго издания энциклопедии Die Musik in Geschichte und Gegenwart, президентом Германского со вета по присуждению премии музыкальным критикам, пишущим о
звукозаписях (2000-2008). Энглин Станислав Евгеньевич - кандидат искусство ведения, научный сотрудник сектора музыки РИИИ. Сфера научных интересов - музыкальное антиковедение, прежде всего античная нотация, а также нотогра фические памятники. Authors Bobrikov Aleksei - Ph.D. in History of Arts,
Associate Professor of St. Petersburg State University, senior researcher of the Russian Institute for History of the
Arts. The author of the book «Another History of Russian Art» (2012) and articles published in The Art Magazine, The Inviolable Stock, the exhibition catalogue Berlin - Moscow / Moscow - Berlin. 282
Danko Larisa is Professor, Doctor of Arts, N. A. RimskyKorsakov Saint Petersburg State Conservatory Rectorate’s Academic Counsellor, an Honoured Arts’ Scientist, a member of Saint-Petersburg Composers’ Union, a member of the Russian Federation Theatre Union. Elste Martin was Research Curator at the Staatliches In stitut für Musikforschung, Berlin. He studied musicology and mass communication in Cologne, London, and Berlin (West) and wrote his doctoral thesis, supervised by Carl Dahlhaus, about the recordings of Bach’s Art of Fugue. His concern is the relationship of music and media, namely in the areas of discology and discography, organology, and performance practice. Elste has published some 230 scho larly articles and more than 500 record reviews. In addition, he published and edited various monographs the latest of which is devoted to the work of Curt Sachs: «Vom Sam meln, Klassifizieren und Interpretieren. Die zerstörte Viel falt des Curt Sachs» (2017). His book on Wanda Landowska titled «Die Dame mit dem Cembalo» (2010) has been enthu siastically received by critics. Among his monographs is his widely acclaimed «Meilensteine der Bach-Interpretation 1750-2000» (2000), which won the «ARSC Award for Excel lence». He was Editorial Advisor for the 2nd edition of «Die Musik in Geschichte und Gegenwart» and acted from 2000 to 2008 as President of the German Record Critics’ Award. Englin Stanislav is a researcher in the Music Section at the Russian Institute for the History of the Arts. Field of re search: the musical study of antiquity andancient notation. Fedorchenko
Olga is ballet critic and ballet historian, PhD in art histoiy, senior researcher at the Russian Institute for History of the Arts. Gertsman Evgenij is doctor of musicology, a leading researcher at the Russian Institute for the History of the Arts in St. Petersburg. His field of research is the musical study of antiquity, themusicalstudy of the Byzantine period. Kniazeva Jeanna is a leading researcher at the Russian Institute for the History of the Arts. Her field of research is 283
the history of academic musicology, the history of musical life at the beginning of the twentieth century, organ music in the concert life of St. Petersburg in the 1910s. Mayer Franz Michael is Professor of Musicology at the Free University Berlin. His primary areas of research relate to the theory of the musical elements, the history of melody, music in the nineteenth century, and the relation between music and literature. His PhD dissertation «Jacques Handschins “Toncharakter”» appeared in 1991 (Beihefte zum Ar chiv für Musikwissenschaft 31, Stuttgart: Franz SteinerJ. An annotated edition or selected articles by Handschin, entitled «ÜberreineHarmonie und temperierte Tonleitern», complet ed this research in 2000 (Schliengen: Edition Argus). His Habilitationsschrift «Becketts Melodien» appeared in 2006 (Würzburg: Königshausen únd Neumann). Mayer is current ly teaching musicology at the University of Leipzig. Works in progress are articles on the relation between Marcel Proust and George Enescu, and on Hermann Lotze’s aesthetics of music. Mikhailov Andrei holds a doctorate in history and is cur rently a researcher at the Research Institute (for military history) at the Military Academy of the General Staff of the Russian Armed Forces. He is the author of several books on First World War history. Seregina Nataly is a leading researcher at the Russian Insti tute for the History of the Arts. Herfield of research is Rus sian musical culture, monuments of the ancient Russian art of singing. I Bayerische j Staatsbibliothek 1 řlAі ikeban
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| author | Knjazeva, Žanna Viktorovna 20./21. Jh |
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| format | Book |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV045875599 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:29:07Z |
| institution | BVB |
| institution_GND | (DE-588)36901-9 |
| isbn | 9785868452345 9785967610066 |
| language | Russian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031258819 |
| oclc_num | 1101914547 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 283 Seiten Illustrationen, Porträts (schwarz-weiß) |
| psigel | BSB_NED_20190612 |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | ID "Petropolis" |
| record_format | marc |
| spelling | Knjazeva, Žanna Viktorovna 20./21. Jh. Verfasser (DE-588)1030251010 aut 880-01 Novye dokumenty po istorii iskusstvoznanija: XX vek Vypusk 2 1940-e-1960-e gody redaktor-sostavitelʹ: Knjazeva, Ž.V. Sankt-Peterburg ID "Petropolis" 2018 283 Seiten Illustrationen, Porträts (schwarz-weiß) txt rdacontent n rdamedia nc rdacarrier Zusammenfassungen auch in englischer Sprache (DE-588)4143413-4 Aufsatzsammlung gnd-content Rossijskij Institut Istorii Iskusstv (DE-588)36901-9 isb (DE-604)BV044999404 2 Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031258819&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031258819&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract 245-01/(N 1940-е-1960-е годы |
| spellingShingle | Knjazeva, Žanna Viktorovna 20./21. Jh Novye dokumenty po istorii iskusstvoznanija: XX vek |
| subject_GND | (DE-588)4143413-4 |
| title | Novye dokumenty po istorii iskusstvoznanija: XX vek |
| title_auth | Novye dokumenty po istorii iskusstvoznanija: XX vek |
| title_exact_search | Novye dokumenty po istorii iskusstvoznanija: XX vek |
| title_full | Novye dokumenty po istorii iskusstvoznanija: XX vek Vypusk 2 1940-e-1960-e gody redaktor-sostavitelʹ: Knjazeva, Ž.V. |
| title_fullStr | Novye dokumenty po istorii iskusstvoznanija: XX vek Vypusk 2 1940-e-1960-e gody redaktor-sostavitelʹ: Knjazeva, Ž.V. |
| title_full_unstemmed | Novye dokumenty po istorii iskusstvoznanija: XX vek Vypusk 2 1940-e-1960-e gody redaktor-sostavitelʹ: Knjazeva, Ž.V. |
| title_short | Novye dokumenty po istorii iskusstvoznanija: XX vek |
| title_sort | novye dokumenty po istorii iskusstvoznanija xx vek 1940 e 1960 e gody |
| topic_facet | Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031258819&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031258819&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV044999404 |
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