Howard Skempton: conversations and reflections on music
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Woodbridge
The Boydell Press
2019
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xxix, 266 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781783273218 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804179743761760256 |
|---|---|
| adam_text | Contents xi xiv xvii xix xxi xxvii xxviii List of illustrations List of contributors Preface Roles and acknowledgements Introduction Editorial conventions Timeline Chapter One: Histories 3 Conversation One: Childhood and teenage years 3 4 5 6 8 10 11 Place in the family Encouragement at school On being rescued Hearing Webern Piano lessons with Tom Wess A difficult gap year Sabotage and validation 15 Reflection One: Music and/as home Matthew Head Chapter Two: Influences 33 Conversation Two: The music from A Humming Song (1967) to Lento (1990) 33 A Humming Song (1967) and architecture vii
Howard Skempton 38 Feldman, Mondrian, sonority, and the use of chance 42 Contrasts and continuity 45 Simple Piano Piece (1972), inspiration, and importance of poetry 46 Heart Sounds (1974) and constructivist painting 49 Pieces for Britten 51 Urgency and freedom 52 The 1980s: Pieces for friends and events 54 The years running up to Lento (1990) 57 Reflection Two: Skempton and experimentalism Heather Wiebe Chapter Three: Pattern and shape 69 Conversation Three: Becoming established, and the music after Lento (1990) 69 Becoming a professional composer 72 Commitment to composition 73 My musical models 75 On being original and responding to circumstance 76 78 Beachcombing and outflanking the opposition Being content to continually arrange the furniture in the same room 81 On commissioning and continuity 82 On musical beginnings 84 On musical endings 84 Choosing a new project 85 Golden sections 85 86 Image and self-image Following Feldman’s arc 87 Form 87 Serialism 88 Composing 91 Reflection Three, “Strangely simple”: Howard Skempton’s composing Arnold Whittall VIII
Contents Interval: Previously unpublished manuscripts Chapter Four: Influencing 129 Conversation Four: On teaching composition 129 Focusing on fundamentals 130 Turning straw into gold 131 Teaching by example 132 Following the rules? 133 Opening minds, not limiting them 134 Cross-cutting themes 136 Stepping outside 138 Skills of the young composer 139 Rhythm 140 Being practical 141 Work with the best; vocal setting 142 Social role of the composer 144 Lessons were “magical”: Skempton’s composition students 144 Conversation with Luke Deane 148 Testimony from Rosie Clements about her studies with Skempton 149 Reflection Four, “Not a lot spoken, but a lot said”: Skempton as teacher and composer Pwyll ap Sión Chapter Five: Performing Peter Hill, Thalia Myers, John Tilbury, James Weeks, and Howard Skempton 171 172 175 178 179 180 “Simplicity about him”: First encounters with Skempton “Distillation and decontextualization”: Commissioning Skempton Performing and/as analyzing the piano music Music that anyone can (fail to) perform well “Robust” enough to “muck about with”: Rearranging Skempton “He was absolutely no help at all”: Playing, authority, and getting it right IX
Howard Skempton 182 183 Spirituality and performance: Music beyond technique “I was always performing” Chapter Six: Narrative and closure 187 The story of the story Esther Cavett 201 After-image: A reflection on a reflection Howard Skempton 205 226 234 244 Appendix One: Authorized worklist Appendix Two: Discography of first commercially distributed recordings Select bibliography Index
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| spelling | Howard Skempton conversations and reflections on music Esther Cavett ; edited by Esther Cavett and Matthew Head Woodbridge The Boydell Press 2019 xxix, 266 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Skempton, Howard 1947- (DE-588)135006015 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Skempton, Howard / 1947- / Criticism and interpretation Skempton, Howard / 1947- Criticism, interpretation, etc (DE-588)4027503-6 Interview gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content Skempton, Howard 1947- (DE-588)135006015 p Komposition Musik (DE-588)4133320-2 s DE-604 Skempton, Howard 1947- (DE-588)135006015 ive Cavett-Dunsby, Esther ca. 20./21. Jh. (DE-588)1151470228 edt Head, Matthew William 1967- (DE-588)1042932212 edt ebook version 9781787445239 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031061463&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Howard Skempton conversations and reflections on music Skempton, Howard 1947- (DE-588)135006015 gnd Komposition Musik (DE-588)4133320-2 gnd |
| subject_GND | (DE-588)135006015 (DE-588)4133320-2 (DE-588)4027503-6 (DE-588)4143413-4 |
| title | Howard Skempton conversations and reflections on music |
| title_auth | Howard Skempton conversations and reflections on music |
| title_exact_search | Howard Skempton conversations and reflections on music |
| title_full | Howard Skempton conversations and reflections on music Esther Cavett ; edited by Esther Cavett and Matthew Head |
| title_fullStr | Howard Skempton conversations and reflections on music Esther Cavett ; edited by Esther Cavett and Matthew Head |
| title_full_unstemmed | Howard Skempton conversations and reflections on music Esther Cavett ; edited by Esther Cavett and Matthew Head |
| title_short | Howard Skempton |
| title_sort | howard skempton conversations and reflections on music |
| title_sub | conversations and reflections on music |
| topic | Skempton, Howard 1947- (DE-588)135006015 gnd Komposition Musik (DE-588)4133320-2 gnd |
| topic_facet | Skempton, Howard 1947- Komposition Musik Interview Aufsatzsammlung |
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