Stravinsky in the Americas: transatlantic tours and domestic excursions from wartime Los Angeles (1925-1945)
"Stravinsky in the Americas explores the "pre-Craft" period of Igor Stravinsky's life, from when he first landed on American shores in 1925 to the end of World War II in 1945. Through a rich archival trove of ephemera, correspondence, photographs, and other documents, eminent mus...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Oakland, California
University of California Press
[2019]
|
| Series: | California studies in 20th-century music
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Summary: | "Stravinsky in the Americas explores the "pre-Craft" period of Igor Stravinsky's life, from when he first landed on American shores in 1925 to the end of World War II in 1945. Through a rich archival trove of ephemera, correspondence, photographs, and other documents, eminent musicologist H. Colin Slim examines the twenty-year period which began with Stravinsky as a radical European art-music composer and ended with him as a popular figure in American culture. This collection traces Stravinsky's rise to fame...catapulted in large part by his collaborations with Hollywood and Disney and marked by his extra-marital affairs, his grappling with feelings of anti-Semitism, and his encounters with contemporary musicians as the music industry was emerging and taking shape in midcentury America. Slim's lively narrative records the composer's larger-than-life persona through a close look at his transatlantic tours and domestic excursions, where Stravinsky's personal and professional life collided in often dramatic ways"...Provided by publisher |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | XXVI, 451 Seiten Illustrationen |
| ISBN: | 9780520299924 |
Staff View
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| 520 | |a "Stravinsky in the Americas explores the "pre-Craft" period of Igor Stravinsky's life, from when he first landed on American shores in 1925 to the end of World War II in 1945. Through a rich archival trove of ephemera, correspondence, photographs, and other documents, eminent musicologist H. Colin Slim examines the twenty-year period which began with Stravinsky as a radical European art-music composer and ended with him as a popular figure in American culture. This collection traces Stravinsky's rise to fame...catapulted in large part by his collaborations with Hollywood and Disney and marked by his extra-marital affairs, his grappling with feelings of anti-Semitism, and his encounters with contemporary musicians as the music industry was emerging and taking shape in midcentury America. Slim's lively narrative records the composer's larger-than-life persona through a close look at his transatlantic tours and domestic excursions, where Stravinsky's personal and professional life collided in often dramatic ways"...Provided by publisher | ||
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Record in the Search Index
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| adam_text |
CONTENTS
List of Illustrations xiii
Foreword by Richard Taruskin - xvii
Preface * xxi
Acknowledgments * xxv
Introduction i
PART I: FIVE TRANSATLANTIC TOURS (1925-1940) • 13
Tour 1 (1925) - 15
Two Veras in Paris - New York with secretary-valet, translator-blackmailer,
Sabline • Piano and podium in eastern and midwestern cities: Paul Kochanski
and Gershwin - Hoytie's party and Lester Donahue • Critics of Octet and Piano
Concerto ■ Steinway’s dinner and the inscribed, piano-shaped, chocolate
cake • Greta Torpadie, chamber concerts, cropped photos ■ Roerig’s interview
and Schoenberg's delayed verdict • Pianola rolls and phonograph records ■ Thanks
for eighteen Steinways - Consulting Dr Garbat • Avoiding Soudeikine at the
Met’s Petrushka • Antithetic reactions about the United States: Cincinnati (March)
and home in Nice (May) - Kochanski's Pulcinella Suite reassigned * Enjoying the
tour's profits with American expats and Picasso on the Riviera * Composer as
conductor
2.
Tour II (1935) • 36
Growing repertoire and anti-Semitism • Leaner takings with violinist
Dushkin ■ Dagmar Godowsky's New York tea • Agent Severin Kavenoki ■
Autographing record jackets in New York and San Francisco - Chez Dr. Alexis Kali
in Los Angeles: newspaper action shots and Weston's dozen photographs; twenty-nine
MGM composers; the Aguilar Lute Quartet; signing Edward G. Robinson's
piano - An address in English to a Denver audience ■ Dagmar and Stravinsky on a
Washington-New York train * Sailing home, but not with Dushkin • Composer as
conductor
3. Tour 111 (1936) - 71
With son Soulima to Buenos Aires - Political Argentina aghast • Nijinska, Aida
Mastrazzi, Victoria Ocampo, and a discarded autograph for Juan José
Castro ■ Montevideo • Dagmar appears in Rio de Janeiro - Composer as
conductor
4. Tour IV (1937) * 80
New York with Dushkin and wife ■ Toronto with Kavenoki and Sir Ernest
MacMillan - Montreal with Dushkin • New York: Praeludium for Reichman?
or Reisman? • Spotted by Noel Coward * Touring with the Cleveland
Orchestra ■ Thoughtful autographs for a Cleveland patroness * US premiere
in Winnetka with Beveridge Webster of Two-Piano Concerto * Los Angeles: a
Shrine Petrushka; recollections of Old Russia in dicta for Kail; a last meeting with
Gershwin ■ San Francisco: a little-known dual-portrait with Monteux - The
Northwest • Tubercular relapses in New York • Dealing with Kavenoki, Boris
Morros, Dagmar - Balanchine premieres Jeu de cartes * Sailing home with two
conductors and Nadia Boulanger * Dagmar meets Vera Soudeikina in
Paris ■ Composer as conductor • Dagmar and unrealized tours (1938—39)
5. TourV (October 1939-Late May 1940) - n8
Tuberculosis (March—2 September 1939) “cured” at Sancellemoz: preparing the
Norton lectures, and booking US engagements * At Harvard with Kali
(October) ♦ Dagmar, Stravinsky, Kail, and his former pupil Adele Marcus dine in
Boston • Intersemester December concerts: San Francisco, and a first setting of
English - Elliot Forbes, Jan LaRue recollect Stravinsky at Harvard • Meeting Kali's
former pupil Dorothy Ellis McQuoid at Christmas in Los Angeles ♦ March 1940
premieres with Marcus of Two-Piano Concerto in Boston and New York - Marrying
in Massachusetts * Kail translates Poétique musicale ■ Late May departures for
California with Vera, Kali, and friend Gregory Golubev ■ McQuoids welcome
Stravinskys ■ Composer as conductor
PART It: DOMESTIC EXCURSIONS FROM WARTIME LOS ANGELES (1925-1940) ■ 155
6. Excursions (1940—1941) 161
Transient immigrant renters in Los Angeles and Hollywood (May 1940-
March 1941 ) • First Mexican tour and US reentry permits ■ A Bowl Firebird ■
McQuoid's three photographs ■ Joining Local 47 • Bahitz rehearses Violin Concerto •
A Kall-Golubev lecture - Kavenoki and the Pushkin pamphlet - Finishing Symphony
in C and its premieres (November 1940—February 1941): Chicago, Cincinnati, Boston,
and Los Angeles - Tango: Feist, Vernon Duke, and Katherine Dunham - New Year
greetings from New York for both McQuoids; Kali's “white elephants" • New York:
coaching Marcus (February 1941 )for Capriccio; Los Angeles: Mrs. McQuoid subs for
Marcus's first rehearsal with Stravinsky • Pondering Symphony in C; Beverly Hills,
Pearl Harbor, and St. Louis (December 1941 ) * Hollywood homeowners at North
Wetherly (April 1941—January 1942 ) - Symphony in C receives a Marxist
review on second Mexican tour (August 1941 ); finds favor in St. Louis and San
Francisco - Teaching Earnest Andersson: Futurama and forty photos ■ Tango and
José Iturbi scandalize Philadelphia • James Sample and multiple “Star-Spangled
Banners” (St. Louis affronted; San Francisco enthralled) * Dagmar parties in Los
Angeles - The Milhauds assist and receive in Oakland * Charles Cushing's UC
Berkeley band - Stravinsky as salesman * A patriotic Christmas card • Prospective
movie scores outweigh Tanglewood
7. Excursions (1942) 210
San Francisco - Composer as teacher: Futurama assessed - Mostly at home:
Stravinsky as gardener - A "secret” commission (Danses concertantes) - Sample
recommended ■ Julian Brodetsky and Apollon • A joint movie score: Four
Norwegian Moods, with Alexandre Tansman ■ Partying at Andersson's: an
autographed apron and Miklos Rozsa tattles - Bahitz arranges a 1923
“gesang” • The Circus Polka: Balanchine, Jack Benny
8. Excursions (1943) 237
The North Star • Petrushka: in New York, San Francisco, at the LA Shrine,
and the Met - NBC broadcasts Symphony in C nationwide ■ A shortfall of
musicians ■ Songwriting in English for the Milhauds ■ Mourning
Andersson • Sergeant Klaus Mann auctions some Schoenberg and one
Stravinsky “Star-Spangled Banner” ♦ Ode: its central tune and “Bessie's
Song" • Working with Koussevitzky and anti-Semitism • “Lessons”
for Leyssac
9- Excursions (1944) 253
Stravinsky “criminalized” in Boston - Nicolas Nabokov, the Symphony in C and
“monometricalism” • No theatre music for Mercedes de Acosta • Kali: translator
and teased amputee • Dahl's multiple roles in Scènes de ballet ■ Scherzo à la
Russe and Sonata for Two Pianos: origins, premieres, metamorphoses ■ Babel:
text setting and a precarious low B-natural • Composer as teacher • Dr. de Bourg
and Stravinsky's sons
10. Excursions (i945~Early 1946) • 286
A “Victory” symphony for war and peace ♦ War's end in August 1945: a war
symphony brought into peacetime; finishing the often octatonic Symphony in Three
Movements (1942-45^ and its finale's “expected C” • Postwar premieres and
reactions in New York, Boston, San Francisco (1946), Washington, DC (1948J,
Los Angeles (1947, led by Klemperer), and Oakland (1968, by Craft) - Dahl's
discredited program notes and those preferred * Wartime and postwar conductor
Appendix: Stravinsky and “Neoclassicism” 313
Notes • 315
Bibliography 407
Index 437
Stravinsky in the Americas explores the “pre-
Craft" period of Igor Stravinsky's life, from
when he first landed on American shores
in 1925 to the end of World War II in
1945- Through a rich archival trove of
ephemera, correspondence, pho-
tographs, and other documents,
eminent musicologist H. Colin
SI im examines the twenty-year
period that began with Stravin-
sky as a radical European art-
music composer and ended
with him as a popular figure in
American culture. This collec-
tion traces Stravinsky's rise to
fame—catapulted in large part
by h is collaborations with Hol-
lywood and Disney and marked
by his extra-marital affairs, his
grappling with feelings of anti-
Semitism, and his encounters with
contemporary musicians as the mu-
sic industry was emerging and tak-
ing shape in midcentury America.
Slim's lively narrative records the com-
poser's larger-than-life persona through
a close look at his transatlantic tours and
domestic excursions, where Stravinsky's
personal and professional life collided in
often-dramatic ways.
H. COLIN SLIM is Professor Emeritus of
Music at the University of California, Irvine,
where he served as the first Chair of the De-
partment of Music. He is a former President of
the American Musicological Society (1989-1990)
and a Fellow of the American Academy of Arts
and Sciences. His two-volume A Gift of Mad-
rigals and Motets was awarded the Otto Kin-
keldey Award. He met Igor Stravinsky in 1952
and again in 1966, events that inspired a lifelong
interest in the composer's persona! and profes-
sional life. His collection of Stravinsky ephem-
era, manuscripts, and documents was donated
to the University of British Columbia, which
published an annotated catalog of the collec-
tion in 2002. |
| any_adam_object | 1 |
| author | Slim, Harry Colin 1929-2019 |
| author_GND | (DE-588)124024947 (DE-588)10379753X |
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| classification_rvk | LP 94882 |
| ctrlnum | (OCoLC)1091673452 (DE-599)BVBBV045504922 |
| dewey-full | 780.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
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| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
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| discipline | Musikwissenschaft |
| era | Geschichte 1925-1945 gnd |
| era_facet | Geschichte 1925-1945 |
| format | Book |
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| genre | (DE-588)4006804-3 Biografie gnd-content |
| genre_facet | Biografie |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV045504922 |
| illustrated | Illustrated |
| indexdate | 2025-03-17T11:01:52Z |
| institution | BVB |
| isbn | 9780520299924 |
| language | English |
| lccn | 018034901 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030889541 |
| oclc_num | 1091673452 |
| open_access_boolean | |
| owner | DE-355 DE-BY-UBR DE-12 DE-11 |
| owner_facet | DE-355 DE-BY-UBR DE-12 DE-11 |
| physical | XXVI, 451 Seiten Illustrationen |
| psigel | BSB_NED_20190705 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | University of California Press |
| record_format | marc |
| series2 | California studies in 20th-century music |
| spelling | Slim, Harry Colin 1929-2019 Verfasser (DE-588)124024947 aut Stravinsky in the Americas transatlantic tours and domestic excursions from wartime Los Angeles (1925-1945) H. Colin Slim ; foreword by Richard Taruskin Oakland, California University of California Press [2019] © 2019 XXVI, 451 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier California studies in 20th-century music Includes bibliographical references and index "Stravinsky in the Americas explores the "pre-Craft" period of Igor Stravinsky's life, from when he first landed on American shores in 1925 to the end of World War II in 1945. Through a rich archival trove of ephemera, correspondence, photographs, and other documents, eminent musicologist H. Colin Slim examines the twenty-year period which began with Stravinsky as a radical European art-music composer and ended with him as a popular figure in American culture. This collection traces Stravinsky's rise to fame...catapulted in large part by his collaborations with Hollywood and Disney and marked by his extra-marital affairs, his grappling with feelings of anti-Semitism, and his encounters with contemporary musicians as the music industry was emerging and taking shape in midcentury America. Slim's lively narrative records the composer's larger-than-life persona through a close look at his transatlantic tours and domestic excursions, where Stravinsky's personal and professional life collided in often dramatic ways"...Provided by publisher Stravinsky, Igor 1882-1971 Travel United States Stravinsky, Igor 1882-1971 Criticism and interpretation Stravinsky, Igor 1882-1971 (DE-588)118642545 gnd rswk-swf Geschichte 1925-1945 gnd rswk-swf Music United States 20th century History and criticism USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content Stravinsky, Igor 1882-1971 (DE-588)118642545 p USA (DE-588)4078704-7 g Geschichte 1925-1945 z DE-604 Taruskin, Richard 1945-2022 (DE-588)10379753X wpr Erscheint auch als Online-Ausgabe, ebk. Slim, H. Colin (Harry Colin), author Stravinsky in the Americas 978-0-520-97153-0 Oakland, California : University of California Press, [2019] Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030889541&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030889541&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Slim, Harry Colin 1929-2019 Stravinsky in the Americas transatlantic tours and domestic excursions from wartime Los Angeles (1925-1945) Stravinsky, Igor 1882-1971 Travel United States Stravinsky, Igor 1882-1971 Criticism and interpretation Stravinsky, Igor 1882-1971 (DE-588)118642545 gnd Music United States 20th century History and criticism |
| subject_GND | (DE-588)118642545 (DE-588)4078704-7 (DE-588)4006804-3 |
| title | Stravinsky in the Americas transatlantic tours and domestic excursions from wartime Los Angeles (1925-1945) |
| title_auth | Stravinsky in the Americas transatlantic tours and domestic excursions from wartime Los Angeles (1925-1945) |
| title_exact_search | Stravinsky in the Americas transatlantic tours and domestic excursions from wartime Los Angeles (1925-1945) |
| title_full | Stravinsky in the Americas transatlantic tours and domestic excursions from wartime Los Angeles (1925-1945) H. Colin Slim ; foreword by Richard Taruskin |
| title_fullStr | Stravinsky in the Americas transatlantic tours and domestic excursions from wartime Los Angeles (1925-1945) H. Colin Slim ; foreword by Richard Taruskin |
| title_full_unstemmed | Stravinsky in the Americas transatlantic tours and domestic excursions from wartime Los Angeles (1925-1945) H. Colin Slim ; foreword by Richard Taruskin |
| title_short | Stravinsky in the Americas |
| title_sort | stravinsky in the americas transatlantic tours and domestic excursions from wartime los angeles 1925 1945 |
| title_sub | transatlantic tours and domestic excursions from wartime Los Angeles (1925-1945) |
| topic | Stravinsky, Igor 1882-1971 Travel United States Stravinsky, Igor 1882-1971 Criticism and interpretation Stravinsky, Igor 1882-1971 (DE-588)118642545 gnd Music United States 20th century History and criticism |
| topic_facet | Stravinsky, Igor 1882-1971 Travel United States Stravinsky, Igor 1882-1971 Criticism and interpretation Stravinsky, Igor 1882-1971 Music United States 20th century History and criticism USA Biografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030889541&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030889541&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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