Seven keys to modern art:
As artists push further and further beyond their, and our, comfort zones, this book aims to help decipher the bizarre and often intimidating aspects of modern and contemporary art by exploring twenty works of art in terms of seven "keys". History, biography, aesthetics, experience, theory,...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Thames & Hudson
[2019]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | As artists push further and further beyond their, and our, comfort zones, this book aims to help decipher the bizarre and often intimidating aspects of modern and contemporary art by exploring twenty works of art in terms of seven "keys". History, biography, aesthetics, experience, theory, criticism and the market represent conventional 'modes of existence' for every artwork discussed, but in a fascinating variety of ways. Simon Morley shows how twenty well-known but little-understood works of art can serve as useful springboards not only for understanding each other, but also for appreciating works by the same artists, and from the wider world of art in general. 0Rather than proceeding on the basis of familiar art "movements" or "-isms", Morley focuses on just twenty individual works of art, from Matisse's The Red Studio to Doris Salcedo's Untitled. Representing a variety of media, styles, subjects and intentions, being the creations of men and women of different periods and places, coming from disparate social and ethnic backgrounds, these works show a rich diversity in modern and contemporary art |
| Beschreibung: | 256 Seiten Illustrationen, Portraits 22 cm |
| ISBN: | 9780500021620 |
Internformat
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| 505 | 8 | |a Introduction -- The Red Studio, Henri Matisse (1869-1954) -- Bottle of Vieux Marc, Glass, a Guitar and Newspaper, 1913, Pablo Picasso (1881-1973) -- Black Square, Kazimir Malevich (1878-1935) -- Fountain, Marcel Duchamp (1887-1968) -- The Empty Mask, Rene Magritte (1898-1967) -- New York Movie, Edward Hopper (1882-1967) -- Self-Portrait with Cropped Hair, Frida Kahlo (1907-1954) -- Head VI, Francis Bacon (1909-1992) -- Black on Maroon, Mark Rothko (1903-1970) -- Big Electric Chair, Andy Warhol (1928-1987) -- Infinity Mirror Room - Phalli's Field, Yayoi Kusama (b. 1929) -- The Pack, Joseph Beuys (1921-1986) -- Spiral Jetty, Robert Smithson (1938-1973) -- Osiris and Isis, Anselm Kiefer (b. 1945) -- Untitled (I shop therefore I am), Barbara Kruger (b. 1945) -- A Book from the Sky, Xu Bing (b. 1955) -- The Messenger, Bill Viola (b. 1951) -- Maman, Louise Bourgeois (1911-2010) -- Correspondence, Lee Ufan (b. 1936) -- Untitled, Doris Salcedo (b. 1958) | |
| 520 | 3 | |a As artists push further and further beyond their, and our, comfort zones, this book aims to help decipher the bizarre and often intimidating aspects of modern and contemporary art by exploring twenty works of art in terms of seven "keys". History, biography, aesthetics, experience, theory, criticism and the market represent conventional 'modes of existence' for every artwork discussed, but in a fascinating variety of ways. Simon Morley shows how twenty well-known but little-understood works of art can serve as useful springboards not only for understanding each other, but also for appreciating works by the same artists, and from the wider world of art in general. 0Rather than proceeding on the basis of familiar art "movements" or "-isms", Morley focuses on just twenty individual works of art, from Matisse's The Red Studio to Doris Salcedo's Untitled. Representing a variety of media, styles, subjects and intentions, being the creations of men and women of different periods and places, coming from disparate social and ethnic backgrounds, these works show a rich diversity in modern and contemporary art | |
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Datensatz im Suchindex
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|---|---|
| adam_text |
CONTENTS 7 Preface 8 Introduction 20 Henri Matisse (1869-1954) 32 Pablo Picasso (1881-1973) 44 Kazimir Malevich (1878-1935) 56 Marcel Duchamp (1887-1968) 68 René Magritte (1898-1967) 78 Edward Hopper (1882-1967) 88 Frida Kahlo (1907-1954) 98 Francis Bacon (1909-1992) 110 Mark Rothko (1903-1970) 120 Andy Warhol (1928-1987) 132 Yayoi Kusama (b. 1929) 144 Joseph Beuys (1921-1986) 156 Robert Smithson (1938-1973) 168 Anselm Kiefer (b. 1945) 180 Barbara Kruger (b. 1945) 192 Xu Bing (b. 1955) 204 Bill Viola (b. 1951) 216 Louise Bourgeois (1911-2010) 226 Lee Ufan(b. 1936) 238 Doris Salcedo (b. 1958) 249 Notes 252 Picture Credits 253 Index
In a world where artists place a premium on self-expression and innovation, obtuse intellectualism and outrage for outrage’s sake, this guide aims to decipher th© bizarre and often intimidating phenomenon of ‘modern art’. Ranging across the widest variety of media, styles, subjects and intentions, Simon Morley offers seven different lenses through which to interpret twenty works of art, reflecting the impact of globalism and neuroscience, Without recourse to inflexible ’readings’, he invites the reader to unlock the meanings of some of the world's most intriguing and contested art. |
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| contents | Introduction -- The Red Studio, Henri Matisse (1869-1954) -- Bottle of Vieux Marc, Glass, a Guitar and Newspaper, 1913, Pablo Picasso (1881-1973) -- Black Square, Kazimir Malevich (1878-1935) -- Fountain, Marcel Duchamp (1887-1968) -- The Empty Mask, Rene Magritte (1898-1967) -- New York Movie, Edward Hopper (1882-1967) -- Self-Portrait with Cropped Hair, Frida Kahlo (1907-1954) -- Head VI, Francis Bacon (1909-1992) -- Black on Maroon, Mark Rothko (1903-1970) -- Big Electric Chair, Andy Warhol (1928-1987) -- Infinity Mirror Room - Phalli's Field, Yayoi Kusama (b. 1929) -- The Pack, Joseph Beuys (1921-1986) -- Spiral Jetty, Robert Smithson (1938-1973) -- Osiris and Isis, Anselm Kiefer (b. 1945) -- Untitled (I shop therefore I am), Barbara Kruger (b. 1945) -- A Book from the Sky, Xu Bing (b. 1955) -- The Messenger, Bill Viola (b. 1951) -- Maman, Louise Bourgeois (1911-2010) -- Correspondence, Lee Ufan (b. 1936) -- Untitled, Doris Salcedo (b. 1958) |
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| isbn | 9780500021620 |
| language | English |
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| spelling | Morley, Simon 1958- Verfasser (DE-588)1154802302 aut Seven keys to modern art Simon Morley 7 keys to modern art London Thames & Hudson [2019] © 2019 256 Seiten Illustrationen, Portraits 22 cm txt rdacontent n rdamedia nc rdacarrier Introduction -- The Red Studio, Henri Matisse (1869-1954) -- Bottle of Vieux Marc, Glass, a Guitar and Newspaper, 1913, Pablo Picasso (1881-1973) -- Black Square, Kazimir Malevich (1878-1935) -- Fountain, Marcel Duchamp (1887-1968) -- The Empty Mask, Rene Magritte (1898-1967) -- New York Movie, Edward Hopper (1882-1967) -- Self-Portrait with Cropped Hair, Frida Kahlo (1907-1954) -- Head VI, Francis Bacon (1909-1992) -- Black on Maroon, Mark Rothko (1903-1970) -- Big Electric Chair, Andy Warhol (1928-1987) -- Infinity Mirror Room - Phalli's Field, Yayoi Kusama (b. 1929) -- The Pack, Joseph Beuys (1921-1986) -- Spiral Jetty, Robert Smithson (1938-1973) -- Osiris and Isis, Anselm Kiefer (b. 1945) -- Untitled (I shop therefore I am), Barbara Kruger (b. 1945) -- A Book from the Sky, Xu Bing (b. 1955) -- The Messenger, Bill Viola (b. 1951) -- Maman, Louise Bourgeois (1911-2010) -- Correspondence, Lee Ufan (b. 1936) -- Untitled, Doris Salcedo (b. 1958) As artists push further and further beyond their, and our, comfort zones, this book aims to help decipher the bizarre and often intimidating aspects of modern and contemporary art by exploring twenty works of art in terms of seven "keys". History, biography, aesthetics, experience, theory, criticism and the market represent conventional 'modes of existence' for every artwork discussed, but in a fascinating variety of ways. Simon Morley shows how twenty well-known but little-understood works of art can serve as useful springboards not only for understanding each other, but also for appreciating works by the same artists, and from the wider world of art in general. 0Rather than proceeding on the basis of familiar art "movements" or "-isms", Morley focuses on just twenty individual works of art, from Matisse's The Red Studio to Doris Salcedo's Untitled. Representing a variety of media, styles, subjects and intentions, being the creations of men and women of different periods and places, coming from disparate social and ethnic backgrounds, these works show a rich diversity in modern and contemporary art Geschichte 1900-2015 gnd rswk-swf Wahrnehmung (DE-588)4064317-7 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Art, Modern / 21st century / Appreciation ART / Criticism 2000-2099 Kunst (DE-588)4114333-4 s Wahrnehmung (DE-588)4064317-7 s Geschichte 1900-2015 z DE-604 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030914203&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030914203&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Morley, Simon 1958- Seven keys to modern art Introduction -- The Red Studio, Henri Matisse (1869-1954) -- Bottle of Vieux Marc, Glass, a Guitar and Newspaper, 1913, Pablo Picasso (1881-1973) -- Black Square, Kazimir Malevich (1878-1935) -- Fountain, Marcel Duchamp (1887-1968) -- The Empty Mask, Rene Magritte (1898-1967) -- New York Movie, Edward Hopper (1882-1967) -- Self-Portrait with Cropped Hair, Frida Kahlo (1907-1954) -- Head VI, Francis Bacon (1909-1992) -- Black on Maroon, Mark Rothko (1903-1970) -- Big Electric Chair, Andy Warhol (1928-1987) -- Infinity Mirror Room - Phalli's Field, Yayoi Kusama (b. 1929) -- The Pack, Joseph Beuys (1921-1986) -- Spiral Jetty, Robert Smithson (1938-1973) -- Osiris and Isis, Anselm Kiefer (b. 1945) -- Untitled (I shop therefore I am), Barbara Kruger (b. 1945) -- A Book from the Sky, Xu Bing (b. 1955) -- The Messenger, Bill Viola (b. 1951) -- Maman, Louise Bourgeois (1911-2010) -- Correspondence, Lee Ufan (b. 1936) -- Untitled, Doris Salcedo (b. 1958) Wahrnehmung (DE-588)4064317-7 gnd Kunst (DE-588)4114333-4 gnd |
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