Models of integrity: art and law in post-sixties America
"Models of Integrity discusses the history of the relationship between contemporary art and the law through the lens of integrity. From the late 1960s, artists engaged conspicuously with ideas, rituals, or documents of the law--an institution subject to intense moral and political scrutiny, yet...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oakland, California
University of California Press
[2019]
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| Schlagworte: | |
| Zusammenfassung: | "Models of Integrity discusses the history of the relationship between contemporary art and the law through the lens of integrity. From the late 1960s, artists engaged conspicuously with ideas, rituals, or documents of the law--an institution subject to intense moral and political scrutiny, yet whose primacy in the social infrastructure made it a widely recognized source of authority to audiences both in and out of the art world. These engagements with law were frequently undertaken in ways that signaled a recuperation of integrity compromised by the very institutions supposedly entrusted with establishing standards of just conduct. Having integrity also meant conveying to audiences the social purpose of an artwork without overstating its political impact or losing sight of how aesthetic decisions might compel audiences to see their everyday world differently"--Provided by publisher |
| Beschreibung: | x, 310 Seiten Illustrationen |
| ISBN: | 9780520299382 |
Internformat
MARC
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| 020 | |a 9780520299382 |c (cloth : alk. paper) |9 978-0-520-29938-2 | ||
| 035 | |a (OCoLC)1096365300 | ||
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| 100 | 1 | |a Kee, Joan |e Verfasser |0 (DE-588)1024387070 |4 aut | |
| 245 | 1 | 0 | |a Models of integrity |b art and law in post-sixties America |c Joan Kee |
| 264 | 1 | |a Oakland, California |b University of California Press |c [2019] | |
| 264 | 4 | |c © 2019 | |
| 300 | |a x, 310 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Partners in advocacy: the artist's reserved rights transfer and sale agreement -- Circling the law : Christo and Jeanne-Claude's running fence -- Claims for defiance : Gordon Matta-Clark's domains -- Radical obedience : Tehching Hsieh's one year performances -- Arts of disengagement : Sally Mann's "immediate family" -- Double embodiments : Felix Gonzalez-Torres's certificates | |
| 520 | 3 | |a "Models of Integrity discusses the history of the relationship between contemporary art and the law through the lens of integrity. From the late 1960s, artists engaged conspicuously with ideas, rituals, or documents of the law--an institution subject to intense moral and political scrutiny, yet whose primacy in the social infrastructure made it a widely recognized source of authority to audiences both in and out of the art world. These engagements with law were frequently undertaken in ways that signaled a recuperation of integrity compromised by the very institutions supposedly entrusted with establishing standards of just conduct. Having integrity also meant conveying to audiences the social purpose of an artwork without overstating its political impact or losing sight of how aesthetic decisions might compel audiences to see their everyday world differently"--Provided by publisher | |
| 648 | 7 | |a Geschichte 1970-2019 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Law and art / United States / History / 20th century | |
| 650 | 4 | |a Law and art / United States / History / 20th century / Case studies | |
| 650 | 4 | |a Artists / United States / History / 20th century | |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
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| 650 | 0 | 7 | |a Rechtssystem |0 (DE-588)4139924-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Integrität |g Motiv |0 (DE-588)4875302-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Politische Kunst |0 (DE-588)4175029-9 |2 gnd |9 rswk-swf |
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Datensatz im Suchindex
| _version_ | 1804179464101298176 |
|---|---|
| any_adam_object | |
| author | Kee, Joan |
| author_GND | (DE-588)1024387070 |
| author_facet | Kee, Joan |
| author_role | aut |
| author_sort | Kee, Joan |
| author_variant | j k jk |
| building | Verbundindex |
| bvnumber | BV045516396 |
| classification_rvk | LO 94030 LH 60140 |
| contents | Partners in advocacy: the artist's reserved rights transfer and sale agreement -- Circling the law : Christo and Jeanne-Claude's running fence -- Claims for defiance : Gordon Matta-Clark's domains -- Radical obedience : Tehching Hsieh's one year performances -- Arts of disengagement : Sally Mann's "immediate family" -- Double embodiments : Felix Gonzalez-Torres's certificates |
| ctrlnum | (OCoLC)1096365300 (DE-599)BVBBV045516396 |
| dewey-full | 344.73097 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 344 - Labor, social, education & cultural law |
| dewey-raw | 344.73097 |
| dewey-search | 344.73097 |
| dewey-sort | 3344.73097 |
| dewey-tens | 340 - Law |
| discipline | Kunstgeschichte Rechtswissenschaft |
| era | Geschichte 1970-2019 gnd |
| era_facet | Geschichte 1970-2019 |
| format | Book |
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| geographic_facet | USA |
| id | DE-604.BV045516396 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:20:17Z |
| institution | BVB |
| isbn | 9780520299382 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030900774 |
| oclc_num | 1096365300 |
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| physical | x, 310 Seiten Illustrationen |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | University of California Press |
| record_format | marc |
| spelling | Kee, Joan Verfasser (DE-588)1024387070 aut Models of integrity art and law in post-sixties America Joan Kee Oakland, California University of California Press [2019] © 2019 x, 310 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Partners in advocacy: the artist's reserved rights transfer and sale agreement -- Circling the law : Christo and Jeanne-Claude's running fence -- Claims for defiance : Gordon Matta-Clark's domains -- Radical obedience : Tehching Hsieh's one year performances -- Arts of disengagement : Sally Mann's "immediate family" -- Double embodiments : Felix Gonzalez-Torres's certificates "Models of Integrity discusses the history of the relationship between contemporary art and the law through the lens of integrity. From the late 1960s, artists engaged conspicuously with ideas, rituals, or documents of the law--an institution subject to intense moral and political scrutiny, yet whose primacy in the social infrastructure made it a widely recognized source of authority to audiences both in and out of the art world. These engagements with law were frequently undertaken in ways that signaled a recuperation of integrity compromised by the very institutions supposedly entrusted with establishing standards of just conduct. Having integrity also meant conveying to audiences the social purpose of an artwork without overstating its political impact or losing sight of how aesthetic decisions might compel audiences to see their everyday world differently"--Provided by publisher Geschichte 1970-2019 gnd rswk-swf Law and art / United States / History / 20th century Law and art / United States / History / 20th century / Case studies Artists / United States / History / 20th century Kunst (DE-588)4114333-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Rechtssystem (DE-588)4139924-9 gnd rswk-swf Integrität Motiv (DE-588)4875302-6 gnd rswk-swf Politische Kunst (DE-588)4175029-9 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Integrität Motiv (DE-588)4875302-6 s Politische Kunst (DE-588)4175029-9 s Ästhetik (DE-588)4000626-8 s Kunst (DE-588)4114333-4 s Rechtssystem (DE-588)4139924-9 s Geschichte 1970-2019 z DE-604 Erscheint auch als Online-Ausgabe 978-0-520-97113-4 |
| spellingShingle | Kee, Joan Models of integrity art and law in post-sixties America Partners in advocacy: the artist's reserved rights transfer and sale agreement -- Circling the law : Christo and Jeanne-Claude's running fence -- Claims for defiance : Gordon Matta-Clark's domains -- Radical obedience : Tehching Hsieh's one year performances -- Arts of disengagement : Sally Mann's "immediate family" -- Double embodiments : Felix Gonzalez-Torres's certificates Law and art / United States / History / 20th century Law and art / United States / History / 20th century / Case studies Artists / United States / History / 20th century Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd Rechtssystem (DE-588)4139924-9 gnd Integrität Motiv (DE-588)4875302-6 gnd Politische Kunst (DE-588)4175029-9 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4000626-8 (DE-588)4139924-9 (DE-588)4875302-6 (DE-588)4175029-9 (DE-588)4078704-7 |
| title | Models of integrity art and law in post-sixties America |
| title_auth | Models of integrity art and law in post-sixties America |
| title_exact_search | Models of integrity art and law in post-sixties America |
| title_full | Models of integrity art and law in post-sixties America Joan Kee |
| title_fullStr | Models of integrity art and law in post-sixties America Joan Kee |
| title_full_unstemmed | Models of integrity art and law in post-sixties America Joan Kee |
| title_short | Models of integrity |
| title_sort | models of integrity art and law in post sixties america |
| title_sub | art and law in post-sixties America |
| topic | Law and art / United States / History / 20th century Law and art / United States / History / 20th century / Case studies Artists / United States / History / 20th century Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd Rechtssystem (DE-588)4139924-9 gnd Integrität Motiv (DE-588)4875302-6 gnd Politische Kunst (DE-588)4175029-9 gnd |
| topic_facet | Law and art / United States / History / 20th century Law and art / United States / History / 20th century / Case studies Artists / United States / History / 20th century Kunst Ästhetik Rechtssystem Integrität Motiv Politische Kunst USA |
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