Marius Petipa: the emperor's ballet master
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Datensatz im Suchindex
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Contents Acknowledgements Style Notes Overture і. Prologue The St Petersburg Stage 13 The Founding of Russian Ballet 17 National Consciousness 21 Serfdom 27 The Other Capital 29 Serving the Tsar 32 2. The Travelling Dancer Marius Petipa, Aged Twenty-nine The Glamorous Lucien Petipa 37 39 New York! New York? 41 Nantes 44 Bordeaux 45 Spain 48 3. Russian Debut First Steps 55 The Elssler-Perrot Pas de Deux Elena Andreianova, Ballerina The Perrot Years 58 61 62 Petipa, Premier Danseur and Mime 66
Contents viii The Crimean War 70 The Directorate of the Imperial Theatres 72 4. Looking Back, Moving Forward Endings and Beginnings 77 Jean Petipa, Paterfamilias 79 Teacher at the School of the Imperial Theatres The Ballet Master’s First Muse Paris 89 96 Success! The Pharaoh’s Daughter 99 5. Ballet Wars Real and Imagined Arthur Saint-Léon 107 Petipists vs Muravevists Muraveva in Paris 109 112 The Beauty of Lebanon Alliance or Feud? 114 116 Narratives and Nationalism 118 The End of the Ballerina War 122 A Marriage at War 124 Marie Petipa 128 6. Questions of Style and Structure The Big Ballets 135 Dreams and Visions 139 Groups and Masses 143 National (Character) Dance Finales and Apotheoses 147 149 King Candaules 150 Don Quixote 153 Saint-Leon’s Exit 157 7. At Home and at Work A Second Family 159 Working Methods 163 The Dance Language The Variation 169 J72 The Ballerina, Not Forgetting Her Partner 173 88
Contents Ekaterina Vazem 177 The Exceptional Case History of Mlada The Assassination of Alexander II 182 186 8. The Vsevolozhsky Reforms The End of the Monopoly 189 The Ballet Company of the 1880s The Arrival of Vsevolozhsky Commercial Enterprise The Italian Invasion 192 195 198 The Féerie in Petipa’s Ballets Music Reform The Vestal 191 206 208 212 For or Against 220 9. Big Music, Big Dance Flora and Fauna 223 The Sleeping Beauty 224 The Nutcracker 229 Lev Ivanov 233 Swan Lake 239 The Coronation of Nicholas II Raymonda 243 247 Goodbye to Vsevolozhsky 250 10. Enter Vladimir Teliakovsky Prince Sergei Volkonsky Vladimir Teliakovsky 255 261 St Petersburg in Aspic 263 Gorsky’s Don Quixote 264 The Magic Mirror 269 Further Attacks 275 The Last Ballet 278 The Search for Other Choreographers The 1905 Revolution The Final Years Apotheosis 287 284 281
x Contents 297 Appendices The Chain of Command The Petipa Family List of Works 297 298 300 Illustrations Credits 323 Archives and Libraries 325 Notes 327 Bibliography 449 Index 461
Bibliography PRIMARY SOURCES Writings by the Petipa Family and Their (Near) Contemporaries Ackerman, Galia, and Lorrain, Pierre (eds.), Marius Petipa: Mémoires (Arles, Paris: Actes Sud, 1990). Baletoman [Konstantin Skal’kovskii], Balet: Ego istorila i mesto v riadu iziashchnykh iskusstv [Ballet: Its History and Place in the Fine Arts] (St Petersburg, 1882). Benois, Alexandre [Aleksandr], Memoirs, trans. Moura Budberg (London: Chatto Windus, i960); repr. (London: Columbus Books, 1988). ------Reminiscences ofthe Russian Ballet, trans. Mary Britnieva (London: Putnam, 1941). Bournonville, August, My Theatre Life, trans. Patricia N. McAndrew (London: Adam Charles Black, 1979). Custine, Marquis de, Lettres de Russie: La Russie en 1839, ed. Pierre Nora (Paris: Gallimard, 1975). Danilova, Alexandra, Choura (New York: Knopf, 1986); repr. (New York: Fromm, 1988). Dicey, Edward, A Month in Russia duringthe Marriage ofthe Czarevitch (London, 1867). Drigo, Riccardo, Personal Reminiscences of R. E. Drigo, trans, and ed. Roland John Wiley; publ. as ‘Memoirs of R. E. Drigo', Dancing Times (May 1982), 577-78; (June 1982), 661-62. Dufferin, Lady Hariot, My Russian and Turkish Journals (London: John Murray, 1916). Durylin, S., N. M. Radin (Moscow, Leningrad: Iskusstvo, 1941). Fiorentino, P. A., Marie Petipa (Paris, 1862). Forine, Michel [Mikhail Fokin], Fokine: Memoirs of a Ballet Master, ed. Anatole Chujoy, trans. Vitale Fokine (London: Constable Company, 1961). Gautier, Théophile, Gautier on Dance, ed. and trans. Ivor Guest (London: Dance Books, 1986).
45° Bibliography ------La Peau de tigre [Tiger Skin] (Paris: Michel Lévy, 1866). ------Voyage en Russie (Paris, 1866),· repr. (Paris, Geneva: SlatJdne Reprints, 1979). Glazunov, Aleksandr, А. К. Glazunov. Pis’ma, start, vospominaniia [Letters, Articles, Reminiscences], ed. Mania Ganina (Moscow: Gosudarstvennoe muzykal’noe izdatel’stvo, 1958). Glushkovskii, Adam, Vospominaniia baletmeistera [Reminiscences of a Ballet Master], ed. Petr Gusev (Leningrad, Moscow, 1940). Hormigón, Laura, Manus Petipa en España 1844-1847 (n.p.: Danzarte Ballet, 2010). Ignatenko, A. (ed.), Marius Petipa (St Petersburg: Soiuz khudozhnikov, 2003). Ivanov, Lev, ‘Moi vospominaniia’ [My Reminiscences]. Sovetsku balet 32 (JanuaryFebruary 1987), 39-43. (The original, dated 2 February 1899, is in GMTMI. It is also translated by Wiley in The Life and Ballets of Lev Ivanov, 5-20.) Ivanov, Mikhail, ‘Marius Ivanovich Petipa’, Novoe vremia (12 July 1910). (The ver sion used is the translation in Wiley, A Century of Russian Balkt, 350-56.) Karatygin, Petr, Zapiski [Memories] (St Petersburg, 1880); repr. (St Petersburg: Azbuka, 2011). Karsavina, Tamara, ‘La Fille mal gardée at the Mariinsky’, in Ivor Guest (ed.), La Fitte mal gardée (London: The Dancing Times Limited, i960), 25-29. ------ Theatre Street (London: W. Heinemann, 1930); repr. (London: Dance Books, 1981). Kelly, Laurence (ed.), Moscow: A Travellers Companion (London: Constable and Co., 1983); repr. (London: Robinson, 2004). Khudekov, Sergei, ‘The First Performance of the Ballet The Pharaoh’s Daughtď, in Peterburgskaiagazeta (15 October 1898). (This
book uses the translation in Wiley, A Century of Russian Ballet, 234-37.) ------Istorila tantsev [A History of Dancing], 4 vois. (St Petersburg: Peterburgskaiag azeta, 1913-1918). ------‘Peterburgskii balet vo vremia postanovki Kon’ka-Gorbunka’ [The Petersburg Ballet at the Time ofthe Staging of The Little Humpbacked Horse], in Peterburgskaia gazeta (14 January 1896; part 1) and (21 January 1896; part 2). (Both parts are translated in Wiley, A Century of Russian Ballet, 250-75.) Kschessinska, Mathilde [Matilda Kshesinskaia], Dancing in Petersburg, trans. Arnold Haskell (London: Gollancz, i960); repr. (Alton: Dance Books, 2005). Legat, Nicolas [Nikolai], Battets Russes: Memoirs of Nicolas Legat, trans. Paul Dukes (London: Methuen, 1939). Lemercier de Neuville, L., Les Figures du temps: Notices biographiques: Marie Petipa [Notable People: Biographical Notes] (Paris: A. Bourdilliat, 1861). Lopukhov, Fydor [Fedor]. ‘Annals of The Skeping Beauty’, trans. Debra Goldman, Ballet Review, 5/4 (1975-76), 21-35. —— Khoreograficheskie otkrovennosti [Choreographic Revelations] (Moscow: Iskusstvo, 1972).
Bibliography 451 ------ Writings on Ballet and Music, ed. Stephanie Jordan, trans. Dorinda Offord (Madison: University of Wisconsin Press, 2002). Mérimée, Prosper, Lettres de Prosper Mérímée à la Comtesse de Montijo, 2 vols. (Paris, 1930). Natarova, Anna, ‘Iz vospominanii artistki A. P. Natarovoi’ [From the Reminiscences of the Artist A. P. Natarova], Istoricheskii vestnik [Historical Messenger] (October 1903), 25-44; (November 1903), 420-42; (December 1903), 778-803. (Extracts are translated in Wiley, A Century of Russian Ballet, 135-69.) Nekhendzi, Anna, etai. (eds.), Marius Petipa. Materiały, vospominaniia, staťi [Marius Petipa: Documents, Reminiscences, Articles] (Leningrad: Iskusstvo, 1971). Nijinska [Nizhinskaia], Bronislava, Early Memoirs, trans, and ed. Irina Nijinska and Jean Rawlinson (New York: Holt, Rinehart, and Winston, 1981); repr. (Durham and London: Duke University Press, 1992). Panaeva, Avdot’ia, Vospominaniia [Reminiscences] (Moscow: Zakharov, 2002). (Originally published in Istoricheskii vestni, 1889). Petipa, Marius, The Diaries of Marius Petipa, ed. Lynn Garafola (Pennington, NJ: Studies in Dance History, Spring 1992). ------ Journal du maître de ballet des Théâtres Impériaux, ed. Pascale Melani (Moscow: RGALI; Pessac: МЅНА, 2017). ------Marius Petipa.'Memuary' i dokumenty, ed. Sergei Konaev (Moscow: GTsTM; RGALI; Navona, 2018). ------Memuary Mariusa Petipa, solista ego Imperatorskogo Velichestva і baletmeistera Imperatorskikh teatrov [The Memoirs of Marius Petipa, Soloist of his Imperial Majesty and Ballet Master of the Imperial Theatres] (St
Petersburg: ‘Truď, 1906); repr. (St Petersburg: Predpriiatie S.-Peterb. soiuza khudozhnikov, 1996). ------Russian Ballet Master: The Memoirs of Marius Petipa, ed. Lillian Moore, trans. Helen Whittaker (New York: Macmillan, 1958). Petipa, Vera, Moia sem'ia: Petipa v zhizni і iskusstve [My Family: Petipa in Life and Art], Undated typescript is in RGALI, fond 1945, ed. khr. 66,1.1-33. Also abridged as ‘Nasha sem’ia’ (Our Family’) in Nekhendzi (ed.), Marius Petipa: Materiały, vospominaniia, staťi. Petrov, Oleg (ed.), Russkaia baletnaia kritika kontsa XVIII-pervoi poloviny XIX veka [Russian Ballet Criticism: The End of the Eighteenth-First Half ofthe Nineteenth Century] (Moscow: Iskusstvo, 1982). ------ Russkaia baletnaia kritika: vtoroi poloviny XIX veka: Peterburg [Russian Bähet Criticism: The Second Half of the Nineteenth Century: Petersburg] (Ekaterinburg: Sfera, 1995). Pleshcheev, Aleksandr, M. I. Petipa (1847-1907). K6o-letiiuegokhoreograficheskoi deiatel’nosti v Peterburge’ [For the 60th Anniversary of his Choreographic Work in Petersburg] (St Petersburg, 1907), also published in Istoricheskii vestnik (May 1907), 561-68.
452 Bibliography ------Nash bakt [Our Ballet] (St Petersburg, 1896); repr. (St Petersburg: Planetarnu zyki, 2009). Saint-Léon, Arthur, Lettersfrom a Ballet Master: The Correspondence ofArthur SaintLéon, ed. Ivor Guest (London: Dance Books, 1981). Shiriaev, Aleksandr, Peterburgskii balet. Iz vospominanii artista Mariinskogo teatra. [The Petersburg Ballet. From the Reminiscences of an Artist of the Mariinsky Theatre], ed. Iurii Slonimskii (Leningrad: VTO, 1941) (This hard-to-find book is in the National Library of Russia in St Petersburg (I used a photocopy); however, it has been reprinted (in full?) in Kinovedcheskie zapiski [Notes on Film Studies], 67, 2004,61-101). Skal’kovskii, Konstantin [Baletoman], Balet: Ego istorila i mesto v riadu iziashchnykh iskusstv [Ballet: Its History and Place in the Fine Arts] (St Petersburg, 1882). ------Staťi o balete 1868-190$ [Articles about Ballet], ed. Igor Stupnikov and Olga Fedorchenko (St Petersburg: Chistyi list, 2012). ------V teatralnom mire: Nabliudeniia, vospominaniia, і rassuzhdeniia [In the Theatrical World: Observations, Reminiscences, and Debates] (St Peterburg, 1899). Sokolov, A., ‘Teatral’nye vospominaniia’ [Theatre Reminiscences], Novoe slovo, 3-5 (1894). Stukolkin, T. A., 'Vospominaniia artista Imperatorskikh teatrov’ [Reminiscences of an Artist ofthe Imperial Theatres], Artist, 45 (January 1895), 126-33; 46 (February 1895), 117-25. (Also translated in Wiley, A Century ofRussian Balkt, 108-34.) Svetlov, Valerian, Sovremennyi balet [Contemporary Ballet] (St Petersburg, 1911); rep. (St Petersburg: Planeta Muzyki, 2009).
Teliakovskii, Vladimir, Dnevniki Direktora Imperatoriskikh teatrov [Diaries of the Director of the Imperial Theatres], 4 vols. (Moscow: Artist. Rezhisser. Teatr, 1998-2011). ------ Vospominaniia [Reminiscences] (Leningrad and Moscow: Iskusstvo, 1965). (Extracts are translated by Nina Dimitrievich in Dance Research 8/1 [Spring 1990], 37-46; 9/1 [Spring 1991], 26-39.) Valera, Juan, Correspondencia, 1847-1857, 2 vols. (Madrid: Impr. Alemana, 1913). Vazem, Ekaterina, Zapiski baleríny Sankt-Peterburgskogo Bol’shogo teatra [Memoirs of a Ballerina of the St Petersburg Bolshoi Theatre] (Leningrad, Moscow: Iskusstvo, 1937)· (Extracts are translated by Nina Dimitrievich in Dance Research; 3/2 [Summer 1985], 3-22; 4/1 [Spring 1986], 3-28; 5/1 [Spring 1987], 21-41; and 6/ 2 [Autumn 1988], 30-47.) VoLYNSKii, A., Kniga likovanii. Azbuka klassicheskogo tantsa [The Book of Exultations. An Alphabet of Classical Dance] (Leningrad, 1925); repr. (St Petersburg: Planeta Muzyki, 2008). ------Staťi o balete [Articles about Ballet] (St Petersburg: Giperion, 2002). WoLKONSKY, Prince Serge [Prince Sergei Volkonskii], My Reminiscences, trans. A. E.Chamot, 2 vols. (London: Hutchinson Guest, 1924).
Bibliography 453 RUSSIAN NEWSPAPERS AND JOURNALS Birzhevye vedomosti [Stockbrokers’ Gazette] Gobs [The Voice] Istoricheskii vestnik [Historical Messenger] Journal de St. Pétersbourg [St Petersburg Newspaper] Literatumaia gazeta [Literary Gazette] Muzykaľnyi i teatral’nyi vestnik [Musical and Theatrical Herald] Novoe slovo [New Word] Novoe vremia [New Times] Novosti [News] Novosti і birzhevaia gazeta [News and Stockbrokers’ Gazette] Nuvellist [News Writer] Obozrenie teatrov [Review of Theatres] Panteon [Pantheon] Panteon i repertuar russkoi stseny [Pantheon and Repertoire of the Russian Stage] Peterburgskaia gazeta [Petersburg Gazette] Peterburgskii lístok [Petersburg Bulletin] Sankt-Peterburgskie vedomosti [St Petersburg Gazette] Severnaia pchela [Northern Bee] Sovremennaia letopis' [Contemporary Chronicle] Sovremennoe slovo [The Modem Word] Sufler [The Prompter] Syn otechestva [Son of the Homeland] Teatr і iskusstvo [Theatre and Art] Teatral [The Theatregoer] Teatral’nyi mirok [Theatrical World] Vechemaia gazeta [Evening Gazette] Vsemimaia illiustratsiia [Illustrated World] Vseobshchaia gazeta [Universal Gazette] ANNALS AND ALMANACS St Petersburg and Moscow (ed.), Peterburgskii balet. Tri veka. Khronika. Tom H. 1801-1850 [The Petersburg Ballet. Three Centuries. Chronicle] (St Petersburg: Akademia russkogo baleta imeni A. Ia. Vaganova, 2014). ------ Peterburgskii balet. Tri veka. Khronika. Tom III. 1851-1900 (St Petersburg: Akademia russkogo baleta imeni A. Ia. Vaganova, 2015). Ezhegodnik Imperatorskikh teatrov [The Yearbook of Imperial Theatres] (St Petersburg, 1890-1915).
Boglacheva, Irina
454 Bibliography Fedorov, Vasilii, Repertuar Bol’shogo teatra SSSR 1776-1955, 2 vols. (New York: Norman Ross Publishing, 2001). Sokolov, A., Teatral'nyi al’manakh na 1875 [Theatrical Almanac for 1875] (St Petersburg, 1875). Volf, A., Khronikapeterburgskikh teatrov s kontsa 1826 do naćkała 1881 [Chronicle of the Petersburg Theatres from the End of 1826 to the Beginning of 1881], 3 parts (St Petersburg, 1877-1884). Zarubin, V. I., Bol'shoi teatr. Pervye postanovki baletov na russkoi stsene 1825-19)97 [The Bol’shoi Theatre. The First Productions of Ballets on the Russian Stage] (Moscow: Ellis Luck, 1998). ZozuLiNA, Nataliia (ed.), Peterburgskii balet. Tri veka. Khronika. Tom i. XVIII vek (St Petersburg: Akademia russkogo baleta imeni A. Ia. Vaganova, 2014). ZozuLiNA, Nataliia, and Mironova, V. (eds.), Peterburgskii balet. Tri veka. Xronïka. Тот IV. 1901-1950 (St Petersburg: Akademia russkogo baleta imeni А. Ia. Vaganova, 2015). ------ Peterburgskii balet. Tri veka. Xronika. Tom V. 1951-1975 (St Petersburg: Akademia russkogo baleta imeni A. la. Vaganova, 2016). ------ Peterburgskii balet. Tri veka. Xronika. Tom VI. 1976-2000 (St Petersburg: Akademia russkogo baleta imeni A. la. Vaganova, 2017). Brussels Almanach des spectacles pour ľan 1822 [Almanac of Stage Productions for the Year 1822] (Paris: J-N Barba, 1822). Almanach royal de la Cour, des Provinces méridoniales, et de la Ville du Bruxelles [Royal Almanac of the Court, of the Southern Provinces, and of the City of Brussels], 15 vols., 1816-1830 (Brussels: Adolphe Stapleaux); consulted online: https://books. google.co.uk/.
Almanach théâtral, ou Résumé des représentations données sur le Théâtre royal de Bruxelles [Theatre Almanac, or a Summary of the Performances Given at the Theatre Royal of Brussels], 16 May 1824 (Bruxelles: Gambier, 1825). Paris Annales de la propriété industrielle, artistique, et littéraire [Annals of Industrial, Artistic and Literary Property], ed. J. Pataille, vol. 7 (Paris, 1861). Revue des grands procès contemporains. Tome VI. Année 1888 [Review of Important Contemporary Trials] (Paris: Chevalier-Marescq et de, 1888). New York Odell, George, Annals ofthe New York Stage, voi. 4 (1834-1843) (New York: Columbia University Press, 1928).
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(Leningrad: Leningrad State Choreographic School, 1939). Buckle, Richard, Diaghilev (London: Weidenfeld and Nicolson, 1979); repr. (London: Hamish Hamilton, 1984). Burgess, M. A. S., ‘The Early Theatre,’ in Robert Auty and Dimitri Obolensky (eds.), An Introduction to Russian Language and Literature, voi. 2, Companion to Russian Studies (Cambridge: Cambridge University Press, 1977), 231-46. Burłaka, Iurii, and Leonova, Marina (eds.), Balety M. I. Petipa v Moskve (Moscow: Progress-traditsiia, 2018). Canova-Green, Marie-Claude, ‘Dance and Ritual: The Ballet des nations at the Court of Louis XIII’, Renaissance Studies, 9/4 (1995), 395-403. Chazin-Bennahum, Judith, The Lure of Perfection (New York and London: Routledge, 2005). Clarke, Mary, and Crisp, Clement, Ballet (London: A. and C. Black, 1973; repr. 1978). Cohen, Selma Jeanne (ed.), International Encyclopedia of Dance, 6 vols. (Oxford and New York: Oxford University Press, 1998; paperback repr. 2004). Craine, Debra, and Mackrell, Judith (eds.), Oxford Dictionary of Dance (Oxford: Oxford University Press, 2000).
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Guest, Ivor, The Ballet of the Second Empire; 3rd ed. (London: Pitman Publishing, 1974). ------ The Divine Virginia: A Biography of Virginia Zucchi (New York: Marcel Dekker Inc., 1977). ------ Fanny Elssler (London: A C Black, 1970). ------(ed.), La Fille mal gardée (London: The Dancing Times, 1960). ------ Jules Perrot: Master ofthe Romantic Ballet (London: Dance Books, 1984). ------ The Romantic Ballet in Paris; rev. ed. (Alton: Dance Books, 2008). Gurova, Ianina, Ivan Aleksandrovich Vsevolozhkii i ego znachenie v istorii russkogo muzykal’nogo teatra [Ivan Alexandrovich Vsevolozhsky and His Significance in the History of Russian Lyric Theatre] (St Petersburg, 2015). Hall, Cokyne, Imperial Dancer Mathilde Kschessinska and the Romanovs (Stroud, UK: Sutton Publishing, 2005). Homans, Jennifer, Apollo’s Angels (London: Granta, 2010). Iakovlev, M., Baletmeister Marius Petipa (Leningrad: P. P. Soikin, 1924).
Bibliography 457 Sozdateli і zrìteli. Russkie balety epohhi shedevrov [Creators and Spectators. Russian Ballets in the Era ofMasterpieces] (Moscow: Novoe literatumoe obozrenie, 2017). Il’icheva, Marina, Neizvestnyi Petipa [The Unknown Petipa] (St Petersburg: Kompozitor, 2015). Isnardon, Jacques, Le Théâtre de la Monnaie depuis sa fondation jusqu’à nos jours [The Monnaie Theatre from Its Foundation up to the Present Day] (Brussels: Schott, 1890). Ivanov, I., and Ivanov, K., Marius Ivanovich Petipa 1822-1 дгг: К stoletiiu dnia rozhdeniia [Marius Petipa [.]: For the Centenary of His Birth] (Petrograd, 1922). Kant, Marion (ed.), The Cambridge Companion to Ballet (Cambridge: Cambridge University Press, 2007). Kelly, Laurence (ed.), Moscow: A Traveller’s Companion (London: Constable and Co., 1983); repr. (London: Robinson, 2004). Koegler, Horst (ed.), The Concise Oxford Dictionary of Ballet; 2nd ed. (Oxford and New York: Oxford University Press, 1987). Krasovskaia, Vera, ‘Marius Petipa and The Sleeping Beauty’, trans. Cynthia Read, Dance Perspectives, 49 (Spring 1972). ----- Russkii baletnyi teatr ot vozniknoveniia do serediny XIX veka [Russian Ballet Theatre from the Beginning to the Middle of the Nineteenth Century] (Leningrad and Moscow: Iskusstvo, 1958); repr. (St Petersburg: Planeta muzyki, 2008). ----- Russkii baletnyi teatr vtoroi poloviny XIX véka [Russian Ballet Theatre of the Second Half of the Nineteenth Century] (Leningrad and Moscow: Iskusstvo, 1963); repr. (St Petersburg: Planeta muzyki, 2008). Kuzovleva, Tatiana, ‘Inostrantsy і formirovanie russkogo baletnogo
teatr’ [‘Foreigners and the Formation of Russian Ballet Theatre’], in G. A. Lapkina (ed.), Teatral’nyi Peterburg: Interkul’tumaia model’ [Theatrical Petersburg: An Intercultural Model] (St Petersburg: Sankt-Peterburgskaia gosudarstvennaia akademiia teatral’nogo iskusstva, 2002), 32-44. Latreyte, Jean, Le Grand Théâtre de Bordeaux: Des scènes dans la pierre [The Grand Theatre of Bordeaux: Stages in Stone] (Bordeaux, 1977). Leach, Robert, and Borovsky, Victor (eds.), A History of Russian Theatre (Cambridge: Cambridge University Press, 1999). Leshkov, Denis, Marius Petipa (1822-ідю): К stoletiiu ego rozhdeniia [Marius Petipa 1822-1910: For the Centenary of His Birth] (Petrograd, 1922). Mahlet, Damien, ‘The First Nutcracker, the Enchantment of International Relations, and the Franco-Russian Alliance’, Dance Research, 34/2 (Winter 2016), 119-49. Makarukhina, Natalia, Gurzuf: Pervaia zhemchuzhina iuzhnogo berega Krymą [Gurzuf: The Pearl of the Southern Coast of Crimea] (Simferopol: Business Inform, 2010). Iakovleva, Iuliia,
458 Bibliography Melani, Pascale (ed.), ‘De la France à la Russie, Marius Petipa’ [From France to Russia], Slavica OccitaniaĄį (2016). Moore, Lillian, Echoes ofAmerican Ballet: A Collection of Seventeen Articles, ed. Ivor Guest (New York: Dance Horizons, 1976). ------The Petipa Family in Europe and America’, Dance Index, 1 /5 (May 1942), 72-84. Morrison, Simon, Bolshoi Confidential: Secrets of the Russian Ballet from the Rule of the Tsars to Today (London: 4th Estate, 2016). Péroval, John, ‘Don Quixote’, Dance Now, 6/2 (Summer 1997), 2-7. ------ The World of Diaghilev (London: Studio Vista, 1971). Poesio, Giannandrea (ed.), To and by Enrico Cecchetti (Novi Ligure: Edizioni Joker, 2010). Racster, Olga, The Master ofthe Russian Ballet: The Memoirs of Cav. Enrico Cecchetti (London: Hutchinson, 1922). Raymonda Programme Booklet (Milano: Edizione del Teatro alla Scala, 2011). Riasanovsky, Nicholas, Nicholas I and Official Nationality in Russian, 1825-1855 (Berkeley and Los Angeles: University of California Press, 1959). ------, and Steinberg, Mark D., A History of Russia (New York and Oxford: Oxford University Press, 2005). Rogger, Hans, National Consciousness in Eighteenth-Century Russia (Cambridge, MA, i960). Roñé, Elvira, Olga Preobrazhenskaya, trans, and ed. Femau Hall (New York and Basel: Marcel Dekker, 1978). Roslavleva, Natalia, Era of the Russian Ballet 1770-1965 (London: Victor Gollancz, 1966). Scholl, Tim, From Petipa to Balanchine (London and New York: Routledge, 1994). ------ ‘Sleeping Beauty’, a Legend in Progress (New Haven and London: Yale University Press, 2004).
Slonimskii, Iu., ‘Marius Petipa’, trans. Anatole Chujoy, Dance Index, 6 (May-June 1947), 100-142. Smith, Douglas, The Pearl (New Haven and London: Yale University Press, 2009). Smith, Marian, Ballet and Opera in the Age ofGiselle (Princeton and Oxford: Princeton University Press, 2000). ------(ed.), La Sylphide: Paris 1832 and Beyond (Alton: Dance Books, 2012). ------, and Fullington, Doug, ‘Giselle’s Seattle Revival’, Dancing Times (June 2011), 30-33. Souritz, Elizabeth, Balet moskovskogo Bol’shogo teatra vo vtoroi polovine XIX veka [The Ballet of the Moscow Bolshoi Theatre in the Second Half of the Nineteenth Century] (Moscow: Muzizdat, 2012). ------ ‘Moscow v Petersburg: The Ballet Master Alexis Bogdanov and Others’, Paperat the International Symposium of Russian Ballet, Hamman Institute, New York, 2007.
Bibliography 459 ------, and Belova, E. (eds.), Baletmeister A. A. Gorskii. Materiały. Vospominaniia. Staťi [Ballet Master A. A. Gorskii. Documents. Reminiscences. Articles] (St Petersburg: Dmitrii Bulanin, 2000). Sveshnikova, Alisa, Peterburgskie sezony Artura Sen-Léona ( 1859-70) [The Petersburg Seasons of Arthur Saint-Léon] (St Petersburg: Baltiiskie Sezony, 2008). Swift, Mary Grace, A Loftier Flight: The Life and Accomplishments of CharlesLouis Didelot, Balletmaster (Middletown, CT: Wesleyan University Press; London: Pitman Publishing, 1974). Van Aelbrouck, Jean-Philippe, Dictionnaire des danseurs à Bruxelles de 1600 à 1830 (Liège: Pierre Mardaga, 1994). Volkov, Solomon, St Petersburg: A Cultural History, trans. Antonina W. Bouis; 2nd ed. (New York: Simon Schuster, 1997). Welles, Jacques d’, Le Grand Théâtre de Bordeaux: Naissance et vie d’un chef- d'oeuvre [The Grand Theatre of Bordeaux: Birth and Life of a Masterpiece] (Bordeaux: Delmas, 1949). Wiley, Roland John, A Century ofRussian Ballet: Documents and Eye Witness Accounts, 1810-1910 (Oxford: Clarendon Press, 1990); repr. (Alton: Dance Books, 2007). ------A Context for Petipa’, Dance Research: The Journal of the Society for Dance Research, 21 (Summer 2003), 42-52. ------‘Dances from Russia: An Introduction to the Sergeyev Collection’, Harvard Library Bulletin, 24 (January 1976). ------ The Life and Ballets of Lev Ivanov (Oxford: Clarendon Press, 1997). ------On Meaning in Nutcracker, Dance Research, 3/1 (1984), 12-18. ------ Tchaikovsky's Ballets: Swan Lake, Sleeping Beauty, Nutcracker (Oxford: Clarendon Press,
1985; repr. 2003). Wortman, Richard S., Scenarios of Power: Myth and Ceremony in Russian Monarchy, 2 vols. (Princeton: Princeton University Press, 1999).
Index All titles refer to ballets, unless otherwise indicated. Where possible, the date of a ballet’s Russian premiere is given as well as the date of its creation. I have also tried to give the dates of Jean Petipa’s versions of existing ballets. Dates, however, are not included for Marius Petipa’s work, since they are detailed in the List of Works. There are no entries for the endnotes, although in an ideal world they would have been included. However, the appended List of Works is included, but only for references to ballets (not operas), ballet masters, dancers, composers and, occasionally, librettists. Ablets, Isaac (1778-1829), ballet master, 22-23 Ads and Galatea (Atsis і Galateia) (Ivanov/ Kadlets, 1896; Ivanov and Fotóne/ Kadlets), 237,283-84 Adam, Adolphe (1803-1856), composer, 209 music used by Petipa, 302, 308, 309, 310 Adlerberg, Count Alexander (1818-1888), minister of the Imperial Court, 75,128,189, 297 Adlerberg, Count Vladimir (1791-1884), minister of the Imperial Court, 72-74,75,109,112,127, 297 Adventures of Peleus (Prikliucheniia Peleia) (Petipa/ Minkus), 175, 212 in List of Works, 306, 316 Africaine, Ľ (Meyerbeer, 1865), opera, 122-23 Aistov, Nikolai (1863-1916), dancer and régisseur, 250, 260, 267, 268, 277-78, 288 featured roles in Petipa’s productions, 307, 311 Albert (François-Ferdinand Decombe or Decombe) (1787-1865), dancer and ballet master, 46, 48-49, 65,107-8 Albert, Charles (1816-?), dancer, 46,47 Alessandro Stradella (Friedrich von Flotow, 1844; in Russia, 1849), opera, 91 Alexander I, Emperor (1777-1825), 19 Alexander II, Emperor
(1818-1881), 27,31, 32-33- 34-35- 73-74.75- 9°. ю9 UO-U, Ո2, 118-19,180,181,186, 297
462 Index Alexander III, Emperor ((1845-1894), 33, 35, 75,124-25, ։32֊33 136, ւ8687, i89-9° 191· 218, 223-24« շշ8, 239, 242 24^' 297 Alexandra Fedorovna (Alix of Hesse) (1872-1918), Empress, wife of Nicholas II, 35, 246, 257, 276,279-80 Alexandra Fedorovna (Charlotte of Prussia), (1798-1860), Empress, wife of Nicholas 1, 31-32, 34-35 Alexandrinsky Theatre. See Theatres Algisi, Luigia (dates unknown), dancer, 200-1, 225 Allan, Maud (1873-1956), dancer, 3-4 Allegri, Orest (1866-1954), stage designer, 251-52 Almaviva et Rosine (Jean-Baptiste Blache/ Piccinni, 1806), 80-81 American Ballet Theatre, 135-36 Alpine Queen, The (Petipa, cancelled), 122-23 Amosova, Nadezhda (1833-1903), dancer, 90-91 featured role in a Petipa production, 301 Anderson (Vasil’eva), Maria (18701944), dancer and memoir writer, 165-66, 238, 239 featured roles in Petipa’s productions, 301,313,314 Anna Ioannovna, Empress (1693-1740), 17 Andrei Vladimirovich, Grand Duke (1879-1956), eventual husband of Matilda Kshesinskaya, 246-47 Andreianova, Elena (1819-1857), dancer, 4-5, 26, 55-58, 59-60, 65, 66, 67-68,111 Alexander Gedeonov, and, 61-62 featured roles in Petipa’s productions, 300 Andrianov, Samuil (1884-1917), dancer and ballet master, 70 Angiolini, Gaspero (1731-1803), ballet master, 20, 21, 32-33 Apollo (Balanchine/ Stravinsky, 1928), 278 Ariadne (Reisinger-Petipa/ Gerber, 1875), 2Ո Armida (Perrot/ Pugni, 1855), 72, 90 Armsheimer, Johann (1860-1933), brass player and composer, 135-36, 242-43 music used by Petipa, 315 Auber, Daniel (1782-1871), composer, 47, 85,135,177-78,184,185-86, 205 Aubert, Arthur
(1843-1917), sculptor, 200 Audiences, 18-19, 84-85, 96-97,112-13, 229, 291, 294, 295 auditions, 45-47, 87 balletomanes and fans, 61-62, 8687, iu-12,116,129,152,194, 201, 217, 218 Moscow, 27, 29-31,109-10,154-55 Petipists and Muravevists, 110,111, 114-15,119,123 St Petersburg, 13-15, 20, 22,117-18, 119,120,121,145,147,148,149, 185-86,198, 206, 208, 230, 251, 257, 261, 263-64, 269-70, 27172, 273, 284-85, 287-88 Auer, Leopold (1845-1930), violinist and teacher, 142,148, 209-10 Auguste (Auguste Poirot) (0780-1844), dancer, 22 Aumer, Jean (1774-1833), dancer and ballet master, 81-82, 83-84, 92,195-96 in List of Works, 301 Aurore, Ľ (Perrot/ Pugni, 1843), 49 Awakening of Flora, The (Probuzhdenie Flory) (Petipa/ Drigo), 136-37, 219, 238, 239, 246 in List of Works, 314
Index Bakst, Léon (Lev Rosenberg) (1866-1924), artist and stage designer, 255-56, 258-59,281-82 Balakirev, Miln (1836-1910), composer, 120 Balanchine, George (Georgi Balanchivadze) (1904-1983), ballet master, 3, 6,101,135-36, 141-42,146,162-63,172, 209, 219, 278, 294 Ballet à grand spectacle. See Féerie Ballet, The Imperial beginnings (Moscow), 30-31 beginnings (St Petersburg), 17, 20-21, 29, 30-31 performances per week (St Petersburg), 15,191-92,225-26 See also GATOB Ballet Rambert (now called just 463 in List of Works, 306-7 Bayadere in Love, The. See Le Dieu et la bayadere Bayaderes, Les (Charles-Simon Catel/ Pierre Gardeł, 1810; Gardel-Jean Petipa, 1820), opera-ballet, 81-82 Bayer, Josef (1852-1913), composer, 281-82 Bazhenov, Alexander (1835-1867), dramatist and critic, 145 Beautiful Maid of Ghent, The (La Jolie Fille de Gand) (Albert/ Adam, 1842; Flamandskaia krasavitsa, Albert and Mazilier, 1851), 48-49, 65 Beauty of Lebanon, or the Mountain Spirit, The (Livanskaia krasavitsa, ili gomyi dukh) (Petipa/Pugni), Rambert), 6, 294 Ballets 33, 294 114-16,129 ‘La Charmeuse’ dance from the Ballets Russes, 5, 6-у, 132,149,162-63, ballet, 116,117,129 in List of Works, 303 185, 206, 230, 245, 247, 248, 259, 286-87, շ88, շ9Ն 292-93, 294. 295 See also Diaghilev Ballets Russes de Monte Carlo, 294 Ballets Russes du Colonel de Basil, 294 Ballo grande. See Féerie Bandits, The (Bandity) (Petipa/ Minkus), 148,167,175,178 in List of Works, 306 Barrez, Jean-Baptiste (1795-1868), ballet master, 48,49-50 Bartholomin, Victor-Claude (1799-1859), dancer and ballet master, 86 Baskin, Vladimir
(1855-1913), music critic, 233, 247-48 Bayadere, La (Baiaderka) (Petipa/ Minkus), 3,120-21,130-31,13536,139-42,43’ 49-51· 173.175. 176,179-80,181-82,184-85,19192, 209, 213-14, 248, 263, 282 summary of plot, 114-15 Begichev, Vladimir (1828-1891), administrator at the Moscow Bolshoi, 240 Bekefi, Alfred (1843-1925), dancer, 13132,149, 225-26, 241-42, 274, 284-85, 286-87 featured roles in Petipa’s productions, 311, 312, 315 Bekker (née Belavina), Agrippina (dates unknown), Maria SurovshchikovaPetipa’s mother, 79 Beliaev, Iurii (1876-1917), theatre critic and dramatist, 283 Belle au bois dormant, La. See The Sleeping Beauty Bellini, Vincenzo (1801-1835), composer, 143 Bellon, Élisa (Louise Benoîte Bellon) (1820-1892), dancer, 46, 47
464 Index Belsky, Igor (1925-1999), dancer, ballet master and teacher, 267 Benevolent Cupid, The (Amur· blagodeteľ) (Petipa/ Pugni) in List of Works, 304 Benois, Alexander (1870-1960). painter, designer, and memoir-writer, 121, 129-30,181,185-86,198, 200, 204, 219, 225, 226, 228-29, 230-31, 252, 255-56, 257, 258-59, 261-62-, 272, 276-77, 291, 293 Benőni (Pierre Bertaud) (1796-?), dancer, 84 Beretta, Caterina (1839-1911), teacher, 162-63, 202 244 287-88 Berger, August (or Augustin) (1861-1945), ballet master, 239-40, 281-82 Berkeley, Busby (Berkeley William Enos) (1895-1976), film director and choreographer, 195-96 Bessone, Emma (1862-?), dancer, 2002, 212-13, 225 role in a Petipa production, 312 Bezobrazov, Nikolai (1849-1912), civil servant and ballet critic, 7-8, 144-45, Ï-75-76, 200, 215-16, 218, 228, 229-30, 241-42, 247-48, 268, 271-72, 276 Birth of Venus and Love (La Naissance de Vénus et de ľAmour) (JeanBaptiste Blache and Jean Petipa, 1817), 80 Bismarck, Otto von (1815-1898), diplomat and future chancellor, in Blache, Alexis (1792-1852), ballet master, 23, 25, 26,42,47 Blache, Frédéric (1791-?), ballet master, 42, 81-82 Blache, Jean-Baptiste (1765-1824), dancer and ballet master, 47, 80-81, 84, 85 Black Shawl, or Infidelity Punished, The (Chernaia shai’, ili Nakazannaia nevernosť) (Glushkovsky, 1831), 23 Blasis, Carlo (1797-1878), dancer, teacher and theoretician, 34,107, 109-10,153-54, 201, 202, 208-9 Bluebeard (Petipa/ Shenk), 121, 208, 220, 221-22, 238-39, 243, 277 in List of Works, 316 Blue Dahlia, The (Golubaia georgina) (Petipa/ Pugni), 67-68, 94, 9596,129,
287-88 in List of Works, 302 plot, 94, 95 Boatmen’s Festival, The (Prazdnik lodochnikov) (Ivanov/ Friedmann, 1891), 237 Bogdanov, Alexei (1830-1907), ballet master, 72-73, 92, 94,127,19192, 301,303 in Moscow, 34,155-56,194, 206-7, 210-11, 225, 304, 307, 309, 311 Bogdanova, Nadezhda (1836-1897), dancer, 4-5, 66, 72,109,122 Bolm, Adolph (1884-1951), dancer, 5 Bolshoi Theatre (Moscow and St Petersburg). See Theatres Boris Godunov (Mussorgsky, fiili production 1874), opera, 120 Borkh, Count Alexander (1804-1867), director of the Imperial Theatres, 75,109,112,113-14,118, 127, 297 Borodin, Alexander (1833-1887), composer and chemist, 120, 237 Bourdenne, Marie-Thérèse (d. 1855), mother of Petipa’s first son, Marius, 78-79,161,298 Boumonville, August (1805-1879), ballet master, 58, 63,156,169, 170,174
Index Bozzacchi, Giuseppina (1853-1870), dancer, 124 Brahma (Montplaisir/ Dall’Argine, 1868; in Russia, Montplaisir and Zucchi, 1885), 198 Brianza, Carlotta (1867-1930), dancer, 142-43,165,173,192,197-98, 200-1, 203-4, 205-6, 229-30, 233, 238, 245-46, 258-59 featured roles in Petipa’s productions, 304, 309, 313-14 Broshel, Maria (1843-?), dancer and teacher, 177 Brunnov, Baron Filipp (1797-1875), diplomat, 59, 64-65 ‘Bukva’. See Vasilevsky, Ippolit Bulgakov, Pavel (dates unknown), ballet fan, 62 Butterfly, The (Babochka) (Petipa/ Minkus), 177-78 in List of Works, 305 Cairo Caravan, The (La Caravane du Caire) (Grétry, 1783), opera-ballet, 80-81 Calcabrino (Petipa/ Minkus), 142-43, 149-50,175-76, 222, 229-30, 232, 245 in List of Works, 313-14 Camargo (Petipa/ Minkus), 142-43, ’77» 197, 232-33, 260 in List of Works, 305 Catarina, ou la Fille du bandit (Katarina, doch’ razboinika) (Perrot and Petipa/ Pugni), 33, 63, 66,70-71, 76, 93,123,176 in List of Works, 305 Catherine II (the Great), Empress (1729-1796), 17,18-19, 27, 28, 30-32, 260 Cavos, Alberto (1800-1863), architect, 31,127 465 Cavos, Caterino (1775-1840), conductor and composer, 22, 23, 24, 31 Cecchetti, Enrico dancer, teacher and ballet master, 185, 243, 245, 264-65 as ballet master, 197-98, 201-2, 206, 231-32, 235, 238-39, 244, 25253, 281-82, 305, 308, 310, 314 featured roles in Petipa’s productions, 301, 311, 312-13, 317 as performer, 186, 201, 202-5, 214-15, 217, 218-19, 229-30, 248-49, 291 as teacher, 244-45 Cecchetti, Giuseppina (1857-1927), dancer, 201 featured roles in Petipa’s productions, 304, 316 Cerrito,
Fanny (1817-1909), dancer, 65, 66, 72, 76, 90, 94,108,112-13, U8-19, 201 Cervantes, Miguel de (1547-1616), writer, 148,154-55 Chaix d’Est-Ange, Gustave (1800-1876), lawyer, 98 Chaliapin, Fedor (1873-1938), opera singer, 201, 261-62 Champenois, Eugénie (1861-?), daughter of Petipa’s sister Victorine, 87 Character dance. See national dance Charles XV, King of Sweden (1826-1872), 97 Charles August, Crown Prince of Sweden (1768-1810), 80 Chekhov, Anton (1860-1904), physician, dramatist, and writer, 255-56 Chekrygin, Alexander (1884-1942), dancer, notator, and ballet master, 280 featured role in a Petipa ballet, 313
466 Index Chislova, Ekaterina (1845-1889) dancer and mistress of Grand Duke Nicholas, 112 Chopiniana (Les Sylphides) (Fokine/ Chopin, 1907 and 1908), 257, 288 Chumakova (later Legat), Antonina (1890-?), dancer, 277-78 Cinderella (Cendrillon) (Albert/ Sor, 1810; Albert and Jean Petipa, 1823), 82 Cinderella (Zolushka) (Petipa, Ivanov and Cecchetti/ FitinhofSchell), 121,130, 201-2, 206, 210, 237-39 in List of Works, 314 Clara, or the Resort to Virtue (Klara, ili Obrashchenie к dobrodeteli) (Valberkh/ Vogel, 1806), 21-22 Clustine (Khliustin), Ivan (1862-1941), dancer and ballet master, 153, 315, 316 Conservatoire, St Petersburg (now the Rimsky-Korsakov Saint Petersburg State Conservatoire), 17-18,189-90,193 Conservatoire de Danse (Brussels), 40-41, 83 Constantine, Grand Duke (1827-1892), brother of Alexander II, 112 Coppàia (Saint-Léon and Petipa, Delibes), 96,124,131-32,137, 157,173-74,191-92,195, 212, 260-61, 280-81 in list of Works, 310 Coppini, Achille (1846-1912), ballet master, 146, 270, 281-82 Coralli, Jean (1779-1854), ballet master, 39,42, 48-49, 55-56, 58-59, 65, 140-41, 309-10 Coriolanus (Shakespeare, 1608 or 1609), play, 264 Comalba, Elena (i860-?), dancer, ic)6-c)7, 200-1, 213-14, 216, 217-19, 225-26 featured roles in Petipa's productions, 312-13 Corsaire, Le (Mazilier and Petipa/ Adam, Pugni and Delibes), 15, 67-68, 69-70, 89, 90-91, 92, 94, 95, 96, 99-100,112,113-14,116,124, 130-31,142-43,146,153,176, 210, 211, 212, 271, 281 Corsaire pas de deux (Andrianov, 1915), 70 in List of Works, 302 Cucchi, Claudina (1834-1913), dancer, 123 featured role in a Petipa
production, 311-12 Cui, César (Tsezať Kiui) (1835-1918), military engineer and composer, 120 Cupid’s Prank (Shalosť Amura) (Ivanov/ Friedmann, 1890), 237 Gustine, Astolphe Louis Leonor, Marquis de (1790-1857), travel writer, 1-2, 23-24, 34 Cyprus Statue, or Pygmalion, The (Kiprskaia statuia) (Petipa/ Trubetskoi), 195, 210, 225 in List of Works, 309 Daita (Mendez/ Conyus, 1896), 243 Dance Conservatoire (Conservatoire de danse), Brussels, 83, 84 Dandré, Victor (1870-1944), Anna Pavlova’s possible husband, 276 Danilova, Alexandra (1903-1997), dancer, 144 Dansomanie, La (Pierre Gardel/ Méhul, 1800; Gardeł and Jean Petipa, 1814), 80, 83-84 Dante Alighieri (1265-1321), politician and poet, 141,184 Dauberval, Jean (1742-1806), dancer and ballet master, 45,195 in List of Works, 310
Index Daughter ofthe Danube. See La Fille du Danube Daughter ofthe Snows (Doch’ snegov) (Petipa/ Minkus ), 120,130-31, 167,176,178-79,182,197, 467 70, 205, 208-9, 212 247՜48. շ5ւ, 258-59 music used by Petipa, 302, 306, 310, 316, 317 Dell’Era, Antoinetta (1865-1945), dancer, 200-1, 233, 258-59 featured role in a Petipa production, 314 Design, the reforms, 251-52, 255-56, 258-59, 261-63, 264, 269, 270, 271-73,274, 291-92 Desjardins, Pauline (dates unknown), dancer, 41,42 Desplaces, Jean-Baptiste (1790-?), dancer, 80-81 Devéria, Auguste (1802-?), actor and impresario, 45, 46, 47, 48 Devil in Love, The (Le Diable amoureux) (Mazilier/ Reber and Benoist, 1840), 29, 48-49, 52, 56-57, Diable à quatre (Mazilier/ Adam, 1845), 65, 98-99,113-14,195, 310 See also The Wilful Wife Diaghilev, Sergei (1872-1929), impresario, 5, 9,132, 206, 248, 251-52, 255-56, 258-59, 283, 288, 292-94 See also Ballets Russes Diavolina (Saint-Léon/ Pugni, 1863), 112-14 Didelot, Charles-Louis (1767-1837), dancer and ballet master, 6-7, 20-21, 23-24, 25, 26-27, 34, 57-58, 60-61, 62, 63,176 Didier, Petr (1799-1852), dancer and régisseur, 60-61 Dieu et la bayadere, Le (The God and the Bayadere) (Auber/ Filippo Taglioni, 1830; Vliublennaia baiaderka, or The Bayadere in Love, Taglioni and Titus, 1834), opera-ballet, 47,141,184 Directorate of the Imperial Theatres companies and other constituents, 17-18,19-20 foundation, 17; (St Petersburg), 19, 29, 3i(Moscow) hierarchy, 72-74,75, 276-77 imperial theatres, 17,18-19,189-90 monopoly and its end, 19, 23-24, 73-74,189-91 offices (St Petersburg), 2,19-20, 74 other
reforms, 193-94, 235՛ 261-62 See also Theatres, Imperial Dominique (Lassiat), Caroline (dates unknown), dance teacher, 123 Donizetti, Gaetano (1797-1848), 124-25, Յ00 See also Satanilla The Devil’s Pills (Les Pilules du diable) (Laloue, Bourgeois, and Laurent, 1839; in Russia, 1847), 206-7 47. H3 Don Juan, or the Defeated Atheist (Don Zhuan, ili Porazhennyi bezbozhnik) (Alexis Blache, 1832), 25 232-33, 286 in List of Works, 307 summary of plot, 178 David, Jacques-Louis (1748-1825), painter, 82, 84 Decembrists, 23-24 Degas, Edgar (1834-1917), painter, 4-5, 352Ո25,402Ո139 Deldevez (1817-1897), composer, 55 music used by Petipa, 300 Delestre, Joséphine (dates unknown), dancer, 46, 47,48-49 Delibes, Léo (1836-1891), composer,
468 Don Quixote (Petipa/ Minkus), 3, 49, 135-36,140,146,153-56,163-64, 175,176,181, 208-9, 262-63, 266-67, 27* in List of Works, 304 Dor, Henriette (1844-1886), dancer, 1.52—53,181-82, 230 featured role in a Petipa production, 304 Doré, Gustave (1832-1883), artist and illustrator, 141,184 Drama companies, Imperial French (at the Mikhailovsky), 16, 17-18, 24, 62, 78,192-93, 257-58, 317 French (in Moscow), 22 German (at the Mikhailovsky and Alexandrinsky), 17-18, 189-90, 233 Russian, 17-18 (see also Alexandrinsky Theatre) Dramhalet, 295 Drigo, Riccardo (1846-1930), composer and conductor, 70,120-21,136, 165, 209-10, 216 biography, 219 music used by Petipa, 303, 311, 312-13, 314, 315, 317, 318 Dufferin and Ava, Lady Hariot, Marchioness (1843-1936), memoir-writer, 181 Dumb Girl of Portici, The. See La Muette de Portici Dumilâtre, Adèle (1821-1909), dancer, 39 Duncan, Isadora (1877-1927), dancer, 3-4 Duport, Louis (і78і?-і85з), dancer, 26, 202 Dying Swan, The (originally The Swan or Lebed’) (Folcine/ Saint-Saëns, 1907), 171 Index Edward, Prince of Wales, future Edward VII (1841-1910), 120-21 Efimov, Konstantin (1829-1903), dancer and assistant régisseur, 233 Efremova, Maria (1835-?), dancer, 103-4 Egorova, Liubov (1880-1972), dancer, 168, 243-44, 268 featured roles in Petipa’s productions, 313, 318 Egyptian Night, An (Egipetskaia noch’) (Ivanov/ Arensky, 1901), 242 Élèves de Dupré, Les. See The Pupils of Dupré Elssler, Fanny (1810-1884), dancer, 25, 26, 41, 53, 59-60, 66, 67-68, 70-71, 72,123-24,182 in Brussels, 86-87,111 in Paris, 39,112-13 role in a Petipa production, 300 in
Russia, 26, 29,33, 59-64,192 Elssler, Therese (1808-1878), dancer, 39, 53 Enchanted Forest, The (Ocharovannyi les) (Ivanov/ Drigo, 1887), 219, 224, 234, 237 Enchantress, The, or The Sorceress (Charodeika) Tchaikovsky, 1887), opera, 224 Enfants du Capitaine Grant, Les (Jules Verne and Alphonse d’Ennery, 1878), theatre show, 179 Eoline, ou la Dryade (Perrot/ Pugni, 1845; Eolina, ili Driada, 1858), 15-16,72, 91, 99 Ershov, Petr (1815-1869), writer, Ո7,119 Esmeralda (Perrot and Petipa/ Pugni), 6-7, 26, 29,49-50, 60, 63, 6768,71, 76, 89, 90-91,123,137, 138,176,195, 219, 225-26 in List of Works, 311-12 Eugene Onegin (Tchaikovsky, 1879), opera, 120
Index Euterpe and Terpsichore (Evterpe і Terpsikhora) (Petipa/ Pugni), 99 in List of Works, 302 Excelsior (Manzotti/ Marenco, 1881), 196-98, 220, 225 Fair, or the Village Fête, The (La Kermesse, ou la Fête villageoise) (Jean Petipa, 1819), 81-82 Fairies’ Goddaughter, The (La Filleule des fées) (Perrot/ Adam, 1849; Pitomitsa fei, 1850), 64, 66 Fairy Doü, The (Feia kukol) (Sergei and Nikolai Legat/ Bayer, 1903), 281-82 Fairy Tale, A (Volshebnaia skazka) (Petipa/ Richter?), 232, 238 in List of Works, 314 Farfarella, or the Daughter of Hell (Farfarella o la Hija del Infierno) (Jean Petipa/ Skoczdopole, 1846), 50, 221-22 Faust (Perrot and Petipa/ Panizza and Pugni), 68-69, 7°~71· 76. 78, 90, 99,116,122-23,138,142-43 in List of Works, 303-4 Petipa as Faust, 68-70 Favorite, La (Donizetti, 1840), opera, 44, 47 Fazer, Edvard (1861-1943), impresario, 131-32 Fedorov, Pavel (1803-1879), dramatist and administrator, 72-73, 75.194 Féerie, The, 81-82,148,177,185-86,189, 195-9^ ł97 206-7, 208, 220, 221-22, 225, 226-28, 230-31, 243, 251, 291-92, 310-11, 313, 314, 316 ballet à grand spectacle, 135,142-43, 185-86, 247, 261 ballo grande, 185-86,196,197 469 Fenella (Auber, 1828), opera, 135,177, 322 See also La Muette de Portici Ferdinand, Armande (dates unknown), dancer, 44 Ferdinand, Thérèse (dates unknown), dancer, 37 Ferraris, Amalia (1828 or 1830-1904), dancer, 15-16, 66, 72, 91, 92,11213,118-19,181-82, 201 role in a Petipa production, 301 Ferrerò, Antoinetta (dates unknown), dancer, 280-81 Festin, Le (1909), divertissement, 248, 293 Festival in the Allied Armies Camp at Montmartre, A
(Prázdník v stane soiusnykh armii pri Monmartre) (Valberkh and Auguste/Cavos and Kaschin, 1814), 22 Fiametta, or the Triumph of Love (Fiametta, ili Torzhestvo liubvi) (Saint-Léon and Petipa/ Mitikus), 113-14,123,130-31,137, x95 217 in List of Works, 312 Fidelio (Beethoven, 1805), opera, 264 Fille de marbre, La (Saint-Léon/ Pugni, 1847; Mramomaia krasavitsa, Saint-Léon and Perrot, 1855), 76,108 Fille du Danube, La (Deva Dunaia) (Filippo Taglioni and Petipa/ Adam), 117-18,140,175,195 in List of Works, 308 Fitte mal gardée, La (Tshchetnaia predostorozhnosť) (Dauberval, Ivanov and Petipa/ originally popular songs and melodies, later Herold or Hertel), 45, 47, 60,195,199, 200, 260, 280-81, 286-87 in List of Works, 310
470 Filosofov, Dmitrii (1872-1940), literary critic, editor, and political activist, 255-56 Fiocre, Eugénie (1845-1908), dancer, 173-74 Firebird, The (Fokine, 1910), 185, 293 Fitinhof-Schell, Baron Boris (1829-1901), composer, 195, 209-10, 219-20 music used by Petipa, 312,314 Flame of Love, or the Salamander (Piameri liubvi, ili Salamandra) (Saint-Léon/ Minkus, Moscow, 1863), 114 See also Fiametta and Néméa Fleury, Louise (dates unknown), 76, 108,157 Florida (Petipa/ Pugni, 1866), 122-23 in List of Works, 303 Flotow, Friedrich von (1812-1883), composer, 91 Fokine, Mikhail (1880-1942), dancer, teacher, ballet master and memoir-writer, 132,133,146,185, 236-37, 243-44, 245, 248, 257, 262-63, 272-73, 274 276-77, 278-79, 288, 291, 293-94 about Petipa, 279 as activist, 284-85, 286-87 featured roles In Petipa’s productions, 318 Petipa’s attitude to Fokine, 283-84 Folk-art movement, 252, 255-56, 293 Folk dance. See national dance Fonvizin, Denis (1744 or 1745-1792), dramatist, 21 Formelle, Charles (dates unknown), theatrical agent, 108 Forrest, Edwin (1806-1872), actor, 42 Foster-Child ofthe Fairies, The (Pitomitsa fei). See The Fairies’ Goddaughter Index Fountain of Bakhchisarai, The (Bakhchisaraiskii fontan) (Andreianova, 1854), 62 Franklin, Sir John (1786-1847), British Royal Naval officer and Artie explorer, 178 Frédéric (Pierre Frédéric Malavergne) (1810-1872), dancer, 55-56, бо бі, 62, 66, 88-89, 90, 91,103-4, 107,127,153 in List of Works, 300 Frederick William III, King of Prussia (1770-1840), 22-23, 31-32 Frederick William IV, King of Prussia (1795-1861), 31-32 Fredericks,
Baron Vladimir (18381927), minister of the Imperial Court, 75, 250, 261-62, 275, 279-80, 297 Friedberg, Ekaterina (1838-1901), dancer, 69, 70, 72, 92 role in a Petipa production, 301 Friedmann, Alexander (1866-1908 or 1909), dancer, composer, and conductor, 237 Frisac, or the Double Wedding (Frisac ou la Double Noce) (Jean Petipa/ Snel; Frizac-tsiriul’nik, ili Dvoinaia svad’ba, Marius Petipa), 81-82 in List of Works, 307 Frolov, Alexander (1819-1894), director of the Theatre School and supervisor of the ballet company, 72-73, 233 Frolov, Vladimir (1850-1915), musicologist and critic, 247-48 Frolova, Zinaida (1859-?), dancer, 207 Gagarin, Prince Sergei (1795-1852), director of the Imperial Theatres, 73-74
Index Galimberti, Vittorina (1880-?), dancer, 196 Gardeł, Kerre (1758-1840), ballet master, 79-80, 81-82, 83-84,195-96 GATO В (Gosudarstvennyi akademicheskii teatr opery і baleta) or State Academic Theatre of Opera and Ballet, name (1919-1935) for the Mariinsky Theatre and its companies, 294-95 Gautier, Théophile (1811-1872), writer and dance critic, 4-5,13-14,1516,17, 25-26, 29-30, 39,40, 7071,72, 91, 94,100,110,111,112-13, 173~74 ւ8շ, 190 librettos in List of Works, 309 Gazelda, or the Gypsy (Gazelda, ili Tsygane) (Perrot/ Pugni, 1853), 90, 94, 98 Gedeonov, Alexander (1791-1867), director of the Imperial Theatres, 2, 37-38, 55-56, 59-60, 64-65, 72-74, 75, 87, 97. 297 and Andreianova, 61-62 biography, 73-75 Gedeonov, Stepan (1816-1878), director of the Imperial Theatres, 127, 150,167,179, 267-68, 297 biography, 157,184 libretto in List of Works, 307-8 Mlada, 182-84,185-86 Geltser, Ekaterina (1876-1962), dancer, 243-44 Geltser, Vasilii (1840-1908), dancer, 240 Genée, Adeline (1878-1970), dancer, 3-4 Gerber, Iulii (1831-1883), composer and music director of the Moscow ballet, 177, 210 music used by Petipa, 304 471 Gerdt, Elizaveta (1891-1975), dancer, 159-60 Gerdt, Pavel (1844-1917), 7-8,129,15960, 236, 264-65, 277, 288 as ballet master, 270, 281-82, 287-88 as dancer, 122-23,129,142-43,148, 155,174-76,177-78,180,191-92, 200, 202-3, 213-14, 223-24, 225-26, 229-30, 233, 239, 24143, 249, 257, 271, 278-79, 291 featured roles in Petipa’s productions, 300, 302, 303, 304, 305-6, 307-8, 309, 310,311, 31214, 315, 316, 317, 318 as teacher, 170, 205, 234, 245, 248-49 Girard, Paul
(dates unknown), engineer, husband of Marie Petipa, 133 La Gitanilla (Cervantes, 1613), novella, 148 Giselle (Coralli-Perrot-Petipa/Adam), 4, 6-7,16, 25-26, 39,46, 47,4849 53՜54’ 56-60, 6ւ-6շ, 65, 66, 70-71,72,74֊75, y6,81-82, 8687, 96-97,100,110,112-14,124’ 137,139,146,162,181,191-92, 195, 227-28, 260-61, 281, 282, 293, 294, 295 in List of Works, 309-10 Giuri, Maria (d. 1912), dancer, 198, 201 Glazunov, Alexander (1865-1936), composer, 137,165,166, 219-20, 222, 247-48, 251, 256-57, 270, 278, 287-88 music used by Petipa, 316, 317 Glinka, Mikhail (1804-1857), composer, 24, 25,32-33,120,186-87, 264, 274, 282 Glushkovsky, Adam (1793-1870), ballet master, teacher and memoirwriter, 20-21, 22-23 God and The Bayadere, The. See Le Dieu et la bayadere
472 Index Gogol, Nikolai (1809-1852), writer and dramatist, 24 Golden Apples, The (Les Pommes d’or) (Audran, 1883; Zolotye iabloki, 1885, Audran and Hansen), opérette-féerie, 207 Golden Fish, The (Zolotaia rybka) (SaintLéon/ Minkus, 1867), 119-20 Golovin, Alexander (1863-1930), painter and stage designer, 251-52, 26163, 267, 270, 271-72, 273, 274 Golts, Nikolai (1800-1880), dancer and teacher, 60-61, 90,101-2,122, 176,178 featured roles in Petipa’s productions, 302, 306-7, 308 Gorshenkova, Maria (1857-1938), dancer, 130-31,175,180,18182,184-85,186-87,191-92, 213-14, 238 featured roles in Petipa’s productions, 306-8, 309, 310, 311, 312 Gorsky, Alexander (1871-1924), dancer and ballet master, 155-56,17576, 226, 241-42, 243-44, 24849, 262-63, 266-67, շ69 271. 274-75, 281-82, 283, 291-92 his stagings of Petipa’s works, 302, 304, 307, 309, 310, 312, 313, 315, 316, 317, 318 Gounod, Charles (1818-1893), composer, 195 Government Inspector, The (Revizor) (Gogol, 1836), comic play, 24 Grahn, Lucile (1819-1907), dancer, 57-58, 63 Grantzow (Grantsova), Adèle (18451877), dancer, 123-24,142-43, 152,176,177,181-82,186, 192,199 death, 124 featured roles in Petipa’s productions, 302, 305,311-12 Grapevine, The (Rubinstein, 1881), ballet score, 219-20, 234 Grapevine, The (Vinogradnaia loza) (Fotóne/ Rubinstein, 1906), 132, 283-84 Graziella (Saint-Léon/Pugni, i860), 99-100,112-13 Gredelue, Émile (dates unknown), dancer, 2, 53, 56,107 Griboedov, Alexander (1795-1829), dramatist, 24 Grigorev, Sergei (1883-1968), dancer and régisseur, 162-63, 291 Grimaldi, Enrichetta (1872-1919), dancer, 260, 281
Grimm, Brothers, (Jacob, 1785-1863; Wilhelm, 1786-1859), cultural academics, lexicographers, and folk-tale collators, 120, 270, 318 Grisi, Carlotta (1819-1899), dancer, 26, 39,40,41, 50, 55, 58-59, 60, 62, 63-64, 65-66, 67-68, 70-71, 112-13,192 Groslambert (Zagolini), Henri-Eugene, husband of Petipa’s sister Elisabeth, 88 Guardsman, The (Oprichnik) (Tchaikovsky, 1874), opera, 120 Gusev, Petr (1904-1987), ballet master, ł35֊36, 219 Guy-Stéphan, Marie (1818-1873), dancer, 37, 48-50, 67 Haarlem Tulip, The (Garlemskii tiul’pan) (Ivanov and Petipa/ FitinhoffSchell), 195, 201-2, 205-6, 20910, 212-13, 225-26, 234-35, 236, 237, 282 in List of Works, 312
Index Halt ofthe Cavalry, The (Přival kavalerii) (Petipa/ Armsheimer), 131-32, 135-36, 242-43, 287-88 in List of Works, 315 Hansen, Joseph (1842-1907), ballet master, 34,194,197, 207 and Coppàia in List of Works, 310 and Swan Lake, 210-11 Happiness ofthe Nations at the Appearance ofAstrea on the Russian Horizon and the Restoration ofthe Golden Age (Radosť narodov po povodu poiavleniia Astrei na russkom gorizonte і vosstanovleniia zolotogo vremeni) (Landė, 1742), 32-33 Harlequinade (Les Millions dArlequin or Arlekinada) (Petipa/ Drigo), !35֊3б, 162-63, 219 25б-57. 283-84, 288-89 in List of Ballets, 317 Harlequinade (Lopukhov, 1933; Petipa and Ratmansky, 2018), 135-36 Harlequinade (Petipa and Gusev, 1975; Balanchine 1965 and 1973), 135-36, 219 Hassreiter, Josef (1845-1940), ballet master and teacher, 281-82 Heart ofthe Marquise, The (Le Coeur de la Marquise or Cerdtse markisy) (Petipa/ Giraud), 257-59 in List of Works, 317 Henry IV, or the Reward of Virtue (Genrikh IV, ili Nagrada dobrodeteli) (Valberkh, 1816), 21-22 Herodotus (c. 484- c. 425 BC), historian, 150,151-52 Hérold, Ferdinand (1791-1833), composer, 81-82, 92,195-96 music used by Petipa, 301 473 Hilverding, Franz (1710-1768), ballet master, 20 Hoffmann, E. T. A. (1776-1822), writer and composer, 230-31 Home Guard, or the Love of the Fatherland, The (Opolchenie, ili Liubov’ к otechestvu) (Valberkh, 1812), 22 Hommage à la mémoire de Talma (Jean Petipa and others/ Hanssens and Cassel, 1826), 82 Huguet, Eugène (1821-1875), dancer and teacher, 78,112 Hungarian Hut, or the Famous Exiles, The (Vengerskaia khizhina, ili
Znamenitye izgnanniki) (Didelot/ Venua, 1817), 62 Hus, Eugène (1758-1823), teacher and ballet master, 80-81, 83 Hutchinson Guest, Ann (b. 1918), notator and reconstructor, 138-39 Ice Palace, The (Ledianoi dот) (Koreshchenko, 1900), 261-62 Imperial influence and involvement, 25, 31-35,145,156,190-93, 224, 252-53, 264, 279-80 ballet as propaganda, 32-33,186-87 India (José Mendez/ Dall’ArgineVenanzi, 1890), 206-7 Iolanthe (Iolanta) (Tchaikovsky, 1892), opera, 142-43, 230-31 Ivanov, Konstantin (1859-1916), stage designer, 251-52 Ivanov, Lev (1834-1901), dancer, teacher, and ballet master, 90,194, 225, 231-32, 233 as ballet master, 135-36,139,164,167, 185,195,197, 201-2, 206, 20910, 212-13, 219 224 231֊33’ 234~ 35, 236-37, 238-40, 241-42, 243, 252-53,265, 266, 281-82
Index 474 Ivanov, Lev (1834-1901), dancer, teacher, and ballet master (Cont.) ballet master work for Petipa, 305, 308, 310, 312, 314,315 character and musicality, 233-34. 236-37 as dancer, 91-92, 94, 95,103,116,12223,152,155,174-75, ։8o, 191-92 featured roles in Petipa’s productions, 297, 300, 301, 303, 304, 305, 306-7, 308, 311, 317 final years, 243, 264-65, 266, 281-82 relationship with Petipa, 164,194, 233, 234, 235-37, 243, 283 as teacher, 170, 234 Ivanov, Mikhail (1849-1927), composer, music critic, and memoir writer, 209-12, 216-17, 218, 219-20, 228 about Petipa, 160, 214-15, 216, 253 music used by Petipa, 312 Ivan Susanin (Cavos, 1815), opera, 22, 24 See also A Life for the Tsar Jaques-Dalcroze, Émile (1865-1950), music educator and inventor of Dalcroze Eurythmies, 294 Javotte (Gerdt/ Saint-Saëns, 1902), 281-82, 312 Jewess, The (La Juive) (Lucien Petipa, 1862), 99 Jocko, the Ape of Brazil (Jocko, le Singe du Brésil) (Frédéric Blache/ Piccinni, 1825; Blache and Jean Petipa, 1826), 42-43, 81-82, 84 Johansson, Anna (1860-1917), dancer, 181-82,191-92 featured roles in Petipa’s productions, 312,314 Johansson, Christian (1817-1903), dancer and teacher, 42-43, 63, 65, 66, 67-68, 90,102,116,156, 181-82,191-92, 266-67, 275-76 as teacher, 63, 89,128-29, 170-71, 203, 245 featured roles in Petipa’s productions, 301,303,304, 306-7 Jovita (Mazilier/ Labarre, 1853; Mazilier and Saint-Léon, 1859), 76, 94, 99-100,109 Kadlets, Andrei (1859-1928), violinist, composer, and conductor, 237 Karatygin, Petr (1805-1879), actor, dramatist, and memoir-writer, 73-74.115 Karpakova, Polina
(Pelageia) (18451920), dancer, 154,177, 241-42 featured role in a Petipa production, 304 Karsavin, Platon (1854-1922), dancer, 129,170, 236-37 Karsavina, Tamara (1885-1978), dancer, 5, 70, 89,129,142-43,144.146, 170,171,184, 202, 206, 221-22, 236-37, 243, 255, 272-73, 274, 286-87, 29։ as activist, 284-85, 286-87 featured roles in Petipa’s productions, 312, 313 Kashchei the Deathless (Kashchei bessmertnyi) (Rimsky-Korsakov, 1902), opera, 185 Kashkin, Nikolai (1839-1920), memoir-writer, 240 Kemmerer, Alexandra (1842-1931), dancer, 88,102-3, n5 Ա6 featured role in a Petipa production, 305-6 Khudekov, Sergei (1837-1928), critic, librettist, and publisher of Peterburgskaia gazeta, 9-10, 90, 99-100,104-5,110 սշ, Ա6-ւ7, 119,120-21,129,137-39,167, 174, l77’ 189-90,194,199, 203,
Index 205-6,232-33, 274-75,276, 280-81, 283, 291-92 as librettist, 141,150,180,181,184, 212, 213, 215-16, 221, 291-92 librettos in List of Works, 306-7, 308,312 Kiaksht, Georgii (1873-1936), dancer, 131-32, 204, 248-49, 257, 284 roles in Petipa’s productions, 314, 316, 317 King Candauies (Tsar’ Kandavl) (Petipa/ Pugni), 130-31,143-45,149-53, І54-56,157,163-64,167,175, 176,195-96, 203-4, 23°’ շՅշ. 264, 277 libretto, 150-51 in List of Ballets, 304 King's Command, The (Prikaz korolia) (Petipa/ Vizentini), 195, 2034, 205, 208, 210, 218, 223, 224-25, 256-57 in List of Works, 311 Kister, Baron Karl (1821-1893), director of the Imperial Theatres, 75,157, 179,185-86,191-93, 252, 297 Klodt (Klodtvon Jürgensburg), Nikolai (1865-1918), painter, and stage designer, 262-63, 267 Koksharov, Nikolai (1818-1892), mineralogist, 114-15 Koni, Fedor (1809-1879), writer and critic, 7-8, 56-57, 64, 66, 78 Koreshchenko, Arsenii (1870-1921), composer, conductor, and critic, 219-20, 261-62, 266, 270, 271-72, 274-75 music used by Petipa, 318 Korovin, Konstantin (1861-1939), painter and stage designer, 226, 251-52, 261-63, 264, 2^7 Kosheva (Kosheleva), Anna (1840-?), dancer, 94,102-4, u5 475 featured role in Petipa production, 302 Kovaleva-Zhemchugova, Praskovia (1768-1803), opera singer, 28 Kozlov, Fedor (1882-1956), dancer, 274 Krotkov, Nikolai (1849-?), composer and conductor, 219-20, 223-24, 229-30 music used by Petipa, 313 Krupensky, Alexander (1875-1939), administrator in the Imperial Theatres, 276-78 Kshesinskaya, Matilda (1872-1971), dancer and memoir-writer, 9, 37, 98-99, 234, 259, 277,
279-80, 286,288 as dancer, 18-19,102,105,131-32,133, 201-2, 229-30, 239-40, 243-44, 245-46, 257, 271, 272-74 falling out with Petipa, 268-69 featured roles in Petipa’s productions, 302, 307, 308, 311, 314, 315, 316, 317, 318 protectors and power, 18-19, 246-47, 259-61, 266, 286-87 Kshesinskaya, Iulia (1866-?), dancer, 243-44 Kshesinsky, Felix (1823-1905), dancer, 98-99,102,115,149,152,176, 191-92, 213-14, 241-42, 246, 268 featured roles in Petipa’s productions, 304, 307-8, 309, 311, 312, 315 Kshesinsky, Iosif (1868-1942), dancer, 286-87 featured roles in Petipa’s productions, 311,316 Kusov, Baron Vladimir (1815-1917, administrator in the Imperial Theatres, 268, 271 Kuznetsova, Anna, (1844-?), dancer and mistress of Grand Duke Constantine, 112
Index 476 Lacotte, Pierre (1932-), dancer and ballet master, 46,103-4,138-39 Lafeuillade, Jean-François (1799-1872), singer, 85 Lalo, Eduard (1823-1892), composer, 209 Lambin, Petr (1862-1923), stage designer, 251-52 Landė, Jean Baptiste (d.1748), teacher and founder of Russia’s first ballet school, 17, 20-21, 32-33, 295 Langammer, Vladimir (d. 1910), dramatist, librettist, and régisseur, 233, 238, 242-43, 250 Lappa-Starzhenetsky, Vladimir (1853-1916), Teliakovsky’s assistant, 271-72 Lapshina, Vera (1835-?), dancer, 103-4 Laroche, Herman (1845-1904), music writer, 121-8, 210-11, 227, 228 Laurençon, Étienne-Hughes (18031883), dancer and ballet master, 44, 84-85 Le Beau, Marie Suzanne (dates unknown), Petipa’s grandmother, 79-80 Lebedeva, Praskovia (1838-1917), dancer, 92,105,109-10,116,119-20,122, 123,124-25 role in a Petipa production, 300 Leblond, Étienne (1801-1848), dancer, 84-85 Leblond (née Aumer), Sophie Juhe (c.1799-?), dancer, 84-85 Lecomte (née Martin), Éléonore (c.1794?), dancer, 41-44 Legat, Gustav (1837-1895), dancer, 131-32 featured role in a Petipa production, 310 Legat, Ivan (dates unknown), machinist, 179, 286 Legat, Nikolai (Nicolas, 18691937), dancer, ballet master, caricaturist, and memoir writer, 70,131-33,170, 204-5, 219 շշ6, 229-30, 236, 239, 241-42, 24849, 258-59, 269, 274, 277, շ8ւ8շ, 287-88, 291, 312, зі6, 317 featured roles in Petipa’s productions, 313-14,316, 317 as memoir writer, 70,160,170-71, 172, 285 Legat, Sergei (1875-1905), dancer, teacher and caricaturist, 131-33, 170, 204-5, 223-24, 248-49, 258֊59, 271, 272-73, 274, 277, 281-82, 285-86
featured roles in Petipa’s productions, 306, 314, 315, 316, 3։7, З18 Legnani, Pierina (1863-1923), dancer, 70,166, 200-2, 205, 219, 22122, 240, 241-43, 246, 247-48, 257, 260, 269 her style, 201-2, 206, 239 roles in Petipa’s productions, 303, 305, 310,313,314, 315,316, 317 Lentovsky, Mikhail (1843-1906), actor and impresario, 190,197-98 Leopold I, King of Belgium (1790-1865), 86 Le Picq, Charles (1744-1806), dancer and ballet master, 20 Leroux, Antoinette Désirée (c.1807-?), dancer, 84 Leroux, Pauline (1809-1891), dancer, 56-57, 84 Lesueur, Marie (1799-1890), dancer, 80—81, 82, 84 Lida, the Swiss Milkmaid (Lida, shveitsarskaia molochnitsa) (Taglioni, Jean Petipa, and Perrot/ Gyrowetz), 64
Index in List of Works, 300 See also Nathalie, or the Swiss Milkmaid and The Swiss Milkmaid Life for the Tsar, A (Zhizn’ za tsaria) (Glinka, 1836), opera, 24, 25, 3233,120,186-87 Limido, Giovanna (or Giovannina) (1851-1890), dancer, 197-98, 201 Little Humpbacked Horse, or the Tsar Maiden, The (Konek-Gorbunok, ili Tsar’-devitsa) (Saint-Léon and Petipa/ Pugni), 112,117,118-19, 120-21,122,123,145-46,155, 194, 281 in List of Works, 315 ‘Little Muzhik’ solo (Petipa/ Pugni, 1865), 117-118,122-23 Livry, Emma (1842-1863) dancer, 40,177-78 Locatelli, Giovanni (1713-1785), opera director and impresario, 30-31 Lohengrin (Wagner, 1850), opera, 182-83, 240 Lopukhov, Fedor (1886-1973), ballet master, 19-20,135-36, 294-95 about King Candantes, 152,153 about The Nutcracker, 231 about Petipa, 172, 235-36 about The Pharaoh’s Daughter, 102 about The Sleeping Beauty (Lilac Fairy), 131, 313 Lordereau, René (d. 1867), librettist, 96-98 Loubet, Émile (1838-1929), president of France, 266 Love’s Revenge (Mesť amura) (Alexander Taneev, 1902), opera, 258-59 Lunacharsky, Anatolii (1875-1933), journalist, critic, People’s Commissar for Education, 294 ЛТЈ Madaeva, Matilda (Matrena Tikhonovna) (1842-1889), dancer, 103-4,112 u5 u9 122-23 featured role in a Petipa production, 305 Maddox, Michael (1747-1822), impresario, 27, 30-31 Magic Flute, The (Volshebnaia fleita) (Ivanov/ Drigo, 1893), 238 Magic Mirror, The (Volshebnoe zerkało) (Petipa/ Koreshchenko), 9,120, 250-51, 257-58, 261, 266, 26972, 274-76, 277-78, 292 libretto, 272-74 in List of Works, 318 Magic Pills, The (Volshebnye piliuli) (Petipa/
Minkus), 195, 206-8 in List of Ballets, 310-11 Maid of Orleans, The (Schiller, 1801), play, 264 Maid of Pskov, The (Pskovitianka) (Rimsky-Korsakov, 1873), opera, 120 Malavergne, Pierre Frédéric. See Frédéric Male dancer, The, 16,173-75, 241-42, 243 Mamontov, Savva (1841-1918), industrialist and patron of the arts, 201, 219-20, 251-52, 255-56, 261-62 Manzotti, Luigi (1835-1905), ballet master, 196,197-98, 220, 222 Marcel, Ivan (1801-1873), régisseur, 60, 72-73, 90-91,191-92 Marco Bomba, or the Bragging Sergeant (Marco Bomba, ou le Sergent fanfaron) (Ragaine/ various music, 1839; Ragaine and Perrot/ Pugni, 1854), 42-43,47, 86-87, 94
478 Index Maria Fedorovna (Dagmar of Denmark) (1847-1928), Empress, wife of Alexander III, 124-25 Mariinsky Theatre. See Theatres Marikita—The Pearl of Seville (Os Saltimbancos) (Saint-Léon/ Pinto and Saint-Léon, 1856 in Lisbon; Marikita—Sevil’skaia zhemchuzhina, Saint-Léon/ Pugni, Pinto, and Saint-Léon, 1861), 99-100 Marriage during the Regency, A (Brak vo vremena regentsva) (Petipa/ Pugni), 91-92, 94, 257 in List of Works, 301 Mars and Venus (Jean-Baptiste Blache, 1809), 80 Martin, Jules (dates unknown), dancer, 41, 42 Martyrs, Les (Donizetti, 1840), opera, 143 Masini, Angelo (1844-1926), opera singer, 192 Massenet, Jules (1842-1912), composer, 205 Massine (Miasin), Leonid (1895-1979), 141-42, 293 Massot, Pierre (dates unknown), dancer, 49 Matthias, Yrca (1829-1858), dancer, 62 Mazilier, Joseph (1797 or 1801-1868), ballet master, 15, 29,40,48-49, 55-56, 58, 65, 69, 76,109,124, 136,148,153,180,195 in List of Works, 300, 302, 303,310 Médée et Jason (Nővérre/ Rodolphe?, 1763; Nővérré and Le Picq, 1789), 20, 21-22 Mendelssohn, Felix (1809-1847), composer, 124-25, 212 music used by Petipa, 303, 306 Mendès de Léon, Berthe (1878-1961), singer and Petipa’s great-niece, 87, 299 Mendès de Léon, Jacob Joseph Victor (1846-1896), Petipa’s nephew, 87-88, 299 Mendès de Léon, Jeanne (1873-1956), Petipa’s great-niece and godchild, 87, 299 Mendès de Léon, Josua (1816- c.1863), husband of Petipa’s sister Victorine, 87, 299 Mendès de Léon, Lucienne (1873-1942), singer and Petipa’s great-niece, 87, 299 Mendez, Jose (1843-1905), ballet master, 34, 206-7, 210-11 Mendoza y Castro, Carmen
(1823-?), society girl linked to Petipa, 5ւ-5շ- 53 Mérante, Louis (1828-1887), dancer and ballet master, 4-5, 97,112-13, 258-59, 301 Metèora, or the Valley of Stars (SaintLéon/ Pinto, 1856; Meteora, ili Dolina zvezd, Saint-Léon/ Pinto, Pugni and Minkus, 1861), 140-41,153-54 Meyerbeer, Giacomo (1791-1864), composer, 25-26, 87,122-23, 135,144-45,185-86,195-96 Meyerhold, Vsevolod (1874-1940), actor and theatre director, 264 Mézeray, Louis Costard de (18071887), baritone, composer and conductor, 47 Midsummer Night's Dream, A (Shakespeare, 1595-1596), comedy, 197 Midsummer Night’s Dream, A (Son v letniuiu noch’) (Petipa/ Mendelssohn and Minkus), 144, 197, 212, 224 in List of Works, 306 Mighty Handful, The (Moguchaia kuchka), 120,182,193
Index Mikado, The (Gilbert and Sullivan, 1885), operetta, 197 Mikado's Daughter, The (Doch’ Mikado) (Ivanov/Wrangell, 1897), 237, 242, 243, 244, 250 Mikhailov, Petr (1883-?), dancer, later Doctor of Law, 286-87 Mikhailovskaya, Zhosefina (dates unknown), singer, 99 featured role in a Petipa production, 302 Mikhailovsky (formerly Maly) Ballet, 135-36 Mikhailovsky Theatre. See Theatres Mila (Mila Deschamps) dates unknown), actress, 62,74, 78 Millers, The (Les Meuniers) (JeanBaptiste Blache/ his own music, 1787; Blache and Jean Petipa, 1814), 47, 84, 85 Millet, Fernando (dates unknown), impresario, 49 Milliners of Paris, The (Las Modistas de Paris) (Jean Petipa, 1845), 49-50 Millions ďArlequin, Les (Petipa/ Drigo). See Harlequinade Milon, Paris tailor, 74-75 Mime, its place, 77-78, 89,137,138,139, 146,176-176, 292-93 Cecchetti, and, 204, 244 and male roles, 174,175-76 Moscow company, and, 154 Zucchi, and, 198-200 Minaev, Dmitrii (1835-1889), writer and poet, 99 Minkus, Ludwig (or Léon) (1826-1917), composer, 113-14,142,148,15354,164,165,180,181,182-83,184, 185,186-87,195, 206-7, 208-9, 210, 211, 212, 217, 222 biography, 208-9 479 music used by Petipa, 300, 304, 305,306-8,309,310-11,312, 313-14, 316 Minor, The (Nedorosľ) (Fonvizin, 1782), comic play, 21 Mlada (Petipa/ Minkus), 120,164,182, 184-85, 204, 211 genesis, 182-83, libretto, 183-84 in List of Works, 307-8 Mlada (Rimsky-Korsakov/ Ivanov and Cecchetti, 1882), opera-ballet, 185, 238-39, 308 Monakhov, Alexander (1884-1945), 286 Monplaisir (Sornet), Hippolyte (1821-1877), dancer and ballet master, 198 Montessu, Frédéric
(1823-1889), dancer, 48-49, 61-62 Montez, Lola (Eliza Rosanna Gilbert) (1821-1861), dancer, 88 Mordkin, Mikhail (1880-1944), dancer, 3-4 Morel (or Maurel), Victorine (c.17941860), actress and Petipa’s mother, 80-81, 82-84, 85-86, 96, 298 Moulinié, Célina (dates unknown), dancer, 47 Muette de Portici, La (The Dumb Girl of Portici) (Auber, 1828), opera, 85, 135.177 Muraveva, Marfa (1838-1879), dancer, 4-5, 70, 71-72, 78, 90-92, 94, 109-10,111,116-17,119,122,123, 124,176 featured role in a Petipa production, 301 Paris performances, 112-14 Muravevists, 110,111,119 Museum of Theatre and Music, St Petersburg (Sankt-Peterburgskii gosudarstvennyi muzei teatral’nogo i muzykal’nogo iskusstva), 19-20
Index 480 Music for ballet, 142,182-83, 2l8 219, 247-48 collaborative methods, 164-65,16667, 216, 247-48, 266 reforms, 189, 209-12, 213, 216-17, 218, 219-20, 222, 223, 247-48, 251, 252, 291-92 Mussorgsky, Modest (1839-1881), composer, 120 Nadar (Gaspard-Félix Toumachon, 1820-1910), photographer, journalist and more, 97 The Naiad and the Fisherman (Naiada i rybak) (Perrot and Petipa/ Pugni), 65 in List of Works, 305-6 See also Ondine ou la naïade Namouna (Lucien Petipa/ Lalo, 1882), 40-41, 209 Napoleon Bonaparte (1769-1821), Emperor of France, 22, 26-27, 29, 55, 80, 82,118-19 Napoleon III (1808-1873), President and Emperor of France, 40-41, 97,112-13 Napravnik, Eduard (1839-1916), composer and chief conductor of the Mariinsky, 192-93, 264-65 Natarova, Anna (1835-?), circus horserider and memoir-writer, 77-78 Nathalie, or the Swiss Milkmaid (Nathalie, ou la Laitière suisse) (Filippo Taglioni/Gyrowetz, 1832), 25, 39, 47, 64 See also Lida, or the Swiss Milkmaid and The Swiss Milkmaid National (character, folk) dance, 21, 2223, 28, 30-32,120,147,148-49, 154-55. 282 and Perrot, 63, 98,147 Nekrasov, Nikolai (1821-1877), Poet an ^ writer, 117-18,122-23 Néméa, ou l’Amour vengé (Néméa, or Love Avenged) (Saint-Léon/ Minkus, 1865), 113-14 See also Fiametta and Flame of Love, The Nemirovich-Danchenko, Vladimir (1858-1943), dramatist, theatre director, administrator, and reformer, 255-56 Nero (Rubinstein, 1879), opera 195 New Heroine, or the Woman Cossack, The (Novaia geroinia, ili Zhenshchina-kazak) (Valberkh, 1810), 22 New Tyrolean, A (Une Nouvelle Tyrolienne) (Petipa, 1841), 44 New
Werther, The (Novyi Verter) (Valberkh/ Titov, 1799), 21-22 New York City Ballet, 6, 294 Nicholas I, Emperor (1796-1855), 13,1920, 23-24, 27, 31-32, 33-35, 56, 59-60, 71, 75, 90,120,187 Nicholas II, Emperor (1868-1918), 1819, 75, 243, 246-47, 256, 257, 259, 260, 275, 276, 279-80, 284-85, 297 Nicholas, Grand Duke (1831-1891), brother of Alexander II, 112 Nicholas I, Prince of Montenegro (1841-1921), 128 Night and Day (Noch’ i deri) (Petipa/ Minkus), 32-33,174,186-87 in List of Works, 309 Nijinska (Nijinskaya), Bronislava (1891-1972), dancer and ballet mistress, 131, 230, 292-93 Nijinsky, Vaslav (Vatslav) (1889-1950), 5,132-33, 204-5, 2°6, 219 273 279-80, 291, 294, 295 featured role in a Petipa production, 313
Index Nikitina, Elizaveta (1827-1872), dancer, 103-4 Nikitina, Varvara (1857-1920), dancer, 181-82,191-92,199, 202, 218, 223-24, 229-30, 238 featured roles in Petipa’s productions, 306, 307, 309, 310-11, 313, 314 Nilsson, Christome (Kristina, 1843-1921), opera singer, 192 Nodier, Charles (1780-1844), author, entomologist and author, 177 Nonnon, costumier for the Paris Opera, 74-75 Nordenskiöld, Adolf Erik (1832-1901), geologist and Artie explorer, 178 Norma (Bellini, 1831), opera, 143 Nourrit, Adolphe (1802-1839), singer and librettist, 82 libretto in List of Works, 314 Noverre, Jean-Georges (1727-1810), ballet master and theoretician, 20, 21-22 Nuitter, Charles (1828-1899), writer and librettist, 119-20 libretto in List of Works, 310 Nutcracker, The (Shchelkunchik) (Petipa and Ivanov/ Tchaikovsky), ։35~3б 137.164, i97 շօ8, 223 շշ9֊33, 234, 237, 238, 262-63, 287, 294 in List of Works, 314 Nutcracker and the Mouse King, The (Hoffmann, 1816), story, 230-31 Oblakov, Alexander (1862-1906), dancer, 175-76, 214-15, 241-42 featured role in a Petipa’s production, 304 Obukhov, Mikhail (1879-1914), dancer and teacher, 70, 204-5, 272_73 481 Featured roles in Petipa’s productions, 312, 317,318 Offenbach, Jacques (1819-1880), composer, 177-78,197, 305 Offerings to Love, or Happiness is Loving, The (Les Offrandes à l’amour, ou le Bonheur est d’aimer or Zhertvy Amuru, ili Radosti liubvi) (Petipa/ Minkus), 238 in List of Works, 311 Oldenburg, Petr, Duke of (1812-1886), composer and philanthropist, 90-91, 99,113-14, 210 music used by Petipa, 301,303 Ondine, ou la naïade (Perrot/ Pugni,
1843), 49-50, 65 See also The Naiad and the Fisherman Opera, 3, 7,11,15-18, 20, 21, 22-23, 27, 34, 41,44, 91, 99,113-14,135, 143,147,156,174,182,185-86, J93~94 ։95~9б, 206-7, շօ8, 212, 223, 225-26, 235, 237-38, 252-53, 264, 284-85, 286 German, 13 Moscow, 29, 30-31,194, 252, 261-62 Opera, Italian, 13,14,16, 24, 57-58, 63-64,73-74 (Moscow), 120, i89֊9°, 191-92,193,194, 210, 219 Russian, 13, 22, 24, 28,120,189-90, 193, 250-51 Russian Private Opera (Mamontov), 201, 219-20, 251—52, 2.55—56, 261-62 See also GATOB; Paris Opera Opera-ballet, 147,182 Operetta and comic opera, 21, 28, 31,197 Orphan Theolinda, or the Sprite ofthe Valley (Le Lutin de la vallée) (Saint-Léon/ Gautier, 1853; Sirota Teolinda, ili Dukh doliny, SaintLéon/ Pugni, 1862), 110, ш, иг
482 Ostrovsky, Alexander (1823-1886), dramatist, 24,120,178, 193, 210-11 Index in List of Works, 301 Le Marche des Innocents (tide for Paris), 96-98,113-14 Pashkova, Lidia (dates unknown), librettist and journalist, Painter's Delirium, A (Le Délire d’un peintre) (Perrot/ Pugni, 1843; 238-39, շ49 librettos in List of Works, 314,316 Medita khudozhnika, Perrot and Elssler, 1848), 60 Patti, Adelina (1843-1919), opera singer, 192 Palechek, Osip (1842-1915), singer and Paul I, Emperor (1754-1801), 28, 30-31 stage teacher for the opera, 238 Pavlova, Anna (1881-1931), dancer, 3-4, Panaeva, Avdotia (1820-1893), novelist and memoir writer, 61, 62 5,105,131-32,135-36,142-43, Le Papillon (Marie Taglioni/ Offenbach, 162,170,171, 202, 206, 243-44, 1861), 177-78 245, 248, 255, 257, 271, 272-73, Papkov, Alexei (1829-1903), ballet 274, 276, 278-80, 281, 282, conductor, 219 286-87, 291, 295 Pâquerette (Pakaretta) (Saint-Léon and as activist, 284-85, 286 Petipa/ Benoist and Pugni), 94, featured roles in Petipa’s 99-100,108,112-13,140,195 productions, 306, 317, 318 in List of Works, 309 Pearl, The (Zhemchuzhina) (Petipa/ Paquita (Mazilier and Petipa/ Drigo), 246, 247, 256-57 Deldevez), 29, 55-56, 57, 58, in List of Works, 315-16 Péri, La (Coralli/ Burgmüller, 1843; 61-62, 67-68, 74-75, 91, 96, 136,148,180, 220, 260-61, Coralli and Frédéric, 1844), 280-81, 292 39-40,48-49, 56-57, 61, Grand Pas, 3,136,146,180, 277-78 67-68,140-41 in List of Works, 300 Perrault, Charles (1628-1703), writer, plot (summary), 55 121, 224-25, 227, 238-39, 243 Paradol, Lucinde (Anne-CatherinePerrin, Emile (1814-1885),
director of Lucinde) (1798-1843), the Paris Opera, 112-14,122,123 actress, 41,46 Perrot, Jules (1810-1892), dancer and Paris Opera, 4-5,15-16,39,40-41,42, ballet master, 6-7,15-16, 25, 26, 46,48, 53-54, 55, 56-59, 63-64, 33, 34,49-50, 58-59, 62-63, 65, 66,70, 72, 74-75,76,7964-65, 67-72, 76. 77’ 78-79. 87, 80, 81-82, 84, 87, 90, 91, 9690-91, 92, 93-94, 99,107,108, 97՛ 98, 99-100,107-8,111, սշ-13, 112-13, Ա6 122-23,135, Ц8,153, 176,194,195-96, 225, 265, 267 123-24,135-36- 4L 157.177-78, achievement and style, 58-59, 60-61, 195-97,199, շւՅ 22°, շ6օ-6ւ Parisian Market, The (Parizhsldi rynok) 62-63, 64,104-5,109 Ч5-36, (Petipa/ Pugni), 5, 64, 92-93, 137,138,142-43,147,154,169 96-97,113-14,153, 239 engagement in Russia, 26-27, 59-60 first contract in Russia, 63-64 plot, 92-93
Index law suit, 98 in List of Works, 300, 301, 303, 304, 305-6, 308-10, 311-12 as performer, 42-43, 58-59, 63, 64, 65, 68,78, 90, 93,173-74 retirement from Russia, 72, 75- 91- 94 Peter 1 (the Great), Emperor (16721725), 14,17, 32-33 Petipa, Adélaïde Antoinette (1826-?), Petipa’s sister, 82-83, 88, 298 Petipa, Élisabeth Marianne (1816-?), Petipa’s sister, 80, 88, 298 Petipa, Evgenia (1877-1892), Petipa’s daughter, 77, 88,161-62,185, 232, 298 Petipa, Jean (1859-1880S), Petipa’s son, 94,126-27,1շ8, i6i Petipa, Jean Antoine (1787-1855), dancer and ballet master, Petipa’s father, 2,11, 38-39,46, 53-54, 88-89, 298 in Belgium, 38-39, 44, 45, 80-84, 85-87 in Bordeaux, 38-39,48 early biography, 79-80 in List of Works, 300, 307 in Madrid, 49-50, 53 in New York, 41-44 in Russia, 29, 56-57, 64, 77-79, 88-89 Petipa, Jean Claude Tonnerre (1820-1873), actor and merchant, Petipa’s brother, 77, 82-84, 88, 298 Petipa, Jean François (dates unknown), Petipa’s grandfather, 79-80 Petipa, Jules (Iulii) (1876-1951), Petipa’s possible son, 128 Petipa, Liubov (1880-1917), dancer, Petipa’s daughter, 162-63, 202 272-73, 298 483 featured role in a Petipa productions, 317 Petipa (née Savitskaya), Liubov (18541919), Petipa’s second wife, 163, 129,132,159-61, 298 featured roles in Petipa’s productions, 307-8 Petipa, Lucien (1815-1898), dancer and ballet master, Petipa’s brother, 4-5, 41, 46, 48, 52, 53-54, 55, 56-57, 66,79, 86, 87-88, 90, 96-97, 98-99,112-13, Ці- l7i~ 74,184, 209, 298 childhood, 80, 82, 83-84, 85-86 concise biography, 38-41 Petipa, Maria. See Surovshchikova-Petipa Petipa, Marie (or Maria)
(1857-1930), dancer, Petipa’s daughter, 91, 126-27,128-32, 49 159-60-161, 214, 241-44, 247, 271, 272-73, 285-86, 298 as the Lilac Fairy, 131 personality and private life, 212-133 roles in Petipa's productions, 302, 306, 307, 308, 311, 312, 313, 315, 317- 318 Petipa (née Le Beau), Marie Suzanne (dates unknown), Petipa’s grandmother, 79-80 Petipa, Marii (1884-1922), actor, Petipa’s son, 161,162, 276, 284-85, 287-88, 299 Petipa, Marius (1818-1910), dancer and ballet master, 298 achievement and legacy, 3, 5, 6-7, 76, 135-37, 208, 279, 291, 293-95 ballet master, first, 157; second, 106,107 birth and childhood, 80, 82, 83-84, 85-86 bribes, 267-69
Petipa, Marius (1818-1910), dancer and ballet master (Cont.) choreography first works (Nantes), 44 Russian debut, 78 creative strategies apotheoses and tableaux, 149-50 ballet des nations, 147-48, 207 dance language, 169-73 dreams, 139-41 ensembles and grand pas, 143-44, 145-46,148,149 mime and its importance, 138,176 narratives, 139 national (character, folk) dance, 78, 104,105,115,117-18,120,138,14849, 213-14, 229-30 neglect of Russian themes, 120-21, 252 processions, 143,146 recurring characters, 146 structure and proportion of dance, i°5 135-36.138,139. Ц2-43- 45’ 146,159, 263, 292 working methods, 163-68, 250, 255 (see also separate entries for ballet music, féeries, national dance, and individual ballets) death, 2-3, 5, 288, 289 diaries and memoirs, 8-ю, 281 duel and elopement, 50-53 early training Auguste Vestris, 45 Bordeaux, 38-39 emperor, the, 35, 56, 275, 276 lawsuits, 97-99 marriages and romantic relationships Mendoza y Castro, 50-53 Savitskaya, 159-61 Surovshchikova, 78-79, 89-90,124-27 models and influences, 137,138 grand opera, 135,143, 206-7 Perrot, 64,76,104-5, Romanticism, 140,147,177 and flowers, 94-95, 223-24 (see also separate entries for imperial proximity, Italian virtuosity, and individual ballets) Saint-Léon, 138-39,140-41 muses, 89-90, 91,159,162-63 new aesthetic and his obsolescence, 3, 269, 271, 288, 291-93 as performer Bordeaux, 45-47 character dancing, 47,48-49, 56, 60, 66, 67 last performance, 69-70,127 mime artist, 2, 38, 46, 48-49, 55-56, 66, 67-68, 69-70, 266, 291-92 Nantes, 43-45 Paris, 41 roles in his productions, 300, 301, 302, 303, 304
Russia, 55 (debut), 56-57, 59-61, 62, 65, 66-68, 69—70, 9293, 94-95,100-1,114-15; last performance, 123,124,127 Spain, 48-50 personal characteristics family life, 159-60,161, 276, 28082, 286, 287-88 father, as, 128,129,132-33,160-63 generosity, 64-65, 87-88, 243, 271, 276 illnesses and old age, 231-32, 238, 239, 269, 275-76, 280-82, 283, 287-88 physique and character, 37,78, 160-61,167-69, 255, 276 unpaid bills, 74-75 as producer approach, 76,137,146, 266-67
Index assistant and co-producer, 26, 5557, 60, 64-65, 70 reputation, 4, 5, 208, 261, 264-66, 282, 287-88 Russia first contract, 38-39 invitation and arrival, 1-2, 37֊յ8-53-54 theatre hierarchy, 72-73,75 Russian citizenship, 238 Russian language, 37, 88, 160-61,162 Saint-Léon, rapport with, 107, 116-17, Ա8 seasons abroad, 4-5, 96-97, 98-99,113-14 Soloist of His Imperial Majesty, 243 suppression of rivals, 235-36, 283-84 as teacher, 78, 88-89,129 162, 238, 280-81 transfer to Moscow, 118, 127-28,153-54 Petipa, Marius (1850-1919), actor, Petipa’s eldest (and illegitimate) son, 78-79,128,161, 276, 298 Petipa, Nadezhda (or Nadia) (18741945), 161, 273, 277, 298 featured roles in Petipa’s productions, 304, 308, 317, 318 Petipa, Tamara (1927-1992), marine biologist, Petipa’s possible great-granddaughter, 128 Petipa, Vera (1885-1961), dancer and memoir-writer, Petipa’s daughter, 8-9,10, 299 her family, 87-89,129,130-31,16062, 232, 276, 286, 288-89 about Gerdt, 175 student and dancer, 162-63, 202 276, 277, 281, 287-89 about Tchaikovsky, 165 485 about technique and Marius Petipa, 171 Petipa, Victorine (1824-1905), Marius’s sister, 40, 79, 276 biography, 82-84, 87-88, 298, 299 Petipa, Victor (1879-1939), Petipa’s son, 161,162-63, 287-88, 298 Petitpas, Jean (dates unknown), singer, 79 Petitpas, Mile (d. 1739), singer, 79 Petipists, 80-81,111,114-15 Petrushka (Fokine /Stravinsky, 1911), 245, 262-63, 29L 293 Pharaoh’s Daughter (Doch’ faraona) (Petipa/ Pugni), 67-68, 69-70, 102-5,110 u5 Ա6 120-21,127, І35,137, Цб, 139-40,144,145-46, i52֊53, !54-55 іб9 і74 176, Ķ 9 214, 223, 271, 280-81,
286-87 genesis, 99-100 Gorsky’s version, 263 in List of Works, 302 plot, 100-4 Philemon et Baucis (Gounod, i860; in Russia, 1883), opera, 195 Pimenov, Alexander (1808-?), dancer and teacher, 77-78 Pisho, Alexander (1821-1881) dancer, 177 featured roles in Petipa’s productions, 307 Pleshcheev, Alexander (1858-1944), ballet critic and historian, 3, 7-8, 9-10, 53-54, 60, 92,148,180, 198, 209-10, 216-17, 218-19, 23° 234, 239, 248-49, 288 Plunkett, Adeline (1824-1910), 39 Pobedonostsev, Konstantin (1827-1907), Chief Procurator, 187 Pogozhev, Vladimir (1851-1935), Vsevolozhsky’s assistant, 165, 232-33
486 Index Political unrest 1904-1905, 9,132-33, 284-85, 286-87 Pollini, Palmira (dates unknown), dancer, 238 Polonsky, Iakov (1819-1898), poet, 223-24 Ponomarev, Evgenii (1852-1906), costume and stage designer, 212-13, 223 243’ 251֊52 Prejudice Conquered (Pobezhdennyi predrassudok) (Angiolini, 1768), 32-33 Preobrazhenskaya, Olga (1870-1962), music used by Petipa, 301, 302, 303, 304,305-6, 308,309,310, 311, 315- З18 Pupils of Dupré, The (Les Élèves de Dupré or Ucheniki Dupré) (Petipa/ Vizentini), 256-57 in List of Works, 317 Pushkin, Alexander (1799-1837), poet and writer, 6-7, 23-24, 34, 62, 120, 270, 273, 274 Puss in Boots (Kot v sapogakh) (Nikolai Legat/ Mikhailov, 1906), 281-82 dancer and teacher, 89,13132,162-63, 202 219 221-22, 229-30, 243-44, 257-58, 260, 271, 274-75, 276, 278-81, Queen of Spades, The (Pikovaia dama) (Tchaikovsky, 1890), 142-43, 229, 250-51, 284-85 284-85, 286-87 featured roles in Petipa’s productions, 303,307, 313, 314, 316, 317, 318 Prikhunova, Anna (1830-1887), dancer, 68, 71, 78, 91-92 featured role in a Petipa production, 301 Prima Ballerina, or the Ambush, The (La Prima Ballerine, ou l’Embuscade) (Paul Taglioni/ Pugni, 1849), 122 3°3 Prince Igor (Borodin, Rimsky-Korsakov, and Glazunov, 1890), 237 Prisoner ofthe Caucasus (Kavkazskii plennik) (Didelot/ Cavos, 1832), 23-24 Prophète, Le (Meyerbeer, 1849), °Pera 87 Psyché (Pierre Gardeł/ Miller, 1790; Psyché et l’Amour, Gardeł and Jean Petipa, 1814 ), 79-80, 84 Pugni, Cesare (1802-1870), composer, 16, 65-66, 70, 89, 91-93, 94, 98,100,104,110,115,119,122,150, 151-52,153-54,165,177-78, 2089, 210, 212,
217, 243 biography, 64-65 Rachel, Mlle (Élisabeth Félix) (1821-1858), actress, 41,122-23 Radin, Nikolai (1872-1935), actor, Petipa’s grandson, 161, 299 Radina, Liubov (1838-1917), dancer, 9091,101,148 featured roles in Petipa’s productions, 301,303,305, 309 Ragaine, Jean (dates unknown), dancer and ballet master, 42-43,177 Rambert, Marie (Cyvia Rambam, then Miriam Ramberg) (1888-1982), dancer and director, 6, 294 See also Ballet Rambert Rappaport, Mavrikii (1824-1884), civil servant and critic, 7-8, 92-93, 95-96,102-3,104՜5 u4֊15. u6,122-23 Ratmansky, Alexei (b. 1968), choreographer and producer of Petipa’s ballets, 7,135-36,144 Raymonda (Petipa/ Glazunov), 132, 135-36,137,146,166,175, 238-39, 247-49, 250,251-52, 262-63, 269, 287-88, 293
Index libretto, 249-50 in List of Works, 316 Rebellion in the Seraglio, The (Filippo Taglioni/ Labarre, 1833; Vosstanie v serale, Taglioni and Titus, 1835), 26, 33-34, 58, 65-66 Reisinger, Wenzel (1828-1892), ballet master, 34,128 and Swan Lake, 210-11, 315 Repin, Ilia (1844-1930), painter and illustrator, 258 Richard, Daria (1804-1855), dancer and teacher, 108 Richard (married name Mérante), Zinaida (or Zina) (1832-1880), dancer, 4-5, 71, 97,112,141 Rimsky-Korsakov, Nikolai (1844-1908), composer, 17,120,129-30,185, 238, 246, 252, 267, 280-81, 288,308 Robert le Diable (Fenella) (Meyerbeer, 1831), opera, 25-26,135,140 Roger, Monsieur (dates unknown), ballet master, 80 Roi l’a dit, Le (Delibes, 1873), opera, 205 Roller, Andrei (or Andreas) (1805-1891), chief machinist and designer of the Imperial Theatres, 15,16, 100-1,102,104,189-90 Romance ofthe Rosebud and the Butterfly (Roman butony rosy і babochki) (Petipa/ Drigo), 95, 223, 277, 278, 279-80, 283-84 libretto, 278-79 in List of Works, 318 Romantic Ballet and the Romantic ballerina, 21, 25-26, 31, 50, 58-59, 63, 94-95,108,114-15, 120,137,140,142-43,146,147, 156,169,173-74,177,182,184, 201, 221-22 487 Romeo and Juliet (Leonid Lavrovsky/ Prokofiev, 1940), 295 Rosati, Carolina (1826-1905), dancer, 76, 94, 99-Ю0,102,104-5, 109, 201 featured role in a Petipa production, 302 Rose, the Violet, and the Butterfly, The (Rosa, fialka, і babochka) (Perrot or Petipa/ Oldenburg), 90-91, 99 in List of Works, 301 Roslavleva, Liubov (1874-1904), dancer, 243-44 role in a Petipa productions, 316 Rossi, Adelina (1865-1936), dancer, 201, 258-59
Rossi, Carlo (1775-1849), architect, 18,19-20 Roxana, the Beauty of Montenegro (Roksana, krasa Chemogorii) (Petipa/ Minkus), 120-21,176, 181,182, 225, 249 in List of Works, 307 summary of plot, 181 Royal Ballet, The (British) (originally Vic-Wells Ballet, then Sadler’s Wells Ballet), 6,7,16,131, 204, 245, 294 Royer, Alphonse (1803-1875), writer, librettist, and director of the Paris Opera, 96, 97-98 Rubini, Giovanni Battista (1794-1854), singer, 13 Rubinstein, Anton (1829-1894), pianist, composer, conductor, and founder of the St Petersburg Conservatoire, 132,189-90,195, 219-20, 234 Les Ruses d’amour (The Pranks of Love) (Petipa). See Trial of Damis, The Les Ruses d’amour (Poisson, 1748), comic play, 257
Index 488 Ruslan and Liudmila (Glinka, 1842), opera, 24, 25,120, 264, 282 Ruslan and Liudmila (Glushkovsky/ Sholtz, 1821), 23 Russian Private Opera. See Opera Russia’s Victory, or the Russians in Paris (Torzhestvo Rossii, ili Russkie v Parizhe) (Valberkh, 18ц), 22 Rykhliakova, Varvara (1871-1919), dancer, 229-30 Saburov, Andrei (1797-1866), director of the Imperial Theatres, 72, 7576, 91, 99-100,108-9, 297 Sacountala (Lucien Petipa/ Reyer, 1858), 40,141,184 Salammbô (Flaubert, 1862), novel, 224, 256-57, 269-70 Saint-Léon, Arthur (1821-1870), dancer and ballet master, 16,34, 65, 90, 94, 98,100,107,109,110,112-14, 118-21,122,123-24,125,127-28, 13°—31, *35· Цб. 152-54.155. !бз64,167,173-74,189,194,195, 208-9, 217 265, 270, 281-82 biography, 107-8 death, 157 first Russian contract, 76 in List of Works, 308-9, 310, 312, 315 non-rivalry with Petipa, 116-17,118 style, 94-95,109, Ո9,120,135-36,137֊ 38,140-41,145-46,147,169,172 Saint-Georges, Jules Henri Vemoy de (1799-1875), dramatist and librettist, 56-57,100,104-5, 113-14,142-43,150.151-52.157. 177-78, 265, 280-81, 291-92 librettos in List of Works, 300,302, 304,305, 309 Saint-Léon, Michel (Léon Michel) (1777-1853), dancer and dancing master, 107-8 Salamanca, José Marques de (1811-1883), impresario, 48,49-50 Saltarello, or the Passion for Dance (Saltarello, ili strasť к tantsam) (Saint-Léon/ choreographers’s own music, 1854; in Russia, 1859), 94 Samovskaya, Capitolina (1829-1909), wife of Jules Perrot, 72 Sankovskaya, Ekaterina (1816-1878), Moscow dancer, 4-5, 34, 61-62,310 Saracco, Giorgio (or Gaetano) (18561922), ballet master,
6,197-98, 229, 230, 258-59 Satanilla (Mazilier and Petipa/ Reber and Benoist) 29, 56-57, 58, 61, 62, 66, 67-68, 91,100,124-25 in List of Works, 300 See also The Devil in Love Savina, Maria (1854-1915), actress, 258, 259-60, 264-65 Savitskaya, Liubov. See Petipa, Liubov Scarlet Rose, The (Alaia roza) (Krotkov, public version, 1886), opera, 219-20 Scatterbrain, or the Love Affair, The (L’Étourdi, ou l’Intrigue amoureuse) (Petipa, 1840), 44 School, Imperial Theatre Moscow, 29,30-31,127 St Petersburg, 5,17-18,19-21, 23-24, 29. 55-57- 60, 72-74, 77-78, 79, 88-89,109 112 1շ8 129149,161,162,165,176, 238-39, 244, 267 Reforms (St Petersburg), 193 See also Techniques Schubert, François (1808-1878), violinist and composer, 83 Scribe, Eugène (1791-1861), dramatist and librettist, 81-82, 92,195-96
Index libretto in List of Works, 301 Seagull, The (Chaika) (Chekhov, 1896), play, 255-56, 263-64 Seasons, The (Vremena goda) (Petipa/ Glazunov), 137, 256-57, 278, 287-88 in List of Works, 317 Sedova, Iulia (1880-1969), dancer, 24344, 272-73, 274, 276, 277 roles in Petipa’s productions, 304. У7 Segni, Alberto di (d. 1888), 225, 233 Semik, or the Fair at the María Woods (Semik, ili Gulian’e v Mar’inoi roshche) (Ablets, 1815), folkdance divertissement, 23 Serfdom and serf theatres, 13,19, 2729, 35,110-11,191, 208-9 Sergei Mikhailovich, Grand Duke (1869-1918), lover of Matilda Kshesinskaya, 246-47, 259, 260 Sergeyev, Nikolai (1876-1951), ballet master, notator and régisseur, 6,7,153, 226, 277-78, 284, 292-93, 294 Serov, Alexander (1820-1871), composer and critic, 182-83,184, 211 Serov, Valentin (1865-1911), artist, 251-52, 258 Setov, Yosif (1826-1893), opera singer and impresario, 197-98 Shade, The (L’Ombre) (Filippo Taglioni/ Maurer, 1839; Ten’, 1839), 183 Shakhovskoi, Alexander, Prince (i777֊i846), dramatist, 23-24 Shchepkin, Mikhail (1788-1863), actor, 28 Shenk, Petr (1870-1915), composer, conductor, and critic, 219-20, 221-22 music used by Petipa, 316 489 Sheremetev, Nikolai, Count (1751-1809) and the Sheremetev family, philanthropists and serf-theatre owners, 27, 28 Shiriaev, Alexander (1867-1941), ballet master, dancer, teacher and memoir-writer, 9, 89,129-30, 131-32,148-49,165,166,169-70, 172,176, 202-3, 204, 205, 217, 229-30, 234, 236, 244-45, 25556, 257-58, 261 ballet master, 162,164,167, 265, 266, 282, 283, 284-85 featured roles in Petipa’s productions, 306, 308, 311,
312, 313, 315, 317, 322 system of national dance training, 149 Shtikhling, Alexander (1841-1874), dancer, 101 Sicilian Vespers, The (Les Vêpres siciliennes) (Verdi, 1855), opera, 4° 43 Sieba (Manzotti/ Marenco, 1878; Manzotti and Cecchetti, 1887), 197-98 Simskaya, Alexandra (1852-1919), dancer, 177 featured roles in Petipa’s productions, 305, 307-8 Skalkovsky, Konstantin (1843-1906), ballet critic, 7-8, 90-91,142-43, 150,151-52,176,177-79,1^1 l92’ 194,195,197,199, 209-10, 21516, 217, 225-27, 228, 229-30, 232-33, 239 Slave Girl, The (Rabynia) (Petipa/ Pugni), divertissement in List of Works, 304 Sleeping Beauty, The (La Belle au bois dormant) (Carafa/ Pierre Gardeł, 1825), opéra-féerie, 195-96
490 Index Sleeping Beauty, The (La Belle au bois dormant) (Aumer/Hérold, 1829; Aumer and Jean Petipa,1829), 81-82, 83-84,195-96 Skeping Beauty, The (Spiashchaia krasavitsa) (Petipa/ Tchaikovsky), 3, 6, 7,10, 95,104,121,131,135-36, 139,143-44,147-48,149,162-63, 164-66,173,175-76,177-78, 183-84,185-86,189, 200-1, 204, 208, 219-20, 221-22, 223, 22429, 230-31, 232, 238-40, 26061, 262-63, 269-70, 277-78, 280-81, 293, 294-95 in List of Works, 313 Sleeping Princess, The (Ballets Russes), 6, 7, 293 Sleepwalker Bride, The (NevestaLunatik) (Aumer and Petipa/ Hérold), 92 in List of Works, 301 Small Danaides, or Ninety-Nine Victims, The (Les Petites Danaides, ou Quatre-vingt-dix victimes) (Jean Petipa/ Snel, 1828), 81-82 Smirnova, Tatiana (1821-1871), dancer, 4-5, 57-58, 60-61 Snow Maiden (Snegurochka) (Ostrovsky, 1873), play, 178 Snow Maiden (Snegurochka) (RimskyKorsakov, 1882), opera, 129-30, 267 Sobeshchanskaya, Anna (1842-1918), dancer, 154, շս featured role in a Petipa production, 304 Sokolov, Alexander (1830-1913), actor, writer, journalist, and memoirwriter, 77-78, 88-89 Sokolova, Maria (1832-1897), dancer, 102-4, u5 Sokolov, Sergei (1830-1893), dancer and ballet master, 107,127,154 featured role in a Petipa production, 304 Sokolova, Evgenia (1850-1925), dancer, 162-63,181,184-85,186-87, ։91֊ 92,195,199, 212, 269, 286 featured roles in Petipa’s productions, 302, 304, 305-6, 307-8,309, 310, 311-12 Soliannikov, Nikolai (1873-1958), dancer and memoir writer, 152,153,16869, 233, 255, 265 Somnambuk, La (Aumer/ Hérold, 1827). See The Sleepwalker Bride Somov, Konstantin (1869-1939),
painter and illustrator, 255-56, 258 Sorceress, The. See The Enchantress Sorrowfid Alba Flor (Alba Flor la pesarosa) (Jean Petipa, 1847), 50,53 Source, La (Saint-Léon/ Delibes and Minkus, 1866; Ruchei, SaintLéon and Coppini, 1902), 2089, 270, 281-82 Spectre de la rose (Fokme/Weber, 1911), 291 Spessivtseva, Olga (1895-1991), dancer, 206 Stanislavsky (Alexeev),. Konstantin (18631938), actor, theatre director, and reformer, 255-56, 262-63 Star of Granada, The (Zvezda Granady) (Petipa/ Pugni), 78, 90 in List of Works, 301-297 Stepanov, Vladimir (1866-1896), notator, and notation system, 7,135-36,169, 262-63, 266-67,313 Story ofthe Dead Princess and the Seven Knights, The (Skazka о mertvoi tsarevne i o semi bogatyriakh) (Pushkin, 1833), folk-tale in verse, 270 Story ofthe Mummy, The (Le Roman de la momie) (Gautier, 1858), novel, 100
Index Strauss, Richard (1864-1949), composer, 264 Stravinsky, Igor (1882-1971), composer, 251, 291 Stukolkin, Timofei (1829-1894), dancer and memoir-writer, 95-96,119, 176,191-92 as memoir-writer, 35,105 roles in Petipa’s productions, 91-93, 95,100-1,114-15,155-56,176,179, 231, 301, 302, 303, 304, 307, 310, 313.34 Sumarokov, Alexander (1717-1777), dramatist, 21 Sumbeka, or the Subjugation ofthe Kazan Kingdom (Sumbeka, ili Pokorenie Kazanskogo tsarstva) (Didelot and Blache/ Cavos, 1832), 23, 25 Surovshchikova-Petipa, Maria (18361882), dancer and Petipa’s first wife, 4-5, 20-21, 68, 71, 78-79, 89-94, 95, 99,105,109-10,111, սշ-15, ii6,117-18,122-23,161, 162-63, l7l 176, 181, 182, 298 featured roles in Petipa’s productions, 301, 302, 303 foreign tours, 96-97, 98-99 last performance, 127 separation and final years, 124-27,12 8 Svetlana, the Slav Princess (Svetlana, slavianskaia kniazhna) (Bogdanov/ Klenovsky, 1886), 210-11 Svetlov (Ivchenko), Valerian (18601934), ballet historian, critic, and librettist, 260, 293 Swan Lake (Lebedinoe ozero) (Ivanov and Petipa/ Tchaikovsky), 3, 6, 10,130,135-36,139,144,147, 49՜ 50,175-76, 201-2, 205, 232-33, 491 235, 237, 239-42, 260-61, 293, 294, 295 in List of Works, 315 Moscow (Gorsky 1901), 263, 271-72 Moscow (Reisinger, 1877), 209, 21011, 224-25, 240 Prague (Berger, 1888), 239-40, 281-82 Swiss Milkmaid, The (Filippo Taglioni/ Gryowetz, 1821; Taglioni and Jean Petipa, 1824; Shveitsarskaia molochnitsa, Taglioni and Titus, 1832), 25, 39, 81-82, 84, 86-87 See also Lida, the Swiss Milkmaid and Nathalie, or the Swiss Milkmaid Sylphide, La (Filippo
Taglioni and Petipa/Schneitzhoeffer), 25-26, 39, 46, 47, 66, 72, 95, 96,146, 177. 232 in List of Works, 314 Sylphides, Les. See Chopiniana Sylvia (Mérante/ Delibes, 1876; Mérante and Saracco, 1891; Ivanov and Gerdt, 1901), 258-59, 265, 270 Taglioni, Filippo (1777-1871), dancer and ballet master, 21, 25-26, 33, 39, 64, 65-66, 80, 95-96,140,175, 183-84,195, 232 ballets staged by Petipa, 303, 308, 314 Taglioni, Marie (1804-1884), dancer, 21, 25-26, 34, 39, 57-58, 59-60, 63, 70-71,108,111,135,182,192,195, 198, 201 Le Papillon (Marie Taglioni/ Offenbach, 1861), 177-78 Taglioni, Paul (1808-1884), dancer and ballet master, 41-42,122 Talisman, The (Petipa/ Drigo), 149-50, 203-4, 218-19, 225, 275-76, 282 in List of Works, 312-13
Index 492 Talisman, The (Titos/ Franck, 1847). 57֊58 Talleyrand-Perigord, Charles, Baron de (1821-1896), ambassador and politician, 112 Talma, François-Joseph (1763-1826), actor, 82, 86 Tamberlik, Enrico (1820-1889), singer, 97-Hi Tamburini, Antonio (1800-1876), singer, 13 Taneev, Alexander (1850-1918), composer, 258-59 Tannhäuser (Wagner, 1845), opera, 40,183-84 Tarentule, La (Coralli/ Gide, 1839; Tarantula, Coralli and Perrot, 1849), 42,48-49, 86-87 Tamovsky, Konstantin (1826-1892), dramatist, librettist and critic, 218-19 Tchaikovsky, Modest (1850-1916), dramatist and librettist, 142-43, 229-30, 240-41, 288 Tchaikovsky, Peter (1840-1893), composer, 3,10,11,120,121, 147-48,166,175,193,194, 210, 216-17, 219-20. 221-22, 231-32, 234-35, 238, 242, 247, 251-52, 256-57, 265-66 The Nutcracker, 137,164, 229-31, 232-33, 314 The Sleeping Beauty, 6,147-48,16466,189, 219-20, 224-25, 22728, 229, 313 Swan Lake, 209, 210-11, 239-40, 241, 242, 315 Techniques Danish (Boumonville) school, 63, 156-174 Franco-Russian and New Russian schools, 70-71, u6,169-71, 200, 202-3, 205, 206, 221, 243-45, 257-58, 291 French (Romantic) school, 169,196-97 Italian school, 21, 70-71,162-63, l7°~ 71,181-82,192,198, 200-6, 208, 212-13, 217, 220-21, 223, 230, 233, 244-45, 291-92 pas de deux, 144,174,175-76, 205, 217, 233 point work, 25-26, 71, 90,110,116,117, 123-24, x31֊32.177-78,181-82, 200, 201, 202, 205, 212-13, 233 239, 244-45 Terre-à-terre, 109-10,177,181,198, 217, 245-46 Teliakovskaya (?), Gurlia (dates unknown), wife of Teliakovsky, 261-62, 270 Teliakovsky, Vladimir (1861-1924), director of the
Imperial Theatres, 9, 29-30, 75, 245, 259, 260-61, 263-64, 265-66, 27778, 281-82, 285, 297 biography, 261-62 champion of the new, 261-65, 266-67, 284-85 and company insurgents, 284-87 hostility towards Petipa, 8-9,132, 162-63, 264-66, 267-68, 269, 270, 275, 276-77, 282-83 and Kshesinskaya, 259-60, 286-87 and Magic Mirror, 250-51, 269-72 and Vsevolozhsky, 189-90,192-93, 251, 252, 278, 279-80 Théâtre-Français (company), 80 Theatres, abroad (selected) Bowery Theatre (New York), 42-43 Comédie-Française (Paris), 41 Eden-Théâtre (Paris), 196-98, 229 Grand-Théâtre de Bordeaux, 38-39- 45
Index Grand-Théâtre de Marseille, 80 Grand-Théâtre de Nantes, 43-44 National Theatre (New York), 42 Opéra-Comique (Paris), 113-14,131-32 São Carlos (Lisbon), 108 Théâtre du Châtelet (Paris), 177.195-96 Théâtre-Italien (Paris), 107 Théâtre-Lyrique (Paris), 108,118 Théâtre de la Monnaie (Théâtre-Royal de Bruxelles), 38-39,41,42-43, 80-81, 82, 83-85, 86, 87 Théâtre de la Porte-Saint-Martin (Paris), 42, 80, 81-82, 84-85,177 Teatro del Circo (Madrid), 48,49-50, 52.179 Teatro alla Scala (Milan), 6,13-14, 196,198, 201, 202, 229, 230, 270, 281-82 See also Paris Opera Theatres, commercial (selected) Arcadia Gardens (1881-1913), 197-98 Livadia Gardens (Abandon Sorrow, 1885-1892), 197-98,199, 207,225 Maly (1878-today, imperial management 1879-1882), 18990,230, 259 Moscow Arts Theatre, 255-56, 263-64 Zoological Gardens, 278 Theatres, imperial Alexandrinsky (1832-today), 18,1920, 23-24, 34-35,161,189-90, 192-93, 219-20, 252, 258, 259, 263-65, 284-85 Bolshoi (St Petersburg, 1783-1887), 13-15,16,17,18, 83, 90-91,120, 127,142,156,189-90,199-200 Bolshoi and Petrovsky Theatres (Moscow, 1780-today), 14-15, 30-31,109-10,127,154-55,18990, 208-9, 24° շ43 շ6ւ-6շ, 263, 295 493 Chinese (Tsarskoe Selo court theatre, 1779֊1941), 18-19 Hermitage (court theatre, 1785today)), 18-19, !б6, 250, 256, 257, 258-59, 278, 279-80 Kamennoostrovsky (summer theatre on Kamenný Island, 1827today), 18,189-90 Krasnoselsky (summer theatre at Krasnoe Selo, 1851-1916), 18-19, 154,199, 237, 239-40, 246 Maly (briefly under imperial management, 1879-1882) ( see Theatres, commercial) Maly (Moscow, 1824-today), 31,159,
189-90, 261-62 Maly (old wooden theatre, 1801-1832), 18,19 Mariinsky (1860-today), 17,18-19, 34-35,120,131,136,189-90,19293,199-200, 206-7, 217 218, 219, 223-24, 225-26, 237, 239, 25б֊57, 258-59, 267, 284-85 Mikhailovsky (Maly during the Soviet era, 1883-today), 18, 23-24, 3435, 62,78, 92-93, 94-95,135-36, ^Ջ՜Տ)0’ 219-20, 258 Peterhof (open-air court theatre, 1837-1910), 18-19, 90-91.136, շ37, 239, 246 Theatre-Circus (1849-1859), 18, 318 See also Directorate of Imperial Theatres Theodore (Theodore Chion) (dates unknown), ballet master, 91-92, u8,127 in List of Works, 301 Theodore, Thérèse (dates unknown), dancer, 91-92 Thetis and Peleas (Fetida і Pelei) (Petipa/ Minkus and Delibes), 212 in List of Works, 316
494 Index Two Stars, The (Dve zvezdy) (Petipa/ Tikhomirov, Vasilii (1876-1956), Pugni), 150,177-78 dancer, ballet master and in List of Works, 305 teacher, 294-95 Titania (Petipa/ Mendelssohn and Undine (Tchaikovsky), unperformed Pugni), 124-25, 212 opera and also a ballet in List of Works, 303 project, 224-25 Titus (Antoine Titus Dauchy) (1780Urusov, Prince Petr (dates unknown), 1860), ballet master, 2,16, Moscow prosecutor and 25-26, 33, 53-54, 57-58, 59-61, co-founder of the Moscow 81-82, 309-10, 314 Bolshoi, 30-31 Torch Dance (Folcine/ Arensky, 1907; Ushakov, Alexander (1833-1874), filmed 1909), 171 Travelling Dancer, The mineralogist and ballet critic, (Puteshestvuiushchaia 111,144-45 tantsovshchitsa) (Petipa/ Pugni), 122,123,153, 278, 279-80, 287 Vaganova, Agrippina (1879-1951), in List of Works, 303 dancer, teacher, and theoretician, Trefilova, Vera (1875-1943), dancer, 24370, 294-95 Vaganova Academy ( see School, 44, 272-73, 278-81 featured roles in Petipa’s Imperial Theatre) Vainonen, Vasilii (1901-1964), ballet productions, 306, 312,317,318 Trial of Damis, The (Išpytame Damisa) master, 231 Valberkh, Ivan (1766-1819), (Petipa/ Glazunov), 137, 256-57, ballet master and teacher, 271, 287-88 in List of Works, 316-17 20-22, 28, 31 Valera, Juan (1824-1905), writer, 52 Trilby (Petipa/ Gerber), 153-54, 176-77, 210 Valois, Ninette de (Edris Stannus) in List of Works, 304-5 (1898-2001), founder of the Trilby, or the Gremlin ofArgyll (Trilby, ou Royal Ballet, 6, 7, 294 le Lutin d’Argail) (Nodier, 1822), Valts, Karl (1846-1929), stage designer, novella, 177 machinist,
librettist, and Triumph ofEvgenia’s Love, The memoir-writer, 154-55 (Torzhestvo liubvi Evgenii) Vanner, Vilgelm (1820-1889), (Valberkh, 1807), 21-22 dancer, 154-55 Troitsky, Nikolai (1838-1903), dancer, featured role in a Petipa ug, 177 production, 304 role in a Petipa production, 307 Vasileva, Anna (1874-1913), dancer, 268 Trovatore, Il (Verdi, 1853), opera, 97 Vasilevsky, Ippolit (‘Bukva’) (1849 or 1850-1920), journalist and critic, Trubetskoi, Prince Ivan (1841-1915), composer and librettist, 195,210 207, 226-27 Vasnetsov, Viktor (1848-1926), painter music used by Petipa, 309 Turgenev, Ivan (1818-1883), writer, 97 and stage designer, 251-52
Index Vazem, Ekaterina (1848-1937), dancer and memoir-writer, 9,14, 29-30, 35' 89, 90,110-11,128,129-30, 137,138,140,141,152-53,159-60, 162,167,168,169,172,174,18082, 205, 234, 235 as dancer, 99,105,142-43, ц8, 152-53, !77՜79' ւ8օ-8շ, 186-87, 191-92, 245-46 in La Bayadere, 179-80 featured roles in Petipa's productions, 300, 305, 306-7, 308, 309 about Petipa's character, 160,167-69, 268, 277, 288 about Petipa as performer, 67, 69-70 Venetian Carnaval (Venetsianskii karnaval) (Petipa/Pugni), 92, 301 Venus's Grotto, In (V grote Veneri, Saracco, 1896), divertissement, 230 Vêpres siciliennes. See The Sicilian Vespers Verdi, Giuseppe (1813-1901), composer, 4° 97-143 Vergina, Alexandra (1848-1901), dancer, 154' 155' 177-78' 181 featured roles in Petipa’s productions, 304, 305 Verne, Jules (1828-1905), writer, 179, 196,197 Véron, Louis (1798-1867), director of the Paris Opera, 64 Vert-Vert (Mazilier/ Deldevez, Tolbecque, and Pugni, 1851; in Russia, 1852), 65 Vestal, The (Vestalka) (Petipa/ Mikhail Ivanov), 139,140,144,149-50, 163-64,165, 203, 208, 209-10, 211, 212, 213, 215-16, 217-18, 21920, 223, 264, 291-92 libretto, 213-15 495 in List of Works, 312 music, 210, 213, 216-17, շւ8 219' 228 Vestale, La (Spontini, 1807), opera, 213 Vestris, Auguste (1760-1842), 45, 50, 58, 82, 89-90,156 Viardot (née Garcia), Pauline (18211910), singer, 13, 97 Vic-Wells Ballet. See Royal Ballet Vieuxtemps, Henri (1820-1881), violinist and composer, 83 Vikharev, Sergei (1962-2017), dancer and producer of Petipa’s ballets, 7,131,136,149 Villagarcia, Maria de la Concepción, Marquesa de (1817-?), mother of
Carmen Mendoza y Castro, 51-52 Village Sleepwalker, The (La Somnambule villageoise; a version of La Somnambule?), 47 Vine, The. See The Grapevine Vinogradova, Alexandra (1869-1889), 215-16, 225 Violon du Diable, Le (Saint-Léon/ SaintLéon, Felis, and Pugni, 1848; Paris revival, 1849), 108 Vivandière, La (Saint-Léon/ Pugni; Markitantka, Saint-Léon, Perrot, and Petipa/ Pugni), 76, 90-91, 108,138-39,195 in List of Works, 308-9 Vizentini, Albert (1841-1906), composer and conductor, 40,195, 205, 210, 224-25 music used by Petipa, 311, 317 Vladimir Alexandrovich, Grand Duke (1847-1909), 18-19, 246' 271-72 Volf, Alexander (1821 or 1823-?), theatre historian and critic, 63, 267-68 Volkonsky, Prince Petr (1776-1852), minister of the Imperial Court, 75' 297
496 Index Volkonsky, Prince Sergei (1860-1937), director of the Imperial Theatres, 75, 255-56, 257-59, 260-62, 264, 269-70, 281-82, 297 Volkova, Varvara (1816-1898), dancer and teacher, 33 Volnys (Fay), Léontine (1810-1876), actress, 1-2 Volynsky, Akim (1861-1926), critic, art historian, and dance school director, 146 Vorontsov-Dashkov, Count Illarion (1837-1916), minister of the Imperial Court, 75,189,190-91, 199, 250, 297 Voyage to the Moon (Le Voyage dans la lune) (Offenbach, 1875; Neobychainoe puteshestvie na Lunu, 1885), opéra-féerie, 197,199 Vrubel, Mikhail (1856-1910), painter, sculptor and stage designer, 251-52 Vsevolozhsky, Ivan (1835-1909), director of the Imperial Theatres, 75, 120-21,165,179,189,191-92, 216, 218, 221-22, 231-33, 237, 238-39, 255-56, 260, 269-70, 279-80, 297 administrative policies, 189-91,19394,199, 208, 209, 210-11, 235, 237, 261-62, 264-65 artistic initiatives, 194,195-96, 2067, 208, 209-10, 212-13, 219-20. 221, 222, 223, 224-25, 227-29, 237, 239-40, 243, 247, 272 assessment of his tenure, 250-52 biography and character, 192-93, 250, 278 costumes, 207, 223-24, 228, 230-31, 256-57, 278, 280 director of Hermitage, 250 librettos, 223, 230-31, 240-41, 249, 256-57, 270, 277, 278, 291-92 librettos in List of Works, 313,318 Vuich, Georgii (1867-1957), Teliakovsky’s assistant, 277-78, 280-81 Wagner, Herman (1810-1885), stage designer, 100-1,104,151 Wagner, Richard (1813-1883), composer, 40, 92,182-84,185-86, 240, 247-48, 255-56, 264 Wallachian Bride, or the Golden Braid, The (La Fidanzata valacca) (SaintLéon/ Graziam and Mattiozzi, 1865; Valakhskaia
nevesta, ili Zolotaia kosa, 1866), 118,125 Wallack, James William (c.1794-1864), actor-manager, 42-43 War and Peace (Voina і mir) (Tolstoy, 1869), novel, 120 War ofthe Women, or the Amazons of the Ninth Century, The (Voina zhenshchin, ili Amazonki deviatogo veka) (Perrot/ Pugni, 1852), 65-66, 67-68 Water Lily, The (Neniufar) (Petipa/ Krotkov), 229-30, 232 in List of Works, 313 Whims ofthe Butterfly, The (Kaprizy babochki) (Petipa/ Krotkov), 219-20, 223-24, 287 in List of Works, 313 Wieniawski, Henryk (1835-1880), violinist, 116,117 Wilful Wife, The (Svoenravnaia zhena) (Mazilier, Perrot, and Petipa/ Adam), 65, 66, 90-91,113-14, 195, 223 in List of Works, 310 See also Le Diable à quatre
Index William of Orange, King of the Netherlands, 85 William I of Prussia, later Emperor of Germany (1797-1888), 113-14 Woe from Wit (Gore ot urna) (Griboedov, published 1833), comic play, 24 Wrangell, Baron Vasilii (1862-1901), composer, 237 Yella, Gabriele (1832-1856), dancer, 68,71 featured role in a Petipa production, 303 Zambelli, Carlotta (1877-1968), dancer, 260-61 Zéphire et Flore (Didelot/ Venua, 1815), 58 497 Zhukova, Vera (1853-?), dancer, 215-16 Zoraiya, the Moorish Girl in Spain (Zoraiia, mavritanka v Ispanii) (Petipa/ Minkus), 180,194, 22425, 249, 264 in List of Works, 308 Zotov, Rafail (1795-1871), dramatist and ballet critic, 7-8, 56, 57-58, 62-63 Zucchi, Virginia (1849-1930), dancer, 197,198-201, 203-4, 2°5 շօ8, 218, 225-26, 239, 258-59 featured roles in Petipa’s productions, 302, 310, 311 21, 24, 21, et 26 Septembre (Jean Petipa, 1831), 86 Beyetfascfł· í SfacrtsbfeNotttefc ! MQnchwi ; |
| any_adam_object | 1 |
| author | Meisner, Nadine ca. 20./21. Jh |
| author_GND | (DE-588)13991319X |
| author_facet | Meisner, Nadine ca. 20./21. Jh |
| author_role | aut |
| author_sort | Meisner, Nadine ca. 20./21. Jh |
| author_variant | n m nm |
| building | Verbundindex |
| bvnumber | BV045544845 |
| classification_rvk | LR 53186 AP 87350 |
| ctrlnum | (OCoLC)1108173452 (DE-599)BVBBV045544845 |
| discipline | Allgemeines Musikwissenschaft |
| era | Geschichte 1847-1910 gnd |
| era_facet | Geschichte 1847-1910 |
| format | Book |
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| genre | (DE-588)4006804-3 Biografie gnd-content |
| genre_facet | Biografie |
| geographic | Russland (DE-588)4076899-5 gnd |
| geographic_facet | Russland |
| id | DE-604.BV045544845 |
| illustrated | Illustrated |
| indexdate | 2024-09-23T22:05:15Z |
| institution | BVB |
| isbn | 9780190659295 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030928910 |
| oclc_num | 1108173452 |
| open_access_boolean | |
| owner | DE-703 DE-12 DE-188 DE-355 DE-BY-UBR |
| owner_facet | DE-703 DE-12 DE-188 DE-355 DE-BY-UBR |
| physical | xii, 497 Seiten, 20 ungezählte Seiten Bildtafeln Illustrationen, Faksimiles, Portraits |
| psigel | BSB_NED_20190823 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | Meisner, Nadine ca. 20./21. Jh. Verfasser (DE-588)13991319X aut Marius Petipa the emperor's ballet master Nadine Meisner New York Oxford University Press [2019] © 2019 xii, 497 Seiten, 20 ungezählte Seiten Bildtafeln Illustrationen, Faksimiles, Portraits txt rdacontent n rdamedia nc rdacarrier Petipa, Marius 1818-1910 (DE-588)11859320X gnd rswk-swf Geschichte 1847-1910 gnd rswk-swf Ballett (DE-588)4004351-4 gnd rswk-swf Russland (DE-588)4076899-5 gnd rswk-swf Petipa, Marius / 1818-1910 Choreographers / France / Biography Ballet dancers / France / Biography Choreographers / Russia (Federation) / Biography Ballet dancers / Russia (Federation) / Biography Ballet dancers Choreographers France Russia (Federation) Biography (DE-588)4006804-3 Biografie gnd-content Petipa, Marius 1818-1910 (DE-588)11859320X p DE-604 Russland (DE-588)4076899-5 g Ballett (DE-588)4004351-4 s Geschichte 1847-1910 z Erscheint auch als Online-Ausgabe 978-0-19-065932-5 (DE-604)BV045905395 Erscheint auch als Online-Ausgabe, PDF 978-0-19-065930-1 Erscheint auch als Online-Ausgabe, EPUB 978-0-19-065931-8 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030928910&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030928910&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030928910&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Meisner, Nadine ca. 20./21. Jh Marius Petipa the emperor's ballet master Petipa, Marius 1818-1910 (DE-588)11859320X gnd Ballett (DE-588)4004351-4 gnd |
| subject_GND | (DE-588)11859320X (DE-588)4004351-4 (DE-588)4076899-5 (DE-588)4006804-3 |
| title | Marius Petipa the emperor's ballet master |
| title_auth | Marius Petipa the emperor's ballet master |
| title_exact_search | Marius Petipa the emperor's ballet master |
| title_full | Marius Petipa the emperor's ballet master Nadine Meisner |
| title_fullStr | Marius Petipa the emperor's ballet master Nadine Meisner |
| title_full_unstemmed | Marius Petipa the emperor's ballet master Nadine Meisner |
| title_short | Marius Petipa |
| title_sort | marius petipa the emperor s ballet master |
| title_sub | the emperor's ballet master |
| topic | Petipa, Marius 1818-1910 (DE-588)11859320X gnd Ballett (DE-588)4004351-4 gnd |
| topic_facet | Petipa, Marius 1818-1910 Ballett Russland Biografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030928910&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030928910&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030928910&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
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