Reading by design: the visual interfaces of the English Renaissance book
"Renaissance readers perceived the print book as both a thing and a medium--a thing that could be broken or reassembled, and a visual medium that had the power to reflect, transform, or deceive. At the same historical moment that print books remediated the visual and material structures of manu...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Toronto ; Buffalo ; London
University of Toronto Press
[2019]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "Renaissance readers perceived the print book as both a thing and a medium--a thing that could be broken or reassembled, and a visual medium that had the power to reflect, transform, or deceive. At the same historical moment that print books remediated the visual and material structures of manuscript and oral rhetoric, the relationship between vision and perception was fundamentally called into question. Investigating this crisis of perception, Pauline Reid argues that the visual crisis that suffuses early modern English thought also imbricates sixteenth and seventeenth century print materials. These vision troubles in turn influenced how early modern books and readers interacted. Platonic, Aristotelian, and empirical models of sight vied with one another in a culture where vision had a tenuous relationship to external reality. Through situating early modern books' design elements, such as woodcuts, engravings, page borders, and layouts, as important rhetorical components of the text, Reading by Design articulates how the early modern book responded to epistemological crises of perception and competing theories of sight."-- |
| Beschreibung: | xv, 283 Seiten Illustrationen |
| ISBN: | 9781487500696 |
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| 505 | 8 | |a Introduction -- 1. Through a looking-glass: rhetorical vision and imagination in William Caxton’s 'Mirrour and Description of the World' and Stephen Hawes’s 'Pastime of Pleasure' -- 2. Memory-machines or ephemera? : Early Modern annotated almanacs, Edmund Spenser’s 'Shepheardes Calender', and the problem of recollection -- 3. Devising the page: 'Poly-olbion'’s troubled boundaries -- 4. Image and illusion in Francis Quarles’s emblems and pamphlets: duplication, duality, duplicity -- 5. Dead lambs, false miracles, and "taintured nests": the crisis of visual ecologies in Shakespeare’s 2 Henry VI 3 -- Conclusion: Mediated vision | |
| 520 | 3 | |a "Renaissance readers perceived the print book as both a thing and a medium--a thing that could be broken or reassembled, and a visual medium that had the power to reflect, transform, or deceive. At the same historical moment that print books remediated the visual and material structures of manuscript and oral rhetoric, the relationship between vision and perception was fundamentally called into question. Investigating this crisis of perception, Pauline Reid argues that the visual crisis that suffuses early modern English thought also imbricates sixteenth and seventeenth century print materials. These vision troubles in turn influenced how early modern books and readers interacted. Platonic, Aristotelian, and empirical models of sight vied with one another in a culture where vision had a tenuous relationship to external reality. Through situating early modern books' design elements, such as woodcuts, engravings, page borders, and layouts, as important rhetorical components of the text, Reading by Design articulates how the early modern book responded to epistemological crises of perception and competing theories of sight."-- | |
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Datensatz im Suchindex
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| adam_text | Contents List of Illustrations ix Acknowledgments xiii Introduction 3 1 Through a Looking-Glass: Rhetorical Vision and Imagination in William Caxton s Mirrour and Description of the World and Stephen Hawes s Pastime of Pleasure 23 2 Memory Machines or Ephemera? Early Modem Annotated Almanacs, Edmund Spenser s Shepheardes Calender, and the Problem of Recollection 62 3 Devising the Page: Poly-olbion s Troubled Boundaries 4 Image and Illusion in Francis Quarles s Emblems and Pamphlets: Duplication, Duality, Duplicity 158 5 Dead Lambs, False Miracles, and Taintured Nests : The Crisis of Visual Ecologies in Shakespeare s 2 Henry VI 196 Conclusion: Mediated Vision 224 Notes 233 Bibliography 255 Index 279 113
READING BY DESIGN The visual interfaces OF THE ENGLISH RENAISSANCE BOOK Pauline Reid Renaissance readers perceived the print book as both a thing and a medium - a thing that could be broken or reassembled, and a visual medium that had the power to reflect, trans form, or deceive. At the same historical moment that print books remediated the visual and material structures of manuscript and oral rhetoric, the relationship between vision and perception was fundamentally called into question. Investigating this crisis of perception, Pauline Reid argues that the visual crisis that suffused early modern English thought also informed sixteenth- and seventeenth-century print materials. These vision troubles in turn influenced how early modem books and readers interacted. Platonic, Aristotelian, and empirical models of sight vied with one another in a culture where vision had a tenu ous relationship to external reality. Through situating the design elements of early modern books — such as woodcuts, engravings, page borders, and layouts - as important rhetorical components of the text, Reading by Design articulates how the early modem book responded to epistemological crises of percep tion and competing theories of sight.
|
| any_adam_object | 1 |
| author | Reid, Pauline 1985- |
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| contents | Introduction -- 1. Through a looking-glass: rhetorical vision and imagination in William Caxton’s 'Mirrour and Description of the World' and Stephen Hawes’s 'Pastime of Pleasure' -- 2. Memory-machines or ephemera? : Early Modern annotated almanacs, Edmund Spenser’s 'Shepheardes Calender', and the problem of recollection -- 3. Devising the page: 'Poly-olbion'’s troubled boundaries -- 4. Image and illusion in Francis Quarles’s emblems and pamphlets: duplication, duality, duplicity -- 5. Dead lambs, false miracles, and "taintured nests": the crisis of visual ecologies in Shakespeare’s 2 Henry VI 3 -- Conclusion: Mediated vision |
| ctrlnum | (OCoLC)1111872575 (DE-599)BVBBV045874521 |
| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1550-1700 gnd |
| era_facet | Geschichte 1550-1700 |
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| spelling | Reid, Pauline 1985- Verfasser (DE-588)1189861607 aut Reading by design the visual interfaces of the English Renaissance book Pauline Reid Toronto ; Buffalo ; London University of Toronto Press [2019] © 2019 xv, 283 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Introduction -- 1. Through a looking-glass: rhetorical vision and imagination in William Caxton’s 'Mirrour and Description of the World' and Stephen Hawes’s 'Pastime of Pleasure' -- 2. Memory-machines or ephemera? : Early Modern annotated almanacs, Edmund Spenser’s 'Shepheardes Calender', and the problem of recollection -- 3. Devising the page: 'Poly-olbion'’s troubled boundaries -- 4. Image and illusion in Francis Quarles’s emblems and pamphlets: duplication, duality, duplicity -- 5. Dead lambs, false miracles, and "taintured nests": the crisis of visual ecologies in Shakespeare’s 2 Henry VI 3 -- Conclusion: Mediated vision "Renaissance readers perceived the print book as both a thing and a medium--a thing that could be broken or reassembled, and a visual medium that had the power to reflect, transform, or deceive. At the same historical moment that print books remediated the visual and material structures of manuscript and oral rhetoric, the relationship between vision and perception was fundamentally called into question. Investigating this crisis of perception, Pauline Reid argues that the visual crisis that suffuses early modern English thought also imbricates sixteenth and seventeenth century print materials. These vision troubles in turn influenced how early modern books and readers interacted. Platonic, Aristotelian, and empirical models of sight vied with one another in a culture where vision had a tenuous relationship to external reality. Through situating early modern books' design elements, such as woodcuts, engravings, page borders, and layouts, as important rhetorical components of the text, Reading by Design articulates how the early modern book responded to epistemological crises of perception and competing theories of sight."-- Geschichte 1550-1700 gnd rswk-swf Buchgestaltung (DE-588)4146814-4 gnd rswk-swf Illustration (DE-588)4123412-1 gnd rswk-swf Layout (DE-588)4269003-1 gnd rswk-swf England (DE-588)4014770-8 gnd rswk-swf Books and reading / England / History / 16th century Books and reading / England / History / 17th century Early printed books / England / 16th century Early printed books / England / 17th century Literature publishing / England / 16th century Literature publishing / England / 17th century Visual perception / History / 16th century Visual perception / History / 17th century English literature / Early modern, 1500-1700 / History and criticism Books and reading Early printed books English literature / Early modern Literature publishing Visual perception England 1500-1700 Criticism, interpretation, etc History England (DE-588)4014770-8 g Buchgestaltung (DE-588)4146814-4 s Illustration (DE-588)4123412-1 s Layout (DE-588)4269003-1 s Geschichte 1550-1700 z DE-604 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031257770&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031257770&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Reid, Pauline 1985- Reading by design the visual interfaces of the English Renaissance book Introduction -- 1. Through a looking-glass: rhetorical vision and imagination in William Caxton’s 'Mirrour and Description of the World' and Stephen Hawes’s 'Pastime of Pleasure' -- 2. Memory-machines or ephemera? : Early Modern annotated almanacs, Edmund Spenser’s 'Shepheardes Calender', and the problem of recollection -- 3. Devising the page: 'Poly-olbion'’s troubled boundaries -- 4. Image and illusion in Francis Quarles’s emblems and pamphlets: duplication, duality, duplicity -- 5. Dead lambs, false miracles, and "taintured nests": the crisis of visual ecologies in Shakespeare’s 2 Henry VI 3 -- Conclusion: Mediated vision Buchgestaltung (DE-588)4146814-4 gnd Illustration (DE-588)4123412-1 gnd Layout (DE-588)4269003-1 gnd |
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| title | Reading by design the visual interfaces of the English Renaissance book |
| title_auth | Reading by design the visual interfaces of the English Renaissance book |
| title_exact_search | Reading by design the visual interfaces of the English Renaissance book |
| title_full | Reading by design the visual interfaces of the English Renaissance book Pauline Reid |
| title_fullStr | Reading by design the visual interfaces of the English Renaissance book Pauline Reid |
| title_full_unstemmed | Reading by design the visual interfaces of the English Renaissance book Pauline Reid |
| title_short | Reading by design |
| title_sort | reading by design the visual interfaces of the english renaissance book |
| title_sub | the visual interfaces of the English Renaissance book |
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| topic_facet | Buchgestaltung Illustration Layout England |
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