Why exhibit?: positions on exhibiting photographies
This publication offers a spectrum of views on how the myriad forms of exhibiting photographies can increase our understanding of how images operate today, as well as what they do to us when we interact with them. In the Digital Age, "photography" is best described with adjectives connotin...
Gespeichert in:
| Körperschaft: | |
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| Weitere Verfasser: | , |
| Format: | Tagungsbericht Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Fw:Books
[2018]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This publication offers a spectrum of views on how the myriad forms of exhibiting photographies can increase our understanding of how images operate today, as well as what they do to us when we interact with them. In the Digital Age, "photography" is best described with adjectives connoting a medium in constant flux: liquid, fluid, flexible, unstable. As such, there is no primary format for displaying photographs. By drawing upon the diverse perspectives of a group of curators, scholars, photographers, and artists based in the field of contemporary photography, this volume aims to provide a foundation for a wider discourse about exhibiting photographies in the twenty-first century |
| Beschreibung: | This book was accompanied by the symposium "Why exhibit? Provoking questions about exhibiting (extended) photography" which was organized during Krakow Photomonth 2018, Krakow, Poland, June 1, 2018 (which featured many of the writers and artists who have participated on this volume) |
| Beschreibung: | 367 Seiten Illustrationen 24 cm |
| ISBN: | 9789490119720 9789527131565 |
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| 520 | 3 | |a This publication offers a spectrum of views on how the myriad forms of exhibiting photographies can increase our understanding of how images operate today, as well as what they do to us when we interact with them. In the Digital Age, "photography" is best described with adjectives connoting a medium in constant flux: liquid, fluid, flexible, unstable. As such, there is no primary format for displaying photographs. By drawing upon the diverse perspectives of a group of curators, scholars, photographers, and artists based in the field of contemporary photography, this volume aims to provide a foundation for a wider discourse about exhibiting photographies in the twenty-first century | |
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| 653 | 0 | |a Museum exhibits | |
| 653 | 0 | |a Applied photography | |
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| 653 | 0 | |a Art and photography | |
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Datensatz im Suchindex
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|---|---|
| adam_text |
INTRODUCTION
7 ANNA-KAISA
RASTENBERGER AND
IRIS SIKKING
HOW TO DEAL WITH LIQUIDITY?
LY KRZY SZTOF PIJ ARSKI
ON PHOTOGRAPHY'S
LIQUIDITY, OR, (NEW)
SPACES FOR (NEW)
PUBLICS?
31 TUOMO RAINIO
INTERFACES FOR ARTISTIC
THINKING: REDEFINING
VISUAL AND SPATIAL
METAPHORS IN A POST-
DIGITAL CONDITION
43 DORIS GASSERT
CURATING UN/STABLE
IMAGES: SITUATIONS
AT FOTOMUSEUM
WINTERTHUR
57 SUVI LEHTINEN
FROM PRO SURFER TO
#USERMILITIA
67 IN CONVERSATION WITH
PENELOPE UMBRICO
ON UNINTENTIONAL
IMAGES AND THE WEB
AS A S ELF-PORTRAIT OF
OUR CULTURE
YY IN CONVERSATION WITH
SUSAN SCHUPPLI
ON PHOTOGRAPHIC
INTELLIGENCE
87 IN CONVERSATION WITH
NATASHA CARUANA
ON THE INTERTWINING
OF PHYSICAL AND
VIRTUAL SPACE
WHAT'S BEEN VIEWED?
97 ANNA-KAISA 129 IN CONVERSATION WITH
RASTENBERGER MARINA PAULENKA
WHY EXHIBIT?: AFFECTIVE ON FEMINIST APPROACHES
SPECTATORSHIP AND THE 137 IN CONVERSATION WITH
GAZE FROM SOMEWHERE MARK CURRAN ON
113 TACO HIDDE BAKKER MULTIVOCALITY AS A
TELEVISITING, OR, WHY REPRESENTATIONAL
VISIT AN EXHIBITION IN STRATEGY
PERSON IN THE AGE OF
HYPER-DOCUMENTATION?
119 MARKO KARO
FINALISTS: RESOUNDING
AN EXHIBITION
HOW TO FRAME?
147 NICLAS OSTLIND 195 IN CONVERSATION WITH
FRAMED OR UNFRAMED?: JULES SPINATSCH ON THE
HOW THE QUESTION OF PHYSICAL CONFRONTATION
PHOTOGRAPHY AS ART WITH IMAGES
HAS SHAPED EXHIBITION 203 IN CONVERSATION WITH
PRACTICE IN CONTEMPORARY ANNI WALLENIUS ON THE
PHOTOGRAPHY EVOLVING CHALLENGES OF
163 KAROLINA PUCHATA-ROJEK EXHIBITING PHOTOGRAPHY
AGAINST ARCHIVING?: COLLECTIONS
LIVING ARCHIVES BY 211 IN CONVERSATION
THE ARCHEOLOGY OF WITH BETTINA LEIDL
PHOTOGRAPHY FOUNDATION ON PHOTOGRAPHY
177 KIM KNOPPERS INSTITUTIONS AND
MINING THE ARCHIVE, SUSTAINABILITY
EXCAVATING IDENTITIES
WHO'S NARRATING THE SPACE?
219 IRIS SIKKING
TIME IS A LUXURY:
SPACE OF FLOWS IN
THE SPACE OF PLACES
239 NICOLO DEGIORGIS
BOOKS AS SPACES WITHIN
SPACES (ILLUSTRATED BY
FIVE CASE STUDIES)
255 ANNA TELLGREN
EXHIBITING A COLLECTION
OF PHOTOGRAPHY
269 IN CONVERSATION WITH
LISA BARNARD ON THE
FRAGMENTARY STRUCTURE
OF TODAY'S SOCIETIES
275 IN CONVERSATION
WITH ROBERT KNOTH
ON STRATEGIES IN
CONTEMPORARY
DOCUMENTARY
WHERE TO MEET?
285 TANVI MISHRA
THE AFTERLIFE OF A PHOTO-
GRAPH: RECONTEXTUALIZING
IMAGES AND INFLUENCING
PUBLIC MEMORY
301 LARS WILLUMEIT
WHY NOT.GATHER
TOGETHER?!*
IMAGINEERING THE
(UN-)BECOMINGS OF
PHOTOGRAPHY AS ARENAS
AND COMMUNITIES OF
COLLECTIVE MEANING-
MAKING AND COLLABORA-
TIVE AGENCY
325 GIGI ARGYROPOULOU
WHERE DO WE FIND EACH
OTHER?: ARTISTIC AND
CURATORIAL STRATEGIES
IN TRANSITIONAL TIMES
339 IN CONVERSATION WITH
AHMED ALALOUSI ON THE
HUMANIZING POTENTIAL
OF PERSONAL PHOTOS
349 IN CONVERSATION WITH
RUNE PEITERSEN ON
GRAY ZONES IN VISUAL
CULTURE
360 CONTRIBUTORS AND ARTISTS
367 ACKNOWLEDGEMENTS |
| any_adam_object | 1 |
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| author_facet | Rastenberger, Anna-Kaisa 1971- Sikking, Iris ca. 20. Jh Why Exhibit?: Provoking Questions about Exhibiting (Extended) Photography (Veranstaltung) Krakau |
| author_sort | Why Exhibit?: Provoking Questions about Exhibiting (Extended) Photography (Veranstaltung) Krakau |
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| bvnumber | BV045526286 |
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| title | Why exhibit? positions on exhibiting photographies |
| title_auth | Why exhibit? positions on exhibiting photographies |
| title_exact_search | Why exhibit? positions on exhibiting photographies |
| title_full | Why exhibit? positions on exhibiting photographies edited by Anna-Kaisa Rastenberger and Iris Sikking |
| title_fullStr | Why exhibit? positions on exhibiting photographies edited by Anna-Kaisa Rastenberger and Iris Sikking |
| title_full_unstemmed | Why exhibit? positions on exhibiting photographies edited by Anna-Kaisa Rastenberger and Iris Sikking |
| title_short | Why exhibit? |
| title_sort | why exhibit positions on exhibiting photographies |
| title_sub | positions on exhibiting photographies |
| topic | Fotografie (DE-588)4045895-7 gnd Ausstellung (DE-588)4129601-1 gnd |
| topic_facet | Fotografie Ausstellung Konferenzschrift 01.06.2018 Krakau |
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