A 'new' woman in Verga and Pirandello: from page to stage
This book investigates how two leading Sicilian authors, Giovanni Verga (1840-1922) and Luigi Pirandello (1867-1936), transposed their short stories to the stage. Their leading female characters, gaining voices of their own, can be seen as 'new' women--a phrase recalling Henrik Ibsen'...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Legenda
2018
|
| Schriftenreihe: | Italian perspectives
40 |
| Schlagworte: | |
| Zusammenfassung: | This book investigates how two leading Sicilian authors, Giovanni Verga (1840-1922) and Luigi Pirandello (1867-1936), transposed their short stories to the stage. Their leading female characters, gaining voices of their own, can be seen as 'new' women--a phrase recalling Henrik Ibsen's A Doll's House (1879). In uncovering these voices, De Francisci draws attention to the actresses performing them, namely Eleonora Duse (1858-1924) and Marta Abba (1900-1988). In giving a physical reality to characters otherwise existing only on paper, they became not only performers of Verga and Pirandello but also influences upon them. By tracing the evolution of these female characters, both on page and in the theatre, De Francisci offers new insights into why the narrative genre is so well suited to Verga's preoccupations, why the theatrical form is more effective in articulating Pirandello's umorismo, and what Pirandello's adaptations reveal about the way in which he comes to negotiate the transition from Realism (or verismo) to Modernism--back cover |
| Beschreibung: | 189 Seiten 26 cm |
| ISBN: | 9781781887837 |
Internformat
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV045526343 | ||
| 003 | DE-604 | ||
| 005 | 20190430 | ||
| 007 | t | ||
| 008 | 190325s2018 |||| 00||| eng d | ||
| 020 | |a 9781781887837 |c (hbk.) |9 978-1-78188-783-7 | ||
| 035 | |a (OCoLC)1099845621 | ||
| 035 | |a (DE-599)BVBBV045526343 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 100 | 1 | |a De Francisci, Enza |e Verfasser |0 (DE-588)1135156344 |4 aut | |
| 245 | 1 | 0 | |a A 'new' woman in Verga and Pirandello |b from page to stage |c Enza De Francisci |
| 264 | 1 | |a Cambridge |b Legenda |c 2018 | |
| 300 | |a 189 Seiten |c 26 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Italian perspectives |v 40 | |
| 520 | 3 | |a This book investigates how two leading Sicilian authors, Giovanni Verga (1840-1922) and Luigi Pirandello (1867-1936), transposed their short stories to the stage. Their leading female characters, gaining voices of their own, can be seen as 'new' women--a phrase recalling Henrik Ibsen's A Doll's House (1879). In uncovering these voices, De Francisci draws attention to the actresses performing them, namely Eleonora Duse (1858-1924) and Marta Abba (1900-1988). In giving a physical reality to characters otherwise existing only on paper, they became not only performers of Verga and Pirandello but also influences upon them. By tracing the evolution of these female characters, both on page and in the theatre, De Francisci offers new insights into why the narrative genre is so well suited to Verga's preoccupations, why the theatrical form is more effective in articulating Pirandello's umorismo, and what Pirandello's adaptations reveal about the way in which he comes to negotiate the transition from Realism (or verismo) to Modernism--back cover | |
| 600 | 1 | 7 | |a Pirandello, Luigi |d 1867-1936 |0 (DE-588)118594567 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Verga, Giovanni |d 1840-1922 |0 (DE-588)118626558 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Frau |g Motiv |0 (DE-588)4113617-2 |2 gnd |9 rswk-swf |
| 653 | 1 | |a Verga, Giovanni / 1840-1922 / Characters / Women | |
| 653 | 1 | |a Verga, Giovanni / 1840-1922 / Adaptations | |
| 653 | 1 | |a Pirandello, Luigi / 1867-1936 / Characters / Women | |
| 653 | 1 | |a Pirandello, Luigi / 1867-1936 / Adaptations | |
| 653 | 1 | |a Pirandello, Luigi / 1867-1936 | |
| 653 | 1 | |a Verga, Giovanni / 1840-1922 | |
| 653 | 0 | |a Feminism and theater / Italy | |
| 653 | 0 | |a Theater and society / Italy | |
| 653 | 0 | |a Feminism and theater | |
| 653 | 0 | |a Theater and society | |
| 653 | 0 | |a Women in literature | |
| 653 | 2 | |a Italy | |
| 653 | 6 | |a Adaptations | |
| 689 | 0 | 0 | |a Pirandello, Luigi |d 1867-1936 |0 (DE-588)118594567 |D p |
| 689 | 0 | 1 | |a Verga, Giovanni |d 1840-1922 |0 (DE-588)118626558 |D p |
| 689 | 0 | 2 | |a Frau |g Motiv |0 (DE-588)4113617-2 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-781887-85-1 |
| 830 | 0 | |a Italian perspectives |v 40 |w (DE-604)BV013755569 |9 40 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-030910546 | ||
Datensatz im Suchindex
| _version_ | 1804179481284313088 |
|---|---|
| any_adam_object | |
| author | De Francisci, Enza |
| author_GND | (DE-588)1135156344 |
| author_facet | De Francisci, Enza |
| author_role | aut |
| author_sort | De Francisci, Enza |
| author_variant | f e d fe fed |
| building | Verbundindex |
| bvnumber | BV045526343 |
| ctrlnum | (OCoLC)1099845621 (DE-599)BVBBV045526343 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03013nam a2200541 cb4500</leader><controlfield tag="001">BV045526343</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20190430 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">190325s2018 |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781781887837</subfield><subfield code="c">(hbk.)</subfield><subfield code="9">978-1-78188-783-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1099845621</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045526343</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">De Francisci, Enza</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1135156344</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">A 'new' woman in Verga and Pirandello</subfield><subfield code="b">from page to stage</subfield><subfield code="c">Enza De Francisci</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Legenda</subfield><subfield code="c">2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">189 Seiten</subfield><subfield code="c">26 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Italian perspectives</subfield><subfield code="v">40</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">This book investigates how two leading Sicilian authors, Giovanni Verga (1840-1922) and Luigi Pirandello (1867-1936), transposed their short stories to the stage. Their leading female characters, gaining voices of their own, can be seen as 'new' women--a phrase recalling Henrik Ibsen's A Doll's House (1879). In uncovering these voices, De Francisci draws attention to the actresses performing them, namely Eleonora Duse (1858-1924) and Marta Abba (1900-1988). In giving a physical reality to characters otherwise existing only on paper, they became not only performers of Verga and Pirandello but also influences upon them. By tracing the evolution of these female characters, both on page and in the theatre, De Francisci offers new insights into why the narrative genre is so well suited to Verga's preoccupations, why the theatrical form is more effective in articulating Pirandello's umorismo, and what Pirandello's adaptations reveal about the way in which he comes to negotiate the transition from Realism (or verismo) to Modernism--back cover</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Pirandello, Luigi</subfield><subfield code="d">1867-1936</subfield><subfield code="0">(DE-588)118594567</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Verga, Giovanni</subfield><subfield code="d">1840-1922</subfield><subfield code="0">(DE-588)118626558</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Frau</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4113617-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Verga, Giovanni / 1840-1922 / Characters / Women</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Verga, Giovanni / 1840-1922 / Adaptations</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Pirandello, Luigi / 1867-1936 / Characters / Women</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Pirandello, Luigi / 1867-1936 / Adaptations</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Pirandello, Luigi / 1867-1936</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Verga, Giovanni / 1840-1922</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Feminism and theater / Italy</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Theater and society / Italy</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Feminism and theater</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Theater and society</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Women in literature</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Italy</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Adaptations</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Pirandello, Luigi</subfield><subfield code="d">1867-1936</subfield><subfield code="0">(DE-588)118594567</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Verga, Giovanni</subfield><subfield code="d">1840-1922</subfield><subfield code="0">(DE-588)118626558</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Frau</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4113617-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-781887-85-1</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Italian perspectives</subfield><subfield code="v">40</subfield><subfield code="w">(DE-604)BV013755569</subfield><subfield code="9">40</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030910546</subfield></datafield></record></collection> |
| id | DE-604.BV045526343 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:20:33Z |
| institution | BVB |
| isbn | 9781781887837 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030910546 |
| oclc_num | 1099845621 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 189 Seiten 26 cm |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Legenda |
| record_format | marc |
| series | Italian perspectives |
| series2 | Italian perspectives |
| spelling | De Francisci, Enza Verfasser (DE-588)1135156344 aut A 'new' woman in Verga and Pirandello from page to stage Enza De Francisci Cambridge Legenda 2018 189 Seiten 26 cm txt rdacontent n rdamedia nc rdacarrier Italian perspectives 40 This book investigates how two leading Sicilian authors, Giovanni Verga (1840-1922) and Luigi Pirandello (1867-1936), transposed their short stories to the stage. Their leading female characters, gaining voices of their own, can be seen as 'new' women--a phrase recalling Henrik Ibsen's A Doll's House (1879). In uncovering these voices, De Francisci draws attention to the actresses performing them, namely Eleonora Duse (1858-1924) and Marta Abba (1900-1988). In giving a physical reality to characters otherwise existing only on paper, they became not only performers of Verga and Pirandello but also influences upon them. By tracing the evolution of these female characters, both on page and in the theatre, De Francisci offers new insights into why the narrative genre is so well suited to Verga's preoccupations, why the theatrical form is more effective in articulating Pirandello's umorismo, and what Pirandello's adaptations reveal about the way in which he comes to negotiate the transition from Realism (or verismo) to Modernism--back cover Pirandello, Luigi 1867-1936 (DE-588)118594567 gnd rswk-swf Verga, Giovanni 1840-1922 (DE-588)118626558 gnd rswk-swf Frau Motiv (DE-588)4113617-2 gnd rswk-swf Verga, Giovanni / 1840-1922 / Characters / Women Verga, Giovanni / 1840-1922 / Adaptations Pirandello, Luigi / 1867-1936 / Characters / Women Pirandello, Luigi / 1867-1936 / Adaptations Pirandello, Luigi / 1867-1936 Verga, Giovanni / 1840-1922 Feminism and theater / Italy Theater and society / Italy Feminism and theater Theater and society Women in literature Italy Adaptations Pirandello, Luigi 1867-1936 (DE-588)118594567 p Verga, Giovanni 1840-1922 (DE-588)118626558 p Frau Motiv (DE-588)4113617-2 s DE-604 Erscheint auch als Online-Ausgabe 978-1-781887-85-1 Italian perspectives 40 (DE-604)BV013755569 40 |
| spellingShingle | De Francisci, Enza A 'new' woman in Verga and Pirandello from page to stage Italian perspectives Pirandello, Luigi 1867-1936 (DE-588)118594567 gnd Verga, Giovanni 1840-1922 (DE-588)118626558 gnd Frau Motiv (DE-588)4113617-2 gnd |
| subject_GND | (DE-588)118594567 (DE-588)118626558 (DE-588)4113617-2 |
| title | A 'new' woman in Verga and Pirandello from page to stage |
| title_auth | A 'new' woman in Verga and Pirandello from page to stage |
| title_exact_search | A 'new' woman in Verga and Pirandello from page to stage |
| title_full | A 'new' woman in Verga and Pirandello from page to stage Enza De Francisci |
| title_fullStr | A 'new' woman in Verga and Pirandello from page to stage Enza De Francisci |
| title_full_unstemmed | A 'new' woman in Verga and Pirandello from page to stage Enza De Francisci |
| title_short | A 'new' woman in Verga and Pirandello |
| title_sort | a new woman in verga and pirandello from page to stage |
| title_sub | from page to stage |
| topic | Pirandello, Luigi 1867-1936 (DE-588)118594567 gnd Verga, Giovanni 1840-1922 (DE-588)118626558 gnd Frau Motiv (DE-588)4113617-2 gnd |
| topic_facet | Pirandello, Luigi 1867-1936 Verga, Giovanni 1840-1922 Frau Motiv |
| volume_link | (DE-604)BV013755569 |
| work_keys_str_mv | AT defranciscienza anewwomaninvergaandpirandellofrompagetostage |