Sonidos Negros: on the blackness of flamenco

How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? 'Sonidos Negros' traces how, between 1492-when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus...

Ausführliche Beschreibung

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Bibliographische Detailangaben
1. Verfasser: Goldberg, K. Meira ca. 20./21. Jh (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: New York, NY Oxford University Press 2018
Schriftenreihe:Currents in Latin American & Iberian music
Oxford scholarship online
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Online-Zugang:DE-12
URL des Erstveröffentlichers
Zusammenfassung:How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? 'Sonidos Negros' traces how, between 1492-when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus's landing on Hispaniola - and 1933 - when Andalusian poet Federico Garc ia Lorca published his 'Theory and Play of the Duende' - the vanquished Moor became Black; and how the imagined Gitano (Gypsy, or Roma) embodies the warring images and sounds of this process
Beschreibung:Includes bibliographical references and index
Beschreibung:1 Online-Ressource Illustrationen
ISBN:9780190466954
DOI:10.1093/oso/9780190466916.001.0001

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