Artificial color: modern food and racial fictions
In Artificial Color, Catherine Keyser examines the early twentieth century phenomenon, wherein US writers became fascinated with modern food-global geographies, nutritional theories, and technological innovations. African American literature of the 1920s and 1930s uses new food technologies as imagi...
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1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Oxford University Press
[2019]
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Schlagworte: | |
Zusammenfassung: | In Artificial Color, Catherine Keyser examines the early twentieth century phenomenon, wherein US writers became fascinated with modern food-global geographies, nutritional theories, and technological innovations. African American literature of the 1920s and 1930s uses new food technologies as imaginative models for resisting and recasting oppressive racial categories. In his masterwork Cane (1923), Jean Toomer follows sugar from the boiling-potsof the South to the speakeasies of the North. Through effervescent and colorful soda, he rejects the binary of black and white in favor of a dream of artificial color and a new American race. In his serial science fiction, Black Empire (1938-39), George Schuyler associates hydroponics and raw foods with racialhybridity and utopian futures. 0The second half of the book focuses on white expatriate writers who experienced local food cultures as sensuous encounters with racial others. Ernest Hemingway and Gertrude Stein associate regional European races with the ideal of terroir and aspire to transplantation through their own connoisseurship. In their novels set in the Mediterranean, F. Scott and Zelda Fitzgerald both dramatize the white body's susceptibility to intoxicating and stimulating substances like wine and coffee. For Scott0Fitzgerald, the climatological and culinary corruption of the South produces the tragic fall of white masculinity. For Zelda, by contrast, it exposes the destructiveness and fictitiousness of the white feminine purity ideal. During the Great Depression and the Second World War, African American writers Zora Neale Hurston and Dorothy West exposed the racism that shaped the global food industry and the precarity of black labor. Their engagement with food, however, insisted upon pleasure as well as vulnerability, the potential of sensuous flesh and racial affiliation |
Beschreibung: | ix, 219 Seiten Illustrationen 24 cm |
ISBN: | 9780190673123 0190673125 |
Internformat
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520 | 3 | |a In Artificial Color, Catherine Keyser examines the early twentieth century phenomenon, wherein US writers became fascinated with modern food-global geographies, nutritional theories, and technological innovations. African American literature of the 1920s and 1930s uses new food technologies as imaginative models for resisting and recasting oppressive racial categories. In his masterwork Cane (1923), Jean Toomer follows sugar from the boiling-potsof the South to the speakeasies of the North. Through effervescent and colorful soda, he rejects the binary of black and white in favor of a dream of artificial color and a new American race. In his serial science fiction, Black Empire (1938-39), George Schuyler associates hydroponics and raw foods with racialhybridity and utopian futures. 0The second half of the book focuses on white expatriate writers who experienced local food cultures as sensuous encounters with racial others. Ernest Hemingway and Gertrude Stein associate regional European races with the ideal of terroir and aspire to transplantation through their own connoisseurship. In their novels set in the Mediterranean, F. Scott and Zelda Fitzgerald both dramatize the white body's susceptibility to intoxicating and stimulating substances like wine and coffee. For Scott0Fitzgerald, the climatological and culinary corruption of the South produces the tragic fall of white masculinity. For Zelda, by contrast, it exposes the destructiveness and fictitiousness of the white feminine purity ideal. During the Great Depression and the Second World War, African American writers Zora Neale Hurston and Dorothy West exposed the racism that shaped the global food industry and the precarity of black labor. Their engagement with food, however, insisted upon pleasure as well as vulnerability, the potential of sensuous flesh and racial affiliation | |
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653 | 0 | |a Food habits in literature | |
653 | 0 | |a Race in literature | |
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653 | 0 | |a Ethnicity in literature | |
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653 | 0 | |a Ethnicity in literature | |
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Datensatz im Suchindex
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any_adam_object | |
author | Keyser, Catherine 1980- |
author_GND | (DE-588)143059343 |
author_facet | Keyser, Catherine 1980- |
author_role | aut |
author_sort | Keyser, Catherine 1980- |
author_variant | c k ck |
building | Verbundindex |
bvnumber | BV045479879 |
classification_rvk | HU 1728 |
ctrlnum | (OCoLC)1090779220 (DE-599)BVBBV045479879 |
discipline | Anglistik / Amerikanistik |
format | Book |
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id | DE-604.BV045479879 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:19:13Z |
institution | BVB |
isbn | 9780190673123 0190673125 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030864985 |
oclc_num | 1090779220 |
open_access_boolean | |
owner | DE-824 |
owner_facet | DE-824 |
physical | ix, 219 Seiten Illustrationen 24 cm |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | Oxford University Press |
record_format | marc |
spelling | Keyser, Catherine 1980- Verfasser (DE-588)143059343 aut Artificial color modern food and racial fictions Catherine Keyser New York Oxford University Press [2019] ix, 219 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier In Artificial Color, Catherine Keyser examines the early twentieth century phenomenon, wherein US writers became fascinated with modern food-global geographies, nutritional theories, and technological innovations. African American literature of the 1920s and 1930s uses new food technologies as imaginative models for resisting and recasting oppressive racial categories. In his masterwork Cane (1923), Jean Toomer follows sugar from the boiling-potsof the South to the speakeasies of the North. Through effervescent and colorful soda, he rejects the binary of black and white in favor of a dream of artificial color and a new American race. In his serial science fiction, Black Empire (1938-39), George Schuyler associates hydroponics and raw foods with racialhybridity and utopian futures. 0The second half of the book focuses on white expatriate writers who experienced local food cultures as sensuous encounters with racial others. Ernest Hemingway and Gertrude Stein associate regional European races with the ideal of terroir and aspire to transplantation through their own connoisseurship. In their novels set in the Mediterranean, F. Scott and Zelda Fitzgerald both dramatize the white body's susceptibility to intoxicating and stimulating substances like wine and coffee. For Scott0Fitzgerald, the climatological and culinary corruption of the South produces the tragic fall of white masculinity. For Zelda, by contrast, it exposes the destructiveness and fictitiousness of the white feminine purity ideal. During the Great Depression and the Second World War, African American writers Zora Neale Hurston and Dorothy West exposed the racism that shaped the global food industry and the precarity of black labor. Their engagement with food, however, insisted upon pleasure as well as vulnerability, the potential of sensuous flesh and racial affiliation Food in literature American fiction / 20th century / History and criticism Food habits in literature Race in literature Whites / Race identity / In literature Ethnicity in literature American fiction 1900-1999 Criticism, interpretation, etc Erscheint auch als Online-Ausgabe, PDF 978-0-19-067313-0 Erscheint auch als Online-Ausgabe, EPUB 978-0-19-067314-7 |
spellingShingle | Keyser, Catherine 1980- Artificial color modern food and racial fictions |
title | Artificial color modern food and racial fictions |
title_auth | Artificial color modern food and racial fictions |
title_exact_search | Artificial color modern food and racial fictions |
title_full | Artificial color modern food and racial fictions Catherine Keyser |
title_fullStr | Artificial color modern food and racial fictions Catherine Keyser |
title_full_unstemmed | Artificial color modern food and racial fictions Catherine Keyser |
title_short | Artificial color |
title_sort | artificial color modern food and racial fictions |
title_sub | modern food and racial fictions |
work_keys_str_mv | AT keysercatherine artificialcolormodernfoodandracialfictions |