What is performance art?: australian perspectives
What is Performance Art? Australian Perspectives' brings together texts from Australia's most prominent theorists in the field together with major exponents of performance art themselves, creating a critical archive, and dialogue, that stand as central document of Australian performance ar...
Gespeichert in:
Weitere Verfasser: | , , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Sydney, NSW
Power Publications
2018
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | What is Performance Art? Australian Perspectives' brings together texts from Australia's most prominent theorists in the field together with major exponents of performance art themselves, creating a critical archive, and dialogue, that stand as central document of Australian performance art?s first fifty years. Performance art in Australia now has a long and rich history that until only recently has been situated within the larger narrative of Australian art. It is a practice that has engaged with important issues of the self and being and remains at the epicentre of expressions of gender, politics and the nature of communication itself. Transient in nature, performance art is also mobile, economical and elastic. Unlike other Australian traditions (such as landscape painting), there has never been a question of what is distinctively Australian about it. This is because Australian performance art has always inhabited an international framework. But still, it is worth asking: what is the nature and contribution of Australian performance art from the 1970s until the present day? |
Beschreibung: | 424 Seiten Illustrationen |
ISBN: | 9780909952938 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV045525210 | ||
003 | DE-604 | ||
005 | 20190731 | ||
007 | t | ||
008 | 190323s2018 a||| |||| 00||| eng d | ||
020 | |a 9780909952938 |c paperback |9 978-0-909952-93-8 | ||
035 | |a (OCoLC)1098185329 | ||
035 | |a (DE-599)BVBBV045525210 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-255 | ||
245 | 1 | 0 | |a What is performance art? |b australian perspectives |c edited by Adam Geczy, Mimi Kelly : [contributors]: Heather Barker [und 37 weitere] |
264 | 1 | |a Sydney, NSW |b Power Publications |c 2018 | |
300 | |a 424 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a What is Performance Art? Australian Perspectives' brings together texts from Australia's most prominent theorists in the field together with major exponents of performance art themselves, creating a critical archive, and dialogue, that stand as central document of Australian performance art?s first fifty years. Performance art in Australia now has a long and rich history that until only recently has been situated within the larger narrative of Australian art. It is a practice that has engaged with important issues of the self and being and remains at the epicentre of expressions of gender, politics and the nature of communication itself. Transient in nature, performance art is also mobile, economical and elastic. Unlike other Australian traditions (such as landscape painting), there has never been a question of what is distinctively Australian about it. This is because Australian performance art has always inhabited an international framework. But still, it is worth asking: what is the nature and contribution of Australian performance art from the 1970s until the present day? | |
648 | 7 | |a Geschichte 1970- |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Performance |g Künste |0 (DE-588)4173750-7 |2 gnd |9 rswk-swf |
651 | 7 | |a Australien |0 (DE-588)4003900-6 |2 gnd |9 rswk-swf | |
655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
689 | 0 | 0 | |a Australien |0 (DE-588)4003900-6 |D g |
689 | 0 | 1 | |a Performance |g Künste |0 (DE-588)4173750-7 |D s |
689 | 0 | 2 | |a Geschichte 1970- |A z |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Geczy, Adam |d 1969- |0 (DE-588)122963512 |4 edt | |
700 | 1 | |a Kelly, Mimi |0 (DE-588)118327842X |4 edt | |
700 | 1 | |a Barker, Heather |4 ctb | |
856 | 4 | 2 | |m V:DE-604 |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030909442&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
999 | |a oai:aleph.bib-bvb.de:BVB01-030909442 |
Datensatz im Suchindex
_version_ | 1804179479525851136 |
---|---|
adam_text | CONTENTS
1.
INTRODUCTION:
WHAT IS PERFORMANCE
ART?
ADAM GECZY
PART
I
HISTORIES
1.5
IMAGINARY, SYMBOLIC, REAL: A SHORT HISTORY
OF
PERFORMANCE
REX
BUTLER
33 TO GIVE
LIP :
WHY
ART
WRITING
WENT
HAND-IN-HAND WITH
THE
APPEARANCE
OF
PERFORMANCE
ART
IN AUSTRALIA
HEATHER
BARKER
AND CHARLES GREEN
53 PERFORMANCE
ART-LIVE
AND ON SCREEN
ANNE MARSH
71.
ENCOUNTERS
WITH
PERFORMANCE/ART:
THEN AND
NOW
SARAH
MILLER
93
SPACE-ACTANT-EVENT:
A PERFORMANCE
ART
CRITERION
LAINI BURTON
1.07
PERFORMANCE DISTURBANCE: PERFORMANCE
ART
AND SCULPTURE
CHARLES
GREEN
1.1.5
PERFORMATIVITY
AND INDIGENOUS
ART
LAN MCLEAN
PART
11
THEORIES
135
A SPACE
WITHIN
TIME ITSELF :
THE
TIME SIGNATURES
OF
PERFORMANCE
ART
EDWARD SCHEER
151 PERFORMANCE AS POPULISM/POPULISM
AS
PERFORMANCE
REX
BUTLER
167 PERFORMANCE
ART
AND PERFORMING GENDER
ADAM GECZY
183 FALLING INTO PLACE: HOW PERFORMANCE REFLECTS
THE
ONTOLOGY
OF HAPPENING
ROBERT NELSON
201
STILL FRAUGHT, STILL RELEVANT: PERFORMINGTHROUGH POPULAR
CULTURE
MIMI KELLY
PART
III
INTERPRETATIONS
221
KEN
UNSWORTH:
AN EPILOGUE
BRAD BUCKLEY
229 HEARTLINES:
MEMORY
AND DESIRE
MARY
KNIGHTS
237 PERFORMANCE
AS COMPONENT
JOHN CONOMOS
251 OB-SCENIC
WORLD: ROMAINE MORETON S
RAGTAG
MAURICE
O RIORDAN
259 WHEN VERY LITTLE HAPPENS: DURATIONAL PERFORMANCES
BY FIONA MCGREGOR
AND TONY SCHWENSEN
BLAIR
FRENCH
269 WHITE GIRLS CAN T
HUMP:
RICHARD BELL S CULTURE
JAMMING AND PERFORMANCE POLITICS
JANELLE EVANS
275 FRAMING MOVEMENT
HANNAH MATHEWS
291
ENDURING PARALLELS
INEKE DANE
PART
IV TESTIMONIALS
301 SOME
THOUGHTS ON WHAT PERFORMANCE
ART
IS
JILL ORR
305 PERFORMANCE AND FILMING
OF
FRESH SKIN LIKE A BABY
(2010):
A REFLECTION ON
THE
CREATION OF THE
WORK
AND POSSIBLE FUTURE DISPLAY
MIKE PARR
312
SPACE, PLACE AND
IN
BETWEEN
TESS DE QUINCEY
321
AND
IF
SHE CONTACTS ME AGAIN SHE WILL KNOW
THE
MEANING
OF
PAIN
DEEJ FABYC
326 360-DEGREE
SELF-PORTRAIT:
ABOUTTURN
JULIE RRAP
332
I NSERT
TOKEN
TO
PLAY
BLAK DOUGLAS
337
UNSETTLING
SUITE
S.
J.
NORMAN
345 I STAND
IN: INTIMATE
TRANSACTIONS
FOR
THE FORGOTTEN,
MISPLACED, UNRECOVERED AND REMOVED
JULIE
VULCAN
351 MURRAY
RIVER
PUNCH: THE DRINK,
THE
PASTE, THE SOUP
BONITA ELY
363 DISCLOSURE AND FITTINGS
AT SYDNEY UNIVERSITY,
1972
TIM JOHNSON
368 CATCHINGAFALLINGKNIFE.COM:
THE DEEP
PLAY OF FINANCIAL AND CULTURAL SPECULATION
MICHAEL GOLDBERG
373 OR NOBODY
PAUL MUMME
379 EVERY
ARTIST
REMEMBERED (EAR)
AGATHA GOTHE-SNAPE
390
RENNY KODGERS,
ANAL
SCROLL
MARK
SHORTER
396
GIFT/BACK:
A PARTICIPATORY
PERFORMANCE PROJECT
BY
UNREASONABLE
ADULTS-A
REMIXED MEMORY
FROM WRITINGS
JASON SWEENEY
AND JULIE
VULCAN
401.
THE GHOSTS OF NOTHING:
THE
WORLD OF A WORK
OF PERFORMANCE-FRAMED-AS-ART
SEAN LOWRY
AND IIMARTAIMRE
409
SELECTED WORKS
PETER KENNEDY
41.3
IN
THE EVENT
OF
AMNESIA THE
CITY
WILL
RECALL
DENIS BEAUBOIS
|
any_adam_object | 1 |
author2 | Geczy, Adam 1969- Kelly, Mimi Barker, Heather |
author2_role | edt edt ctb |
author2_variant | a g ag m k mk h b hb |
author_GND | (DE-588)122963512 (DE-588)118327842X |
author_facet | Geczy, Adam 1969- Kelly, Mimi Barker, Heather |
building | Verbundindex |
bvnumber | BV045525210 |
ctrlnum | (OCoLC)1098185329 (DE-599)BVBBV045525210 |
era | Geschichte 1970- gnd |
era_facet | Geschichte 1970- |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02676nam a2200397 c 4500</leader><controlfield tag="001">BV045525210</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20190731 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">190323s2018 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780909952938</subfield><subfield code="c">paperback</subfield><subfield code="9">978-0-909952-93-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1098185329</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045525210</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-255</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">What is performance art?</subfield><subfield code="b">australian perspectives</subfield><subfield code="c">edited by Adam Geczy, Mimi Kelly : [contributors]: Heather Barker [und 37 weitere]</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Sydney, NSW</subfield><subfield code="b">Power Publications</subfield><subfield code="c">2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">424 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">What is Performance Art? Australian Perspectives' brings together texts from Australia's most prominent theorists in the field together with major exponents of performance art themselves, creating a critical archive, and dialogue, that stand as central document of Australian performance art?s first fifty years. Performance art in Australia now has a long and rich history that until only recently has been situated within the larger narrative of Australian art. It is a practice that has engaged with important issues of the self and being and remains at the epicentre of expressions of gender, politics and the nature of communication itself. Transient in nature, performance art is also mobile, economical and elastic. Unlike other Australian traditions (such as landscape painting), there has never been a question of what is distinctively Australian about it. This is because Australian performance art has always inhabited an international framework. But still, it is worth asking: what is the nature and contribution of Australian performance art from the 1970s until the present day?</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1970-</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Australien</subfield><subfield code="0">(DE-588)4003900-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Australien</subfield><subfield code="0">(DE-588)4003900-6</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1970-</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Geczy, Adam</subfield><subfield code="d">1969-</subfield><subfield code="0">(DE-588)122963512</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Kelly, Mimi</subfield><subfield code="0">(DE-588)118327842X</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Barker, Heather</subfield><subfield code="4">ctb</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">V:DE-604</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030909442&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030909442</subfield></datafield></record></collection> |
genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
geographic | Australien (DE-588)4003900-6 gnd |
geographic_facet | Australien |
id | DE-604.BV045525210 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:20:31Z |
institution | BVB |
isbn | 9780909952938 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030909442 |
oclc_num | 1098185329 |
open_access_boolean | |
owner | DE-12 DE-255 |
owner_facet | DE-12 DE-255 |
physical | 424 Seiten Illustrationen |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Power Publications |
record_format | marc |
spelling | What is performance art? australian perspectives edited by Adam Geczy, Mimi Kelly : [contributors]: Heather Barker [und 37 weitere] Sydney, NSW Power Publications 2018 424 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier What is Performance Art? Australian Perspectives' brings together texts from Australia's most prominent theorists in the field together with major exponents of performance art themselves, creating a critical archive, and dialogue, that stand as central document of Australian performance art?s first fifty years. Performance art in Australia now has a long and rich history that until only recently has been situated within the larger narrative of Australian art. It is a practice that has engaged with important issues of the self and being and remains at the epicentre of expressions of gender, politics and the nature of communication itself. Transient in nature, performance art is also mobile, economical and elastic. Unlike other Australian traditions (such as landscape painting), there has never been a question of what is distinctively Australian about it. This is because Australian performance art has always inhabited an international framework. But still, it is worth asking: what is the nature and contribution of Australian performance art from the 1970s until the present day? Geschichte 1970- gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Australien (DE-588)4003900-6 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Australien (DE-588)4003900-6 g Performance Künste (DE-588)4173750-7 s Geschichte 1970- z DE-604 Geczy, Adam 1969- (DE-588)122963512 edt Kelly, Mimi (DE-588)118327842X edt Barker, Heather ctb V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030909442&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | What is performance art? australian perspectives Performance Künste (DE-588)4173750-7 gnd |
subject_GND | (DE-588)4173750-7 (DE-588)4003900-6 (DE-588)4143413-4 |
title | What is performance art? australian perspectives |
title_auth | What is performance art? australian perspectives |
title_exact_search | What is performance art? australian perspectives |
title_full | What is performance art? australian perspectives edited by Adam Geczy, Mimi Kelly : [contributors]: Heather Barker [und 37 weitere] |
title_fullStr | What is performance art? australian perspectives edited by Adam Geczy, Mimi Kelly : [contributors]: Heather Barker [und 37 weitere] |
title_full_unstemmed | What is performance art? australian perspectives edited by Adam Geczy, Mimi Kelly : [contributors]: Heather Barker [und 37 weitere] |
title_short | What is performance art? |
title_sort | what is performance art australian perspectives |
title_sub | australian perspectives |
topic | Performance Künste (DE-588)4173750-7 gnd |
topic_facet | Performance Künste Australien Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030909442&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT geczyadam whatisperformanceartaustralianperspectives AT kellymimi whatisperformanceartaustralianperspectives AT barkerheather whatisperformanceartaustralianperspectives |