Film, philosophy, and reality: ancient Greece to Godard
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge Taylor & Francis Group
2019
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | viii, 203 Seiten Illustrationen |
| ISBN: | 0415742129 9780415742122 9780415742115 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents Preface Acknowledgments vu ix Introduction PARTI Philosophy and film 7 1 9 What is philosophy? Philosophical questions 9 Philosophy, myth, and religion 13 The ancient quarrel 15 Why and how to do philosophy - a brief historical overview Film’s philosophical affinities 37 2 What is film? Film industry 44 Film production 45 The audience 48 Formal analysis 50 Genre, story, and representation 17 43 67 PARTII Appearance and reality 77 3 79 The appearance of reality: Arrival of the Train Film theories and philosophy 80 Mistaking film for reality 84 The nature and variety of appearances 87 The reality of cinematic appearances 95 Cinema and reality 99 Human reality and appearances 100
vi Contents 4 The philosophy of appearance A history of metaphysics: from substances to subjects 104 The metaphysics of appearance 115 Film and metaphysics 121 103 PART ІП Breathless metaphysics 5 6 129 Introduction 131 Cinema and reality Continuity and rupture 136 Cinema and reality 142 Screening subjectivity, intersubjectivity, and objectivity 134 152 Film techniquesand philosophy Metaphysics and the jump cut 158 Morality and the tracking shot 169 Last breath: authenticity and death 173 157 Conclusion 178 Suggested films Glossary Bibliography Index 181 184 194 200
Film, Philosophy, and Reality: Ancient Greece to Godard is an original contribution to film-philosophy that shows how thinking about movies can lead us into a richer appreciation and understanding of both reality and the nature of human experience. Focused on the question of the relationship between how things seem to us and how they really are, it is at once an introduction to philosophy through film and an introduction to film through philosophy. The book is divided into three parts. The first is an introduction to philosophy and film, designed for the reader with little background in one or the other subject. The second examines the philosophical importance of the distinction between appearance and reality, and shows that reflection upon this distinction is naturally provoked by the experience of watching movies. The final part takes a close and careful look at the style and techniques of Jean-Luc Godard’s groundbreaking film Breathless in order to illustrate how such themes can be explored cinematically. The book addresses topics such as: • Rim: what it is and how to understand it • The methods and concerns of philosophy • The nature of cinematic appearances • The history of metaphysics • The relationship between cinema and life • The philosophical relevance of film techniques. With a glossary of key thinkers, terms, and concepts, as well as sections on suggested films and further reading, this textbook will appeal to lecturers and students in undergraduate philosophy and film courses, and in courses focused on Philosophy of Rim, Philosophy and Rim, or Rim-Philosophy.
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| discipline | Allgemeines Philosophie |
| era | Geschichte gnd |
| era_facet | Geschichte |
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| language | English |
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| spelling | Andersen, Nathan Verfasser (DE-588)1051792533 aut Film, philosophy, and reality ancient Greece to Godard Nathan Andersen London ; New York Routledge Taylor & Francis Group 2019 viii, 203 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Filmtheorie (DE-588)4071216-3 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Filmtheorie (DE-588)4071216-3 s DE-604 Film (DE-588)4017102-4 s Philosophie (DE-588)4045791-6 s Geschichte z Erscheint auch als Online-Ausgabe 978-1-315-81488-9 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030880452&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030880452&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Andersen, Nathan Film, philosophy, and reality ancient Greece to Godard Filmtheorie (DE-588)4071216-3 gnd Philosophie (DE-588)4045791-6 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4071216-3 (DE-588)4045791-6 (DE-588)4017102-4 |
| title | Film, philosophy, and reality ancient Greece to Godard |
| title_auth | Film, philosophy, and reality ancient Greece to Godard |
| title_exact_search | Film, philosophy, and reality ancient Greece to Godard |
| title_full | Film, philosophy, and reality ancient Greece to Godard Nathan Andersen |
| title_fullStr | Film, philosophy, and reality ancient Greece to Godard Nathan Andersen |
| title_full_unstemmed | Film, philosophy, and reality ancient Greece to Godard Nathan Andersen |
| title_short | Film, philosophy, and reality |
| title_sort | film philosophy and reality ancient greece to godard |
| title_sub | ancient Greece to Godard |
| topic | Filmtheorie (DE-588)4071216-3 gnd Philosophie (DE-588)4045791-6 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Filmtheorie Philosophie Film |
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