Antisemitism in film comedy in Nazi Germany:
Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bloomington, Indiana
Indiana University Press
[2019]
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| Schlagworte: | |
| Zusammenfassung: | Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans," physically, economically, and artistically |
| Beschreibung: | Inhalt: Overt and inferential antisemitism in Nazi writings and the film trade press, Overt antisemitism, Jewish difference, and colonial whiteness in early Third Reich film comedy: Nur nicht weich werden, Susanne! and Die Blume von Hawaii, Comic Ersatz: Viktor und Viktoria and Glückskinder, Wenn wir alle Engel wären as the model of a racialized german humor, Capitalism, colonialism, and the white Jew in April! April" and Donogoo Tonka, Mistaken identity and the masked Jew in Robert und Bertram, Jewish absence, epistemic murk, and the aesthetics of cremation in Münchhausen and Die Feuerzangenbowle |
| Beschreibung: | xi, 281 Seiten Illustrationen |
| ISBN: | 9780253040718 9780253040701 |
Internformat
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| 520 | 3 | |a Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans," physically, economically, and artistically | |
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Datensatz im Suchindex
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| author | Weinstein, Valerie 1971- |
| author_GND | (DE-588)1211687848 |
| author_facet | Weinstein, Valerie 1971- |
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| author_sort | Weinstein, Valerie 1971- |
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| bvnumber | BV045551881 |
| classification_rvk | NQ 2270 AP 49700 NQ 2360 |
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| indexdate | 2024-07-10T08:21:17Z |
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| isbn | 9780253040718 9780253040701 |
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| spelling | Weinstein, Valerie 1971- Verfasser (DE-588)1211687848 aut Antisemitism in film comedy in Nazi Germany Valerie Weinstein Bloomington, Indiana Indiana University Press [2019] © 2019 xi, 281 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Inhalt: Overt and inferential antisemitism in Nazi writings and the film trade press, Overt antisemitism, Jewish difference, and colonial whiteness in early Third Reich film comedy: Nur nicht weich werden, Susanne! and Die Blume von Hawaii, Comic Ersatz: Viktor und Viktoria and Glückskinder, Wenn wir alle Engel wären as the model of a racialized german humor, Capitalism, colonialism, and the white Jew in April! April" and Donogoo Tonka, Mistaken identity and the masked Jew in Robert und Bertram, Jewish absence, epistemic murk, and the aesthetics of cremation in Münchhausen and Die Feuerzangenbowle Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans," physically, economically, and artistically Geschichte 1933-1945 gnd rswk-swf Antisemitismus Motiv (DE-588)4357246-7 gnd rswk-swf Filmkomödie (DE-588)4154364-6 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf Comedy films / Germany / History / 20th century Comedy films / Social aspects / Germany / History / 20th century Comedy films / Political aspects / Germany / History / 20th century PERFORMING ARTS / Reference HISTORY / Holocaust Electronic books Deutschland (DE-588)4011882-4 g Filmkomödie (DE-588)4154364-6 s Antisemitismus Motiv (DE-588)4357246-7 s Geschichte 1933-1945 z DE-604 Erscheint auch als Online-Ausgabe 978-0-253-04073-2 |
| spellingShingle | Weinstein, Valerie 1971- Antisemitism in film comedy in Nazi Germany Antisemitismus Motiv (DE-588)4357246-7 gnd Filmkomödie (DE-588)4154364-6 gnd |
| subject_GND | (DE-588)4357246-7 (DE-588)4154364-6 (DE-588)4011882-4 |
| title | Antisemitism in film comedy in Nazi Germany |
| title_auth | Antisemitism in film comedy in Nazi Germany |
| title_exact_search | Antisemitism in film comedy in Nazi Germany |
| title_full | Antisemitism in film comedy in Nazi Germany Valerie Weinstein |
| title_fullStr | Antisemitism in film comedy in Nazi Germany Valerie Weinstein |
| title_full_unstemmed | Antisemitism in film comedy in Nazi Germany Valerie Weinstein |
| title_short | Antisemitism in film comedy in Nazi Germany |
| title_sort | antisemitism in film comedy in nazi germany |
| topic | Antisemitismus Motiv (DE-588)4357246-7 gnd Filmkomödie (DE-588)4154364-6 gnd |
| topic_facet | Antisemitismus Motiv Filmkomödie Deutschland |
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