Rethinking Reich:
Described by music critic Alex Ross as "the most original musical thinker of our time" and having received innumerable accolades in a career spanning over fifty years, composer Steve Reich is considered by many to be America's greatest contemporary composer. His music, however, remain...
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| Format: | Buch |
| Sprache: | English |
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New York, NY
Oxford University Press
[2019]
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Described by music critic Alex Ross as "the most original musical thinker of our time" and having received innumerable accolades in a career spanning over fifty years, composer Steve Reich is considered by many to be America's greatest contemporary composer. His music, however, remains largely underresearched. Rethinking Reich redresses this imbalance, providing a space for prominent and emerging scholars to reassess the composer's contribution to music in the twentieth century. Featuring fourteen tightly focused and multifarious essays on various aspects of Reich's work—ranging from analytical, aesthetic, and archival studies to sociocultural, philosophical, and ethnomusicological reflections—this edited volume reveals new insights, including those enabled by access to the growing Steve Reich Collection at the Paul Sacher Foundation archive, the premier institution for primary research on twentieth-century and contemporary classical music. This volume takes on the timely task of challenging the hegemony of Reich's own articulate and convincing discourses on his music, as found in his Writings on Music (OUP, 2002), and breaks new ground in the broader field of minimalism studies. - Sumanth Gopinath is Associate Professor of Music Theory at the University of Minnesota-Twin Cities. He is the author of The Ringtone Dialectic: Economy and Cultural Form (2013), co-edited The Oxford Handbook of Mobile Music Studies, vols. 1 and 2 (2014) with Jason Stanyek, and has published work on Steve Reich, minimalism, new media, Marxism, country music, and other topics. Pwyll ap Siôn is Professor of Music at Bangor University, Wales. He studied music at Oxford University. Ap Siôn has published books and articles in the areas of minimalist and postminimalist music, quotation and intertextuality in music and minimalist music in film and media. He has contributed record reviews and articles for Gramophone music magazine since 2007. Rethinking Reich brings together new perspectives on one of America's greatest contemporary composers. Offering a critical engagement with Steve Reich's prominence in the numerous, overlapping, and contentious worlds of contemporary classical music, these tightly focused and multifarious essays reassess the composer's contribution to music in the twentieth century |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xvii, 394 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780190605285 9780190605292 |
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| 505 | 8 | 0 | |t Reich in context |r Sumath Gopinath and Pwyll ap Siôn |t Political, aesthetic, and analytical concerns |t "Departing to other spheres" : Psychedelic science fiction, perspectival embodiment, and the hermeneutics of Steve Reich's Four organs |r Sumath Gopinath |t "Moving forward, looking back" : Resulting patterns, extended melodies, Eight lines, and the influence of the West on Steve Reich |r Pwyll ap Siôn |t Different tracks : Narrative, sequence, harmonic (dis)continuity, and structural organization in Steve Reich's Different trains and The cave |r Maarten Beirens |t "We are not trying to make a political piece" : The reconciliatory aesthetic of Steve Reich and Beryl Korot's The cave |r Ryan Ebright |t Repetition, speech, and identity |t Repetition, speech, and authority in Steve Reich's "Jewish" music |r Robert Fink |t Steve Reich's dramatic sound collage for the Harlem Six : Toward a prehistory of Come out |r John Pymm |t From World War II to the "War on Terror" : An examination of Steve Reich's "Docu-music" approach in WTC 9/11 |r Celia Casey |t Reich revisited : Sketch studies |t "Save as...»" : Hybrid resources in the Steve Reich Collection |r Matthias Kassel |t Sketching a new tonality : A preliminary assessment of Steve Reich's sketches for Music for 18 musicians in telling the story of this work's approach to tonality |r Keith Potter |t Improvisation, Two variations on a watermelon, and a new timeline for Piano phase |r David Chapman |t Steve Reich's Counterpoints and computers : Rethinking the 1980s |r Twila Bakker |
| 505 | 8 | 0 | |t Beyond the West : Africa and Asia |t Afro-electric counterpoint |r Martin Scherzinger |t That's all it does : Steve Reich and Balinese gamelan |r Michael Tenzer |t "Machine fantasies into human events" : Reich and technology in the 1970s |r Kerry O'Brien |
| 520 | |a Described by music critic Alex Ross as "the most original musical thinker of our time" and having received innumerable accolades in a career spanning over fifty years, composer Steve Reich is considered by many to be America's greatest contemporary composer. His music, however, remains largely underresearched. Rethinking Reich redresses this imbalance, providing a space for prominent and emerging scholars to reassess the composer's contribution to music in the twentieth century. Featuring fourteen tightly focused and multifarious essays on various aspects of Reich's work—ranging from analytical, aesthetic, and archival studies to sociocultural, philosophical, and ethnomusicological reflections—this edited volume reveals new insights, including those enabled by access to the growing Steve Reich Collection at the Paul Sacher Foundation archive, the premier institution for primary research on twentieth-century and contemporary classical music. This volume takes on the timely task of challenging the hegemony of Reich's own articulate and convincing discourses on his music, as found in his Writings on Music (OUP, 2002), and breaks new ground in the broader field of minimalism studies. - Sumanth Gopinath is Associate Professor of Music Theory at the University of Minnesota-Twin Cities. He is the author of The Ringtone Dialectic: Economy and Cultural Form (2013), co-edited The Oxford Handbook of Mobile Music Studies, vols. 1 and 2 (2014) with Jason Stanyek, and has published work on Steve Reich, minimalism, new media, Marxism, country music, and other topics. Pwyll ap Siôn is Professor of Music at Bangor University, Wales. He studied music at Oxford University. Ap Siôn has published books and articles in the areas of minimalist and postminimalist music, quotation and intertextuality in music and minimalist music in film and media. He has contributed record reviews and articles for Gramophone music magazine since 2007. | ||
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Datensatz im Suchindex
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Contents Acknowledgments Copyright Permissions List of Contributors ix xi xv Introduction: Reich in Context 1 SUMANTH GOPINATH AND PWYLL AP SIÓN I Political, Aesthetic, and Analytical Concerns 1 “Departing to Other Spheres”: Psychedelic Science Fiction, Perspectivai Embodiment, and the Hermeneutics of Steve Reich’s Four Organs 19 SUMANTH GOPINATH 2 “Moving Forward, Looking Back”: Resulting Patterns, Extended Melodies, Eight Lines, and the influence of the West on Steve Reich 53 PWYLL AP SIÓN 3 Different Tracks: Narrative Sequence, Harmonic (Dis)continuity, and Structural Organization in Steve Reich’s Different Trains and The Cave 75 MAARTEN BEIRENS 4 “We Are Not Trying to Make a Political Piece”: The Reconciliatory Aesthetic of Steve Reich and Beryl Korot’s The Cave 93 RYAN EBRIGHT II Repetition, Speech, and Identity 5 Repetition, Speech, and Authority in Steve Reich’s “Jewish” Music 113 ROBERT FINK 6 Steve Reich’s Dramatic Sound Collage for the Harlem Six: Toward a Prehistory of Come Out JOHN PYMM vii 139
Contents viii 7. From World War II to the “War on Terror”: An Examination of Steve Reich’s “Docu-Music” Approach in WTC 9/11 159 CELIA CASEY III Reich Revisited: Sketch Studies 8 “Save as Hybrid Resources in the Steve Reich Collection 179 MATTHIAS KASSEL 9 Sketching a New Tonality: A Preliminary Assessment of Steve Reich’s Sketches for Music for 18 Musicians in Telling the Story of This Work’s Approach to Tonality 191 KEITH POTTER 10 Improvisation, Two Variations on a Watermelon, and a New Timeline for Piano Phase 217 DAVID CHAPMAN 11 Steve Reich’s Counterpoints and Computers: Rethinking the 1980s 239 TWILA BAKKER IV Beyond the West: Africa and Asia 12 Afro-Electric Counterpoint 259 MARTIN SCHERZINGER 13 That’s All It Does: Steve Reich and Balinese Gamelan 303 MICHAEL TENZER 14 “Machine Fantasies into Human Events”: Reich and Technology in the 1970s 323 KERRY O’BRIEN Works Cited Index 345 369 |
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| author_additional | Sumath Gopinath and Pwyll ap Siôn Sumath Gopinath Pwyll ap Siôn Maarten Beirens Ryan Ebright Robert Fink John Pymm Celia Casey Matthias Kassel Keith Potter David Chapman Twila Bakker Martin Scherzinger Michael Tenzer Kerry O'Brien |
| author_facet | Gopinath, Sumanth S. ca. 20./21. Jh Pwyll ap Siôn 1968- |
| building | Verbundindex |
| bvnumber | BV045545146 |
| callnumber-first | M - Music |
| callnumber-label | ML410 |
| callnumber-raw | ML410.R27 |
| callnumber-search | ML410.R27 |
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| callnumber-subject | ML - Literature on Music |
| classification_rvk | LP 95900 |
| contents | Reich in context Political, aesthetic, and analytical concerns "Departing to other spheres" : Psychedelic science fiction, perspectival embodiment, and the hermeneutics of Steve Reich's Four organs "Moving forward, looking back" : Resulting patterns, extended melodies, Eight lines, and the influence of the West on Steve Reich Different tracks : Narrative, sequence, harmonic (dis)continuity, and structural organization in Steve Reich's Different trains and The cave "We are not trying to make a political piece" : The reconciliatory aesthetic of Steve Reich and Beryl Korot's The cave Repetition, speech, and identity Repetition, speech, and authority in Steve Reich's "Jewish" music Steve Reich's dramatic sound collage for the Harlem Six : Toward a prehistory of Come out From World War II to the "War on Terror" : An examination of Steve Reich's "Docu-music" approach in WTC 9/11 Reich revisited : Sketch studies "Save as...»" : Hybrid resources in the Steve Reich Collection Sketching a new tonality : A preliminary assessment of Steve Reich's sketches for Music for 18 musicians in telling the story of this work's approach to tonality Improvisation, Two variations on a watermelon, and a new timeline for Piano phase Steve Reich's Counterpoints and computers : Rethinking the 1980s Beyond the West : Africa and Asia Afro-electric counterpoint That's all it does : Steve Reich and Balinese gamelan "Machine fantasies into human events" : Reich and technology in the 1970s |
| ctrlnum | (OCoLC)1108163484 (DE-599)BVBBV045545146 |
| dewey-full | 780.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.92 |
| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1936- gnd |
| era_facet | Geschichte 1936- |
| format | Book |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV045545146 |
| illustrated | Illustrated |
| indexdate | 2024-09-23T16:18:27Z |
| institution | BVB |
| isbn | 9780190605285 9780190605292 |
| language | English |
| lccn | 018041188 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030929204 |
| oclc_num | 1108163484 |
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| owner_facet | DE-703 DE-12 DE-11 |
| physical | xvii, 394 Seiten Illustrationen, Notenbeispiele |
| psigel | BSB_NED_20190704 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
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| publisher | Oxford University Press |
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| spelling | Rethinking Reich edited by Sumanth Gopinath and Pwyll ap Siôn New York, NY Oxford University Press [2019] © 2019 xvii, 394 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Reich in context Sumath Gopinath and Pwyll ap Siôn Political, aesthetic, and analytical concerns "Departing to other spheres" : Psychedelic science fiction, perspectival embodiment, and the hermeneutics of Steve Reich's Four organs Sumath Gopinath "Moving forward, looking back" : Resulting patterns, extended melodies, Eight lines, and the influence of the West on Steve Reich Pwyll ap Siôn Different tracks : Narrative, sequence, harmonic (dis)continuity, and structural organization in Steve Reich's Different trains and The cave Maarten Beirens "We are not trying to make a political piece" : The reconciliatory aesthetic of Steve Reich and Beryl Korot's The cave Ryan Ebright Repetition, speech, and identity Repetition, speech, and authority in Steve Reich's "Jewish" music Robert Fink Steve Reich's dramatic sound collage for the Harlem Six : Toward a prehistory of Come out John Pymm From World War II to the "War on Terror" : An examination of Steve Reich's "Docu-music" approach in WTC 9/11 Celia Casey Reich revisited : Sketch studies "Save as...»" : Hybrid resources in the Steve Reich Collection Matthias Kassel Sketching a new tonality : A preliminary assessment of Steve Reich's sketches for Music for 18 musicians in telling the story of this work's approach to tonality Keith Potter Improvisation, Two variations on a watermelon, and a new timeline for Piano phase David Chapman Steve Reich's Counterpoints and computers : Rethinking the 1980s Twila Bakker Beyond the West : Africa and Asia Afro-electric counterpoint Martin Scherzinger That's all it does : Steve Reich and Balinese gamelan Michael Tenzer "Machine fantasies into human events" : Reich and technology in the 1970s Kerry O'Brien Described by music critic Alex Ross as "the most original musical thinker of our time" and having received innumerable accolades in a career spanning over fifty years, composer Steve Reich is considered by many to be America's greatest contemporary composer. His music, however, remains largely underresearched. Rethinking Reich redresses this imbalance, providing a space for prominent and emerging scholars to reassess the composer's contribution to music in the twentieth century. Featuring fourteen tightly focused and multifarious essays on various aspects of Reich's work—ranging from analytical, aesthetic, and archival studies to sociocultural, philosophical, and ethnomusicological reflections—this edited volume reveals new insights, including those enabled by access to the growing Steve Reich Collection at the Paul Sacher Foundation archive, the premier institution for primary research on twentieth-century and contemporary classical music. This volume takes on the timely task of challenging the hegemony of Reich's own articulate and convincing discourses on his music, as found in his Writings on Music (OUP, 2002), and breaks new ground in the broader field of minimalism studies. - Sumanth Gopinath is Associate Professor of Music Theory at the University of Minnesota-Twin Cities. He is the author of The Ringtone Dialectic: Economy and Cultural Form (2013), co-edited The Oxford Handbook of Mobile Music Studies, vols. 1 and 2 (2014) with Jason Stanyek, and has published work on Steve Reich, minimalism, new media, Marxism, country music, and other topics. Pwyll ap Siôn is Professor of Music at Bangor University, Wales. He studied music at Oxford University. Ap Siôn has published books and articles in the areas of minimalist and postminimalist music, quotation and intertextuality in music and minimalist music in film and media. He has contributed record reviews and articles for Gramophone music magazine since 2007. Rethinking Reich brings together new perspectives on one of America's greatest contemporary composers. Offering a critical engagement with Steve Reich's prominence in the numerous, overlapping, and contentious worlds of contemporary classical music, these tightly focused and multifarious essays reassess the composer's contribution to music in the twentieth century Reich, Steve 1936- Criticsm and interpretation Reich, Steve 1936- (DE-588)119286769 gnd rswk-swf Geschichte 1936- gnd rswk-swf Minimal music History and criticism Komposition (DE-588)4032012-1 gnd rswk-swf Komponist (DE-588)4032009-1 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Reich, Steve 1936- (DE-588)119286769 p Komposition Musik (DE-588)4133320-2 s DE-604 USA (DE-588)4078704-7 g Komponist (DE-588)4032009-1 s Komposition (DE-588)4032012-1 s Geschichte 1936- z Gopinath, Sumanth S. ca. 20./21. Jh. (DE-588)105857423X edt Pwyll ap Siôn 1968- (DE-588)105770881X edt Erscheint auch als Online-Ausgabe 978-0-19-060531-5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030929204&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rethinking Reich Reich in context Political, aesthetic, and analytical concerns "Departing to other spheres" : Psychedelic science fiction, perspectival embodiment, and the hermeneutics of Steve Reich's Four organs "Moving forward, looking back" : Resulting patterns, extended melodies, Eight lines, and the influence of the West on Steve Reich Different tracks : Narrative, sequence, harmonic (dis)continuity, and structural organization in Steve Reich's Different trains and The cave "We are not trying to make a political piece" : The reconciliatory aesthetic of Steve Reich and Beryl Korot's The cave Repetition, speech, and identity Repetition, speech, and authority in Steve Reich's "Jewish" music Steve Reich's dramatic sound collage for the Harlem Six : Toward a prehistory of Come out From World War II to the "War on Terror" : An examination of Steve Reich's "Docu-music" approach in WTC 9/11 Reich revisited : Sketch studies "Save as...»" : Hybrid resources in the Steve Reich Collection Sketching a new tonality : A preliminary assessment of Steve Reich's sketches for Music for 18 musicians in telling the story of this work's approach to tonality Improvisation, Two variations on a watermelon, and a new timeline for Piano phase Steve Reich's Counterpoints and computers : Rethinking the 1980s Beyond the West : Africa and Asia Afro-electric counterpoint That's all it does : Steve Reich and Balinese gamelan "Machine fantasies into human events" : Reich and technology in the 1970s Reich, Steve 1936- Criticsm and interpretation Reich, Steve 1936- (DE-588)119286769 gnd Minimal music History and criticism Komposition (DE-588)4032012-1 gnd Komponist (DE-588)4032009-1 gnd Komposition Musik (DE-588)4133320-2 gnd |
| subject_GND | (DE-588)119286769 (DE-588)4032012-1 (DE-588)4032009-1 (DE-588)4133320-2 (DE-588)4078704-7 (DE-588)4143413-4 |
| title | Rethinking Reich |
| title_alt | Reich in context Political, aesthetic, and analytical concerns "Departing to other spheres" : Psychedelic science fiction, perspectival embodiment, and the hermeneutics of Steve Reich's Four organs "Moving forward, looking back" : Resulting patterns, extended melodies, Eight lines, and the influence of the West on Steve Reich Different tracks : Narrative, sequence, harmonic (dis)continuity, and structural organization in Steve Reich's Different trains and The cave "We are not trying to make a political piece" : The reconciliatory aesthetic of Steve Reich and Beryl Korot's The cave Repetition, speech, and identity Repetition, speech, and authority in Steve Reich's "Jewish" music Steve Reich's dramatic sound collage for the Harlem Six : Toward a prehistory of Come out From World War II to the "War on Terror" : An examination of Steve Reich's "Docu-music" approach in WTC 9/11 Reich revisited : Sketch studies "Save as...»" : Hybrid resources in the Steve Reich Collection Sketching a new tonality : A preliminary assessment of Steve Reich's sketches for Music for 18 musicians in telling the story of this work's approach to tonality Improvisation, Two variations on a watermelon, and a new timeline for Piano phase Steve Reich's Counterpoints and computers : Rethinking the 1980s Beyond the West : Africa and Asia Afro-electric counterpoint That's all it does : Steve Reich and Balinese gamelan "Machine fantasies into human events" : Reich and technology in the 1970s |
| title_auth | Rethinking Reich |
| title_exact_search | Rethinking Reich |
| title_full | Rethinking Reich edited by Sumanth Gopinath and Pwyll ap Siôn |
| title_fullStr | Rethinking Reich edited by Sumanth Gopinath and Pwyll ap Siôn |
| title_full_unstemmed | Rethinking Reich edited by Sumanth Gopinath and Pwyll ap Siôn |
| title_short | Rethinking Reich |
| title_sort | rethinking reich |
| topic | Reich, Steve 1936- Criticsm and interpretation Reich, Steve 1936- (DE-588)119286769 gnd Minimal music History and criticism Komposition (DE-588)4032012-1 gnd Komponist (DE-588)4032009-1 gnd Komposition Musik (DE-588)4133320-2 gnd |
| topic_facet | Reich, Steve 1936- Criticsm and interpretation Reich, Steve 1936- Minimal music History and criticism Komposition Komponist Komposition Musik USA Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030929204&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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