Henry Taylor - The only portrait I ever painted of my momma was stolen:
"Legendary artist Henry Taylor's first major monograph chronicles his life and work--the "visual equivalent of the blues." This definitive survey of over 200 of the painter's portraits and street scenes forms a personal and political portrait of society today. For three deca...
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
New York, NY
Rizzoli Electa
2018
Los Angeles, CA Blum & Poe |
Schlagworte: | |
Zusammenfassung: | "Legendary artist Henry Taylor's first major monograph chronicles his life and work--the "visual equivalent of the blues." This definitive survey of over 200 of the painter's portraits and street scenes forms a personal and political portrait of society today. For three decades the iconic artist has worked his way through New York, Los Angeles, Europe, and Africa, documenting what he sees. In his circle are artists, musicians, writers, performers, as well as friends from his ten years as a psychiatric technician. It is the artist's empathetic eye that allows him to imagine his figures with authenticity and grace--not better than they are, or more glamorous--but part of a big, complicated world. Flat, brushy flows of color cast figures that often float in surreal landscapes abstracted from the barbeque in the park, or neighboring street. Suites of Taylor's paintings are reproduced alongside handwritten accounts of the sittings, offering an in-depth understanding of the artist's world. Contributions by Charles Gaines, Rachel Kaadzi Ghansah, Sarah Lewis, and Zadie Smith touch on the nature of truth, racial terror; memory and belonging in America. This definitive monograph celebrates Taylor's direct and revealing portraits, offering a tonic to a divisive cultural moment." -- Publisher's description |
Beschreibung: | Includes bibliographical references (pages 306-308) and index |
Beschreibung: | 320 Seiten 32 cm |
ISBN: | 0847863107 9780847863105 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV045513640 | ||
003 | DE-604 | ||
007 | t | ||
008 | 190315s2018 |||| 00||| eng d | ||
020 | |a 0847863107 |9 0-8478-6310-7 | ||
020 | |a 9780847863105 |9 978-0-8478-6310-5 | ||
035 | |a (OCoLC)1083903437 | ||
035 | |a (DE-599)BSZ516576925 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-255 | ||
050 | 0 | |a N6537.T394 | |
082 | 0 | |a 759.13 | |
084 | |a KUNST |q DE-14 |2 fid | ||
084 | |a LI 99999 |0 (DE-625)97471: |2 rvk | ||
100 | 1 | |a Taylor, Henry |d 1958- |0 (DE-588)106013585X |4 art | |
245 | 1 | 0 | |a Henry Taylor - The only portrait I ever painted of my momma was stolen |c with contributions by Zadie Smith [und 3 weiteren] |
246 | 1 | 3 | |a only portrait I ever painted of my momma was stolen |
264 | 1 | |a New York, NY |b Rizzoli Electa |c 2018 | |
264 | 1 | |a Los Angeles, CA |b Blum & Poe | |
300 | |a 320 Seiten |c 32 cm | ||
336 | |b sti |2 rdacontent | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Includes bibliographical references (pages 306-308) and index | ||
520 | 3 | |a "Legendary artist Henry Taylor's first major monograph chronicles his life and work--the "visual equivalent of the blues." This definitive survey of over 200 of the painter's portraits and street scenes forms a personal and political portrait of society today. For three decades the iconic artist has worked his way through New York, Los Angeles, Europe, and Africa, documenting what he sees. In his circle are artists, musicians, writers, performers, as well as friends from his ten years as a psychiatric technician. It is the artist's empathetic eye that allows him to imagine his figures with authenticity and grace--not better than they are, or more glamorous--but part of a big, complicated world. Flat, brushy flows of color cast figures that often float in surreal landscapes abstracted from the barbeque in the park, or neighboring street. Suites of Taylor's paintings are reproduced alongside handwritten accounts of the sittings, offering an in-depth understanding of the artist's world. Contributions by Charles Gaines, Rachel Kaadzi Ghansah, Sarah Lewis, and Zadie Smith touch on the nature of truth, racial terror; memory and belonging in America. This definitive monograph celebrates Taylor's direct and revealing portraits, offering a tonic to a divisive cultural moment." -- Publisher's description | |
600 | 1 | 7 | |a Taylor, Henry |d 1958- |0 (DE-588)106013585X |2 gnd |9 rswk-swf |
648 | 7 | |a Geschichte 2008-2017 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Malerei |0 (DE-588)4037220-0 |2 gnd |9 rswk-swf |
653 | 1 | |a Taylor, Henry 1958- / 2000-2099 | |
653 | 0 | |a Painting, American / 21st century | |
653 | 0 | |a Painting, American / Exhibitions / 21st century | |
653 | 0 | |a African American artists / Exhibitions | |
653 | 0 | |a African American artists | |
653 | 0 | |a Painting, American | |
655 | 7 | |0 (DE-588)4145395-5 |a Bildband |2 gnd-content | |
689 | 0 | 0 | |a Taylor, Henry |d 1958- |0 (DE-588)106013585X |D p |
689 | 0 | 1 | |a Malerei |0 (DE-588)4037220-0 |D s |
689 | 0 | 2 | |a Geschichte 2008-2017 |A z |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Smith, Zadie |d 1975- |0 (DE-588)122702506 |4 wst | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-030898092 |
Datensatz im Suchindex
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---|---|
adam_text | |
any_adam_object | |
author_GND | (DE-588)106013585X (DE-588)122702506 |
building | Verbundindex |
bvnumber | BV045513640 |
callnumber-first | N - Fine Arts |
callnumber-label | N6537 |
callnumber-raw | N6537.T394 |
callnumber-search | N6537.T394 |
callnumber-sort | N 46537 T394 |
callnumber-subject | N - Visual Arts |
classification_rvk | LI 99999 |
ctrlnum | (OCoLC)1083903437 (DE-599)BSZ516576925 |
dewey-full | 759.13 |
dewey-hundreds | 700 - The arts |
dewey-ones | 759 - History, geographic treatment, biography |
dewey-raw | 759.13 |
dewey-search | 759.13 |
dewey-sort | 3759.13 |
dewey-tens | 750 - Painting and paintings |
discipline | Kunstgeschichte |
era | Geschichte 2008-2017 gnd |
era_facet | Geschichte 2008-2017 |
format | Book |
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genre_facet | Bildband |
id | DE-604.BV045513640 |
illustrated | Not Illustrated |
indexdate | 2024-09-23T20:21:52Z |
institution | BVB |
isbn | 0847863107 9780847863105 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030898092 |
oclc_num | 1083903437 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
physical | 320 Seiten 32 cm |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Rizzoli Electa Blum & Poe |
record_format | marc |
spelling | Taylor, Henry 1958- (DE-588)106013585X art Henry Taylor - The only portrait I ever painted of my momma was stolen with contributions by Zadie Smith [und 3 weiteren] only portrait I ever painted of my momma was stolen New York, NY Rizzoli Electa 2018 Los Angeles, CA Blum & Poe 320 Seiten 32 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (pages 306-308) and index "Legendary artist Henry Taylor's first major monograph chronicles his life and work--the "visual equivalent of the blues." This definitive survey of over 200 of the painter's portraits and street scenes forms a personal and political portrait of society today. For three decades the iconic artist has worked his way through New York, Los Angeles, Europe, and Africa, documenting what he sees. In his circle are artists, musicians, writers, performers, as well as friends from his ten years as a psychiatric technician. It is the artist's empathetic eye that allows him to imagine his figures with authenticity and grace--not better than they are, or more glamorous--but part of a big, complicated world. Flat, brushy flows of color cast figures that often float in surreal landscapes abstracted from the barbeque in the park, or neighboring street. Suites of Taylor's paintings are reproduced alongside handwritten accounts of the sittings, offering an in-depth understanding of the artist's world. Contributions by Charles Gaines, Rachel Kaadzi Ghansah, Sarah Lewis, and Zadie Smith touch on the nature of truth, racial terror; memory and belonging in America. This definitive monograph celebrates Taylor's direct and revealing portraits, offering a tonic to a divisive cultural moment." -- Publisher's description Taylor, Henry 1958- (DE-588)106013585X gnd rswk-swf Geschichte 2008-2017 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Taylor, Henry 1958- / 2000-2099 Painting, American / 21st century Painting, American / Exhibitions / 21st century African American artists / Exhibitions African American artists Painting, American (DE-588)4145395-5 Bildband gnd-content Taylor, Henry 1958- (DE-588)106013585X p Malerei (DE-588)4037220-0 s Geschichte 2008-2017 z DE-604 Smith, Zadie 1975- (DE-588)122702506 wst |
spellingShingle | Henry Taylor - The only portrait I ever painted of my momma was stolen Taylor, Henry 1958- (DE-588)106013585X gnd Malerei (DE-588)4037220-0 gnd |
subject_GND | (DE-588)106013585X (DE-588)4037220-0 (DE-588)4145395-5 |
title | Henry Taylor - The only portrait I ever painted of my momma was stolen |
title_alt | only portrait I ever painted of my momma was stolen |
title_auth | Henry Taylor - The only portrait I ever painted of my momma was stolen |
title_exact_search | Henry Taylor - The only portrait I ever painted of my momma was stolen |
title_full | Henry Taylor - The only portrait I ever painted of my momma was stolen with contributions by Zadie Smith [und 3 weiteren] |
title_fullStr | Henry Taylor - The only portrait I ever painted of my momma was stolen with contributions by Zadie Smith [und 3 weiteren] |
title_full_unstemmed | Henry Taylor - The only portrait I ever painted of my momma was stolen with contributions by Zadie Smith [und 3 weiteren] |
title_short | Henry Taylor - The only portrait I ever painted of my momma was stolen |
title_sort | henry taylor the only portrait i ever painted of my momma was stolen |
topic | Taylor, Henry 1958- (DE-588)106013585X gnd Malerei (DE-588)4037220-0 gnd |
topic_facet | Taylor, Henry 1958- Malerei Bildband |
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