Din musikalske kapital:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Norwegian Bokmål |
| Veröffentlicht: |
Oslo
Universitetsforlaget
[2018]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 138 Seiten Illustrationen |
| ISBN: | 9788215030425 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804179550809096192 |
|---|---|
| adam_text | Innhold Takk................................................................................................... 11 Preludium: Hva slags bok er dette?.............................................. To definisjoner på musikalitet............................................ Leseveileder........................................................................... 13 16 16 DELİ MUSIKK OG MENNESKE.......................................... 19 Å være «musikalsk»......................................................................... 21 Kan musikalitet testes?.............................................................. Den «folkelige oppfatningen» av musikalitet.......................... Spesialisert versus normativ musikalsk utvikling.................... Musikalsk = å spille et instrument?.......................................... Musikalsk identitet.................................................................... Musikalitetsforskning i dag....................................................... Arven fra Idol............................................................................. Er alle musikalske?...................................................................... Amusi ֊ tonedøvhet.............................................................. «Falsksangere»...................................................................... 21 23 27 29 30 32 33 34 34 35 Musikkbiologi................................................................................. Innledning - musikk og artens overlevelse............................... Fra babybabling til
kunstuttrykk.............................................. Det første livsnødvendige båndet........................................ 37 37 38 38 7
Rituálisért adferd................................................................ ... til kunstuttrykk.............................................................. Kommunikativ musikalitet..................................................... Hvorfor er vi musikalske?................................................... Musicking.................................................................................. Musisering skaper «idealrelasjonen».................................. Den livsviktige informasjonsutvekslingen......................... Ritualet................................................................................ Motstemmer.............................................................................. Musikk er en ostekake........................................................ Musikk er en menneskelig oppfinnelse.............................. 40 41 42 42 43 44 44 45 46 46 47 Musikk og sosialisering........................ Innledning — den livsnødvendige sosialiseringen................... A bryte isen kjapt..................................................................... Musikk imøtekommer biologiske sosiale behov..................... 48 48 49 50 Musikk og empati............................ Innledning - oksytodnet........................................................... Hos voksne................................................................................. Hos barn..................................................................................... I kor............................................................................................
Hvorfor belønnes vi med oksytocin?....................................... Hva i musiseringen fremmer empati?..................................... 55 55 56 57 58 59 60 Musikk og emosjoner.................................................................... Innledning - følelsesvekkeren.................................................. Hva er det med musikk som vekker så mange følelser?......... Gåsehud................................................................................. Ä bli i bedre humør av trist musikk................................... Ä gjenoppleve følelsen......................................................... A rense tankene........................................... Å oppleve musikken som en venn...................................... 63 63 64 69 71 72 73 73 Hjelp til å tåle psykisk smerte............................................... A endre opplevelsen av en situasjon................................... 73 74 8
Musikk og helse............................................................................... Innledning — helseboosten......................................................... Mange musikalske veier til økt livskvalitet.............................. Kan musikk styrke immunforsvaret?....................................... Seks historier om økt livskvalitet....................................... 76 76 77 78 79 DEL 2 DIN MUSIKALSKE KAPITAL................................... 83 Innledning........................................................................................ 85 A miste barndomsmusikaliteten sin.............................................. Barndomsbruddet...................................................................... Stemmeskam............................................................................... 87 87 89 Musikk som samværsform.............................................................. Kan barndomsbruddet repareres?............................................ Community Music - fellesskapsmusisering............................. Sosial deltakelse og fellesskap — for alle............................... Musicking i praksis.............................................................. Musikk av lavere verdi?....................................................... Det sosiale og det musikalske møtes................................... Samarbeidsmusisering......................................................... 91 91 91 91 92 94 96 99 Frigjøringen av vår musikalske kapital.......................................... Musikalsk
trygghet.................................................................... Det (ødeleggende) selvbevisste blikket............................... Musikalsk kapital...................................................................... Det sosiale og det musikalske i balanse................................... A reparere barndomsbruddet..................................................... 101 101 102 103 105 106 Coda: Min musickhood.................................................................. A forske på min egen musickhood............................................ Analysering av filmopptakene.............................................. Fire væremåter som del av min musickhood.......................... De fire væremåtene.................................................................... 109 109 110 111 112 9
Anerkjenne og skape et rimale.......................................... Tolerere kaos...................................................................... Gjøre bruk av sitt gestiske språk........................................ Anerkjenne rommets scenografi og melodi....................... Struktur/kaos-forbindelsen..................................................... 113 113 113 114 114 Postludium......................................................................................... 116 Litteratur.............................................................................................. 118 Stikkord................................................................................................. 137
|
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| author | Kulset, Nora Bilalovic 1972- |
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| building | Verbundindex |
| bvnumber | BV045565150 |
| ctrlnum | (OCoLC)1104862291 (DE-599)BVBBV045565150 |
| format | Book |
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| id | DE-604.BV045565150 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:21:39Z |
| institution | BVB |
| isbn | 9788215030425 |
| language | Norwegian Bokmål |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030948833 |
| oclc_num | 1104862291 |
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| physical | 138 Seiten Illustrationen |
| psigel | BSB_NED_20190705 |
| publishDate | 2018 |
| publishDateSearch | 2018 |
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| publisher | Universitetsforlaget |
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| spelling | Kulset, Nora Bilalovic 1972- Verfasser (DE-588)1183976763 aut Din musikalske kapital Nora Bilalovic Kulset Oslo Universitetsforlaget [2018] © 2018 138 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Musikpsychologie (DE-588)4127817-3 gnd rswk-swf Musikalität (DE-588)4040837-1 gnd rswk-swf Musikk / psykologiske aspekter Musikalitet Musikalität (DE-588)4040837-1 s Musikpsychologie (DE-588)4127817-3 s DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030948833&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kulset, Nora Bilalovic 1972- Din musikalske kapital Musikpsychologie (DE-588)4127817-3 gnd Musikalität (DE-588)4040837-1 gnd |
| subject_GND | (DE-588)4127817-3 (DE-588)4040837-1 |
| title | Din musikalske kapital |
| title_auth | Din musikalske kapital |
| title_exact_search | Din musikalske kapital |
| title_full | Din musikalske kapital Nora Bilalovic Kulset |
| title_fullStr | Din musikalske kapital Nora Bilalovic Kulset |
| title_full_unstemmed | Din musikalske kapital Nora Bilalovic Kulset |
| title_short | Din musikalske kapital |
| title_sort | din musikalske kapital |
| topic | Musikpsychologie (DE-588)4127817-3 gnd Musikalität (DE-588)4040837-1 gnd |
| topic_facet | Musikpsychologie Musikalität |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030948833&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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