Aspects of performance in faith settings: heavenly acts
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Publishing
2019
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xiii, 319 Seiten Illustrationen, Portraits 23 cm |
| ISBN: | 9781527521933 |
Internformat
MARC
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Datensatz im Suchindex
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| adam_text | Table of Contents List of Figures.................................................................................................. x List of Tables.................................................................................................. xi Acknowledgements...................................................................................... xii Introduction......................................................................................................1 Heavenly Acts ֊ Aspects of Performance in Faith Settings Andrey Rosowsky (University of Sheffield, UK) Section I: Faith, Performance and Space Chapter One.................................................................................................... 12 Welcoming a Torah to Northwood: On the Anthropology of Religion and Performance Studies Joshua Edelman (Manchester Metropolitan University, UK) Chapter Two...................................................................................................29 Children of Stone: Performing Selr-Memorialisation—The Cemetery as the Locus of Performance Natalie Kononenko (University of Alberta, Canada) Chapter Three.................................................................................................54 The Performativity of Sacred Spaces: The Case of Ganina Yama Anna Glukhanyuk (Yekaterinburg State Drama School, Russia) Section II: Faith, Performance and Language Chapter Four...................................................................................................76 Sociolingüístic Domain Analysis, Linguistic Practices and Performance in
Religious Worship Nana Aba Amfo (University of Ghana, Ghana) Tope Omoniyi (1956-2017) (University of Roehampton, UK)
viii Table of Contents Chapter Five............................................................. ....................................... Understanding the Language of Performance of Hindu Practices in the Globalizing World Rajeshwari Pandharipande (University of Illinois at Urbana-Champaign, USA) Chapter Six................................................................................................... ^ Yiddish in Hip-Hop Authenticities: “Keepin’ it real” as a Discursively Mediated Mode in Yiddish Vernacular Tatjana Soldat-Jaffe (Florida State University, USA) Chapter Seven.............................................................................................. 124 The Religious Experience in Hassidism: Performative and Linguistic Tools Tsippi Kauffman (Bar lian University, Israel) Chapter Eight................................................................................................151 “The eyes of history are looking upon us as a community”: The Representation of Islam/Muslims by the American Muslim Televangelist Hamza Yusuf Shaimaa El Naggar (University of Lancaster, UK University of Fayoum, Egypt) Chapter Nine................................................................................................. 168 A Challenge to Monolingualism: The Performance of Multilingual Devotional Poetry and Song among Young British Muslims Andrey Rosowsky (University of Sheffield, UK) Section III: Faith, Performance and Sound Chapter Ten............................................................................. The Materiality of the Bible as Performance Holly Hearon
(Christian Theological Seminary, Indianapolis, USA) Chapter Eleven................................................. Sacred Sounds: Muslim Musicians, Cultural Evolution and Sočiai Change in Britain Carl Morris (University of West Lancashire, UK)
Aspects of Performance in Faith Settings: Heavenly Acts ix Chapter Twelve.............................................................................. ............. 233 Identity Maintenance through Ritual Language Performance among Contemporary Egyptian Sufi Orders Michael Frishkopf (University of Alberta, Canada) Section TV: Faith, Performance and Identity Chapter Thirteen............................................................................. Is Abstaining More “No” or More “Yes”? Celibacy and Identity Performativity Thor Sawin (Middlebury Institute of International Studies, USA) 266 Chapter Fourteen........................................................................................... 285 Coping with Threatened Faith Identities: Insights from Social Psychology Rusi Jaspal (Leicester De Montfort University, UK) Afterword.......................................................................................................299 Brian Bennett (Niagara University, USA) Appendix........................................................................................................ 305 Contributors....................................................................................................309 Index..................... 315
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