Brahms's Elegies: the poetics of loss in nineteenth-century German culture
Nicole Grimes provides a compellingly fresh perspective on a series of Brahms's elegiac works by bringing together the disciplines of historical musicology, German studies, and cultural history. Her exploration of the expressive potential of Schicksalslied, Nanie, Gesang der Parzen, and the Vie...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom
Cambridge University Press
2019
|
| Schriftenreihe: | Music in context
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 UBR01 Volltext |
| Zusammenfassung: | Nicole Grimes provides a compellingly fresh perspective on a series of Brahms's elegiac works by bringing together the disciplines of historical musicology, German studies, and cultural history. Her exploration of the expressive potential of Schicksalslied, Nanie, Gesang der Parzen, and the Vier ernste Gesange reveals the philosophical weight of this music. She considers the German tradition of the poetics of loss that extends from the late-eighteenth-century texts by Hoelderlin, Schiller and Goethe set by Brahms, and includes other philosophical and poetic works present in his library, to the mid-twentieth-century aesthetics of Adorno, who was preoccupied as much by Brahms as by their shared literary heritage. Her multifaceted focus on endings - the end of tonality, the end of the nineteenth century, and themes of loss in the music - illuminates our understanding of Brahms and lateness, and the place of Brahms in the fabric of modernist culture. - Nicole Grimes is Assistant Professor of Music at the University of California, Irvine. She serves on the Editorial Board of Music Analysis and is a member of the Board of Directors of the American Brahms Society. Previous works include Mendelssohn Perspectives (2012) and Rethinking Hanslick: Music, Formalism, and Expression (2013). (Klappentext) |
| Beschreibung: | 1 Online-Ressource (XIV, 277 Seiten) Illustrationen, Notenbeispiele |
| ISBN: | 9781108589758 |
| DOI: | 10.1017/9781108589758 |
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| 520 | |a Nicole Grimes provides a compellingly fresh perspective on a series of Brahms's elegiac works by bringing together the disciplines of historical musicology, German studies, and cultural history. Her exploration of the expressive potential of Schicksalslied, Nanie, Gesang der Parzen, and the Vier ernste Gesange reveals the philosophical weight of this music. She considers the German tradition of the poetics of loss that extends from the late-eighteenth-century texts by Hoelderlin, Schiller and Goethe set by Brahms, and includes other philosophical and poetic works present in his library, to the mid-twentieth-century aesthetics of Adorno, who was preoccupied as much by Brahms as by their shared literary heritage. Her multifaceted focus on endings - the end of tonality, the end of the nineteenth century, and themes of loss in the music - illuminates our understanding of Brahms and lateness, and the place of Brahms in the fabric of modernist culture. - Nicole Grimes is Assistant Professor of Music at the University of California, Irvine. She serves on the Editorial Board of Music Analysis and is a member of the Board of Directors of the American Brahms Society. Previous works include Mendelssohn Perspectives (2012) and Rethinking Hanslick: Music, Formalism, and Expression (2013). (Klappentext) | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Grimes, Nicole ca. 20./21. Jh |
| author_GND | (DE-588)1034374699 |
| author_facet | Grimes, Nicole ca. 20./21. Jh |
| author_role | aut |
| author_sort | Grimes, Nicole ca. 20./21. Jh |
| author_variant | n g ng |
| building | Verbundindex |
| bvnumber | BV045522763 |
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| contents | Introduction; 1. Brahms's ascending circle: Hoelderlin and Schicksalslied; 2. The ennoblement of mourning: Nanie and the death of beauty; 3. A disembodied head for mythic justice: Gesang der Parzen; 4. The last great cultural harvest: Nietzsche and the Vier ernste Gesange; 5. The sense of an ending: music's return to the land of childhood; Epilogue |
| ctrlnum | (ZDB-20-CBO)CR9781108589758 (OCoLC)1090781410 (DE-599)BVBBV045522763 |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/9781108589758 |
| format | Electronic eBook |
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| id | DE-604.BV045522763 |
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| indexdate | 2024-07-10T08:20:27Z |
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| isbn | 9781108589758 |
| language | English |
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| series2 | Music in context |
| spelling | Grimes, Nicole ca. 20./21. Jh. Verfasser (DE-588)1034374699 aut Brahms's Elegies the poetics of loss in nineteenth-century German culture Nicole Grimes (University of California, Irvine) Cambridge, United Kingdom Cambridge University Press 2019 1 Online-Ressource (XIV, 277 Seiten) Illustrationen, Notenbeispiele txt rdacontent c rdamedia cr rdacarrier Music in context Introduction; 1. Brahms's ascending circle: Hoelderlin and Schicksalslied; 2. The ennoblement of mourning: Nanie and the death of beauty; 3. A disembodied head for mythic justice: Gesang der Parzen; 4. The last great cultural harvest: Nietzsche and the Vier ernste Gesange; 5. The sense of an ending: music's return to the land of childhood; Epilogue Nicole Grimes provides a compellingly fresh perspective on a series of Brahms's elegiac works by bringing together the disciplines of historical musicology, German studies, and cultural history. Her exploration of the expressive potential of Schicksalslied, Nanie, Gesang der Parzen, and the Vier ernste Gesange reveals the philosophical weight of this music. She considers the German tradition of the poetics of loss that extends from the late-eighteenth-century texts by Hoelderlin, Schiller and Goethe set by Brahms, and includes other philosophical and poetic works present in his library, to the mid-twentieth-century aesthetics of Adorno, who was preoccupied as much by Brahms as by their shared literary heritage. Her multifaceted focus on endings - the end of tonality, the end of the nineteenth century, and themes of loss in the music - illuminates our understanding of Brahms and lateness, and the place of Brahms in the fabric of modernist culture. - Nicole Grimes is Assistant Professor of Music at the University of California, Irvine. She serves on the Editorial Board of Music Analysis and is a member of the Board of Directors of the American Brahms Society. Previous works include Mendelssohn Perspectives (2012) and Rethinking Hanslick: Music, Formalism, and Expression (2013). (Klappentext) Brahms, Johannes 1833-1897 Ernste Gesänge (DE-588)300025084 gnd rswk-swf Brahms, Johannes 1833-1897 Schicksalslied (DE-588)300026765 gnd rswk-swf Brahms, Johannes 1833-1897 Gesang der Parzen (DE-588)300025440 gnd rswk-swf Brahms, Johannes 1833-1897 Nänie (DE-588)300026390 gnd rswk-swf Brahms, Johannes / 1833-1897 / Criticism and interpretation Brahms, Johannes / 1833-1897 / Schicksalslied Brahms, Johannes / 1833-1897 / Nänie Brahms, Johannes / 1833-1897 / Gesang der Parzen Brahms, Johannes / 1833-1897 / Ernste Gesänge Brahms, Johannes / 1833-1897 Ernste Gesänge (Brahms, Johannes) Gesang der Parzen (Brahms, Johannes) Nänie (Brahms, Johannes) Schicksalslied (Brahms, Johannes) Vocal music / Germany / 19th century / History and criticism Vocal music Germany 1800-1899 Criticism, interpretation, etc Brahms, Johannes 1833-1897 Schicksalslied (DE-588)300026765 u DE-604 Brahms, Johannes 1833-1897 Nänie (DE-588)300026390 u Brahms, Johannes 1833-1897 Gesang der Parzen (DE-588)300025440 u Brahms, Johannes 1833-1897 Ernste Gesänge (DE-588)300025084 u Erscheint auch als Online-Ausgabe 978-1-108-58975-8 Erscheint auch als Druck-Ausgabe 978-1-108-47449-8 https://doi.org/10.1017/9781108589758 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Grimes, Nicole ca. 20./21. Jh Brahms's Elegies the poetics of loss in nineteenth-century German culture Introduction; 1. Brahms's ascending circle: Hoelderlin and Schicksalslied; 2. The ennoblement of mourning: Nanie and the death of beauty; 3. A disembodied head for mythic justice: Gesang der Parzen; 4. The last great cultural harvest: Nietzsche and the Vier ernste Gesange; 5. The sense of an ending: music's return to the land of childhood; Epilogue Brahms, Johannes 1833-1897 Ernste Gesänge (DE-588)300025084 gnd Brahms, Johannes 1833-1897 Schicksalslied (DE-588)300026765 gnd Brahms, Johannes 1833-1897 Gesang der Parzen (DE-588)300025440 gnd Brahms, Johannes 1833-1897 Nänie (DE-588)300026390 gnd |
| subject_GND | (DE-588)300025084 (DE-588)300026765 (DE-588)300025440 (DE-588)300026390 |
| title | Brahms's Elegies the poetics of loss in nineteenth-century German culture |
| title_auth | Brahms's Elegies the poetics of loss in nineteenth-century German culture |
| title_exact_search | Brahms's Elegies the poetics of loss in nineteenth-century German culture |
| title_full | Brahms's Elegies the poetics of loss in nineteenth-century German culture Nicole Grimes (University of California, Irvine) |
| title_fullStr | Brahms's Elegies the poetics of loss in nineteenth-century German culture Nicole Grimes (University of California, Irvine) |
| title_full_unstemmed | Brahms's Elegies the poetics of loss in nineteenth-century German culture Nicole Grimes (University of California, Irvine) |
| title_short | Brahms's Elegies |
| title_sort | brahms s elegies the poetics of loss in nineteenth century german culture |
| title_sub | the poetics of loss in nineteenth-century German culture |
| topic | Brahms, Johannes 1833-1897 Ernste Gesänge (DE-588)300025084 gnd Brahms, Johannes 1833-1897 Schicksalslied (DE-588)300026765 gnd Brahms, Johannes 1833-1897 Gesang der Parzen (DE-588)300025440 gnd Brahms, Johannes 1833-1897 Nänie (DE-588)300026390 gnd |
| topic_facet | Brahms, Johannes 1833-1897 Ernste Gesänge Brahms, Johannes 1833-1897 Schicksalslied Brahms, Johannes 1833-1897 Gesang der Parzen Brahms, Johannes 1833-1897 Nänie |
| url | https://doi.org/10.1017/9781108589758 |
| work_keys_str_mv | AT grimesnicole brahmsselegiesthepoeticsoflossinnineteenthcenturygermanculture |