Shakespeare in the theatre: the King's Men:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
The Arden Shakespeare
2020
|
| Schriftenreihe: | Shakespeare in the theatre
The Arden Shakespeare Drama & performance studies |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xxv, 239 Seiten |
| ISBN: | 9781474262613 |
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Datensatz im Suchindex
| _version_ | 1804179464062500864 |
|---|---|
| adam_text | CONTENTS List of Illustrations vii Abbreviations and Note on the Text viii Acknowledgements ix Series Preface xi Preface: 1603 xiii Prologue: Playing the Court, 1604-5 i 1 The Art and Faculty of Playing: The King’s Men and Their Roles 9 Interlude: Playing the Court, 1612-13 2 45 Collaboration, Competition and Candlelight: Othello and The Alchemist 51 Interlude: Playing the Court, 1619-20 83 3 Painful Adventures: Pericles and the ‘Traffic’ of the Stage 87 Interlude: Playing the Court, 1633-4 4 117 Alen, Women and Magic: Shakespeare, the Merry Devil and the Prophetess 123 Interlude: Playing the Court, 1636-7 145
CONTENTS VI 5 Summer Days at the Globe: Richard II, Henry VIII and the Politics of Playing 151 Epilogue: Hamlet without the Prince, 1642-60 177 Appendix 185 Notes 195 References 207 Index 222
Each volume in the Shakespeare in the Theatre series focuses on a director or theatre company who has made a significant contribution to Shakespeare production, identifying the artistic and poiitical/social contexts of their work. The series introduces readers to the work of theatre directors and companies whose Shakespeare productions have been transformative in our understanding of his plays in performance. Each volume examines a single figure or company, considering their key productions, rehearsal approaches and their work with other artists. Created when James I granted royal patronage to the former Chamberlain s Men in 1603, the King s Men were the first playing company to exercise a transformative influence on Shakespeare s plays. Shakespeare was at the heart of their activities for nearly four decades, as player, playwright and theatrical commodity, and these interconnecting versions of Shakespeare are the subject of Shakespeare in the Theatre: The King s Men. The book draws on theatre history, performance studies and cultural history in order to reappraise the company as theatre makers in their own right. It analyses in detail the performance practices, cultural contexts and political pressures that helped to shape and reshape Shakespeare s plays between 1603 and 1660. Exploring questions of authority, service, commodity and collaboration that were crucial to the company s practices, it presents case-studies of the early performance histories of some of the most enduringly popular plays - Othello, Pericles, The Tempest, The Winter s Tale, Richard II and Henry
VIII - alongside a detailed reappraisal of the repertory of the company and the place of Shakespeare s plays within it.
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