Why you like this photo: the science of perception
Beauty is not just in the eye of the beholder. It's something that can be measured and understood. Science Fact.0Scientists are starting to unravel more and more about how the mind has developed over human history, revealing some surprising truths about how the mind works. Did you know, for exa...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London
Ilex
2018
|
Schlagworte: | |
Zusammenfassung: | Beauty is not just in the eye of the beholder. It's something that can be measured and understood. Science Fact.0Scientists are starting to unravel more and more about how the mind has developed over human history, revealing some surprising truths about how the mind works. Did you know, for example, that the landscape photos people think of as most beautiful are closely correlated with exactly the kind of lush fertile landscape early humans sought out?0Featuring interviews with numerous great photographers combined with concepts from exciting areas of science and psychology, the book holds the inspiring and practical keys to capturing the images that you, and everyone, will love |
Beschreibung: | 160 Seiten Illustrationen 21 cm |
ISBN: | 9781781573747 1781573743 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV045478612 | ||
003 | DE-604 | ||
005 | 20190424 | ||
007 | t | ||
008 | 190219s2018 a||| b||| 00||| eng d | ||
020 | |a 9781781573747 |9 978-1-78157-374-7 | ||
020 | |a 1781573743 |9 1781573743 | ||
035 | |a (OCoLC)1088351619 | ||
035 | |a (DE-599)BVBBV045478612 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-255 |a DE-Y3 | ||
084 | |a 3 |2 KUBA2 | ||
100 | 1 | |a Dilg, Brian |e Verfasser |0 (DE-588)1184409781 |4 aut | |
245 | 1 | 0 | |a Why you like this photo |b the science of perception |c Brian Dilg |
264 | 1 | |a London |b Ilex |c 2018 | |
264 | 2 | |a New York, NY |b Distributed in the US by Hachette Book Group |c 2018 | |
300 | |a 160 Seiten |b Illustrationen |c 21 cm | ||
336 | |b txt |2 rdacontent | ||
336 | |b sti |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
505 | 8 | 0 | |t How we see : humans vs. cameras: Looking vs. seeing : the problem with experience |t Meeting the mental model |t Angle of view |t Dynamic view vs. static frame |t Focal length & magnification |t Focus & sharpness |t Focus & cameras |t Depth of field |t The experts speak : Dr. Martin Rolf, vision specialist |t Exposure |t Dynamic range |t Color perception |t Motion & time |t The experts speak : Dr. Donald Hoffman, cognitive neuroscientist -- |t How we notice : principles of visual attraction: Overcoming the bandwidth of perception |t Position in frame |t Size in frame |t Scale |t Focus |t Lines, real & implied |t Expression & gesture |t Substitution |t Attention : the personal hierarchy |t The experts speak : Dr. Jay Friedenberg, psychologist |t Brightness & contrast |t Tonal frameworks |t Color |t Motifs |t Surprise & delay : exploiting expectations |t Applied perception : masters at work -- |t How we think : decoding photographs: Theory of mind |t Mirroring : art as self-portrait |t Omission & imagination : inside & outside the frame |t Constructing a 3D world from 2D images |t The experts speak : Julie Grahame, curator |t The shock of the familiar |t Vantage point |t Implied relationships |t Visceral qualities |t The experts speak : Mark Prüst, photo consultant & curator |t Time : constructing narratives |t Shape as character |t Context & juxtaposition : the fluidity of meaning |t Light as signifier |t Color as meaning |t The experts speak : Elisabeth Biondi, curator -- |t Conclusions |
520 | 3 | |a Beauty is not just in the eye of the beholder. It's something that can be measured and understood. Science Fact.0Scientists are starting to unravel more and more about how the mind has developed over human history, revealing some surprising truths about how the mind works. Did you know, for example, that the landscape photos people think of as most beautiful are closely correlated with exactly the kind of lush fertile landscape early humans sought out?0Featuring interviews with numerous great photographers combined with concepts from exciting areas of science and psychology, the book holds the inspiring and practical keys to capturing the images that you, and everyone, will love | |
650 | 0 | 7 | |a Fotografie |0 (DE-588)4045895-7 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Bildersprache |0 (DE-588)4006619-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Wahrnehmung |0 (DE-588)4064317-7 |2 gnd |9 rswk-swf |
653 | 0 | |a Photography, Artistic | |
653 | 0 | |a Perception | |
653 | 0 | |a Perception | |
653 | 0 | |a Photography, Artistic | |
689 | 0 | 0 | |a Fotografie |0 (DE-588)4045895-7 |D s |
689 | 0 | 1 | |a Wahrnehmung |0 (DE-588)4064317-7 |D s |
689 | 0 | 2 | |a Bildersprache |0 (DE-588)4006619-8 |D s |
689 | 0 | |5 DE-604 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-030863737 |
Datensatz im Suchindex
_version_ | 1804179394674032640 |
---|---|
any_adam_object | |
author | Dilg, Brian |
author_GND | (DE-588)1184409781 |
author_facet | Dilg, Brian |
author_role | aut |
author_sort | Dilg, Brian |
author_variant | b d bd |
building | Verbundindex |
bvnumber | BV045478612 |
contents | How we see : humans vs. cameras: Looking vs. seeing : the problem with experience Meeting the mental model Angle of view Dynamic view vs. static frame Focal length & magnification Focus & sharpness Focus & cameras Depth of field The experts speak : Dr. Martin Rolf, vision specialist Exposure Dynamic range Color perception Motion & time The experts speak : Dr. Donald Hoffman, cognitive neuroscientist -- How we notice : principles of visual attraction: Overcoming the bandwidth of perception Position in frame Size in frame Scale Focus Lines, real & implied Expression & gesture Substitution Attention : the personal hierarchy The experts speak : Dr. Jay Friedenberg, psychologist Brightness & contrast Tonal frameworks Color Motifs Surprise & delay : exploiting expectations Applied perception : masters at work -- How we think : decoding photographs: Theory of mind Mirroring : art as self-portrait Omission & imagination : inside & outside the frame Constructing a 3D world from 2D images The experts speak : Julie Grahame, curator The shock of the familiar Vantage point Implied relationships Visceral qualities The experts speak : Mark Prüst, photo consultant & curator Time : constructing narratives Shape as character Context & juxtaposition : the fluidity of meaning Light as signifier Color as meaning The experts speak : Elisabeth Biondi, curator -- Conclusions |
ctrlnum | (OCoLC)1088351619 (DE-599)BVBBV045478612 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03551nam a2200457 c 4500</leader><controlfield tag="001">BV045478612</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20190424 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">190219s2018 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781781573747</subfield><subfield code="9">978-1-78157-374-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1781573743</subfield><subfield code="9">1781573743</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1088351619</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045478612</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-Y3</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">3</subfield><subfield code="2">KUBA2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Dilg, Brian</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1184409781</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Why you like this photo</subfield><subfield code="b">the science of perception</subfield><subfield code="c">Brian Dilg</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Ilex</subfield><subfield code="c">2018</subfield></datafield><datafield tag="264" ind1=" " ind2="2"><subfield code="a">New York, NY</subfield><subfield code="b">Distributed in the US by Hachette Book Group</subfield><subfield code="c">2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">160 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">21 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">How we see : humans vs. cameras: Looking vs. seeing : the problem with experience</subfield><subfield code="t">Meeting the mental model</subfield><subfield code="t">Angle of view</subfield><subfield code="t">Dynamic view vs. static frame</subfield><subfield code="t">Focal length & magnification</subfield><subfield code="t">Focus & sharpness</subfield><subfield code="t">Focus & cameras</subfield><subfield code="t">Depth of field</subfield><subfield code="t">The experts speak : Dr. Martin Rolf, vision specialist</subfield><subfield code="t">Exposure</subfield><subfield code="t">Dynamic range</subfield><subfield code="t">Color perception</subfield><subfield code="t">Motion & time</subfield><subfield code="t">The experts speak : Dr. Donald Hoffman, cognitive neuroscientist --</subfield><subfield code="t">How we notice : principles of visual attraction: Overcoming the bandwidth of perception</subfield><subfield code="t">Position in frame</subfield><subfield code="t">Size in frame</subfield><subfield code="t">Scale</subfield><subfield code="t">Focus</subfield><subfield code="t">Lines, real & implied</subfield><subfield code="t">Expression & gesture</subfield><subfield code="t">Substitution</subfield><subfield code="t">Attention : the personal hierarchy</subfield><subfield code="t">The experts speak : Dr. Jay Friedenberg, psychologist</subfield><subfield code="t">Brightness & contrast</subfield><subfield code="t">Tonal frameworks</subfield><subfield code="t">Color</subfield><subfield code="t">Motifs</subfield><subfield code="t">Surprise & delay : exploiting expectations</subfield><subfield code="t">Applied perception : masters at work --</subfield><subfield code="t">How we think : decoding photographs: Theory of mind</subfield><subfield code="t">Mirroring : art as self-portrait</subfield><subfield code="t">Omission & imagination : inside & outside the frame</subfield><subfield code="t">Constructing a 3D world from 2D images</subfield><subfield code="t">The experts speak : Julie Grahame, curator</subfield><subfield code="t">The shock of the familiar</subfield><subfield code="t">Vantage point</subfield><subfield code="t">Implied relationships</subfield><subfield code="t">Visceral qualities</subfield><subfield code="t">The experts speak : Mark Prüst, photo consultant & curator</subfield><subfield code="t">Time : constructing narratives</subfield><subfield code="t">Shape as character</subfield><subfield code="t">Context & juxtaposition : the fluidity of meaning</subfield><subfield code="t">Light as signifier</subfield><subfield code="t">Color as meaning</subfield><subfield code="t">The experts speak : Elisabeth Biondi, curator --</subfield><subfield code="t">Conclusions</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Beauty is not just in the eye of the beholder. It's something that can be measured and understood. Science Fact.0Scientists are starting to unravel more and more about how the mind has developed over human history, revealing some surprising truths about how the mind works. Did you know, for example, that the landscape photos people think of as most beautiful are closely correlated with exactly the kind of lush fertile landscape early humans sought out?0Featuring interviews with numerous great photographers combined with concepts from exciting areas of science and psychology, the book holds the inspiring and practical keys to capturing the images that you, and everyone, will love</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Bildersprache</subfield><subfield code="0">(DE-588)4006619-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Wahrnehmung</subfield><subfield code="0">(DE-588)4064317-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Photography, Artistic</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Perception</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Perception</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Photography, Artistic</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Wahrnehmung</subfield><subfield code="0">(DE-588)4064317-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Bildersprache</subfield><subfield code="0">(DE-588)4006619-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030863737</subfield></datafield></record></collection> |
id | DE-604.BV045478612 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:19:10Z |
institution | BVB |
isbn | 9781781573747 1781573743 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030863737 |
oclc_num | 1088351619 |
open_access_boolean | |
owner | DE-255 DE-Y3 |
owner_facet | DE-255 DE-Y3 |
physical | 160 Seiten Illustrationen 21 cm |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Ilex |
record_format | marc |
spelling | Dilg, Brian Verfasser (DE-588)1184409781 aut Why you like this photo the science of perception Brian Dilg London Ilex 2018 New York, NY Distributed in the US by Hachette Book Group 2018 160 Seiten Illustrationen 21 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier How we see : humans vs. cameras: Looking vs. seeing : the problem with experience Meeting the mental model Angle of view Dynamic view vs. static frame Focal length & magnification Focus & sharpness Focus & cameras Depth of field The experts speak : Dr. Martin Rolf, vision specialist Exposure Dynamic range Color perception Motion & time The experts speak : Dr. Donald Hoffman, cognitive neuroscientist -- How we notice : principles of visual attraction: Overcoming the bandwidth of perception Position in frame Size in frame Scale Focus Lines, real & implied Expression & gesture Substitution Attention : the personal hierarchy The experts speak : Dr. Jay Friedenberg, psychologist Brightness & contrast Tonal frameworks Color Motifs Surprise & delay : exploiting expectations Applied perception : masters at work -- How we think : decoding photographs: Theory of mind Mirroring : art as self-portrait Omission & imagination : inside & outside the frame Constructing a 3D world from 2D images The experts speak : Julie Grahame, curator The shock of the familiar Vantage point Implied relationships Visceral qualities The experts speak : Mark Prüst, photo consultant & curator Time : constructing narratives Shape as character Context & juxtaposition : the fluidity of meaning Light as signifier Color as meaning The experts speak : Elisabeth Biondi, curator -- Conclusions Beauty is not just in the eye of the beholder. It's something that can be measured and understood. Science Fact.0Scientists are starting to unravel more and more about how the mind has developed over human history, revealing some surprising truths about how the mind works. Did you know, for example, that the landscape photos people think of as most beautiful are closely correlated with exactly the kind of lush fertile landscape early humans sought out?0Featuring interviews with numerous great photographers combined with concepts from exciting areas of science and psychology, the book holds the inspiring and practical keys to capturing the images that you, and everyone, will love Fotografie (DE-588)4045895-7 gnd rswk-swf Bildersprache (DE-588)4006619-8 gnd rswk-swf Wahrnehmung (DE-588)4064317-7 gnd rswk-swf Photography, Artistic Perception Fotografie (DE-588)4045895-7 s Wahrnehmung (DE-588)4064317-7 s Bildersprache (DE-588)4006619-8 s DE-604 |
spellingShingle | Dilg, Brian Why you like this photo the science of perception How we see : humans vs. cameras: Looking vs. seeing : the problem with experience Meeting the mental model Angle of view Dynamic view vs. static frame Focal length & magnification Focus & sharpness Focus & cameras Depth of field The experts speak : Dr. Martin Rolf, vision specialist Exposure Dynamic range Color perception Motion & time The experts speak : Dr. Donald Hoffman, cognitive neuroscientist -- How we notice : principles of visual attraction: Overcoming the bandwidth of perception Position in frame Size in frame Scale Focus Lines, real & implied Expression & gesture Substitution Attention : the personal hierarchy The experts speak : Dr. Jay Friedenberg, psychologist Brightness & contrast Tonal frameworks Color Motifs Surprise & delay : exploiting expectations Applied perception : masters at work -- How we think : decoding photographs: Theory of mind Mirroring : art as self-portrait Omission & imagination : inside & outside the frame Constructing a 3D world from 2D images The experts speak : Julie Grahame, curator The shock of the familiar Vantage point Implied relationships Visceral qualities The experts speak : Mark Prüst, photo consultant & curator Time : constructing narratives Shape as character Context & juxtaposition : the fluidity of meaning Light as signifier Color as meaning The experts speak : Elisabeth Biondi, curator -- Conclusions Fotografie (DE-588)4045895-7 gnd Bildersprache (DE-588)4006619-8 gnd Wahrnehmung (DE-588)4064317-7 gnd |
subject_GND | (DE-588)4045895-7 (DE-588)4006619-8 (DE-588)4064317-7 |
title | Why you like this photo the science of perception |
title_alt | How we see : humans vs. cameras: Looking vs. seeing : the problem with experience Meeting the mental model Angle of view Dynamic view vs. static frame Focal length & magnification Focus & sharpness Focus & cameras Depth of field The experts speak : Dr. Martin Rolf, vision specialist Exposure Dynamic range Color perception Motion & time The experts speak : Dr. Donald Hoffman, cognitive neuroscientist -- How we notice : principles of visual attraction: Overcoming the bandwidth of perception Position in frame Size in frame Scale Focus Lines, real & implied Expression & gesture Substitution Attention : the personal hierarchy The experts speak : Dr. Jay Friedenberg, psychologist Brightness & contrast Tonal frameworks Color Motifs Surprise & delay : exploiting expectations Applied perception : masters at work -- How we think : decoding photographs: Theory of mind Mirroring : art as self-portrait Omission & imagination : inside & outside the frame Constructing a 3D world from 2D images The experts speak : Julie Grahame, curator The shock of the familiar Vantage point Implied relationships Visceral qualities The experts speak : Mark Prüst, photo consultant & curator Time : constructing narratives Shape as character Context & juxtaposition : the fluidity of meaning Light as signifier Color as meaning The experts speak : Elisabeth Biondi, curator -- Conclusions |
title_auth | Why you like this photo the science of perception |
title_exact_search | Why you like this photo the science of perception |
title_full | Why you like this photo the science of perception Brian Dilg |
title_fullStr | Why you like this photo the science of perception Brian Dilg |
title_full_unstemmed | Why you like this photo the science of perception Brian Dilg |
title_short | Why you like this photo |
title_sort | why you like this photo the science of perception |
title_sub | the science of perception |
topic | Fotografie (DE-588)4045895-7 gnd Bildersprache (DE-588)4006619-8 gnd Wahrnehmung (DE-588)4064317-7 gnd |
topic_facet | Fotografie Bildersprache Wahrnehmung |
work_keys_str_mv | AT dilgbrian whyyoulikethisphotothescienceofperception |