The making of the artist in late Timurid painting:
In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter’s delegate, charged with the task of centring and defining artistic...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2019]
|
| Schriftenreihe: | Edinburgh studies in Islamic art
|
| Schlagworte: | |
| Online-Zugang: | https://www.gbv.de/dms/bowker/toc/9781474437431.pdf |
| Zusammenfassung: | In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter’s delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist’s likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist’s imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist’s signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed. -- Publisher |
| Beschreibung: | Titel der zugrundeliegenden Dissertation ermittelt: Objets de performance : Les peintures du Bustân de Sa'di signées Behzâd (v. 894 H./1488) |
| Beschreibung: | xiii, 260 Seiten Illustrationen 25 cm |
| ISBN: | 9781474437431 |
Internformat
MARC
| LEADER | 00000nam a22000008c 4500 | ||
|---|---|---|---|
| 001 | BV045866067 | ||
| 003 | DE-604 | ||
| 005 | 20250206 | ||
| 007 | t| | ||
| 008 | 190508s2019 xx a||| m||| 00||| eng d | ||
| 020 | |a 9781474437431 |c (hbk.) |9 978-1-4744-3743-1 | ||
| 035 | |a (OCoLC)1104858183 | ||
| 035 | |a (DE-599)BVBBV045866067 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 |a DE-12 |a DE-255 |a DE-188 |a DE-355 |a DE-19 | ||
| 084 | |a LO 87145 |0 (DE-625)104857: |2 rvk | ||
| 084 | |a 3 |2 KUBA2 | ||
| 100 | 1 | |a Balafrej, Lamia |e Verfasser |0 (DE-588)1187860638 |4 aut | |
| 240 | 1 | 0 | |a Objets de performance |
| 245 | 1 | 0 | |a The making of the artist in late Timurid painting |c Lamia Balafrej |
| 246 | 1 | 3 | |a Les peintures du Bustân de Sa'di signées Behzâd (v. 894 H./1488) |
| 264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2019] | |
| 264 | 4 | |c © 2019 | |
| 300 | |a xiii, 260 Seiten |b Illustrationen |c 25 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Edinburgh studies in Islamic art | |
| 500 | |a Titel der zugrundeliegenden Dissertation ermittelt: Objets de performance : Les peintures du Bustân de Sa'di signées Behzâd (v. 894 H./1488) | ||
| 502 | |b Dissertation |c Aix-Marseille Université |d 2013 |g überarbeitete Fassung | ||
| 520 | |a In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter’s delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist’s likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist’s imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist’s signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed. -- Publisher | ||
| 600 | 1 | 7 | |a Behsad, Kemal-ad-Din |d ca. ca.1450/60-ca.1536 |0 (DE-588)118884565 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1470-1500 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Künstler |0 (DE-588)4033423-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Autorschaft |0 (DE-588)4130545-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Illuminierte Handschrift |0 (DE-588)4120472-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Buchmalerei |0 (DE-588)4008650-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Selbstbildnis |0 (DE-588)4054394-8 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Timuridenreich |0 (DE-588)4443495-9 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Islamic illumination of books and manuscripts | |
| 653 | 0 | |a Art, Middle Eastern | |
| 653 | 0 | |a Timurids / History | |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Timuridenreich |0 (DE-588)4443495-9 |D g |
| 689 | 0 | 1 | |a Buchmalerei |0 (DE-588)4008650-1 |D s |
| 689 | 0 | 2 | |a Illuminierte Handschrift |0 (DE-588)4120472-4 |D s |
| 689 | 0 | 3 | |a Geschichte 1470-1500 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Timuridenreich |0 (DE-588)4443495-9 |D g |
| 689 | 1 | 1 | |a Buchmalerei |0 (DE-588)4008650-1 |D s |
| 689 | 1 | 2 | |a Künstler |0 (DE-588)4033423-5 |D s |
| 689 | 1 | 3 | |a Autorschaft |0 (DE-588)4130545-0 |D s |
| 689 | 1 | 4 | |a Selbstbildnis |0 (DE-588)4054394-8 |D s |
| 689 | 1 | 5 | |a Geschichte 1470-1500 |A z |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a Behsad, Kemal-ad-Din |d ca. ca.1450/60-ca.1536 |0 (DE-588)118884565 |D p |
| 689 | 2 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ePub |z 978-1-4744-3746-2 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 978-1-4744-3745-5 |
| 856 | 4 | |u https://www.gbv.de/dms/bowker/toc/9781474437431.pdf | |
| 940 | 1 | |q BSB_NED_20190719 | |
| 942 | 1 | 1 | |c 002.09 |e 22/bsb |f 09024 |g 56 |
| 942 | 1 | 1 | |c 745.6 |e 22/bsb |f 09024 |g 56 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-031249462 | |
Datensatz im Suchindex
| _version_ | 1823305567214501888 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Balafrej, Lamia |
| author_GND | (DE-588)1187860638 |
| author_facet | Balafrej, Lamia |
| author_role | aut |
| author_sort | Balafrej, Lamia |
| author_variant | l b lb |
| building | Verbundindex |
| bvnumber | BV045866067 |
| classification_rvk | LO 87145 |
| ctrlnum | (OCoLC)1104858183 (DE-599)BVBBV045866067 |
| discipline | Kunstgeschichte |
| era | Geschichte 1470-1500 gnd |
| era_facet | Geschichte 1470-1500 |
| format | Thesis Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a22000008c 4500</leader><controlfield tag="001">BV045866067</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20250206</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">190508s2019 xx a||| m||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474437431</subfield><subfield code="c">(hbk.)</subfield><subfield code="9">978-1-4744-3743-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1104858183</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045866067</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-19</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LO 87145</subfield><subfield code="0">(DE-625)104857:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">3</subfield><subfield code="2">KUBA2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Balafrej, Lamia</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1187860638</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Objets de performance</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The making of the artist in late Timurid painting</subfield><subfield code="c">Lamia Balafrej</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Les peintures du Bustân de Sa'di signées Behzâd (v. 894 H./1488)</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2019]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xiii, 260 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">25 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Edinburgh studies in Islamic art</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Titel der zugrundeliegenden Dissertation ermittelt: Objets de performance : Les peintures du Bustân de Sa'di signées Behzâd (v. 894 H./1488)</subfield></datafield><datafield tag="502" ind1=" " ind2=" "><subfield code="b">Dissertation</subfield><subfield code="c">Aix-Marseille Université</subfield><subfield code="d">2013</subfield><subfield code="g">überarbeitete Fassung</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter’s delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist’s likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist’s imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist’s signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed. -- Publisher</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Behsad, Kemal-ad-Din</subfield><subfield code="d">ca. ca.1450/60-ca.1536</subfield><subfield code="0">(DE-588)118884565</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1470-1500</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Künstler</subfield><subfield code="0">(DE-588)4033423-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Autorschaft</subfield><subfield code="0">(DE-588)4130545-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Illuminierte Handschrift</subfield><subfield code="0">(DE-588)4120472-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Buchmalerei</subfield><subfield code="0">(DE-588)4008650-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Selbstbildnis</subfield><subfield code="0">(DE-588)4054394-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Timuridenreich</subfield><subfield code="0">(DE-588)4443495-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Islamic illumination of books and manuscripts</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art, Middle Eastern</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Timurids / History</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Timuridenreich</subfield><subfield code="0">(DE-588)4443495-9</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Buchmalerei</subfield><subfield code="0">(DE-588)4008650-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Illuminierte Handschrift</subfield><subfield code="0">(DE-588)4120472-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1470-1500</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Timuridenreich</subfield><subfield code="0">(DE-588)4443495-9</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Buchmalerei</subfield><subfield code="0">(DE-588)4008650-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Künstler</subfield><subfield code="0">(DE-588)4033423-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Autorschaft</subfield><subfield code="0">(DE-588)4130545-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="4"><subfield code="a">Selbstbildnis</subfield><subfield code="0">(DE-588)4054394-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="5"><subfield code="a">Geschichte 1470-1500</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Behsad, Kemal-ad-Din</subfield><subfield code="d">ca. ca.1450/60-ca.1536</subfield><subfield code="0">(DE-588)118884565</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, ePub</subfield><subfield code="z">978-1-4744-3746-2</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, PDF</subfield><subfield code="z">978-1-4744-3745-5</subfield></datafield><datafield tag="856" ind1="4" ind2=" "><subfield code="u">https://www.gbv.de/dms/bowker/toc/9781474437431.pdf</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20190719</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">002.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09024</subfield><subfield code="g">56</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">745.6</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09024</subfield><subfield code="g">56</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031249462</subfield></datafield></record></collection> |
| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Timuridenreich (DE-588)4443495-9 gnd |
| geographic_facet | Timuridenreich |
| id | DE-604.BV045866067 |
| illustrated | Illustrated |
| indexdate | 2025-02-06T11:01:30Z |
| institution | BVB |
| isbn | 9781474437431 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031249462 |
| oclc_num | 1104858183 |
| open_access_boolean | |
| owner | DE-Y3 DE-12 DE-255 DE-188 DE-355 DE-BY-UBR DE-19 DE-BY-UBM |
| owner_facet | DE-Y3 DE-12 DE-255 DE-188 DE-355 DE-BY-UBR DE-19 DE-BY-UBM |
| physical | xiii, 260 Seiten Illustrationen 25 cm |
| psigel | BSB_NED_20190719 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Edinburgh University Press |
| record_format | marc |
| series2 | Edinburgh studies in Islamic art |
| spelling | Balafrej, Lamia Verfasser (DE-588)1187860638 aut Objets de performance The making of the artist in late Timurid painting Lamia Balafrej Les peintures du Bustân de Sa'di signées Behzâd (v. 894 H./1488) Edinburgh Edinburgh University Press [2019] © 2019 xiii, 260 Seiten Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier Edinburgh studies in Islamic art Titel der zugrundeliegenden Dissertation ermittelt: Objets de performance : Les peintures du Bustân de Sa'di signées Behzâd (v. 894 H./1488) Dissertation Aix-Marseille Université 2013 überarbeitete Fassung In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter’s delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist’s likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist’s imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist’s signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed. -- Publisher Behsad, Kemal-ad-Din ca. ca.1450/60-ca.1536 (DE-588)118884565 gnd rswk-swf Geschichte 1470-1500 gnd rswk-swf Künstler (DE-588)4033423-5 gnd rswk-swf Autorschaft (DE-588)4130545-0 gnd rswk-swf Illuminierte Handschrift (DE-588)4120472-4 gnd rswk-swf Buchmalerei (DE-588)4008650-1 gnd rswk-swf Selbstbildnis (DE-588)4054394-8 gnd rswk-swf Timuridenreich (DE-588)4443495-9 gnd rswk-swf Islamic illumination of books and manuscripts Art, Middle Eastern Timurids / History (DE-588)4113937-9 Hochschulschrift gnd-content Timuridenreich (DE-588)4443495-9 g Buchmalerei (DE-588)4008650-1 s Illuminierte Handschrift (DE-588)4120472-4 s Geschichte 1470-1500 z DE-604 Künstler (DE-588)4033423-5 s Autorschaft (DE-588)4130545-0 s Selbstbildnis (DE-588)4054394-8 s Behsad, Kemal-ad-Din ca. ca.1450/60-ca.1536 (DE-588)118884565 p Erscheint auch als Online-Ausgabe, ePub 978-1-4744-3746-2 Erscheint auch als Online-Ausgabe, PDF 978-1-4744-3745-5 https://www.gbv.de/dms/bowker/toc/9781474437431.pdf |
| spellingShingle | Balafrej, Lamia The making of the artist in late Timurid painting Behsad, Kemal-ad-Din ca. ca.1450/60-ca.1536 (DE-588)118884565 gnd Künstler (DE-588)4033423-5 gnd Autorschaft (DE-588)4130545-0 gnd Illuminierte Handschrift (DE-588)4120472-4 gnd Buchmalerei (DE-588)4008650-1 gnd Selbstbildnis (DE-588)4054394-8 gnd |
| subject_GND | (DE-588)118884565 (DE-588)4033423-5 (DE-588)4130545-0 (DE-588)4120472-4 (DE-588)4008650-1 (DE-588)4054394-8 (DE-588)4443495-9 (DE-588)4113937-9 |
| title | The making of the artist in late Timurid painting |
| title_alt | Objets de performance Les peintures du Bustân de Sa'di signées Behzâd (v. 894 H./1488) |
| title_auth | The making of the artist in late Timurid painting |
| title_exact_search | The making of the artist in late Timurid painting |
| title_full | The making of the artist in late Timurid painting Lamia Balafrej |
| title_fullStr | The making of the artist in late Timurid painting Lamia Balafrej |
| title_full_unstemmed | The making of the artist in late Timurid painting Lamia Balafrej |
| title_short | The making of the artist in late Timurid painting |
| title_sort | the making of the artist in late timurid painting |
| topic | Behsad, Kemal-ad-Din ca. ca.1450/60-ca.1536 (DE-588)118884565 gnd Künstler (DE-588)4033423-5 gnd Autorschaft (DE-588)4130545-0 gnd Illuminierte Handschrift (DE-588)4120472-4 gnd Buchmalerei (DE-588)4008650-1 gnd Selbstbildnis (DE-588)4054394-8 gnd |
| topic_facet | Behsad, Kemal-ad-Din ca. ca.1450/60-ca.1536 Künstler Autorschaft Illuminierte Handschrift Buchmalerei Selbstbildnis Timuridenreich Hochschulschrift |
| url | https://www.gbv.de/dms/bowker/toc/9781474437431.pdf |
| work_keys_str_mv | AT balafrejlamia objetsdeperformance AT balafrejlamia themakingoftheartistinlatetimuridpainting AT balafrejlamia lespeinturesdubustandesadisigneesbehzadv894h1488 |