The Routledge companion to theatre and politics:
"The Routledge Companion to Theatre and Politics is a volume of critical essays, provocations, and interventions on the most important questions faced by today's writers, critics, audiences, theatre and performance makers. Featuring texts written by scholars and artists who are diversely s...
Gespeichert in:
| Weitere Verfasser: | , |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
[2019]
|
| Schriftenreihe: | Routledge theatre and performance companions
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The Routledge Companion to Theatre and Politics is a volume of critical essays, provocations, and interventions on the most important questions faced by today's writers, critics, audiences, theatre and performance makers. Featuring texts written by scholars and artists who are diversely situated (geographically, culturally, politically, and institutionally), its multiple perspectives broadly address the question 'How can we be political now?'. To respond to this question, Peter Eckersall and Helena Grehan have created eight galvanising themes as frameworks or rubrics to rethink the critical, creative, and activist perspectives on questions of politics and theatre: Post, Assembly, Gap, Institution, Machine, Message, End, and Re. These themes were developed in conversation with key thinkers and artists in the field, and the resulting texts engage with artistic works across a range of modes including traditional theatre, contemporary performance, public protest events, activism, and community and participatory theatre. Suitable for academics, performance makers, and students, The Routledge Companion to Theatre and Politics explores questions of how to be political in the early twenty-first century, by exploring how theatre and performance might provoke, unsettle, reinforce, or productively destabilise the status quo"-- |
| Beschreibung: | xx, 364 Seiten Illustrationen 25 cm |
| ISBN: | 9781138303485 |
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Datensatz im Suchindex
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CONTENTS List of illustrations Notes on contributors Acknowledgements xiii xiv xx 1 A dramaturgy of cultural activism Helena Grehan and Peter Eckersatt 1 PARTI Post 7 2 Reflections upon the ‘post’: towards a cultural history and a performance-oriented perspective Andy Lavender 3 Post-dictatorship Chilean theatre and the political imperative: Ictus’s Esto (no) es un testamento Jennifer Joan Thompson 9 13 4 After the British EU referendum: when the theatre tries to do ‘something’ Marilena Zaroulia 17 5 Arab political theatre post-Arab Spring Marvin Carlson 21 6 Queer politics/nostalgia: performing the Upstairs Lounge fire of 1973 Sean F. Edgecomb 25 7 Contemporary theatre, the contemporary, and historicity C.J. W.-L. Wee 29 v
Contents 8 The vita perfumativa and post-dramatic, post-conceptual personae Jon McKenzie 9 Post-’98 Indonesian theatre and performance: politics between a war of loudness and the dramaturgy of a silencer Ugoran Prasad 33 38 10 The theatre of posthuman immunity João Florencio 42 11 Revolutionary trends at the South African National Arts Festival Anton Krueger 46 12 The cultural and political impact of post-migrant theatre in Germany Azadeh Sharifi 50 13 Staging post-democracy in State 1—4 by Rimini Protokoll Imanud Schipper 54 14 Parsing the post: the post-political and its utility (or not) for performance Janelle Reinelt 58 PARTII Assembly 65 15 Hosts of angels: climate guardians and quiet activism Denise Varney 67 16 Reflecting upon freedom with Meiro Koizumi Shintaro Fujii 72 17 An assembly of mourning: documentary theatre as a mode alternative historiography Kai Tuchmann 77 18 Assembly as community: politics and performance in late 20th- and early 21st-century Buenos Aires Jean Graham jones 81 19 Advocacy, allies, and ‘allies of convenience’ in performance and performative protest Bree Hadley 85 20 From revolution to figuration: a genealogy of Philippine protest performances Sir Anril Pineda Tiatco and Bryan Levina Viray vi 89
Contents 21 The politics of care: play, stillness, and social presence Michael Balfour 93 22 Assembling non-presence in The Aborigine is Present Lara Stevens 98 23 100% Tokyo (2013) by Rimini Protokoll as a political forum by emancipated performers and audience members Ken Hagiwara 102 24 Lessons in Revolting: a postdramatic theatre in Egypt Areeg Ibrahim 106 25 Obscene public speech Tony Fisher 109 PARTIU Gap 113 26 Dogwhisde performance: concealing white supremacy in right-wing populism Shannon Steen 115 Tl Arkadaş Kalabilir miyiz Can we remain friends? A reflection on the politics of land, performance, and friendship Özgül Akına 119 28 The construction of material referentiality in Chilean theatre: Los que van quedando en el camino (2010) Milena Grass Kleiner 123 29 To rest in the gap: possibilities for another politics through theatre Jázmin Badong Liana 30 ‘You are Bernarda’: marginalised Roma women take on the main Spanish stages Mara Valderrama 31 Dancing in the gap Rachael Swain 127 131 134 32 Touring San Francisco’s Chinatown: collective memories and peripatetic performance Sean Metzger and Marike Splint VII 139
Contents 33 ‘It s just not right’: performing homelessness in Kalisolaite ‘Uhila’s Mo’ui tukuhausid Emma Willis 34 Resisting production: theslow politics of theatre Mark Fleishman 35 The speculative collectivity of the global transnational, or, social practice and the international division of labour Verònica Tello 36 Acts of collaboration and disruption: notes on the asylum ballet Uropa Solveig Gade 143 147 151 156 PART IV Institution 161 37 The power of abuse Jen Harvie 163 38 Institutional aesthetics and the crisis of leadership Christopher Balme 169 39 The politics of teaching theatre Glenn D’Cruz 173 40 Going feral: queerly de-domesticating the institution (and running wild) Alyson Campbell 177 41 Artists versus the city: the curious story of the Jakarta Arts Council 1968-2017 Helly Minarti 181 42 Festival dramaturgy Ong Keng Sen 185 43 ‘100-Days House’: blackout as political action Konstantina Georgelou 189 44 The performative institution Edward Scheer 193 45 Punishment and chaos David Pledger 197 viii
Contents PART V Machíne 201 46 Maria Lucia Cruz Correia’s Urban Action Clinic GARDEN: a political ecology with diplomats of dissensus and composite bodies engaged in intra-action Christel Stalpaert 47 Docile subjects: from theatres of automata to the machinery of 21st-century media Evelyn Wan 203 207 48 The human object in Oriza Hirata’s I, Worker and Sayonara Sarah Lucie 212 49 Clarke and Dawe’s mock interviews and the politics of duration Yuji Sone 215 50 Exposing the machinie present: Rimini Protokolls theatre of operations Timón Beyes 219 51 Performances of exposure: Santiago Sierra’s ethicalinterruptions Gabriella Calchi Novati 224 52 VOID Kristóf van Baarle 228 53 Performance in the biosphere: or, a theatre of things Eddie Paterson 232 PART VI Message 237 54 How does the riot speak? Sophie Nield 239 55 The hopeless courage of confronting contemporary realities: Milo Rau’s ‘Globally Conceived Theatre of Humanity’ Peter M. Boenisch 243 56 Ibsen as method: critical theatre for the era of post-truth politics Andrew Goldberg 247 57 Facing fear: the radical reversal of narratives of risk Sigrid Merx 250 ix
Contents 58 Form and violence: beyond theatrical content Eero Laine 254 59 The message is Maori: the politics of Haka in performance Nicola Hyland 257 60 A theatre of the middle way: Buddhism, convictions, and social engagement in Burma/Myanmar Matthew Yoxall 261 61 Contemporary Chilean political theatre between opacity and propaganda: The case of Colectivo Zoologico’s Dark Fabian Escalona 264 62 Flânerie of the mind: Beyene Haile s Asmara play as a dramaturgy of the street Christine Matzke 268 63 Acting on behalf of themselves: the theatrical politics of child’s play Bryoni Trezise 272 PART VII End 275 64 End and interval Joe Kelleher 277 65 Stage managing ruins in Lebanon’sborderlands Ella Parry-Davies 280 66 Striving, falling, performing: phénoménologies of mood and apocalypse Peta Tait 284 67 Plastic animals in praxes of metamorphosis Eve Katsouraki 288 68 Against staging apocalyptic disasters with Butoh dance: Ohno Yoshito’s Flower and Bird/Inside and Outside Hayato Kosuge 69 Theatre and eschatological politics Felipe Cervera 292 295 x
Contents 70 Holstein’s hair: the politics of decadence in the famous Lauren Barri Holstein’s Splat! Adam Alston 299 71 Performance as infrastructureand institutional unlearnings Gigi Argyropoulou 303 72 Radically dead art in the beautifhl end times Peter Eckersall 308 PART VIII Re. 311 73 A Chinese Catastrophe՜? The moving target of political theatre Paul Rae 313 74 Preserved by permafrost: reanimating and reimagining complexity in Canada’s Klondike gold rush Phoebe Rumsey 317 75 The situated performative: considering the politics of the pause in performance Alexa Taylor 322 76 Between resistance and consensus: the mercurial dramaturgy of The Necessary Stage . Melissa Wansin Wong 325 77 Open platforms for dialogue and difference: critical leadership in Singapore theatre Charlene Rajendran 329 78 Geomnemonic performance: activating political ontology through unsetded remains Daphna Ben-Shaul 333 79 Art, politics, and the promise of rupture: reimagining the manifesto in an age of overflow Helena Grehan 337 80 Re-visit/re-examine/re-contextualise/re-ignite: protest and activism as performance Sarah Ann Standing 341 xi
Contents 81 Evidencing slow making in one-to-one performance at the Proximity Festival 345 Renée Neuman 82 Re-inventing a political theatre in Burkina Faso 349 Heather Jeanne Denyer Index 354 XU |
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| spelling | The Routledge companion to theatre and politics edited by Peter Eckersall and Helena Grehan London ; New York Routledge [2019] xx, 364 Seiten Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier Routledge theatre and performance companions "The Routledge Companion to Theatre and Politics is a volume of critical essays, provocations, and interventions on the most important questions faced by today's writers, critics, audiences, theatre and performance makers. Featuring texts written by scholars and artists who are diversely situated (geographically, culturally, politically, and institutionally), its multiple perspectives broadly address the question 'How can we be political now?'. To respond to this question, Peter Eckersall and Helena Grehan have created eight galvanising themes as frameworks or rubrics to rethink the critical, creative, and activist perspectives on questions of politics and theatre: Post, Assembly, Gap, Institution, Machine, Message, End, and Re. These themes were developed in conversation with key thinkers and artists in the field, and the resulting texts engage with artistic works across a range of modes including traditional theatre, contemporary performance, public protest events, activism, and community and participatory theatre. Suitable for academics, performance makers, and students, The Routledge Companion to Theatre and Politics explores questions of how to be political in the early twenty-first century, by exploring how theatre and performance might provoke, unsettle, reinforce, or productively destabilise the status quo"-- Politik (DE-588)4046514-7 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Theater / Political aspects (DE-588)4143413-4 Aufsatzsammlung gnd-content Theater (DE-588)4059702-7 s Politik (DE-588)4046514-7 s DE-604 Eckersall, Peter 1960- (DE-588)1043871578 edt Grehan, Helena (DE-588)1161423699 edt Erscheint auch als Online-Ausgabe, Master 978-0-203-73105-5 Erscheint auch als Online-Ausgabe, Adobe Reader 978-1-351-39912-8 Erscheint auch als Online-Ausgabe, EPUB 3 978-1-351-39911-1 Erscheint auch als Online-Ausgabe, Mobipocket Unencrypted 978-1-351-39910-4 Erscheint auch als Online-Ausgabe, ebook 978-0-203-73105-5 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030957421&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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