Composing for the state: music in twentieth-century dictatorships
Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In t...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2019
|
| Ausgabe: | First issued in paperback |
| Schriftenreihe: | Musical cultures of the twentieth century
volume 2 |
| Schlagworte: | |
| Zusammenfassung: | Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order. This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide "music for the people", to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State. This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about "State music"? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes. About the Authors: Esteban Buch is directeur d’études (full professor) at the Ecole des Hautes Etudes en Sciences Sociales (EHESS) in Paris, France. A specialist of the relationships between music and politics in the twentieth century, he is the author of O juremos con gloria morir (2013), L’Affaire Bomarzo (2011), Le cas Schoenberg (2006), La Neuvième de Beethoven (1999; English tr. 2003) and Histoire d’un secret (1994). He has also co-edited Du politique en analyse musicale (2014), Tangos cultos (2012), Réévaluer l’art moderne et les avant-gardes (2010), and La Grande guerre des musiciens (2009). - Igor Contreras Zubillaga is a PhD candidate at the Ecole des Hautes Etudes en Sciences Sociales of Paris, France, with a thesis on the Spanish musical avant-garde during Franco's dictatorship. He is co-editor of the volumes Le son des rouages: Representations des rapports homme-machine dans la musique du 20e siècle (2011) and A l'avant-garde! Art et politique dans les années 1960 et 1970 (2013). - Manuel Deniz Silva is Research Fellow at the FCSH (Universidade Nova de Lisboa, Portugal), where he coordinates the "Music and Media" thematic strand of the INET-md (Music and Dance Research Centre). He is co-editor of the Portuguese Journal of Musicology and editor of Kinethophone - Journal of Music, Sound and Moving Image. |
| Beschreibung: | x, 224 Seiten Illustration, Notenbeispiele |
| ISBN: | 9781472437495 9780367229214 |
Internformat
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV045490137 | ||
| 003 | DE-604 | ||
| 005 | 20190704 | ||
| 007 | t | ||
| 008 | 190227s2019 xxuagl| |||| 00||| eng d | ||
| 020 | |a 9781472437495 |c hbk |9 978-1-4724-3749-5 | ||
| 020 | |a 9780367229214 |c pbk |9 978-0-367-22921-4 | ||
| 035 | |a (OCoLC)1090779557 | ||
| 035 | |a (DE-599)BVBBV045490137 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c US | ||
| 049 | |a DE-M352 |a DE-473 |a DE-739 | ||
| 084 | |a ME 2600 |0 (DE-625)122587: |2 rvk | ||
| 084 | |a MB 3450 |0 (DE-625)122315: |2 rvk | ||
| 084 | |a LR 57727 |0 (DE-625)109881:13535 |2 rvk | ||
| 084 | |a v 78 |2 ifzs | ||
| 084 | |a c 81.6 |2 ifzs | ||
| 084 | |a b 59 |2 ifzs | ||
| 084 | |a l 90 |2 ifzs | ||
| 084 | |a v 65 |2 ifzs | ||
| 245 | 1 | 0 | |a Composing for the state |b music in twentieth-century dictatorships |c edited by Esteban Buch (École des Hautes Études en Sciences Sociales, EHESS, France), Igor Contreras Zubillaga (École des Hautes Études en Sciences Sociales, EHESS, France), Manuel Deniz Silva (Universidade Nova de Lisboa, Portugal) |
| 250 | |a First issued in paperback | ||
| 264 | 1 | |a London ; New York |b Routledge, Taylor & Francis Group |c 2019 | |
| 264 | 4 | |c © 2016 | |
| 300 | |a x, 224 Seiten |b Illustration, Notenbeispiele | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Musical cultures of the twentieth century |v volume 2 | |
| 490 | 0 | |a An Ashgate book | |
| 520 | |a Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order. This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide "music for the people", to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State. This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about "State music"? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes. | ||
| 520 | |a About the Authors: Esteban Buch is directeur d’études (full professor) at the Ecole des Hautes Etudes en Sciences Sociales (EHESS) in Paris, France. A specialist of the relationships between music and politics in the twentieth century, he is the author of O juremos con gloria morir (2013), L’Affaire Bomarzo (2011), Le cas Schoenberg (2006), La Neuvième de Beethoven (1999; English tr. 2003) and Histoire d’un secret (1994). He has also co-edited Du politique en analyse musicale (2014), Tangos cultos (2012), Réévaluer l’art moderne et les avant-gardes (2010), and La Grande guerre des musiciens (2009). - Igor Contreras Zubillaga is a PhD candidate at the Ecole des Hautes Etudes en Sciences Sociales of Paris, France, with a thesis on the Spanish musical avant-garde during Franco's dictatorship. He is co-editor of the volumes Le son des rouages: Representations des rapports homme-machine dans la musique du 20e siècle (2011) and A l'avant-garde! Art et politique dans les années 1960 et 1970 (2013). - Manuel Deniz Silva is Research Fellow at the FCSH (Universidade Nova de Lisboa, Portugal), where he coordinates the "Music and Media" thematic strand of the INET-md (Music and Dance Research Centre). He is co-editor of the Portuguese Journal of Musicology and editor of Kinethophone - Journal of Music, Sound and Moving Image. | ||
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Geschichte 1900-2000 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Politik | |
| 650 | 4 | |a Music |x Political aspects |x History |y 20th century | |
| 650 | 4 | |a Music and state | |
| 650 | 4 | |a Dictators | |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Propaganda |0 (DE-588)4076374-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Komponist |0 (DE-588)4032009-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Diktatur |0 (DE-588)4149920-7 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Diktatur |0 (DE-588)4149920-7 |D s |
| 689 | 0 | 1 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 0 | 2 | |a Komponist |0 (DE-588)4032009-1 |D s |
| 689 | 0 | 3 | |a Propaganda |0 (DE-588)4076374-2 |D s |
| 689 | 0 | 4 | |a Geschichte 1900-2000 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Buch, Esteban |d 1963- |0 (DE-588)132219026 |4 edt | |
| 700 | 1 | |a Contreras Zubillaga, Igor |d 1979- |0 (DE-588)1069535990 |4 edt | |
| 700 | 1 | |a Silva, Manuel Deniz |0 (DE-588)1069537268 |4 edt | |
| 830 | 0 | |a Musical cultures of the twentieth century |v volume 2 |w (DE-604)BV043647103 |9 2 | |
| 940 | 1 | |q BSB_NED_20190704 | |
| 942 | 1 | 1 | |c 909 |e 22/bsb |f 0904 |g 181 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0904 |g 181 |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |f 0904 |g 181 |
Datensatz im Suchindex
| _version_ | 1805072984033984512 |
|---|---|
| adam_text | |
| any_adam_object | |
| author2 | Buch, Esteban 1963- Contreras Zubillaga, Igor 1979- Silva, Manuel Deniz |
| author2_role | edt edt edt |
| author2_variant | e b eb z i c zi zic m d s md mds |
| author_GND | (DE-588)132219026 (DE-588)1069535990 (DE-588)1069537268 |
| author_facet | Buch, Esteban 1963- Contreras Zubillaga, Igor 1979- Silva, Manuel Deniz |
| building | Verbundindex |
| bvnumber | BV045490137 |
| classification_rvk | ME 2600 MB 3450 LR 57727 |
| ctrlnum | (OCoLC)1090779557 (DE-599)BVBBV045490137 |
| discipline | Politologie Musikwissenschaft |
| edition | First issued in paperback |
| era | Geschichte 1900-2000 Geschichte 1900-2000 gnd |
| era_facet | Geschichte 1900-2000 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 cb4500</leader><controlfield tag="001">BV045490137</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20190704</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">190227s2019 xxuagl| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781472437495</subfield><subfield code="c">hbk</subfield><subfield code="9">978-1-4724-3749-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780367229214</subfield><subfield code="c">pbk</subfield><subfield code="9">978-0-367-22921-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1090779557</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045490137</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-M352</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">ME 2600</subfield><subfield code="0">(DE-625)122587:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MB 3450</subfield><subfield code="0">(DE-625)122315:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 57727</subfield><subfield code="0">(DE-625)109881:13535</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">v 78</subfield><subfield code="2">ifzs</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">c 81.6</subfield><subfield code="2">ifzs</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">b 59</subfield><subfield code="2">ifzs</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">l 90</subfield><subfield code="2">ifzs</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">v 65</subfield><subfield code="2">ifzs</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Composing for the state</subfield><subfield code="b">music in twentieth-century dictatorships</subfield><subfield code="c">edited by Esteban Buch (École des Hautes Études en Sciences Sociales, EHESS, France), Igor Contreras Zubillaga (École des Hautes Études en Sciences Sociales, EHESS, France), Manuel Deniz Silva (Universidade Nova de Lisboa, Portugal)</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First issued in paperback</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York</subfield><subfield code="b">Routledge, Taylor & Francis Group</subfield><subfield code="c">2019</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">x, 224 Seiten</subfield><subfield code="b">Illustration, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Musical cultures of the twentieth century</subfield><subfield code="v">volume 2</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">An Ashgate book</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order. This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide "music for the people", to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State. This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about "State music"? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">About the Authors: Esteban Buch is directeur d’études (full professor) at the Ecole des Hautes Etudes en Sciences Sociales (EHESS) in Paris, France. A specialist of the relationships between music and politics in the twentieth century, he is the author of O juremos con gloria morir (2013), L’Affaire Bomarzo (2011), Le cas Schoenberg (2006), La Neuvième de Beethoven (1999; English tr. 2003) and Histoire d’un secret (1994). He has also co-edited Du politique en analyse musicale (2014), Tangos cultos (2012), Réévaluer l’art moderne et les avant-gardes (2010), and La Grande guerre des musiciens (2009). - Igor Contreras Zubillaga is a PhD candidate at the Ecole des Hautes Etudes en Sciences Sociales of Paris, France, with a thesis on the Spanish musical avant-garde during Franco's dictatorship. He is co-editor of the volumes Le son des rouages: Representations des rapports homme-machine dans la musique du 20e siècle (2011) and A l'avant-garde! Art et politique dans les années 1960 et 1970 (2013). - Manuel Deniz Silva is Research Fellow at the FCSH (Universidade Nova de Lisboa, Portugal), where he coordinates the "Music and Media" thematic strand of the INET-md (Music and Dance Research Centre). He is co-editor of the Portuguese Journal of Musicology and editor of Kinethophone - Journal of Music, Sound and Moving Image.</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Politik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="x">Political aspects</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music and state</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Dictators</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Propaganda</subfield><subfield code="0">(DE-588)4076374-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Komponist</subfield><subfield code="0">(DE-588)4032009-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Diktatur</subfield><subfield code="0">(DE-588)4149920-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Diktatur</subfield><subfield code="0">(DE-588)4149920-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Komponist</subfield><subfield code="0">(DE-588)4032009-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Propaganda</subfield><subfield code="0">(DE-588)4076374-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Buch, Esteban</subfield><subfield code="d">1963-</subfield><subfield code="0">(DE-588)132219026</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Contreras Zubillaga, Igor</subfield><subfield code="d">1979-</subfield><subfield code="0">(DE-588)1069535990</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Silva, Manuel Deniz</subfield><subfield code="0">(DE-588)1069537268</subfield><subfield code="4">edt</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Musical cultures of the twentieth century</subfield><subfield code="v">volume 2</subfield><subfield code="w">(DE-604)BV043647103</subfield><subfield code="9">2</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20190704</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">909</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">181</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">181</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">181</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV045490137 |
| illustrated | Illustrated |
| indexdate | 2024-07-20T05:02:23Z |
| institution | BVB |
| isbn | 9781472437495 9780367229214 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030875032 |
| oclc_num | 1090779557 |
| open_access_boolean | |
| owner | DE-M352 DE-473 DE-BY-UBG DE-739 |
| owner_facet | DE-M352 DE-473 DE-BY-UBG DE-739 |
| physical | x, 224 Seiten Illustration, Notenbeispiele |
| psigel | BSB_NED_20190704 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| series | Musical cultures of the twentieth century |
| series2 | Musical cultures of the twentieth century An Ashgate book |
| spelling | Composing for the state music in twentieth-century dictatorships edited by Esteban Buch (École des Hautes Études en Sciences Sociales, EHESS, France), Igor Contreras Zubillaga (École des Hautes Études en Sciences Sociales, EHESS, France), Manuel Deniz Silva (Universidade Nova de Lisboa, Portugal) First issued in paperback London ; New York Routledge, Taylor & Francis Group 2019 © 2016 x, 224 Seiten Illustration, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Musical cultures of the twentieth century volume 2 An Ashgate book Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order. This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide "music for the people", to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State. This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about "State music"? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes. About the Authors: Esteban Buch is directeur d’études (full professor) at the Ecole des Hautes Etudes en Sciences Sociales (EHESS) in Paris, France. A specialist of the relationships between music and politics in the twentieth century, he is the author of O juremos con gloria morir (2013), L’Affaire Bomarzo (2011), Le cas Schoenberg (2006), La Neuvième de Beethoven (1999; English tr. 2003) and Histoire d’un secret (1994). He has also co-edited Du politique en analyse musicale (2014), Tangos cultos (2012), Réévaluer l’art moderne et les avant-gardes (2010), and La Grande guerre des musiciens (2009). - Igor Contreras Zubillaga is a PhD candidate at the Ecole des Hautes Etudes en Sciences Sociales of Paris, France, with a thesis on the Spanish musical avant-garde during Franco's dictatorship. He is co-editor of the volumes Le son des rouages: Representations des rapports homme-machine dans la musique du 20e siècle (2011) and A l'avant-garde! Art et politique dans les années 1960 et 1970 (2013). - Manuel Deniz Silva is Research Fellow at the FCSH (Universidade Nova de Lisboa, Portugal), where he coordinates the "Music and Media" thematic strand of the INET-md (Music and Dance Research Centre). He is co-editor of the Portuguese Journal of Musicology and editor of Kinethophone - Journal of Music, Sound and Moving Image. Geschichte 1900-2000 Geschichte 1900-2000 gnd rswk-swf Geschichte Musik Politik Music Political aspects History 20th century Music and state Dictators Musik (DE-588)4040802-4 gnd rswk-swf Propaganda (DE-588)4076374-2 gnd rswk-swf Komponist (DE-588)4032009-1 gnd rswk-swf Diktatur (DE-588)4149920-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Diktatur (DE-588)4149920-7 s Musik (DE-588)4040802-4 s Komponist (DE-588)4032009-1 s Propaganda (DE-588)4076374-2 s Geschichte 1900-2000 z DE-604 Buch, Esteban 1963- (DE-588)132219026 edt Contreras Zubillaga, Igor 1979- (DE-588)1069535990 edt Silva, Manuel Deniz (DE-588)1069537268 edt Musical cultures of the twentieth century volume 2 (DE-604)BV043647103 2 |
| spellingShingle | Composing for the state music in twentieth-century dictatorships Musical cultures of the twentieth century Geschichte Musik Politik Music Political aspects History 20th century Music and state Dictators Musik (DE-588)4040802-4 gnd Propaganda (DE-588)4076374-2 gnd Komponist (DE-588)4032009-1 gnd Diktatur (DE-588)4149920-7 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4076374-2 (DE-588)4032009-1 (DE-588)4149920-7 (DE-588)4143413-4 |
| title | Composing for the state music in twentieth-century dictatorships |
| title_auth | Composing for the state music in twentieth-century dictatorships |
| title_exact_search | Composing for the state music in twentieth-century dictatorships |
| title_full | Composing for the state music in twentieth-century dictatorships edited by Esteban Buch (École des Hautes Études en Sciences Sociales, EHESS, France), Igor Contreras Zubillaga (École des Hautes Études en Sciences Sociales, EHESS, France), Manuel Deniz Silva (Universidade Nova de Lisboa, Portugal) |
| title_fullStr | Composing for the state music in twentieth-century dictatorships edited by Esteban Buch (École des Hautes Études en Sciences Sociales, EHESS, France), Igor Contreras Zubillaga (École des Hautes Études en Sciences Sociales, EHESS, France), Manuel Deniz Silva (Universidade Nova de Lisboa, Portugal) |
| title_full_unstemmed | Composing for the state music in twentieth-century dictatorships edited by Esteban Buch (École des Hautes Études en Sciences Sociales, EHESS, France), Igor Contreras Zubillaga (École des Hautes Études en Sciences Sociales, EHESS, France), Manuel Deniz Silva (Universidade Nova de Lisboa, Portugal) |
| title_short | Composing for the state |
| title_sort | composing for the state music in twentieth century dictatorships |
| title_sub | music in twentieth-century dictatorships |
| topic | Geschichte Musik Politik Music Political aspects History 20th century Music and state Dictators Musik (DE-588)4040802-4 gnd Propaganda (DE-588)4076374-2 gnd Komponist (DE-588)4032009-1 gnd Diktatur (DE-588)4149920-7 gnd |
| topic_facet | Geschichte Musik Politik Music Political aspects History 20th century Music and state Dictators Propaganda Komponist Diktatur Aufsatzsammlung |
| volume_link | (DE-604)BV043647103 |
| work_keys_str_mv | AT buchesteban composingforthestatemusicintwentiethcenturydictatorships AT contreraszubillagaigor composingforthestatemusicintwentiethcenturydictatorships AT silvamanueldeniz composingforthestatemusicintwentiethcenturydictatorships |