Adaptations in the franchise era: 2001-16
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Bloomsbury Academic
2019
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| Schriftenreihe: | Bloomsbury adaptation histories
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 181 Seiten Illustrationen |
| ISBN: | 9781501318726 9781501318719 |
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Datensatz im Suchindex
| _version_ | 1804179424991510528 |
|---|---|
| adam_text | Contents Acknowledgements і 2 3 4 5 6 vi Introduction: Franchised Adaptations Streaming Adaptations Fannish Adaptations 1 29 49 Game Adaptations Live-Action Adaptations Conclusion: Dimensional Adaptations 93 133 159 Select Bibliography Index 173 178
BLOOMSBURY ADAPTATION HISTORIES ‘This book brings adaptation studies into necessary conversation with mainstream media studies ֊ demonstrating that modern media industries and audience behaviors simply can t be understood without placing adaptation front and center.’ Simone Murray, Associate Professor (Reader) of Literary Studies, Monash University, Australia ‘In Adaptations in the Franchise Era, Kyle Meikle deepens our understanding of both the economic and the cultural resonances of contemporary textual transformations. Focusing specifically on under-researched texts in streaming services, fandom, play culture, and live-action events, Meikle s breathtaking range of examples highlights adaptations from both top-down industrial processes and bottom-up fannish ones. By opening up our understanding of “adaptation” to new forms and new practices, Meikle pushes media scholarship into new and engaging territories. A must read for media scholars and fans alike.’ Paul Booth, Associate Professor of Communication, DePaul University, USA ‘This book makes an important and timely contribution to adaptation studies in the twentyfirst century. Meticulously and extensively researched, its insightful analyses make valuable conceptual contributions to the field. Energetically and often wittily written, with vivid case studies, the book is a pleasure to read.’ Kamilla Elliott, Professor of Literature and Media, Lancaster University, UK Adaptations in the Franchise Era re-evaluates adaptation’s place in a popular culture marked by the movement of content and audiences across more media
borders than ever before. While adaptation has historically been understood as the transfer of stories from one medium to another - more often than not, from novel to film - the growing interconnectedness of media and media industries in the early twenty-first century raises new questions about the form and function of adaptation as both a product and a process. Where does adaptation fit within massive franchises that span pages, stages, screens and theme parks? Rising scholar Kyle Meikle Illuminates adaptation’s enduring and essential role in the rise of franchises in the 2000s and 2010s. During that decade and a half, adaptations set the foundation for multiplexed, multiplied film series, piloted streaming television’s forays into original programming, found their way into audiences’ hands in apps and video games, and went live in theatrical experiences on Broadway and beyond. The proliferation of adaptations was matched only by a proliferation of adaptation, as fans remixed and remade their favourite franchises online and off. This volume considers how producers and consumers defined adaptations - and how adaptations defined themselves - through the endless intertextual play of the franchise era. KYLE MEIKLE is Assistant Professor of Communication and English at the University of Baltimore, USA, and Film Reviews Editor for Adaptation. FILM MEDIA STUDIES B L O O M 5 В ІJ R Y A ( : a d ւ: MIC Cover design by Eleanor Rose Cover image: Film: Hunger Games; Catching Fire, Directed by Francis Lawrence, 2013, Collection Christophel / ArenaPAL Also available from Bloomsbury
Academic www.bloomsbury.com 978150131872690100
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| title | Adaptations in the franchise era 2001-16 |
| title_auth | Adaptations in the franchise era 2001-16 |
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