Edmund Meisel's score to Der heilige Berg (1926): prefiguring Hollywood's 'Golden Age' narrative-scoring practices in live performance
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
2019
|
Beschreibung: | Part III. Synchronisation and scoring: historical practices |
ISBN: | 978-1-138-24535-8 |
Internformat
MARC
LEADER | 00000naa a2200000 c 4500 | ||
---|---|---|---|
001 | BV045509495 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | t | ||
008 | 190313s2019 |||| 00||| eng d | ||
035 | |a (DE-599)BVBBV045509495 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-M472 | ||
100 | 1 | |a Ford, Fiona |0 (DE-588)112275387X |4 aut | |
245 | 1 | 0 | |a Edmund Meisel's score to Der heilige Berg (1926) |b prefiguring Hollywood's 'Golden Age' narrative-scoring practices in live performance |c Fiona Ford |
264 | 1 | |c 2019 | |
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Part III. Synchronisation and scoring: historical practices | ||
773 | 1 | 8 | |g pages:124-145 |
773 | 0 | 8 | |t Music and sound in silent film / edited by Ruth Barton and Simon Trezise |d New York ; London, 2019 |g Seiten 124-145 |k Routledge music and screen media series |w (DE-604)BV045445778 |z 978-1-138-24535-8 |
999 | |a oai:aleph.bib-bvb.de:BVB01-030894023 | ||
941 | |s 124-145 |
Datensatz im Suchindex
_version_ | 1804179451786821632 |
---|---|
any_adam_object | |
article_link | (DE-604)BV045445778 |
author | Ford, Fiona |
author_GND | (DE-588)112275387X |
author_facet | Ford, Fiona |
author_role | aut |
author_sort | Ford, Fiona |
author_variant | f f ff |
building | Verbundindex |
bvnumber | BV045509495 |
ctrlnum | (DE-599)BVBBV045509495 |
format | Article |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01003naa a2200265 c 4500</leader><controlfield tag="001">BV045509495</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">190313s2019 |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045509495</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-M472</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Ford, Fiona</subfield><subfield code="0">(DE-588)112275387X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Edmund Meisel's score to Der heilige Berg (1926)</subfield><subfield code="b">prefiguring Hollywood's 'Golden Age' narrative-scoring practices in live performance</subfield><subfield code="c">Fiona Ford</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2019</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Part III. Synchronisation and scoring: historical practices</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:124-145</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Music and sound in silent film / edited by Ruth Barton and Simon Trezise</subfield><subfield code="d">New York ; London, 2019</subfield><subfield code="g">Seiten 124-145</subfield><subfield code="k">Routledge music and screen media series</subfield><subfield code="w">(DE-604)BV045445778</subfield><subfield code="z">978-1-138-24535-8</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030894023</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">124-145</subfield></datafield></record></collection> |
id | DE-604.BV045509495 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T08:20:05Z |
institution | BVB |
isbn | 978-1-138-24535-8 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030894023 |
open_access_boolean | |
owner | DE-M472 |
owner_facet | DE-M472 |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
record_format | marc |
spelling | Ford, Fiona (DE-588)112275387X aut Edmund Meisel's score to Der heilige Berg (1926) prefiguring Hollywood's 'Golden Age' narrative-scoring practices in live performance Fiona Ford 2019 txt rdacontent n rdamedia nc rdacarrier Part III. Synchronisation and scoring: historical practices pages:124-145 Music and sound in silent film / edited by Ruth Barton and Simon Trezise New York ; London, 2019 Seiten 124-145 Routledge music and screen media series (DE-604)BV045445778 978-1-138-24535-8 |
spellingShingle | Ford, Fiona Edmund Meisel's score to Der heilige Berg (1926) prefiguring Hollywood's 'Golden Age' narrative-scoring practices in live performance |
title | Edmund Meisel's score to Der heilige Berg (1926) prefiguring Hollywood's 'Golden Age' narrative-scoring practices in live performance |
title_auth | Edmund Meisel's score to Der heilige Berg (1926) prefiguring Hollywood's 'Golden Age' narrative-scoring practices in live performance |
title_exact_search | Edmund Meisel's score to Der heilige Berg (1926) prefiguring Hollywood's 'Golden Age' narrative-scoring practices in live performance |
title_full | Edmund Meisel's score to Der heilige Berg (1926) prefiguring Hollywood's 'Golden Age' narrative-scoring practices in live performance Fiona Ford |
title_fullStr | Edmund Meisel's score to Der heilige Berg (1926) prefiguring Hollywood's 'Golden Age' narrative-scoring practices in live performance Fiona Ford |
title_full_unstemmed | Edmund Meisel's score to Der heilige Berg (1926) prefiguring Hollywood's 'Golden Age' narrative-scoring practices in live performance Fiona Ford |
title_short | Edmund Meisel's score to Der heilige Berg (1926) |
title_sort | edmund meisel s score to der heilige berg 1926 prefiguring hollywood s golden age narrative scoring practices in live performance |
title_sub | prefiguring Hollywood's 'Golden Age' narrative-scoring practices in live performance |
work_keys_str_mv | AT fordfiona edmundmeiselsscoretoderheiligeberg1926prefiguringhollywoodsgoldenagenarrativescoringpracticesinliveperformance |