Tragedy, the Greeks, and us:
"From the curator of The New York Times's "The Stone," a provocative and timely exploration into tragedy...how it articulates conflicts and contradiction that we need to address in order to better understand the world we live in. We might think we are through with the past, but t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Pantheon Books
[2019]
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "From the curator of The New York Times's "The Stone," a provocative and timely exploration into tragedy...how it articulates conflicts and contradiction that we need to address in order to better understand the world we live in. We might think we are through with the past, but the past isn't through with us. Tragedy permits us to come face to face with what we do not know about ourselves but that which makes those selves who we are. Having Been Born is a compelling examination of ancient Greek origins in the development and history of tragedy...a story that represents what we thought we knew about the poets, dramatists, and philosophers of ancient Greece...and shows them to us in an unfamiliar, unexpected, and original light"... |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | X, 322 Seiten |
| ISBN: | 9781524747947 |
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Datensatz im Suchindex
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| adam_text | CONTENTS PART I INTRODUCTION i Feeding the Ancients with Our Own Blood 3 z Philosophy’s Tragedy and the Dangerous Perhaps 9 Knowing and Not Knowing: How Oedipus Brings Down Fate 4 Rage, Grief, and War 12 17 Gorgias: Tragedy Is a Deception That Leaves the Deceived Wiser Than the Nondeceived 21 6 Justice as Conflict (for Polytheism) 25 7 Tragedy as a Dialectical Mode of Experience PART II 28 TRAGEDY 8 Tragedy as Invention, or the Invention of Tragedy: Twelve Theses 33 9 A Critique of the Exotic Greeks 36 10 Discussion of Vernant and Vidal-Naquet’s Myth and Tragedy in Ancient Greece 41 n Moral Ambiguity in Aeschylus’s Seven Against Thebes and The Suppliant Maidens 48
viii / Contents ii Tragedy, Travesty, and Queerness 13 Polyphony 53 57 14 The Gods! Tragedy and the Limitation of the Claims to Autonomy and Self-Sufficiency 63 15 A Critique of Moral Psychology and the Project of Psychical Integration 72 16 The Problem with Generalizing about the Tragic 17 Good Hegel, Bad Hegel 79 18 From Philosophy Back to Theater PART III 84 SOPHISTRY 19 Against a Certain Style of Philosophy 20 An Introduction to the Sophists 21 Gorgiasm 91 93 98 22 The Not-Being 101 23 I Have Nothing to Say and I Am Saying It 24 Helen Is Innocent 105 109 25 Tragedy and Sophistry—The Case of Euripides’ The Trojan Women 114 2 6 Rationality and Force 27 Plato’s Sophist 119 izi 28 Phaedrus, a Philosophical Success 29 Gorgias, a Philosophical Failure 123 128 75
Contents / ix PART IV PLATO 30 Indirection 137 31 A City in Speech 141 32 Being Dead Is Not a Terrible Thing 146 33 The Moral Economy of Mimesis 151 34 Political Forms and Demonic Excess 35 What Is Mimesis} 155 160 36 Philosophy as Affect Regulation 167 37 The Inoculation against Our Inborn Love of Poetry 171 3 8 The Rewards of Virtue, or What Happens When We Die PART V 177 ARISTOTLE 39 What Is Catharsis in Aristotle ? 40 More Devastating 41 Reenactment 187 193 196 42 Mimesis Apraxeos 199 43 The Birth of Tragedy (and Comedy) 201 44 Happiness and Unhappiness Consist in Action 45 Single or Double ? 46 Most Tragic Euripides 204 209 213 47 Monstrosity—Or Aristotle and His Highlighter Pen 48 The Anomaly of Slaves and Women 49 Mechanical Prebuttal 223 220 216
x/ Contents 50 The God Finds a Way to Bring About What We Do Not Imagine 227 51 Misrecognition in Euripides 52 Smeared Makeup 229 233 53 Sophocles’Theater of Discomfort 237 54 Vulgar Acting and Epic Inferiority 241 55 Is Aristotle Really More Generous to Tragedy Than Plato? 2-45 5 6 Poetics II—Aristotle on Comedy 231 57 Tormented Incomprehensibly—Against Homeopathic Catharsis 256 58 Aristophanes Falls Asleep 260 59 Make Athens Great Again 265 PART VI CONCLUSION 60 Transgenerational Curse 61 Aliveness 271 278 Acknowledgments: Why This Book Was Hard to Write— and Thanks 283 Notes 287 Bibliography Index 307 301
From the moderator of The Nem York Times philosophy blog “The Stone,” a book that argues that if we want to understand ourselves we have to go back to theater, to the stage of our lives Tragedy presents a world of conflict and troubling emotion, a world where private and public lives collide and collapse. A world of rage, grief, and war. A world where morality is ambiguous and the powerful humiliate and destroy the powerless. A world where justice always seems to be on both sides of a conflict and sugarcoated words serve as cover for clandestine operations of violence. A world rather like our own. The ancient Greeks hold a mirror up to us, in which we see all the desolation and delusion of our lives but also the terrifying beauty and inten sity of existence. This is not a time for consolation prizes and the famous banalities of the self-help industry and pop philosophy. Tragedy allows us to glimpse, in its harsh and unforgiving glare, the burning core of our aliveness. If we give ourselves the chance to look at tragedy, we might see fhrther and more clearly.
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| discipline | Philosophie Literaturwissenschaft Philologie / Byzantinistik / Neulatein |
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