Semionauts of tradition: music, culture and identity in contemporary Singapore
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Singapore
Springer
[2018]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xiv, 249 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9789811310102 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV045510090 | ||
| 003 | DE-604 | ||
| 005 | 20190411 | ||
| 007 | t | ||
| 008 | 190313s2018 agl| |||| 00||| eng d | ||
| 020 | |a 9789811310102 |c hardback |9 978-981-13-1010-2 | ||
| 035 | |a (OCoLC)1091675217 | ||
| 035 | |a (DE-599)BVBBV045510090 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Lizeray, Juliette Yu-Ming |e Verfasser |0 (DE-588)118204493X |4 aut | |
| 245 | 1 | 0 | |a Semionauts of tradition |b music, culture and identity in contemporary Singapore |c Juliette Yu-Ming Lizeray, Chee-Hoo Lum |
| 264 | 1 | |a Singapore |b Springer |c [2018] | |
| 264 | 4 | |c © 2018 | |
| 300 | |a xiv, 249 Seiten |b Illustrationen, Notenbeispiele | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 650 | 0 | 7 | |a Identität |0 (DE-588)4026482-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musiker |0 (DE-588)4040841-3 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Singapur |0 (DE-588)4055089-8 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Music / Singapore | |
| 653 | 0 | |a Folk music / Singapore | |
| 653 | 0 | |a Musical groups / Singapore | |
| 653 | 0 | |a Folk music | |
| 653 | 0 | |a Music | |
| 653 | 0 | |a Musical groups | |
| 653 | 2 | |a Singapore | |
| 689 | 0 | 0 | |a Singapur |0 (DE-588)4055089-8 |D g |
| 689 | 0 | 1 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 0 | 2 | |a Musiker |0 (DE-588)4040841-3 |D s |
| 689 | 0 | 3 | |a Identität |0 (DE-588)4026482-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Lum, Chee Hoo |e Verfasser |0 (DE-588)1024830101 |4 aut | |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030894612&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 942 | 1 | 1 | |c 781.6 |e 22/bsb |f 090512 |g 59 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-030894612 | |
Datensatz im Suchindex
| _version_ | 1806962810570145792 |
|---|---|
| adam_text |
Contents
1 Introduction. 1
Juliette Yu-Ming Lizeray and Chee-Hoo Lum
1.1 Theoretical Groundings. 3
1.2 Applications to Our Research Context. 5
1.3 Limitations to the Local Context. 6
1.4 A Book of Many Voices. 8
L5 Chapter Offerings. 8
References. 12
2 Where Got Singapore Sound? Representing National Identity
in Music: Conundrums and Alternatives. 13
Juliette Yu-Ming Lizeray
2.1 Introduction. 13
2.2 Part 1: A Top-Down Singapore Sound. 15
2.2.1 Building National Identity Through Music
and Cultural Policy: A Brief History. 15
2.2.2 Engaging with the Top-Down Singapore Sound. 19
2.3 Part 2: Critiques and Implications of the Top-Down
Singapore Sound. 25
2.3.1 Ambiguous Categories and Gatekeeping. 25
2.3.2 Formulaic Rojak. 27
2.3.3 Gestural Inclusion. 28
2.3.4 Rigid “Racial” Categories. 30
2.3.5 Branding + Patronage + Performance: A Perilous
Triangle. 31
2.4 Part 3: Reappraising the Notion of the Singapore Sound
from the Ground Up. 34
2.4.1 A Sapling Metaphor. 34
2.4.2 Identity Crisis. 36
vii
Contents
viii
2.4.3 Building an Audience. 38
2.4.4 "Just Be You”. 39
2.5 Final Thoughts. 41
References. 44
3 Collaborative Creativity: Perspectives from A Contemporary
Instrumental Group in Singapore. 49
Chee-Hoo Lum
3.1 Introduction. 49
3.2 A Note on Data Collection and Analysis. 50
3.3 Theoretical Musings. 50
3.3.1 Collaborative Creativity. 50
3.4 Findings. 53
3.4.1 Time and Space. 53
3.4.2 Creative Context. 54
3.4.3 Pushing Creatively. 54
3.4.4 Leadership and Facilitation. 56
3.4.5 Jamming. 57
3.4.6 Dynamics of Instruments. 60
3.4.7 One-on-One Interaction. 60
3.4.8 Technology. 61
3.4.9 Challenging Technical Skills. 62
3.4.10 Key Elements in the Collaborative Creative Process. 62
3.5 Discussion. 67
References. 68
4 NADI Singapura: A Case Study of Group Identity and Tradition. 71
Juliette Yu-Ming Lizeray
4.1 Background and Introduction. 73
4.1.1 Who Is NADI Singapura?. 73
4.1.2 NADFs Mission. 74
4.1.3 Collective Identity: Contributing Factors and Processes. 75
4.2 Part 1: Group Unity. 76
4.2.1 Community as Family: Articulations of Race
and Culture. 76
4.2.2 Forging Bonds, Nurturing Values. 78
4.2.3 Gender Dynamics. 81
4.2.4 Identity Politics. 85
4.3 Part 2: Reckoning with Tradition and Attempts at Preservation. 87
4.3.1 A History of Syncretism. 87
4.3.2 Problematic Transmission. 88
4.3.3 Developing Singaporean Malay Traditional Music. 90
4.3.4 The Dilemmas of Systematising. 91
Contents
IX
4.4 Part 3: Constructing Tradition.** •* 94
4.4.1 Romanticising the Kampong. 94
4.4.2 Making Tradition Contemporary. 97
4.5 Final Thoughts.-. 99
References. 103
5 Fusion Through the Gaze of Singaporean Contemporary
Musicians: Confluence, Syncretism, Hybridity
or Mere Confusion. 107
Chee-Hoo Lum
5.1 Introduction. 107
5.2 Chinese Instrumentalists. 109
5.2.1 The TENG Ensemble. 109
5.2.2 Nen . 109
5.2.3 SACfE). 110
5.3 Indian Instrumentalists. 110
5.3.1 Ghanavenothan Retnam. 110
5.3.2 Raghavendran Raj asekaran (Ragha). 113
5.3.3 Flame of the Forest. 114
5.4 Malay Instrumentalists. 114
5.4.1 Zubir Abdullah. 114
5.4.2 Yaziz Hassan (NADI Singapura). 116
5.5 Other Instrumentalists/Composers. 116
5.5.1 RitXu. 116
5.5.2 Wang Chenwei. 117
5.6 Discussion. 120
References. 122
6 Chinese Identity and the Quest for Cool Among Singaporean
Chinese Musicians. 125
Juliette Yu-Ming Lizeray
6.1 Part 1: Making Chinese Tradition Contemporary: Chinese
Instrumentalists in Singapore. 127
6.1.1 The Image Problem of Traditional Chinese Orchestra
Music in Singapore. 128
6.1.2 Western Influence and Cool. 130
6.1.3 Infusing the Cool of Pop Culture into Tradition. 132
6.1.4 Reflecting Their Multiple Self-Identities. 133
6.1.5 Widening Perspectives About Chinese Instruments
and Music. 135
6.1.6 Escaping Chinese Tradition. 136
6.2 Part 2: Investing in Chinese Identity: Singaporean Musicians
Abroad. 139
6.2.1 Expatriation from Singapore: New Dimensions
of Ethnic Identity. 140
6.2.2 ‘Tart of the Conversation”: Global Identity Politics
and Redefining Cool. 142
143
145
148
151
154
157
157
158
158
163
165
169
175
180
183
184
186
187
190
192
194
195
197
200
201
205
205
208
210
6.2.3 Post-Internet Sino-Futurist Yllis.
6.2.4 TZECHAR’s Neo^Confucian Identity.
6.2.5 Postmodern Global Semionauts.
6.3 Final Thoughts.
References.
Playing with Nostalgia: Translation of Artistic Directions
of Contemporary Musicians in Singapore.
Chee-Hoo Lum
7.1 Introduction.
7.2 Positioning Heritage and Tradition.
7.2.1 Riduan Zalani.
7.2.2 The TENG Ensemble.
7.2.3 Ragha.
7.2.4 SA({E).
7.3 Playing with Nostalgia: An Interpretation.
References.
Fieldwork in Singapore’s Music Scene: Reflections
and Dimensions to Explore.
Juliette Yu-Ming Lizeray
8.1 Concerning Our Research Trajectory.
8.2 Contending with Conventions.
8.3 The Spaces Between and the “Field” Reframed.
8.4 Presenting the Self.
8.5 Gender Dimensions.
8.6 The Insider/Outsider Dichotomy.
8.7 Musicians and Their Practices in a Mediated Field.
8.8 Giving Back to Musicians and the Public.
8.9 Final Thoughts.
References.
Musicians’ Responses.
Tan Qing Lun, Tse Natalie Alexandra, Halid Syafiq,
Rajasekaran Raghavendran, Guo Ming, Wang Wei Yang,
and Lim Benjamin Yi
9.1 Tan Qing Lun’s response to Chapter 2 “Where Got Singapore
Sound? Representing National Identity in Music:
Conundrums and Alternatives”.
9.2 Natalie Alexandra Tse’s Response to Chapter 3 “Collaborative
Creativity: Perspectives from a Contemporary Instrumental
Group in Singapore”.
9.3 Syafiq Halid’s Response to Chapter 4 “NADI Singapura:
A Case Study of Group Identity and Tradition”.
Contents
xi
9.4 Raghavendran Rajasekaran’s Response to Chapter 5
“Fusion Through the Gaze of Singapore Contemporary
Musicians: Confluence, Syncretism, Hybridity
or Mere Confusion”. 212
9.5 Guo Ming (TZECHAR) and Wang Wei Yang (Yllis)’s Response
to Chapter 6 “Chinese Identity and the Quest for Cool Among
Singaporean Chinese Musicians”. 213
9.6 Benjamin Lim Yi’s Response to Chapter 7 “Playing
with Nostalgia: Translation of Artistic Directions
of Contemporary Musicians in Singapore”. 220
References. 223
10 Descriptive Glossary. 225
Juliette Yu-Ming Lizeray and Chee-Hoo Lum
10.1 List of Music Groups, in Alphabetical Order. 225
10.2 Additional Interviews. 244
10.3 Additional Resource. 248 |
| any_adam_object | 1 |
| author | Lizeray, Juliette Yu-Ming Lum, Chee Hoo |
| author_GND | (DE-588)118204493X (DE-588)1024830101 |
| author_facet | Lizeray, Juliette Yu-Ming Lum, Chee Hoo |
| author_role | aut aut |
| author_sort | Lizeray, Juliette Yu-Ming |
| author_variant | j y m l jym jyml c h l ch chl |
| building | Verbundindex |
| bvnumber | BV045510090 |
| ctrlnum | (OCoLC)1091675217 (DE-599)BVBBV045510090 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV045510090</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20190411</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">190313s2018 agl| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789811310102</subfield><subfield code="c">hardback</subfield><subfield code="9">978-981-13-1010-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1091675217</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045510090</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Lizeray, Juliette Yu-Ming</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)118204493X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Semionauts of tradition</subfield><subfield code="b">music, culture and identity in contemporary Singapore</subfield><subfield code="c">Juliette Yu-Ming Lizeray, Chee-Hoo Lum</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Singapore</subfield><subfield code="b">Springer</subfield><subfield code="c">[2018]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xiv, 249 Seiten</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Identität</subfield><subfield code="0">(DE-588)4026482-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musiker</subfield><subfield code="0">(DE-588)4040841-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Singapur</subfield><subfield code="0">(DE-588)4055089-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Singapore</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Folk music / Singapore</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musical groups / Singapore</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Folk music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musical groups</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Singapore</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Singapur</subfield><subfield code="0">(DE-588)4055089-8</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Musiker</subfield><subfield code="0">(DE-588)4040841-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Identität</subfield><subfield code="0">(DE-588)4026482-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Lum, Chee Hoo</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1024830101</subfield><subfield code="4">aut</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030894612&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.6</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090512</subfield><subfield code="g">59</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030894612</subfield></datafield></record></collection> |
| geographic | Singapur (DE-588)4055089-8 gnd |
| geographic_facet | Singapur |
| id | DE-604.BV045510090 |
| illustrated | Illustrated |
| indexdate | 2024-08-10T01:40:23Z |
| institution | BVB |
| isbn | 9789811310102 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030894612 |
| oclc_num | 1091675217 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xiv, 249 Seiten Illustrationen, Notenbeispiele |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Springer |
| record_format | marc |
| spelling | Lizeray, Juliette Yu-Ming Verfasser (DE-588)118204493X aut Semionauts of tradition music, culture and identity in contemporary Singapore Juliette Yu-Ming Lizeray, Chee-Hoo Lum Singapore Springer [2018] © 2018 xiv, 249 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Identität (DE-588)4026482-8 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musiker (DE-588)4040841-3 gnd rswk-swf Singapur (DE-588)4055089-8 gnd rswk-swf Music / Singapore Folk music / Singapore Musical groups / Singapore Folk music Music Musical groups Singapore Singapur (DE-588)4055089-8 g Musik (DE-588)4040802-4 s Musiker (DE-588)4040841-3 s Identität (DE-588)4026482-8 s DE-604 Lum, Chee Hoo Verfasser (DE-588)1024830101 aut Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030894612&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Lizeray, Juliette Yu-Ming Lum, Chee Hoo Semionauts of tradition music, culture and identity in contemporary Singapore Identität (DE-588)4026482-8 gnd Musik (DE-588)4040802-4 gnd Musiker (DE-588)4040841-3 gnd |
| subject_GND | (DE-588)4026482-8 (DE-588)4040802-4 (DE-588)4040841-3 (DE-588)4055089-8 |
| title | Semionauts of tradition music, culture and identity in contemporary Singapore |
| title_auth | Semionauts of tradition music, culture and identity in contemporary Singapore |
| title_exact_search | Semionauts of tradition music, culture and identity in contemporary Singapore |
| title_full | Semionauts of tradition music, culture and identity in contemporary Singapore Juliette Yu-Ming Lizeray, Chee-Hoo Lum |
| title_fullStr | Semionauts of tradition music, culture and identity in contemporary Singapore Juliette Yu-Ming Lizeray, Chee-Hoo Lum |
| title_full_unstemmed | Semionauts of tradition music, culture and identity in contemporary Singapore Juliette Yu-Ming Lizeray, Chee-Hoo Lum |
| title_short | Semionauts of tradition |
| title_sort | semionauts of tradition music culture and identity in contemporary singapore |
| title_sub | music, culture and identity in contemporary Singapore |
| topic | Identität (DE-588)4026482-8 gnd Musik (DE-588)4040802-4 gnd Musiker (DE-588)4040841-3 gnd |
| topic_facet | Identität Musik Musiker Singapur |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030894612&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT lizerayjulietteyuming semionautsoftraditionmusiccultureandidentityincontemporarysingapore AT lumcheehoo semionautsoftraditionmusiccultureandidentityincontemporarysingapore |