The graphic design reader:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Visual Arts
2019
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Enthält Literaturangaben |
| Beschreibung: | xliii, 954 Seiten Illustrationen |
| ISBN: | 9781472526472 9781472536204 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV045548951 | ||
| 003 | DE-604 | ||
| 005 | 20190524 | ||
| 007 | t | ||
| 008 | 190408s2019 a||| |||| 00||| eng d | ||
| 020 | |a 9781472526472 |c paperback |9 978-1-4725-2647-2 | ||
| 020 | |a 9781472536204 |c hbk |9 9781472536204 | ||
| 035 | |a (OCoLC)1096385038 | ||
| 035 | |a (DE-599)OBVAC15210233 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-19 |a DE-12 |a DE-255 | ||
| 084 | |a AP 15040 |0 (DE-625)6912: |2 rvk | ||
| 245 | 1 | 0 | |a The graphic design reader |c edited by Teal Triggs and Leslie Atzmon |
| 264 | 1 | |a London |a New York ; London ; Oxford ; New Delhi ; Sydney |b Bloomsbury Visual Arts |c 2019 | |
| 300 | |a xliii, 954 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Enthält Literaturangaben | ||
| 650 | 0 | 7 | |a Grafikdesign |0 (DE-588)4019558-2 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4151278-9 |a Einführung |2 gnd-content | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Grafikdesign |0 (DE-588)4019558-2 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Triggs, Teal |0 (DE-588)1045014508 |4 edt | |
| 700 | 1 | |a Atzmon, Leslie |4 edt | |
| 856 | 4 | 2 | |m SWB Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030932962&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-030932962 | |
Datensatz im Suchindex
| _version_ | 1807591500663488512 |
|---|---|
| adam_text |
CONTENTS
LIST OF FIGURES _ XIII
ACKNOWLEDGMENTS - ' XX
NOTES ON CONTRIBUTORS XXI
THE GRAPHIC DESIGN READER. AN INTRODUCTION TEAL TRIGGS AND LESLIE ATZMON
1
PART 1 HISTORY OF GRAPHIC DESIGN AND
GRAPHIC DESIGN HISTORY 19
PART 1: INTRODUCTION * , 20
SECTION 1.1 INDUSTRY AND THE BIRTH OF GRAPHIC
DESIGN (NINETEENTH CENTURY TO 1980) 25
1.1.1 NEW KIND OF PRINTING CALLS FOR NEW DESIGN W.A. DWIGGINS 27
*1.1.2 NOTE BY WILLIAM MORRIS ON HIS 'AIMS IN FOUNDING THE KELMSCOTT
PRESS" '
WILLIAM MORRIS ,
:
, 32
1.1.3 THE STUDIO: PHOTOMECHANICAL REPRODUCTION AND THE CHANGING STATUS
;;.
;
OF DESIGN GERRY BEEGAN *
:
T
35
1.1.4 NARRATIVE PROBLEMS OF GRAPHIC DESIGN HISTORY VICTOR MARGOLIN 48
1.1.5 ELEMENTARY SCHOOL J.ABBOTT MILLER I . *;* ;V. ;,*:::* .: :.;';**
58
1.1.6 GRAPHIC DESIGN HISTORY EDITED BY STEVEN HELLER AND GEORGETTE
BALLANCE,
AND TEXFS ON TYPE: CRITICAL WRITINGS ON TYPE EDITED BY STEVEN HELLER
AND PHILIP R MEGGS MICHAEL J; GOLEC ' 65
VI CONTENTS
SECTION 1.2 GRAPHIC DESIGN CANON(S) (1980S TO PRESENT) 71
1.2.1 CULT OF THE UGLY STEVEN HELLER 73
1.2.2 AN INTERVIEW WITH EDWARD FELLA MICHAEL DOOLEY 78
1.2.3 AN UNBEARABLE LIGHTNESS? STEVE RIGLEY 83
1.2.4 IS THERE A CANON OF GRAPHIC DESIGN HISTORY? MARTHA SCOTFORD 98
1.2.5 GOOD HISTORY BAD HISTORY TIBOR KALMAN, J. ABBOTT MILLER, ', *
AND KARRIE JACOBS . 108
1.2.6 OUT OF THE STUDIO: GRAPHIC DESIGN HISTORY AND VISUAL STUDIES RICK
POYNOR 119
SECTION 1.3 ISMS AND GRAPHIC DESIGN 131
1.3.1 THE GRID: HISTORY, USE, AND MEANING JACK WILLIAMSON ~ 133
1.3.2 GEBRAUCHSGRAPHIK AS AN EARLY GRAPHIC DESIGN JOURNAL, 1924-1938
JEREMY AYNSLEY * V:V::. :: **,:*,-; 149
1.3.3 ZOMBIE MODERNISM MR.KEEDY ,.**.'.**. , 171
1.3.4 THE GLOBAL STYLE: MODERNIST TYPOGRAPHY AFTER POSTMODERNISM
MR.KEEDY . .,.'.,. .'-,, * ,.,
T
.
:
. .
;
. ."_,. ,* . . .;
;
,; .,: .
;
,
:
-180
T.3.5 THE BOTTOM LINE ON PLANET ONE: SQUARING UP TO THE FACE DICKHEBDIGE
* . 185
1.3.6 A BRAVE NEW WORLD: UNDERSTANDING DECONSTRUCTION CHUCK BYRNE *
AND MARTHA WITTE
:
,:*;:.,: **'*. . 204
'*'*'''- PART 1: FURTHER READING 211
PART 2 EDUCATION AND THE PROFESSION 213
PART 2: INTRODUCTION 214
SECTION 2.1 GRAPHIC DESIGN EDUCATION 217
2.1.1 EDUCATION AND PROFESSIONALISM OR WHAT'S WRONG WITH GRAPHIC DESIGN
EDUCATION? KATHERINE MCCOY . 219
CONTENTS
2.1.2 ENGLAND: THE WORKING PARTY ON TYPOGRAPHIC TEACHING' MICHAEL
TWYMAN.RI : .226
2.1.3 A JOURNEY TOWARD SUMME: A REFLECTION ONIHE INFLUENCE OF
EDUCATION.: I;U'.'.
VALUES IN DESIGN PRACTICE DAMIAN AND LAURA SANTAMARIA .234
2.1.4 SCAFFOLDING A HUMAN-CENTERED PRACTICE IN GRAPHIC DESIGN YOKOAKAMA
247
2.1.5 VISUAL ESSAY: FUTURE ISSUE: A SUBJECTIVE FAMILY TREE OF (MOSTLY)
AMERICAN
GRAPHIC DESIGNERS (1960-2011) MICHAEL WORTHINGTON AND YASMIN KHAN 253
SECTION 2.2 POSTGRADUATE EDUCATION AND
GRAPHIC DESIGN AS A PROFESSION 259
2.2.1 DESIGN LITERACY, DISCOURSE AND COMMUNITIES OF PRACTICE
J
;
SHARON HELMER POGGENPOHL , 261
2.2.2 WHAT IS WORTH DOING IN DESIGN RESEARCH? MEREDITH DAVIS 273
2.2.3 LOCATING GRAPHIC DESIGN HISTORY IN CANADA BRIAN DONNELLY '* * *
278
2.2.4 FRENCH GRAPHIC DESIGN: A CONTRADICTION IN TERMS?; VERONIQUE'VIENNE
; ;
!
292
2.2.5 THE IMPORTANCE OF THE DUTCH FOOTBALL CLUB AJAX AND TOTAL FOOTBALL
*
{TOTAALVOETBAL) TO THE SPORT OF GRAPHIC DESIGN ELLIOTT EARLS . 296
2.2.6 GRAPHIC DESIGN: FINE ART OR SOCIAL SCIENCE? JORGE FRASCARA * 305
PART 2: FURTHER READING ^VI ;:R^ -;
R
: 313
PART 3 TYPE AND TYPOGRAPHY 315
PART 3: INTRODUCTION 316
SECTION 3.1 HISTORY OF TYPE AND TYPOGRAPHY 321
3.1.1 A BRIEF HISTORY OF TYPE HISTORIANS CAROLINE ARCHER 323
3.1.2 THE CRYSTAL GOBLET, OR PRINTING SHOULD BE INVISIBLE BEATRICE WARDE
332
3.1.3 FUSE 1-20: WRECKERS OF TYPOGRAPHIC CIVILISATION ADRIAN SHAUGHNESSY
336
3.1.4 EXPERIMENTAL TYPOGRAPHY. WHATEVER THAT MEANS. ,(2005) PETER BIL'AK
341
CONCEPTUAL TYPE? (2010) PETER BIL'AK 341
CONTENTS
3.1.5 TOWARDS THE CAUSE OF GRUNGE TOBIAS FRERE-JONES * ' 349
3.1.6 ABOUT THE MAKING OF THE TELEPHONE BOOK MICHAEL JON JENSEN **-,.'*
',352
3.1.7 HELVETICA, THE FILM AND THE FACE IN CONTEXT DIETMARR. WINKLER * "
* *
359
SECTION 3.2 DIMENSIONAL, PHYSICAL, DIGITAL, AND
KINETIC TYPOGRAPHY 367
3.2.1 DIMENSIONAL TYPOGRAPHY. J. ABBOTT MILLER 369
3.2.2 DIMENSIONAL TYPOGRAPHY: THE UNBEARABLE FLATNESS OF BEING LESLIE
ATZMON 380
3.2.3 THE NEW SEDUCTION: MOVABLE TYPE MICHAEL WORTHINGTON 389
3.2.4 ELECTRONIC TYPOGRAPHY: THE NEW VISUAL LANGUAGE JESSICA HELFAND *
392
3.2.5 WORKING THE ART PROCESS BY TYPING IN COMPUTER CODE CASEY REAS * *
-
AND BEN FRY (IN DISCUSSION WITH JAVIER CANDEIRA)
:
: .: ;
;L!
-.**,: 397
**;;*. PART 3: FURTHER READING
:
I
;
,; , , ,^ "* * * ***; :: R:"": -,406
PART 4 GRAPHIC DESIGN, CRITICAL WRITING,
AND PRACTICE 409
/R PART 4: INTRODUCTION , ., , . * :'* -
:
- ^ 410
SECTION 4.1 GRAPHIC DESIGN THEORY AND DESIGN CULTURE 413
4.1.1 DECONSTRUCTION AND GRAPHIC DESIGN ELLEN LUPTON'ANDJ. ABBOTT MILLER
415
4.1.2 VISUAL RHETORIC AND SEMIOTICS EDWARD TRIGGS 425
4.1.3 SHAPING BELIEF: THE ROLE OF AUDIENCE IN VISUAL COMMUNICATION
,.
:
*'; ANN C. TYLER 432
4.1.4 GRAPHIC DESIGN AS RHETORIC: TOWARDS A NEW FRAMEWORK FOR THEORY
AND PRACTICE IN GRAPHIC DESIGN ARNE SCHEUERMANN (TRANSLATED FROM THE
'* GERMAN BY CHRIS WALTON) ' '441
4.1.5 THEORIES TO UNDERSTAND GRAPHIC DESIGN IN USE: THE EXAMPLE OF
POSTERS
JAN-HENNING RAFF ' 449
CONTENTS IX
SECTION 4.2 WRITING, PRACTICE, AND GRAPHIC DESIGN S
CRITICISM 457
4.2.1 WHAT IS THIS THING CALLED GRAPHIC DESIGN CRITICISM? PARTS I & II
RICK POYNOR AND MICHAEL ROCK 459
4.2.2 CRITICISM AND THE POLITICS OF ABSENCE ANNE BUSH , * 470
4.2.3 QUIETUDE KENNETHFITZGERALD * . **,,', ;,
4
7
7
4.2.4 CRITICAL GRAPHIC DESIGN: CRITICAL OF WHAT? FRANCISCO LARANJO 486
4.2.5 THE MARCH OF GRIMES MICHELE CHAMPAGNE 489
4.2.6 DISCOURSE THIS! DESIGNERS AND ALTERNATIVE CRITICAL WRITING
V
DENISE GONZALES CRISP 497
4.2.7 ACROBAT READER ANNA GERBERAND TEAL TRIGGS 508
4.2.8 HOW AND WHY DESIGN MATTERS DEBBIE MILLMAN * .; 515
4.2.9 INQUIRY AS A VERB MARGO HALYERSON , 518
4.2.10 GRAPHIC DESIGN IN THE COLLECTION OF THE MUSEUM OF MODERN ART
PAOLA ANTONELLI 524
PART 4: FURTHER READING *, **, 526
PART 5 POLITICAL AND SOCIAL CHANGE 529
PART 5: INTRODUCTION -* *'* * ** '* ' -530
SECTION 5.1 FEMINISM AND RADICAL GRAPHIC DESIGN 533
5.1.1 SOME ASPECTS OF DESIGN FROM THE PERSPECTIVE OF A WOMAN DESIGNER
SHEILA LEVRANT DE BRETTEVILLE , . 535
5.1.2 NON-EXISTENT DESIGN: WOMEN AND THE CREATION OF TYPE SIBYLLE
HAGMANN 547
5.1.3 PUSSY GALORE AND THE BUDDHA OF THE FUTURE: WOMEN, GRAPHIC DESIGN,
ETC.
. * CATHERINE DE SMET (TRANSLATED FROM THE FRENCH BY MIRIAM ROSEN) ;**
,_ 557
5.1.4 FIRST THINGS FIRST MANIFESTO, 1964, KEN GARLAND, \ .,,. ,.
;
.
;
, :. *
FIRST THINGS FIRST MANIFESTO 2000,1999, ADBUSTERS 567
CONTENTS
5.1.5 VISUAL ESSAY: THIS YEAR THERE IS NO MANIFESTO JONATHAN BARNBROOK :
:
AND ANIL AYKAN BARNBROOK , 571
5.1.6; VISUAL ESSAY: DESIGN AND REFLEXIVITY JAN VAN TOORN ' ' 575
5.1.7 SCISSORS AND GLUE: PUNK FANZINES AND THE CREATION OF A DIY
AESTHETIC
TEALTRIGGS *' - *589
5.1.8 HE MIGHT BE GIANT: SHEPARD FAIREY MICHAEL DOOLEY ' 607
SECTION 5.2 IDENTITY AND WORLD GRAPHIC DESIGN 615
5.2.1 FROM THE OUTSIDE IN: A PLACE FOR INDIGENOUS GRAPHIC TRADITIONS IN
CONTEMPORARY SOUTH AFRICAN GRAPHIC DESIGN PIERS CAREY *617
5.2.2 SEARCHING FOR A BLACK AESTHETIC IN AMERICAN GRAPHIC DESIGN SYLVIA
HARRIS ,627
5.2.3 FINDING ROOTS & TAKING FLIGHT: EXPRESSION OF IDENTITY IN
CONTEMPORARY
GRAPHIC DESIGN IN INDIA MOHORRAY "'" """ '631
5.2.4 VISUALIZING MULTI-RACIALISM IN SINGAPORE: GRAPHIC DESIGN AS A TOOL
FOR
IDEOLOGY AND POLICY IN NATION BUILDING LEONG K.CHAN {*' ** ;
:
- '*'**
; 641
5.2.5 VISUAL ESSAY:"LCED UP" AND "PLATINUM PLUS": THE DEVELOPMENT OF
'**''*-** HIP-HOP TYPOGRAPHIC ORNAMENTS RYAN MOLLOY '
:
:;-;**:; ,*:: L 649
5.2.6 SOUTH AFRICAN HEALTH CAMPAIGNS DOMINATE THE POLITICAL LANDSCAPE
SEANO'TOOLE 668
5.2.7 DETACHMENT AND UNIFICATION: A CHINESE GRAPHIC DESIGN HISTORY IN
.'.
GREATER CHINA SINCE 1979 WENDY SIUYI WONG 674
PART 5: FURTHER READING : 690
PART 6 CHANGING VISUAL LANDSCAPES 693
PART 6: INTRODUCTION 694
SECTION 6.1 BRANDING AND THE IMAGE MAKERS 697
6.1.1 MY COUNTRY IS NOT A BRAND WILLIAM DRENTTEL
:
: ' '
:
-
;
-699
CONTENTS
6.1.2 LOGOS, FLAGS, AND ESCUTCHEONS PAUL RAND. *;;,., :, ;*;*
:.:**.;;***;:-.***;**.
:
702
6.1.3 A CERTAIN COMMITMENT: ART AND DESIGN AT THE ROYAL PIT .PAULH.
HEFTING':
;
705
6.1.4 ON LOGOPHOBIA ELIZABETH GLICKFELD ' : . - * **
713
6.1.5 HOW THE FIRSTTYPEFACE DESIGNED FOR THP MAORI COMMUNITY IS CHANGING
* ;
THE WAY NEW ZEALAND UNDERSTANDS ITS OVYN CULTURAL IDENTITY .,. * \\;
MARGARET ANDERSEN I , J. . 721
SECTION 6.2 INFORMATION VISUALIZATION 727
6.2.1 NOT A VISUAL ESSAY: MAKING SENSE OF MAKING SENSE LOUISE SANDHAUS
;.729
6.2.2 WHY ABRAHAM LINCOLN LOVED INFOGRAPHICS GARETH COOK * .734
6.2.3 THE LONDON UNDERGROUND DIAGRAM: A SEMIOTIC ANALYSIS JOHN A.
WALKER, 738
6.2.4 BUBBLES, LINES, AND STRING: HOW INFORMATION VISUALIZATION SHAPES
SOCIETY PETER HALL ' : V 748
R
6.2.5 TELL THEM ANYTHING BUT THE TRUTH: THEY WILL FIND THEIR OWN. HOW
WE, ,;.,;.-.
VISUALIZED THE MAP OF THE FUTURE MIH RESPECT TO THE AUDIENCE OF OUR
STORY MICHELE GRAFFIETI, GAIA SCAGNETTI, DONATO RICCI, LUCA MASUD,
.
AND MARIO PORPORA \ . 758
6.2.6 DATA MANIFESTATION: A CASE STUDY KARIN VON OMPTEDA 763
PART 6: FURTHER READING *'* *'**/* ,-* * ,; 772
PART 7 GRAPHIC DESIGN FUTURES 775
*,' PART7: INTRODUCTION .-* ; *'
:
:* * . 776
SECTION 7.1 THE FUTURE OF PRINT MEDIA/THE BOOK 779
7.1.1 WHAT IS THE CULT FUTURE OF THE BOOK? JOHANNA DRUCKER 781
7.1.2: THE SIGNIFIER OF INCOMPLETENESS: EDITORIAL ILLUSTRATION IN THE
NEW MEDIA
AGE NANETTE HOBGSLAG 787
XII CONTENTS
7.1.3 RETHINKING THE BOOK DAVIDSMALL . ** '****. .M " .
;
.-
;
--
!
;:." .-,;** :''/.J
:
-.;':.! ',795
7.1.4 WRITING DESIGN: TOWARDS A CULTURE OF CODE'STEPHANIE VILAYPHIOUJ
N:;-N.:O A **;.' /L
AND ALEXANDRE LERAY (TRANSLATED FROM THE FRENCH BY JOHN LEE) , . , *_ ,
807
SECTION 7.2 THE FOREFRONT OF GRAPHIC DESIGN PRACTICE SIG
7.2.1 SOCIAL DESIGN: THE CONTEXT OF POST-CONFLICT LEBANON JOANNA
CHOUKEIR " 821
7.2.2 EMIL RUDER: A FUTURE FOR DESIGN PRINCIPLES IN SCREEN TYPOGRAPHY
HILARY KENNA 836
7.2.3 EVERYTHING TO.COME IS DESIGNED BY YOU TEA L/G/OW.
:
.
;
- .,: .848
7.2.4 VISUAL ESSAY: RCA GRAPHIC DESIGN: 1960S-2010S ROSY PENSTON .' -855
PART 7: FURTHER READING ; 860
EPILOGUE SEI
NOTES FROM THE FOREFRONT OF GRAPHIC DESIGN: ADAPTIVE COMMUNICATION,
COMPLEX NETWORKS, AND LOCAL AND GLOBAL DESIGN TEAL TRIGGS AND ' ' '
LESLIE ATZMON ' 863
BIBLIOGRAPHY 869
INDEX 913 |
| any_adam_object | 1 |
| author2 | Triggs, Teal Atzmon, Leslie |
| author2_role | edt edt |
| author2_variant | t t tt l a la |
| author_GND | (DE-588)1045014508 |
| author_facet | Triggs, Teal Atzmon, Leslie |
| building | Verbundindex |
| bvnumber | BV045548951 |
| classification_rvk | AP 15040 |
| ctrlnum | (OCoLC)1096385038 (DE-599)OBVAC15210233 |
| discipline | Allgemeines |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV045548951</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20190524</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">190408s2019 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781472526472</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-4725-2647-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781472536204</subfield><subfield code="c">hbk</subfield><subfield code="9">9781472536204</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1096385038</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)OBVAC15210233</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-19</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-255</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 15040</subfield><subfield code="0">(DE-625)6912:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The graphic design reader</subfield><subfield code="c">edited by Teal Triggs and Leslie Atzmon</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="a">New York ; London ; Oxford ; New Delhi ; Sydney</subfield><subfield code="b">Bloomsbury Visual Arts</subfield><subfield code="c">2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xliii, 954 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Enthält Literaturangaben</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Grafikdesign</subfield><subfield code="0">(DE-588)4019558-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4151278-9</subfield><subfield code="a">Einführung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Grafikdesign</subfield><subfield code="0">(DE-588)4019558-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Triggs, Teal</subfield><subfield code="0">(DE-588)1045014508</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Atzmon, Leslie</subfield><subfield code="4">edt</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">SWB Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030932962&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030932962</subfield></datafield></record></collection> |
| genre | (DE-588)4151278-9 Einführung gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Einführung Aufsatzsammlung |
| id | DE-604.BV045548951 |
| illustrated | Illustrated |
| indexdate | 2024-08-17T00:13:08Z |
| institution | BVB |
| isbn | 9781472526472 9781472536204 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030932962 |
| oclc_num | 1096385038 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-12 DE-255 |
| owner_facet | DE-19 DE-BY-UBM DE-12 DE-255 |
| physical | xliii, 954 Seiten Illustrationen |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Bloomsbury Visual Arts |
| record_format | marc |
| spelling | The graphic design reader edited by Teal Triggs and Leslie Atzmon London New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Visual Arts 2019 xliii, 954 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Enthält Literaturangaben Grafikdesign (DE-588)4019558-2 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content Grafikdesign (DE-588)4019558-2 s DE-604 Triggs, Teal (DE-588)1045014508 edt Atzmon, Leslie edt SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030932962&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The graphic design reader Grafikdesign (DE-588)4019558-2 gnd |
| subject_GND | (DE-588)4019558-2 (DE-588)4151278-9 (DE-588)4143413-4 |
| title | The graphic design reader |
| title_auth | The graphic design reader |
| title_exact_search | The graphic design reader |
| title_full | The graphic design reader edited by Teal Triggs and Leslie Atzmon |
| title_fullStr | The graphic design reader edited by Teal Triggs and Leslie Atzmon |
| title_full_unstemmed | The graphic design reader edited by Teal Triggs and Leslie Atzmon |
| title_short | The graphic design reader |
| title_sort | the graphic design reader |
| topic | Grafikdesign (DE-588)4019558-2 gnd |
| topic_facet | Grafikdesign Einführung Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030932962&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT triggsteal thegraphicdesignreader AT atzmonleslie thegraphicdesignreader |