British avant-garde fiction of the 1960s:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2019
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext Klappentext Klappentext |
| Beschreibung: | vi, 272 Seiten Illustrationen |
| ISBN: | 9781474436199 9781474436205 |
Internformat
MARC
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Acknowledgements Introduction: ‘The avant-garde must not be romanticized. The avant-garde must not be dismissed’ Kaye Mitchell vii 1 1. Muriel Spark and the Possibility of Popular Experiment Marina MacKay 20 2. B. S. Johnson: The Book as Dynamic Object Joseph Darlington 36 3. Giles Gordon: Beyond the Words and Beyond the Language of Experimentalism David Hucklesby 54 4. Brigid Brophy’s Aestheticism: The Camp Anti-Novel Len Gutkin 72 5. Alexander Trocchi: Man at Leisure Christopher Webb 90 6. Anna Kavan: Pursuing the ‘in-between reality’ Hidden by the ‘ordinary surface of things’ Hannah Van Hove 107 7. J. G. Ballard: Visuality and the Novels of the Near Future Natalie Ferris 125 8. Ann Quin: ‘infuriating’ Experiments? Nonia Williams 143
vi Contents 9. Contradiction, Incongruity and Fragmentation: Political and Avant-Garde Compromise in the Work of Alan Burns Kieran Devaney 10. Eva Figes: Tracing the Survival of a ‘Poetry of the Inarticulate’ Chris Clarke 11. Christine Brooke-Rose: The Development of Experiment Stephanie Jones 12. Aspirations Inevitably Failing: Hope and Negativity in Rayner Heppenstall’s Experimental Fiction of the 1960s Philip Tew 13. Maureen Duffy: The Politics of Experimental Fiction Eveline Kilian 160 176 193 210 231 14. Not the Last Word on the Sixties Avant-Garde: An Afterword Glyn White 248 Notes on Contributors Index 262 266
Explores the trailblazing work of the British literary avant-garde of the 1 960s This collection showcases the liveliness of British avant-garde fiction of the 1960s, which is diverse in its aesthetic practices and (sometimes) divided in its politics. It brings together a selection of original, researchled essays on more than a dozen avant-garde British writers of the decade, revealing this to be a crucial - and crucially overlooked ֊ period of British literary history. Through detailed readings of authors such as Ann Quin, B. S. Johnson, Alexander Tracchi, Maureen Duffy, Alan Burns, Christine Brooke-Rose and many others, the contributors reveal the diversity of material produced in this period and trace the complex relations of influence and indebtedness between the 1960s avant-garde, earlier modernisms and later postmodern writing. The volume shows that this decade is an even more vibrant period of literary experiment in Britain than might previously have been supposed - and that the avant-garde fiction produced then rewards our renewed attention to it.
Explores the trailblazing work of the British literary avant-garde of the 1 960s This collection showcases the liveliness of British avant-garde fiction of the 1960s, which is diverse in its aesthetic practices and (sometimes) divided in its politics. It brings together a selection of original, researchled essays on more than a dozen avant-garde British writers of the decade, revealing this to be a crucial - and crucially overlooked ֊ period of British literary history. Through detailed readings of authors such as Ann Quin, B. S. Johnson, Alexander Tracchi, Maureen Duffy, Alan Burns, Christine Brooke-Rose and many others, the contributors reveal the diversity of material produced in this period and trace the complex relations of influence and indebtedness between the 1960s avant-garde, earlier modernisms and later postmodern writing. The volume shows that this decade is an even more vibrant period of literary experiment in Britain than might previously have been supposed - and that the avant-garde fiction produced then rewards our renewed attention to it.
Explores the trailblazing work of the British literary avant-garde of the 1 960s This collection showcases the liveliness of British avant-garde fiction of the 1960s, which is diverse in its aesthetic practices and (sometimes) divided in its politics. It brings together a selection of original, researchled essays on more than a dozen avant-garde British writers of the decade, revealing this to be a crucial - and crucially overlooked ֊ period of British literary history. Through detailed readings of authors such as Ann Quin, B. S. Johnson, Alexander Tracchi, Maureen Duffy, Alan Burns, Christine Brooke-Rose and many others, the contributors reveal the diversity of material produced in this period and trace the complex relations of influence and indebtedness between the 1960s avant-garde, earlier modernisms and later postmodern writing. The volume shows that this decade is an even more vibrant period of literary experiment in Britain than might previously have been supposed - and that the avant-garde fiction produced then rewards our renewed attention to it.
|
| any_adam_object | 1 |
| author2 | Mitchell, Kaye Williams, Nonia |
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| discipline | Anglistik / Amerikanistik |
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| format | Book |
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| title_auth | British avant-garde fiction of the 1960s |
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| title_full | British avant-garde fiction of the 1960s edited by Kaye Mitchell and Nonia Williams |
| title_fullStr | British avant-garde fiction of the 1960s edited by Kaye Mitchell and Nonia Williams |
| title_full_unstemmed | British avant-garde fiction of the 1960s edited by Kaye Mitchell and Nonia Williams |
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