The seams of Claude Monet:
In order that 'Les Nymphéas' might be accommodated in the Musée de l'Orangerie in 1927, the paintings had to be prepared in sections. For his purpose of instantaneous tonal perception, Monet painted false seams onto the canvas, thus rendering the breaks in the structure of the room, t...
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
[London]
Coracle
2018
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| Schlagworte: | |
| Zusammenfassung: | In order that 'Les Nymphéas' might be accommodated in the Musée de l'Orangerie in 1927, the paintings had to be prepared in sections. For his purpose of instantaneous tonal perception, Monet painted false seams onto the canvas, thus rendering the breaks in the structure of the room, the real seams, indistinguishable. What was made as an astute gesture on the part of Monet, becomes upon further reflection an irony on the whole theoretical aims of the Impressionist movement. A spectator becomes accustomed to seams |
| Beschreibung: | 25 ungezählte Seiten |
Internformat
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| 520 | 3 | |a In order that 'Les Nymphéas' might be accommodated in the Musée de l'Orangerie in 1927, the paintings had to be prepared in sections. For his purpose of instantaneous tonal perception, Monet painted false seams onto the canvas, thus rendering the breaks in the structure of the room, the real seams, indistinguishable. What was made as an astute gesture on the part of Monet, becomes upon further reflection an irony on the whole theoretical aims of the Impressionist movement. A spectator becomes accustomed to seams | |
| 600 | 1 | 7 | |a Monet, Claude |d 1840-1926 |t Seerosen |0 (DE-588)4241114-2 |2 gnd |9 rswk-swf |
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| 700 | 1 | |a Monet, Claude |d 1840-1926 |0 (DE-588)11858345X |4 ill | |
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Datensatz im Suchindex
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| author | Cutts, Simon 1944- |
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| indexdate | 2024-07-10T08:20:33Z |
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| language | English |
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| spelling | Cutts, Simon 1944- Verfasser (DE-588)130035521 aut The seams of Claude Monet Simon Cutts [London] Coracle 2018 25 ungezählte Seiten sti rdacontent txt rdacontent n rdamedia nc rdacarrier In order that 'Les Nymphéas' might be accommodated in the Musée de l'Orangerie in 1927, the paintings had to be prepared in sections. For his purpose of instantaneous tonal perception, Monet painted false seams onto the canvas, thus rendering the breaks in the structure of the room, the real seams, indistinguishable. What was made as an astute gesture on the part of Monet, becomes upon further reflection an irony on the whole theoretical aims of the Impressionist movement. A spectator becomes accustomed to seams Monet, Claude 1840-1926 Seerosen (DE-588)4241114-2 gnd rswk-swf Cutts, Simon 1944- (DE-588)130035521 gnd rswk-swf (DE-588)4145395-5 Bildband gnd-content Cutts, Simon 1944- (DE-588)130035521 p Monet, Claude 1840-1926 Seerosen (DE-588)4241114-2 u DE-604 Monet, Claude 1840-1926 (DE-588)11858345X ill |
| spellingShingle | Cutts, Simon 1944- The seams of Claude Monet Monet, Claude 1840-1926 Seerosen (DE-588)4241114-2 gnd Cutts, Simon 1944- (DE-588)130035521 gnd |
| subject_GND | (DE-588)4241114-2 (DE-588)130035521 (DE-588)4145395-5 |
| title | The seams of Claude Monet |
| title_auth | The seams of Claude Monet |
| title_exact_search | The seams of Claude Monet |
| title_full | The seams of Claude Monet Simon Cutts |
| title_fullStr | The seams of Claude Monet Simon Cutts |
| title_full_unstemmed | The seams of Claude Monet Simon Cutts |
| title_short | The seams of Claude Monet |
| title_sort | the seams of claude monet |
| topic | Monet, Claude 1840-1926 Seerosen (DE-588)4241114-2 gnd Cutts, Simon 1944- (DE-588)130035521 gnd |
| topic_facet | Monet, Claude 1840-1926 Seerosen Cutts, Simon 1944- Bildband |
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