Aesthetics and art: traditional and contemporary China in a comparative perspective
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
[Beijing]
Foreign Language Teaching and Research Press
2018
Berlin Springer 2018 |
| Schriftenreihe: | China academic library
|
| Schlagworte: | |
| Online-Zugang: | Inhaltstext http://www.springer.com/ Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | viii, 232 Seiten Illustrationen 24 cm, 4853 g |
| ISBN: | 9783662566992 3662566990 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1817968074763010048 |
|---|---|
| adam_text |
CONTENTS
1 TO BEGIN WITH A BEAUTIFUL L INE
.
1
1.1 TRADITION IN THE WEST ON BEAUTIFUL L IN E S
.
2
1.2 *REAL* PAINTING AND *DEAD* PAINTING IN C H IN A
.
4
1.3 THE POSITION OF ARCHITECTURAL PAINTINGS IN
CHINA. 6
1.4 CALLIGRAPHY AS AN A R T
. 8
1.5 THE SAYING *PAINTING AND WRITING SHARE THE SAME ORIGINS* . . . 10
1.6 ANOTHER TRADITION IN THE WEST AND ITS SIGNIFICANCE
.
13
1.7 CONCLUSION: A FREEHAND LINE AND A THEORETICAL POSSIBILITY . 14
2 THE RELATIONSHIP BETWEEN WRITING AND PAINTING
IN ANCIENT
CHINA.
17
2.1 WHAT DOES THE *WRITING AND PAINTING SHARE THE SAME
ORIGIN* M EAN
?.
17
2.2 CHINESE IDEAS ON THE ORIGIN OF CHARACTERS
.
20
2.3 *MANIFEST DISPLAY* AS JUSTIFICATION OF THE IMPORTANCE
OF
PAINTING.
22
2.4 SAME WAY OF USING BRUSH: A NEW INTERPRETATION OF THE
SAYING *SHARE THE SAME ORIGIN*
.
24
2.5 WRITING ACTIVITIES AS THE INTERMEDIATE BETWEEN PAINTING
AND
AUDIENCE.
27
2.6 CONCLUSION: FROM WRITING TO P AINTING
.
29
3 SIGNIFICANCE OF ANALOGY-DRAWING BETWEEN GO AND PAINTING
.
31
3.1 THE DIFFERENCES BETWEEN GO AND PAINTING
.
31
3.2 ANCIENT CHINESE SAYINGS ABOUT THE RELATIONSHIP BETWEEN
GO AND PAINTING
.
35
3.3 THE GENERAL SITUATION AND THE PLAYING A TTITU D E
. 38
3.4 THE FORM AND MOMENTUM IN
GO AND PAINTING
.
39
3.5 VOID, ORDER AND
STAGES.
43
3.6 A SPECIAL DEVELOPMENT FROM THE EXPRESSION T H E O RY
.
46
VI CONTENTS
4 THEORETICAL SIGNIFICANCE OF PAINTING AS P ERFORM ANCE
.
49
4.1 FOREWORDS: FROM WHAT TO H O W
.
49
4.2 PAINTING PRIVATELY OR P U B LIC LY
.
51
4.3 PERFORMING IN TWO W A Y S
.
53
4.4 THE ORIGIN OF PAINTING
PERFORMANCE. 54
4.5 ANCIENT CHINESE PAINTING AND MODEM WESTERN PAINTING
.
56
4.5.1 THE WAY OF UNDERSTANDING *ACQUIRED VOCABULARIES*
IN EUROPEAN P
AINTING. 58
4.5.2 THE SEPARATION OF PAINTING AND ARCHITECTURE
IN C H IN A
.
62
4.5.3 WHAT CHINESE PAINTERS LEARNT FROM THE MUSTARD
SEED G
ARDEN.
70
4.5.4 CONCLUSION: THE SOURCES OF CREATION IN CHINA. 78
5 DIFFICULTIES IN READING IMAGES: DIVERSITY AND INTERNATIONALITY
IN IMAGE R
ECEPTION.
81
5.1 IGNORANCE IN P AIN TIN G
.
81
5.2 DIFFERENCES IN APPRECIATING
CALLIGRAPHY. 84
5.3 LEARNING TO UNDERSTAND THE SYMBOLS OF IM AG E S
.
85
5.4 DIFFERENT MEANINGS OF INTERNATIONALLY
.
87
5.5
CONCLUSION.
89
LITERATURE.
89
6 WHO ARE T RUE ARTISTS?*AN A RT ELITISM IN ANCIENT C H I N A
.
91
6.1 ELITISM AND ITS FATE IN CHINA IN THIS
CENTURY. 91
6.2 TWO RINDS OF A RTIS TS
.
93
6.3 THE DEPRECIATION OF A R T
. 100
6.4 THE VIRTUE OF A TRUE A
RTIST. 105
6.5
CONCLUSION.
109
7 AN INTRODUCTION TO THE AESTHETIC IDEAS OF CONFUCIUS
.
113
8 M AN AND HIS RELATIONS WITH SOCIETY AND ART: A CASE STUDY
OF ON M U S I C
.
127
8.1 THE IDEOLOGICAL BACKGROUND OF ON M
USIC. 127
8.2 THE GENERAL THEORETICAL SYSTEM OF ON M U
SIC. 130
8.3 ANALYSIS OF THE ELEMENTS OF THE D IAGRAM
. 132
8.4 CONCLUSIONS: MOVING ACCORDING TO CATEGORIES*THE BASIC
PRINCIPLE OF ON M
USIC.
134
9 THE ORIGINAL MEANING OF THE CHINESE C HARACTER FOR *BEAUTY* . 137
10 THE *AESTHETICS CRAZE* IN CHINA*ITS CAUSE AND SIGNIFICANCE . 155
10.1 THE *AESTHETICS CRAZE*
. 155
10.2 A BRIEF REVIEW OF AESTHETICS IN C H IN A
. 156
10.3 THE *GREAT AESTHETICS DISCUSSION*
.
157
CONTENTS VII
10.4 THE CAUSE AND SIGNIFICANCE OF THE *AESTHETICS CRAZE*
.
159
10.5 AFTER THE *AESTHETICS CRAZE*
.
162
11 CHINESE AESTHETICS: FROM 1978 TO THE PRESENT
.
165
11.1 THE REVIVAL OF AESTHETICS AFTER THE CULTURAL REVOLUTION
(1978-1984)
.
165
11.2 EXPANDING OUTLOOK (1985-1989)
.
169
11.3 NEW CONSERVATISM AND ITS CONFLUENCE WITH THE *POSTS*
(1990-1994).
171
11.4 THE RISE OF CULTURAL STUDIES AND REDEFINITION OF AESTHETICS
IN CHINA
(1995-2000).
172
11.5 CHINESE AESTHETICS IN THE NEW C
ENTURY. 174
12 THE STORIES OF THREE W O RD
S.
175
12.1 PARTY LITERATURE OR PARTY PUBLICATIONS
.
175
12.2 IMAGED T
HOUGHT.
179
12.3 SUBJECTIVITY OR SUBJECTAVITY?
.
182
13 CHINESE AESTHETICS IN THE CONTEXT OF GLOBALIZATION
.
185
13.1 VARIOUS MANNERS OF *AESTHETICS IN CHINA*
.
186
13.2 THE CONTENTIONS BETWEEN THE UNIVERSALITY AND
PARTICULARITY
.
189
13.3 CRITIQUE OF THE *GENERAL VERSUS PARTICULAR* CONCEPTIONS
AND THE TENSIONS BETWEEN DIFFERENT AESTHETICS
.
193
13.4 SOME IDEAS FOR CONSTRUCTING CHINESE
AESTHETICS. 195
14 THE GROWTH AND CONSTRUCTION OF CULTURAL DIVERSITY
IN CYBERSPACE
.
199
14.1 IS CYBERSPACE A
SPACE?.
199
14.2 CYBERSPACE: NEW FRONTIER AND NEW COLONIALISM?
.
202
14.3 EXODUS FROM DREAM LAND
.
205
14.4 ON-LINE AND O FF-LINE
.
208
14.5
CONCLUSION.
210
15 TRADITIONAL CULTURE: SALVATION OR REVITALIZATION?
.
211
15.1 TWO V O ICE S
.
211
15.2 INEVITABLE CHANGE OF THE T A S T E
. 212
15.3 VARIOUS STRATEGIES FOR CULTURAL D EVELOPM ENT
.
213
15.4 A DYNAMIC ATTITUDE AND HARMONIOUS DEVELOPM ENT
.
214
16 THE BEAUTY OF A CITY: THOUGHTS FROM AN ECOLOGICAL
P
ERSPECTIVE.
217
16.1 ONE FACE FOR A THOUSAND CITIES: AN ANXIETY IN CITY
RENOVATION.
217
16.2 DIFFERENT MODES OF DEVELOPMENT FOR URBAN C ONSTRUCTION
.
221
VIII CONTENTS
16.3 FALLACIES IN CITY C ONSTRUCTION
.
225
16.4 THE ROAD TO BEAUTY FOR A C I T Y
.
227
16.5 CONCLUSION: LIVING CITIES AND THE SENSE OF H O M E
.
231 |
| any_adam_object | 1 |
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| author_facet | Gao, Jianping |
| author_role | aut |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701.17 |
| dewey-search | 701.17 |
| dewey-sort | 3701.17 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte Philosophie |
| format | Book |
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| spelling | Gao, Jianping Verfasser aut Aesthetics and art traditional and contemporary China in a comparative perspective Jianping Gao [Beijing] Foreign Language Teaching and Research Press 2018 Berlin Springer 2018 viii, 232 Seiten Illustrationen 24 cm, 4853 g txt rdacontent n rdamedia nc rdacarrier China academic library Kunst (DE-588)4114333-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf HPN HPD China (DE-588)4009937-4 g Kunst (DE-588)4114333-4 s Ästhetik (DE-588)4000626-8 s DE-604 Springer-Verlag GmbH (DE-588)1065168780 pbl Erscheint auch als Online-Ausgabe Gao, Jianping Aesthetics and Art 1st edition 2018 Berlin, Heidelberg : Springer Berlin Heidelberg, 2018 Online-Ressource X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=eac9073e385d4c12bcc2fc46f522f3a7&prov=M&dok_var=1&dok_ext=htm Inhaltstext X:MVB http://www.springer.com/ B:DE-101 application/pdf http://d-nb.info/1152089005/04 Inhaltsverzeichnis DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031064957&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Gao, Jianping Aesthetics and art traditional and contemporary China in a comparative perspective Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4000626-8 (DE-588)4009937-4 |
| title | Aesthetics and art traditional and contemporary China in a comparative perspective |
| title_auth | Aesthetics and art traditional and contemporary China in a comparative perspective |
| title_exact_search | Aesthetics and art traditional and contemporary China in a comparative perspective |
| title_full | Aesthetics and art traditional and contemporary China in a comparative perspective Jianping Gao |
| title_fullStr | Aesthetics and art traditional and contemporary China in a comparative perspective Jianping Gao |
| title_full_unstemmed | Aesthetics and art traditional and contemporary China in a comparative perspective Jianping Gao |
| title_short | Aesthetics and art |
| title_sort | aesthetics and art traditional and contemporary china in a comparative perspective |
| title_sub | traditional and contemporary China in a comparative perspective |
| topic | Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Kunst Ästhetik China |
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