Steampunk film: a critical introduction
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2019
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xii, 250 Seiten Illustrationen |
| ISBN: | 9781501331213 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents List of Figures Acknowledgements Introduction 1 ix xiii 1 Steampunk Goes to the Movies: The Birth of a Genre Identification and definition Entering the mainstream Steampunk as genre cinema Prototype to archetype: Collating steampunk in film 27 36 2 Re-engineered and Repurposed: Steampunk as Adaptation Adaptation and reception: ‘Sticking-Up’ The Wild Wild West Auteur-ity and authority: Inferring legitimacy on the adaptation Adaptation, homogenization and the blockbuster Adaptation and the trans-media ‘mashup’ ‘Steampunking’: Genre as adaptive methodology 43 44 51 58 67 74 3 Dreams of Steam: Nostalgia for an Age of Imagined Industry Spectacular machines: The nuts and bolts of the steampunk skin Technological virtues: The wonders and horrors of mechanical progress Craftsmanship and mechanical mastery Cinematic production and the steampunk object 83 84 4 Historical Identities: Representation in the Steampunk Empire Visions of the past: Fashioning a previous century Global industries: Colonialism and national heritage Social problem cinema: Gender and race in steampunks histories Mechanical bodies and electric souls: Assembling the steampunk cyborg 13 13 21 93 104 113 123 124 134 144 156
viii Contents 5 Clockwork Modernities: Tinkering with Time in a Steampunk Age Rationality, reason and industrial fantasies Magical machines and the technological occult Postmodernity and the new real Industrial renaissance: The persistence of modernity Beyond space and time: Exploring alternative modernities 169 170 178 188 197 206 6 Gearing Down: Making the Past Present in Steampunk Cinema 215 Works Cited Bibliography Index 223 227 248
1 While academics have engaged with steampunk as a subject, nope have explored film in the depth that this book does. Film is used here to elucidate what steampunk is and what its attitude to technology and design can tell us about contemporary cultural attitudes to technology and society.’ Jeanette Atkinson, Research Development Advisor, Victoria University of - Wellington, New Zealand Born from an age of scientific innovation and industrial revolution, cinema possesses a unique and indelible relationship with the steampunk movement. In Steampunk Film: A Critical Introduction, Robbie McAllister calls attention to a wave of films that collectively imagine alternative histories where technological development has been dramatically derailed from its canonical course. Used as a means to explore the complex development and identification of genres in new forms, this book places steampunk cinema under the microscope and questions how a series of high-profile and big-budget films have repeatedly adopted identities that fantastically blend future and past through the representation of spectacularly anachronistic machinery. Traced across numerous cultural boundaries and the work of countless filmmakers who draw upon the movement’s fetishism for worlds still powered by cogs, pistons and steam engines, McAllister questions how and why the film industry has so frequently acted as a stage for steampunk’s retro-futuristic nostalgias. As the first monograph to consider cinema’s unique relationship with steampunk, the book places this burgeoning genre in the context of ongoing debates
within film theory; all which are used to investigate the movement’s remarkable interest in reengineering historical technologies. Rather than acting as a niche subculture, McAllister argues that steampunk’s proliferation in mainstream film-making reflects a mass-cultural desire to reassess contemporary relationships with technology and navigate the intense changes that the medium itself is experiencing in the twenty-first century. Robbie McAllister is a lecturer in film at Leeds Trinity University, UK, where he teaches courses focused upon the film industry and contemporary media change. His research has evolved from an interest in gothic horror into studies of steampunk’s emergence within contemporary pop culture.
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| language | English |
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| spelling | McAllister, Robbie Verfasser (DE-588)1185608117 aut Steampunk film a critical introduction Robbie McAllister New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2019 xii, 250 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Science-Fiction-Film (DE-588)4054023-6 gnd rswk-swf Steampunk (DE-588)7839890-3 gnd rswk-swf Science fiction films / History and criticism Science fiction films Criticism, interpretation, etc Steampunk (DE-588)7839890-3 s Science-Fiction-Film (DE-588)4054023-6 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe, PDF 978-1-5013-3123-7 Erscheint auch als Online-Ausgabe, eBook 978-1-5013-3122-0 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030943078&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030943078&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Steampunk film a critical introduction |
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| title_full | Steampunk film a critical introduction Robbie McAllister |
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