Corporeality in early cinema: viscera, skin, and physical form
Gespeichert in:
| Weitere Verfasser: | , , , |
|---|---|
| Format: | Buch |
| Sprache: | English French |
| Veröffentlicht: |
Bloomington, Indiana
Indiana University Press
[2018]
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| Schriftenreihe: | Early cinema in review : proceedings of Domitor
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Beiträge überwiegend auf englisch, einzelne Beiträge auf französisch |
| Beschreibung: | viii, 360 Seiten Illustrationen |
| ISBN: | 9780253033659 |
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Datensatz im Suchindex
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Contents General Introduction Marina Dahlquist, Down Galili, Jan Olsson, and Valentine Robert і Part I: Impossible Bodies и Introduction и 1 The Impossible Body of Early Film Tom Gunning 13 2 Ovidian Violence: George Méliès’s Explosive Screen Bodies Vito Adriaensens 25 3 The Body under the Scalpel in the Illustrated Press and the Cinema Jérérny Houillère, Translated by Timothy Barnard 4 Ghosts and Their Nationality in the Fin de Siècle Machinery Ian Christie Part II: Inventories of the Body Introduction 5 Field Trip to Insanity: Bodies and Minds in the Dr. Maestre Film Collection (Spain, 1915) Luis Alonso Garcia, Daniel Sánchez-Salas, and Begoña Soto-Vázquez 6 The Celluloid Specimens: AnimalOrigins for the Moving Image Benjamin Schultz-Figueroa 7 Death by a Thousand Cuts: On-Screen Executions in Early American Cinema Gary D. Rhodes 35 46 59 59 61 74 85
vi \ Contents 8 Staged Bodies, Caged Bodies: Early Cinema in the Age of Human Zoos Rodolphe Gahéry, Translated by Timothy Barnard 94 9 “Stills from a Film That Is Missing”: Indigenous Images and the Photographic Interval in Early Cinema Joanna Hearne 103 Part III: Performing Bodies Introduction 10 Risky Business: The Early Film Actor and Discourses of Danger Charlie Keil and Denise McKenna 117 117 119 11 Bodies in Motion: Dancing and Boxing in Early Norwegian Cinema Gunnar Iversen 134 12 The Beauty of the Forzuti: Irresistible Male Bodies On- and Offscreen Ivo Blom 146 13 Nudity in Early Cinema; or, the PictorialTransgression Valentine Robert 156 14 Paul Capellani: The Body Put to the Test by Cinema Sébastien Dupont-Bloch, Translated by Timothy Barnard 167 Part IV: Bodily Features 17Յ Introduction 173 15 Hair and Hairiness in Early Cinema Jean-Claude Seguin, Translated by Timothy Barnard 175 16 Lumière Agents in Mexico: The “Body” of Film as a Late-Nineteenth-Century Discourse John Fullerton 181 17 Breathing Faces, Twinkling Eyes: On the Cinematic Visage in Russian Films of the 1910s Oksana Chefranova 191
Contents 18 Making Faces: Character and Makeup in Early Cinema Alice Maurice Part V: Embodied Audiences Introduction I vii 206 219 219 19 “Keep It Dark”: The Fatale Attraction of the Female Viewer’s Body Mireille Berton 221 20 “The Best Synonym of Youth”: G. Stanley Hall, Mimetic Play, and Early Cinema’s Embodied Youth Spectator Christina Petersen 231 21 Perils of Cinema? The German Cinema Debate and the “Nerve-Racking” Medium Stephanie Werder 240 22 “The Taste of the Moment Seems All for ‘Pictures’”: Irish Historical Bodies before the Early Cinema Screen Denis Condon 249 Part VI: Bodies in Exhibition Spaces Introduction 23 The Viewer’s Body in Motion: Physical and Virtual Effects of Three-Dimensional Spectacles Martin Barnier, Translated by Timothy Barnard 24 Moving the Spectator, Dancing with the Screen: Early Dance Instruction Films and Reconfigurations of Film Spectatorship in the 1910s Kristina Köhler 25 A Rational and Entertaining Species of Amusement to Bipeds of All Ages: The Splendid Camera Obscura Alison Reiko Loader Appendix: Original French Texts 26 Le corps sous le scalpel de la presse illustrée et du cinéma Jérémy Houillère 261 26í 263 275 289 301 303
viii I Contents 27 Corps mis en scène, corps mis en cage: Le cinématographe au temps des zoos humains Rodolphe Gahéry 3ц 28 Paul Capellani: Le corps à l’épreuvedu cinéma Sébastien Dupont-Bloch 323 29 Poils et pilosités dans le cinéma des origines Jean-Claude Seguin 329 30 Le corps du spectateur en mouvement: Effets réels et virtuels des spectacles tridimensionnels Martin Barnier Index 336 349
CoRPORHAUTY in Early Cinema inspires a heightened awareness of the ways in which early film culture and screen praxes overall are inherently embodied. Contributors argue that on- and offscreen (and in affiliated media and techno logical constellations), the body consists of flesh and nerves and is not just an abstract spectator or statistical audience entity. Audience responses from arousal to disgust, from identification to detachment, offer us a means to understand what spectators have always taken away from their cinematic experience. Through theoretical approaches and case studies, scholars offer a variety of models for stimulating historical research on corpo reality and cinema by exploring the matrix of screened bodies, machine-made scaffolding, and their connections to the physical bodies in front of the screen. Marina Dahlquist is Associate Professor of Cinema Studies at Stockholm University. She is editor of Exporting Perilous Pauline: Pearl White and the Serial Film Craze. Doron Galiu is Research Fellow in the Department of Media Studies at Stock holm University. Jan Olsson is Professor of Cinema Studies and former Head of Department at Stockholm University. He is author of Elitchcock à la Carte. Valentine Robert is Lecturer in Film Studies at the University of Lausanne. She is editor (with Laurent Le Forestier and François Albera) of Le Film sur l’art. Entre histoire de l’art et documentaire de creation. |
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| spelling | Corporeality in early cinema viscera, skin, and physical form edited by Marina Dahlquist, Doron Galili, Jan Olsson, and Valentine Robert Bloomington, Indiana Indiana University Press [2018] viii, 360 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Early cinema in review : proceedings of Domitor Beiträge überwiegend auf englisch, einzelne Beiträge auf französisch Human body in motion pictures Motion pictures History 20th century Stummfilm (DE-588)4058257-7 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Publikum (DE-588)4047764-2 gnd rswk-swf Körper (DE-588)4031575-7 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s Körper (DE-588)4031575-7 s Publikum (DE-588)4047764-2 s Rezeption (DE-588)4049716-1 s Stummfilm (DE-588)4058257-7 s DE-604 Dahlquist, Marina (DE-588)1050418220 edt Galili, Doron ca. 20. / 21. Jh. (DE-588)1211008592 edt Olsson, Jan 1952- (DE-588)137528442 edt Robert, Valentine 1982- (DE-588)1100092668 edt Erscheint auch als Online-Ausgabe, PDF 978-0-253-03366-6 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030870795&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030870795&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Corporeality in early cinema viscera, skin, and physical form |
| title_auth | Corporeality in early cinema viscera, skin, and physical form |
| title_exact_search | Corporeality in early cinema viscera, skin, and physical form |
| title_full | Corporeality in early cinema viscera, skin, and physical form edited by Marina Dahlquist, Doron Galili, Jan Olsson, and Valentine Robert |
| title_fullStr | Corporeality in early cinema viscera, skin, and physical form edited by Marina Dahlquist, Doron Galili, Jan Olsson, and Valentine Robert |
| title_full_unstemmed | Corporeality in early cinema viscera, skin, and physical form edited by Marina Dahlquist, Doron Galili, Jan Olsson, and Valentine Robert |
| title_short | Corporeality in early cinema |
| title_sort | corporeality in early cinema viscera skin and physical form |
| title_sub | viscera, skin, and physical form |
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| topic_facet | Human body in motion pictures Motion pictures History 20th century Stummfilm Rezeption Publikum Körper Film Aufsatzsammlung |
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